Rosencrantz and Guildenstern are Dead - wikipedia Rosencrantz and Guildenstern are Dead This article is about Tom Stoppard 's play. For the 1990 film, see Rosencrantz & Guildenstern Are Dead ( film ). Rosencrantz & Guildenstern Are Dead Written by Tom Stoppard Characters Rosencrantz Guildenstern The Player Alfred Hamlet Tragedians King Claudius Gertrude Polonius Ophelia Horatio Fortinbras Soldiers, courtiers, and musicians Date premiered 24 August 1966 Place premiered Edinburgh Fringe Original language English Subject Genre Tragic comedy Setting Shakespeare 's Hamlet Rosencrantz and Guildenstern Are Dead, often referred to as just Rosencrantz and Guildenstern, is an absurdist, existentialist tragicomedy by Tom Stoppard, first staged at the Edinburgh Festival Fringe in 1966. The play expands upon the exploits of two minor characters from Shakespeare 's Hamlet, the courtiers Rosencrantz and Guildenstern. The action of Stoppard 's play takes place mainly `` in the wings '' of Shakespeare 's, with brief appearances of major characters from Hamlet who enact fragments of the original 's scenes. Between these episodes the two protagonists voice their confusion at the progress of events occurring onstage without them in Hamlet, of which they have no direct knowledge. Comparisons have also been drawn with Samuel Beckett 's Waiting for Godot, for the presence of two central characters who almost appear to be two halves of a single character. Many plot features are similar as well : the characters pass time by playing Questions, impersonating other characters, and interrupting each other or remaining silent for long periods of time. Contents 1 Title 2 Characters 3 Synopsis 4 Summary 4.1 Act One 4.2 Act Two 4.3 Act Three 5 Motifs and ideas 6 Metatheatre 7 Notable productions 7.1 United Kingdom 7.2 Broadway and Off - Broadway 7.3 Radio adaptation 7.4 Film adaptation 8 Reception 9 See also 10 References 11 Further reading 12 External links Title The title is taken directly from the final scene of Shakespeare 's Hamlet. In earlier scenes, Prince Hamlet, having been exiled to England by the treacherous King of Denmark ( his uncle, who murdered Hamlet 's father to obtain the throne ) discovered en route a letter from the King carried by his old but now untrusted friends Rosencrantz and Guildenstern. The letter commanded Hamlet 's death upon his arrival in England. Hamlet rewrote the letter to command Rosencrantz and Guildenstern 's deaths and escaped back to Denmark. By the end of Shakespeare 's play, Prince Hamlet, Laertes, Ophelia, Polonius, King Claudius and Gertrude all lie dead. An ambassador from England arrives to bluntly report `` Rosencrantz and Guildenstern are dead '' ( Hamlet. Act V, Scene II, line 411 ) and so they join all the stabbed, poisoned, and drowned key characters. By the end of Hamlet, Horatio is the only main figure left alive. A previous, satirical play of a similar nature named Rosencrantz and Guildenstern was written by W.S. Gilbert in 1874 and performed in 1891. Characters This article 's tone or style may not reflect the encyclopedic tone used on Wikipedia. See Wikipedia 's guide to writing better articles for suggestions. ( September 2015 ) Rosencrantz and Guildenstern : a pair of schoolmates and childhood friends of Hamlet. They forget who they are quite often. Rosencrantz is simple - minded and is okay with taking things at face value and letting other people do the thinking. Guildenstern is more of a thinker and worries about the consequences and implications for him of an action. The Player : A travelling actor with his fair share of wits. He speaks of theatre being only about Love, Blood, and Rhetoric. Stating that everything must contain blood, that it is compulsory and that most things end in death. He is often keeping tabs on the young boy Alfred ( one of his tragedians ). Hamlet : the Prince of Denmark, nephew to Claudius. Throughout the play he seems to be putting on a different face for different people much as he does in Shakespeare 's work. Tragedians : travelling with the Player, including Alfred. They provide a chorus for the audience and react to specific things that the player says. The Player is often called a puppet master because of the way he controls them as well as everyone else in the play. King Claudius : the King of Denmark, Hamlet 's uncle and stepfather. Sends for Rosencrantz and Guildenstern to learn what afflicts Hamlet. Then sends the three off to England with a letter to the English king stating that, as a favour to him and Denmark, Hamlet should be killed on the spot. Gertrude : the Queen of Denmark, and Hamlet 's mother. Polonius : Claudius 's chief adviser. He sees through most of Hamlet 's lies and acts but does n't care enough to bring it to too much attention. Ophelia : Polonius 's daughter. She drifts across the stage from time to time, though no mention of her death is ever present in the play. Horatio : A friend and schoolmate of Hamlet. He has the last line of the play in the scripted work, which is a direct quote from Hamlet. He says these lines as he is holding his dead friend. Fortinbras : the nephew of the King of Norway. Appears at the end of the play to take over Denmark, since the Danish monarchy has fallen. Synopsis The play concerns the misadventures and musings of Rosencrantz and Guildenstern, two minor characters from William Shakespeare 's Hamlet who are childhood friends of the prince, focusing on their actions with the events of Hamlet as background. Rosencrantz and Guildenstern Are Dead is structured as the inverse of Hamlet ; the title characters are the leads, not supporting players, and Hamlet himself has only a small part. The duo appears on stage here when they are off - stage in Shakespeare 's play, with the exception of a few short scenes in which the dramatic events of both plays coincide. In Hamlet, Rosencrantz and Guildenstern are used by the King in an attempt to discover Hamlet 's motives and to plot against him. Hamlet, however, mocks them derisively and outwits them, so that they, rather than he, are executed in the end. Thus, from Rosencrantz 's and Guildenstern 's perspective, the action in Hamlet is largely nonsensical and comical. After the two characters witness a performance of The Murder of Gonzago -- the story within a story in the play Hamlet -- they find themselves on a boat taking Prince Hamlet to England with the troupe that staged the performance. They are intended to give the English king a message telling him to kill Hamlet. Instead, Hamlet discovers this and switches the letter for another, telling the king to kill Rosencrantz and Guildenstern. During the voyage, the two are ambushed by pirates and lose their prisoner, Hamlet, before resigning themselves to their fate and presumably dying thereafter. Summary Act one The play opens with Rosencrantz and Guildenstern betting on coin flips. Rosencrantz, who bets heads each time, wins ninety - two flips in a row. The extreme unlikeliness of this event according to the laws of probability leads Guildenstern to suggest that they may be `` within un -, sub - or supernatural forces ''. The audience learns why they are where they are : the King has sent for them. Guildenstern theorizes on the nature of reality, focusing on how an event becomes increasingly real as more people witness it. A troupe of Tragedians arrives and offers the two men a show. They seem capable only of performances involving bloodbaths. The next two scenes are from the plot of Hamlet. The first, involving Hamlet and Ophelia, takes place off - stage in the Shakespeare ( the stage directions repeat exactly the words in which Ophelia, in the original, describes the event to Polonius ). The second is taken directly from Hamlet, and is Rosencrantz and Guildenstern 's first appearance in that play. Here the Danish king and queen, Claudius and Gertrude, ask the two to discover the nature of Hamlet 's recent madness. The royal couple demonstrate an inability to distinguish the two courtiers from one another, as indeed do the characters themselves to their irritation. Rosencrantz and Guildenstern attempt to practise for their meeting with the Prince by one pretending to be Hamlet and the other asking him questions, but they glean no new information from it. The act closes with another scene from Hamlet in which they finally meet the Prince face to face. Act two The act opens with the end of the conversation between Rosencrantz, Guildenstern, and Hamlet. Guildenstern tries to look on the bright side, while Rosencrantz makes it clear that the pair had made no progress, that Hamlet had entirely outwitted them. The Player returns to the stage. He is angry that the pair had not earlier stayed to watch their play because, without an audience, his Tragedians are nothing. He tells them to stop questioning their existence because, upon examination, life appears too chaotic to comprehend. The Player, Rosencrantz, and Guildenstern lose themselves in yet another illogical conversation that demonstrates the limits of language. The Player leaves in order to prepare for his production of The Murder of Gonzago, set to be put on in front of Hamlet and the King and Queen. The royal couple enters and begins another short scene taken directly from Hamlet : they ask about the duo 's encounter with the Prince, and Rosencrantz and Guildenstern inform them about his interest in the Tragedians ' production. After the king and queen leave, the partners contemplate their job. They see Hamlet walk by but fail to seize the opportunity to interrogate him. The Tragedians return and perform their dress rehearsal of The Murder of Gonzago. The play moves beyond the scope of what the reader sees in Hamlet ; characters resembling Rosencrantz and Guildenstern are seen taking a sea voyage and meeting their deaths at the hands of English courtiers, foreshadowing their true fate. Rosencrantz does not quite make the connection, but Guildenstern is frightened into a verbal attack on the Tragedians ' inability to capture the real essence of death. The stage becomes dark. When the stage is once again visible, Rosencrantz and Guildenstern lie in the same position as had the actors portraying their deaths. The partners are upset that they have become the pawns of the royal couple. Claudius enters again and tells them to find where Hamlet has hidden Polonius ' corpse. After many false starts they eventually find Hamlet, who leaves with the King. Rosencrantz is delighted to find that his mission is complete, but Guildenstern knows it is not over. Hamlet enters, speaking with a Norwegian soldier. Rosencrantz decides that he is happy to accompany Hamlet to England because it means freedom from the orders of the Danish court. Guildenstern understands that wherever they go, they are still trapped in this world. Act three Rosencrantz and Guildenstern find themselves on a ship that has already set sail. The audience is led to believe that the pair has no knowledge of how they got there. At first, they try to determine whether they are still alive. Eventually, they recognize that they are not dead and are on board a boat. They remember that Claudius had given them a letter to deliver to England. After some brief confusion over who actually has the letter, they find it and end up opening it. They realize that Claudius has asked for Hamlet to be killed. While Rosencrantz seems hesitant to follow their orders now, Guildenstern convinces him that they are not worthy of interfering with fate and with the plans of kings. The stage becomes black and, presumably, the characters go to sleep. Hamlet switches the letter with one he has written himself, an act which takes place off stage in Hamlet. The pair discovers that the Tragedians are hidden ( ' impossibly ', according to the stage directions ) in several barrels on deck. They are fleeing Denmark because their play had offended Claudius. When Rosencrantz complains that there is not enough action, pirates attack. Hamlet, Rosencrantz and Guildenstern, and the Player all hide in separate barrels. The lights dim. When the lights come on again, Hamlet has vanished ( in Hamlet it is reported that he was kidnapped by pirates from the ship ). Rosencrantz and Guildenstern panic, and re-read the letter to find that it now calls for them to be put to death instead of the prince. Guildenstern can not understand why he and Rosencrantz are so important as to necessitate their executions. The Player tells Guildenstern that all paths end in death. Guildenstern snaps and draws the Player 's dagger from his belt, shouting at him that his portrayals of death do not do justice to the real thing. He stabs the Player and the Player appears to die. Guildenstern fully believes he has killed the Player. Seconds later, the Tragedians begin to clap and the Player stands up and brushes himself off, revealing the knife to be a theatrical one with a retractable blade. The Tragedians then act out the deaths from the final scene of Hamlet. The lighting shifts so that Rosencrantz and Guildenstern are the only ones visible. Rosencrantz still does not understand why they must die. Still, he resigns himself to his fate and his character disappears. Guildenstern wonders when he passed the point where he could have stopped the series of events that has brought him to this point. He disappears as well. The final scene features the last few lines from Shakespeare 's Hamlet, as the Ambassador from England announces that Rosencrantz and Guildenstern are dead. Motifs and ideas Absurdity Stoppard emphasizes the randomness of the world. In the beginning of Act One, Rosencrantz and Guildenstern bet on coin flips and Rosencrantz wins with heads ninety - two times in a row. Guildenstern creates a series of syllogisms in order to interpret this phenomenon, but nothing truly coincides with the law of probability. Art vs. Reality The players help demonstrate the conflict between art and reality. The world in which Rosencrantz and Guildenstern live lacks order. However, art allows people that live in this world. As the Player says, `` There 's a design at work in all art. '' Art and the real world are in conflict. In order to reach out to the only reality he can be sure of, Guildenstern exclaims, `` No one gets up after death - there is no applause - there is only silence and some second - hand clothes, and that 's death. '' Stoppard also uses his characters to comment on the believability of theatre. While Guildenstern criticises the Player for his portrayal of death, he believes the Player 's performance when Guildenstern thinks he has stabbed him with a knife. Rosencrantz and Guildenstern believe exactly what the actors want them to believe. Metatheatre Metatheatre is a central structural element of Rosencrantz and Guildenstern Are Dead. Scenes that are staged as plays, dumb shows, or commentaries on dramatic theory and practice, are prominent in both Stoppard 's play and Shakespeare 's original tragedy Hamlet ). In Hamlet, metatheatrical elements include the Player 's speech ( 2.2 ), Hamlet 's advice to the Players ( 3.2 ), and the meta - play `` The Mousetrap '' ( 3.3 ). Since Rosencrantz and Guildenstern are characters from Hamlet itself, Stoppard 's entire play can be considered a piece of metatheatre. Bernardina da Silveira Pinheiro observes that Stoppard uses metatheatrical devices to produce a `` parody '' of the key elements of Shakespeare 's Hamlet that includes foregrounding two minor characters considered `` nonentities '' in the original tragedy. Notable productions United kingdom The play had its first incarnation as a 1964 one - act titled Rosencrantz and Guildenstern Meet King Lear. The expanded version under the current title was first staged at the Edinburgh Festival Fringe on 24 August 1966, by the Oxford Theatre Group. The play debuted in London with a production directed by Derek Goldby and designed by Desmond Heeley at the Old Vic. It premiered on 11 April 1967, with John Stride as Rosencrantz, Edward Petherbridge as Guildenstern, Graham Crowden as the Player, and John McEnery as Hamlet. The play returned to the National Theatre on 14 December 1995 and this production with Adrian Scarborough as Rosencrantz and Simon Russell Beale as Guildenstern subsequently toured to Belfast, Cork, Bath, Newcastle, Sheffield and Bradford. In 2011 the play was revived in a production directed by Sir Trevor Nunn, opening at Chichester Festival Theatre before transferring to the Theatre Royal Haymarket in London 's West End ( June -- August 2011 ). It starred Samuel Barnett and Jamie Parker. Tim Curry was originally scheduled to appear as The Player, but dropped out during preview performances at Chichester Festival Theatre, due to ill health and was replaced by Chris Andrew Mellon. In 2013, an excerpt of the play was performed by Benedict Cumberbatch ( Rosencrantz ) and Kobna Holdbrook - Smith ( Guildenstern ) on the occasion of the 50th anniversary of the National Theatre. From 25 February to 6 May 2017 the play returned to The Old Vic in a production celebrating its 50th anniversary, directed by David Leveaux and starring Daniel Radcliffe as Rosencrantz and Joshua McGuire as Guildenstern. Broadway and off - Broadway The Royal National Theatre production of Rosencrantz and Guildenstern had a year - long Broadway run from 9 October 1967, through 19 October 1968, initially at the Alvin Theatre, then transferring to the Eugene O'Neill Theatre on 8 January 1968. The production, which was Stoppard 's first on Broadway, totalled eight previews and 420 performances. It was directed by Derek Goldby and designed by Desmond Heeley and starred Paul Hecht as the Player, Brian Murray as Rosencrantz and John Wood as Guildenstern. The play was nominated for eight Tony Awards, and won four : Best Play, Scenic and Costume Design, and Producer ; the director and the three leading actors were nominated for Tonys, but did not win. The play also won Best Play from the New York Drama Critics Circle in 1968, and Outstanding Production from the Outer Critics Circle in 1969. The play was profiled in the William Goldman book The Season : A Candid Look at Broadway. A revival in Burbank, California during the early 1980s featured Matthew Faison as Guildenstern and Lane Davies as Rosencrantz. The play had a 1987 New York revival by Roundabout Theatre at the Union Square Theatre, directed by Robert Carsen and featuring John Wood as the Player, Stephen Lang as Rosencrantz and John Rubinstein as Guildenstern. It ran for 40 performances from 29 April to 28 June 1987. Several times since 1995, the American Shakespeare Center has mounted repertories that included both Hamlet and Rosencrantz and Guildenstern, with the same actors performing the same roles in each ; in their 2001 and 2009 seasons the two plays were `` directed, designed, and rehearsed together to make the most out of the shared scenes and situations ''. Radio adaptation The play has been adapted twice for BBC Radio 3, first on 24 December 1978 directed by John Tydeman ; the cast included Edward Petherbridge as Guildenstern, Edward Hardwicke as Rosencrantz, Freddie Jones as The Player, Robert Lang as Claudius, Maxine Audley as Gertrude, Angela Pleasence as Ophelia, and Martin Jarvis as Hamlet. The second adaptation was broadcast on 15 July 2007 as part of a celebration of Stoppard 's 70th birthday ; the production was directed by Peter Kavanagh with Danny Webb as Rosencrantz, Andrew Lincoln as Guildenstern, Desmond Barrit as The Player, John Rowe as Polonius, Abigail Hollick as Ophelia, Liza Sadovy as Gertrude, Simon Treves as Claudius and John Dougall as Hamlet. A 1983 radio adaptation was broadcast on the BBC World Service on 17 October directed by Gordon House, with Nigel Anthony as Rosencrantz, Nicky Henson as Guildenstern, Jack May as The Player, John Duttine as Hamlet, Peter Vaughan as Claudius, Marcia Warren as Gertrude, Eileen Tully as Ophelia, Cyril Shaps as Polonius and Alex Jennings as a Tragedian. Film adaptation Main article : Rosencrantz & Guildenstern Are Dead ( film ) Film rights to the play were originally bought by MGM in 1968 for a reported $350,000 plus 10 % of the profits. John Boorman was announced as director with Bob Chartoff and Irwin Winkler to produce. However the film was not made. The play was eventually adapted for a film released in February 1990, with screenplay and direction by Stoppard. The motion picture is Stoppard 's only film directing credit : `` ( I ) t began to become clear that it might be a good idea if I did it myself -- at least the director would n't have to keep wondering what the author meant. It just seemed that I 'd be the only person who could treat the play with the necessary disrespect. '' The cast included Gary Oldman as Rosencrantz, Tim Roth as Guildenstern, Richard Dreyfuss as the Player, Joanna Roth as Ophelia, Ian Richardson as Polonius, Joanna Miles as Gertrude, Donald Sumpter as Claudius, and Iain Glen as Hamlet. Reception Upon its release, Rosencrantz and Guildenstern Are Dead received critical acclaim. Clive Barnes of The New York Times described his play as `` very funny, very brilliant, very chilling. '' See also Theatre portal References Jump up ^ `` Edinburgh : Cradle of shows that conquered the world '' Independent 2 August 2010 ^ Jump up to : Michael H. Hutchins ( 14 August 2006 ). `` A Tom Stoppard Bibliography : Chronology ''. The Stephen Sondheim Reference Guide. Retrieved 2008 - 06 - 23. Jump up ^ Jim Hunter ( 2000 ). Tom Stoppard : Rosencrantz and Guildenstern are dead, Jumpers, Travesties, Arcadia. Macmillan. Jump up ^ Garrett Ziegler ( 2008 ). `` Rosencrantz and Guildenstern Are Dead : Themes, Motifs & Symbols ''. SparkNotes. Retrieved 2008 - 06 - 23. Jump up ^ Johnston, Ian ( April 10, 1997 ). `` Lecture on Stoppard, Rosencrantz and Guildenstern Are Dead ''. Jump up ^ ( See John Fleming 's analysis in Rosencrantz and Guildenstern Are Dead ( 2017 ) http://pum.univ-tlse2.fr/~Rosencrantz-and-Guildenstern-are~.html Jump up ^ Pinheiro, Bernardina da Silveira ( 2002 ). `` Stoppard 's and Shakespeare 's Views on Metatheater ''. In Resende, Aimara da Cunha ; Burns, Thomas LaBorie. Foreign Accents : Brazilian Readings of Shakespeare. Newark, DE : University of Delaware Press. pp. 185, 194. ISBN 0 - 87413 - 753 - 5. Retrieved 2015 - 05 - 26. ^ Jump up to : Alberge, Dalya ( 2 November 2013 ). `` National Theatre : Night of the stars celebrates 50 years ''. The Guardian. Jump up ^ Michael Berry ( 24 May 2004 ). `` Rosencrantz & Guildenstern Are Dead ''. Michael Berry 's Web Pages. Retrieved 23 June 2008. Jump up ^ National Theatre programme for this production printed by Batley Brothers Printers, Clapham, London SW4 0JN, 1995 Jump up ^ http://pum.univ-tlse2.fr/spip.php?page=popup_image&id_article=1989 Jump up ^ See Marianne Drugeon 's analysis of Leveaux ' production in Rosencrantz and Guildenstern Are Dead ( Toulouse, 2017 ) http://pum.univ-tlse2.fr/~Rosencrantz-and-Guildenstern-are~.html# Jump up ^ `` Glenda Jackson leads Old Vic season ''. www.officiallondontheatre.co.uk. Retrieved 2016 - 09 - 07. Jump up ^ `` Daniel Radcliffe to play Rosencrantz in Sir Tom Stoppard play at Old Vic ''. BBC News. 2016 - 10 - 06. Retrieved 2016 - 10 - 06. Jump up ^ Billington, Michael ( 8 March 2017 ). `` Rosencrantz and Guildenstern Are Dead review -- Daniel Radcliffe shines in Stoppard 's sprightly comedy ''. The Guardian. Archived from the original on 8 April 2017. Retrieved 10 April 2017. Jump up ^ `` Rosencrantz and Guildenstern Are Dead Tony Award Info ''. BroadwayWorld. 2008. Retrieved 2008 - 06 - 23. Jump up ^ Warren, Jim. `` Director 's Notes ''. American Shakespeare Center. Retrieved 2009 - 06 - 20. Jump up ^ Only Die Twice By A.H. WEILER. New York Times ( 1923 - Current file ) ( New York, N.Y ) 25 Feb 1968 : D17. Jump up ^ Brunette, Peter ( 20 February 1991 ). `` Stoppard Finds the Right Man to Direct His Film ''. The Los Angeles Times. Jump up ^ Kabatchnik, Amnon. Blood on the Stage, 1975 - 2000 : Milestone Plays of Crime, Mystery, and Detection. p. 344. Further reading Stoppard, Tom ( 1967 ). Rosencrantz and Guildenstern are Dead. London : Faber and Faber. OCLC 228670971. Stoppard, Tom ( 2017 ). John Fleming Nathalie Rivere de Carles, eds. Rosencrantz and Guildenstern are Dead. Toulouse : Presses Universitaires du Midi. CS1 maint : Uses editors parameter ( link ) http://pum.univ-tlse2.fr/~Rosencrantz-and-Guildenstern-are~.html External links Wikiquote has quotations related to : Rosencrantz and Guildenstern Are Dead Rosencrantz and Guildenstern Are Dead at the Internet Broadway Database Rosencrantz and Guildenstern Are Dead at the Internet off - Broadway Database Rosencrantz and Guildenstern Are Dead at Playbill A Tom Stoppard Bibliography : Chronology at sondheimguide.com. Tony Award for Best Play ( 1948 -- 1975 ) Mister Roberts ( 1948 ) Death of a Salesman ( 1949 ) The Cocktail Party ( 1950 ) The Rose Tattoo ( 1951 ) The Fourposter ( 1952 ) The Crucible ( 1953 ) The Teahouse of the August Moon ( 1954 ) The Desperate Hours ( 1955 ) The Diary of Anne Frank ( 1956 ) Long Day 's Journey into Night ( 1957 ) Sunrise at Campobello ( 1958 ) J.B. ( 1959 ) The Miracle Worker ( 1960 ) Becket ( 1961 ) A Man for All Seasons ( 1962 ) Who 's Afraid of Virginia Woolf ? ( 1963 ) Luther ( 1964 ) The Subject Was Roses ( 1965 ) Marat / Sade ( 1966 ) The Homecoming ( 1967 ) Rosencrantz and Guildenstern Are Dead ( 1968 ) The Great White Hope ( 1969 ) Borstal Boy ( 1970 ) Sleuth ( 1971 ) Sticks and Bones ( 1972 ) That Championship Season ( 1973 ) The River Niger ( 1974 ) Equus ( 1975 ) Complete list ( 1948 -- 1975 ) ( 1976 -- 2000 ) ( 2001 -- 2025 ) William Shakespeare 's Hamlet Characters Hamlet Claudius Gertrude Ghost Polonius Laertes Ophelia Horatio Rosencrantz and Guildenstern Fortinbras The Gravediggers Yorick Soliloquies `` To be, or not to be '' `` Mortal coil '' `` What a piece of work is a man '' `` Speak the speech '' Words and phrases `` The lady doth protest too much, methinks '' `` Thy name is '' `` Primrose path '' Terminology Dumbshow Induction Quiddity Substitution Sources Criticism Legend of Hamlet The Spanish Tragedy Ur - Hamlet Critical approaches Bibliographies Horwendill Saxo Grammaticus House of Gonzaga Damon and Pythias Influence Common phrases from Hamlet Hamlet in popular culture References to Ophelia Language of flowers Human skull symbolism Performances Moscow Art Theatre ( 1911 -- 1912 ) Richard Burton ( 1964 ) On screen 1900 1907 1908 1912 1913 1917 1921 1935 1948 1954 1961 1964 1969 2000 2011 Adaptations Films The Rest Is Silence ( 1959 ) The Bad Sleep Well ( 1960 ) Ophelia ( 1963 ) Johnny Hamlet ( 1968 ) One Hamlet Less ( 1973 ) The Angel of Vengeance -- The Female Hamlet ( 1977 ) Strange Brew ( 1983 ) Hamlet Goes Business ( 1987 ) The Lion King ( 1994 ) Let the Devil Wear Black ( 1999 ) The Banquet ( 2006 ) Tardid ( 2009 ) Karmayogi ( 2012 ) Haider ( 2014 ) Hamlet A.D.D. ( 2014 ) The Lion King ( 2019 ) Novels Gertrude and Claudius ( 2000 ) Dating Hamlet ( 2002 ) Ophelia 's Revenge ( 2003 ) The Dead Fathers Club ( 2006 ) Something Rotten ( 2007 ) Hamlet 's Father ( 2008 ) The Story of Edgar Sawtelle ( 2008 ) Plays Hamletmachine ( 1977 ) Dogg 's Hamlet ( 1979 ) Fortinbras ( 1991 ) Musicals Rockabye Hamlet ( 1973 ) The Lion King ( 1997 ) Television Hamlet ( Australian TV, 1959 ) Hamlet at Elsinore ( BBC, 1964 ) Hamlet, Prince of Denmark ( BBC, 1980 ) Hamlet ( BBC 2, animated, 1992 ) Hamlet ( BBC 2, 2009 ) Parodies 15 - Minute Hamlet The Complete Works of William Shakespeare ( Abridged ) Rosencrantz and Guildenstern Io, Amleto The Klingon Hamlet `` Lyle the Kindly Viking '' To Be or Not to Be : That is the Adventure Songs `` My Robin is to the Greenwood Gone '' ( 16th century ) `` Pull Me Under '' ( 1992 ) `` Song for Athene '' ( 1997 ) Opera / classical Hamlet ( Thomas ) Amleto ( Faccio ) Hamlet ( Tchaikovsky ) Tristia ( Berlioz ) Die Hamletmaschine ( Rihm ) Hamlet ( Dean ) Story within a story Films To Be or Not to Be ( 1942 ) Acting Hamlet in the Village of Mrdusa Donja ( 1973 ) To Be or Not to Be ( 1983 ) Rosencrantz & Guildenstern Are Dead ( 1990 ) Renaissance Man ( 1994 ) In the Bleak Midwinter ( 1995 ) Hamlet 2 ( 2008 ) Rosencrantz and Guildenstern Are Undead ( 2009 ) Three Days ( 2012 ) Plays Rosencrantz and Guildenstern Are Dead ( 1966 ) Stage Blood ( 1974 ) I Hate Hamlet ( 1991 ) To Be or Not to Be ( 2008 ) Novels Hamlet, Revenge ! ( 1937 ) Theatre of War ( 1994 ) `` The Undiscovered '' ( 1997 ) The Shakespeare Stealer ( 1998 ) Interred with Their Bones ( 2007 ) Television `` The Producer '' ( 1966 ) Slings & Arrows ( 2003 ) Art Ophelia Affe mit Schädel Video game Last Action Hero ( 1993 ) Hamlet ( 2010 ) Intertextuality Asterix and the Great Crossing The Seagull Sharpe 's Havoc Related Hamlet and Oedipus Hamlet Had an Uncle Hamlet and His Problems Hebenon Hamlet Q1 Ostalo je ćutanje The Chronicles of Amber `` Symphony No. 65 '' ( Haydn ) War Highlander II : The Quickening The Hobart Shakespeareans Gertrude -- The Cry Poor Murderer Something Rotten ! `` The Conscience of the King '' `` Born to Be King '' Tom Stoppard Stage plays Rosencrantz and Guildenstern Are Dead Enter a Free Man The Real Inspector Hound After Magritte Jumpers Travesties Dirty Linen and New - Found - Land Professional Foul Every Good Boy Deserves Favour Night and Day Dogg 's Hamlet, Cahoot 's Macbeth 15 - Minute Hamlet Undiscovered Country On the Razzle The Real Thing Rough Crossing Dalliance Hapgood Arcadia Indian Ink The Invention of Love The Coast of Utopia Rock ' n ' Roll The Hard Problem Radio plays Artist Descending a Staircase The Dog It Was That Died In the Native State Darkside Screenplays Three Men in a Boat The Boundary Despair Brazil Empire of the Sun Rosencrantz & Guildenstern Are Dead ( also directed ) The Russia House Billy Bathgate Poodle Springs Shakespeare in Love Enigma Anna Karenina Parade 's End Tulip Fever John Whiting Award 1967 -- 1969 Tom Stoppard for Rosencrantz and Guildenstern Are Dead and Wole Soyinka for The Interpreters ( shared ) ( 1967 ) Peter Nichols for A Day in the Death of Joe Egg ( 1967 ) Peter Barnes for The Ruling Class and Edward Bond for Narrow Road to the Deep North ( shared ) ( 1968 ) Howard Brenton for Christie in Love ( 1969 ) 1970 -- 1979 Freehold Company and Peter Hulton ( joint ) for Freehold on Antigone ( 1970 ) Mustapha Matura for As Time Goes By ( 1971 ) Heathcote Williams for AC / DC ( 1972 ) John Arden ( 1973 ) David Rudkin ( 1974 ) David Edgar for Destiny ( 1975 ) David Lan for The Winter Dancers ( 1976 ) David Halliwell and Snoo Wilson for The Glad Hand ( shared ) ( 1978 ) Stephen Bill ( 1979 ) 1980 -- 1989 David Pownall for Beef ( 1981 ) Karim Alrawi for Migrations ( 1982 ) Peter Flannery for Our Friends in the North ( 1983 ) Ron Hutchinson for The Rat in the Skull ( 1984 ) Guy Hibbert for On the Edge and Heidi Thomas for Shamrocks & Crocodiles ( shared ) ( 1985 ) Nick Dear for The Art of Success ( 1986 ) Iain Heggie for American Bagpipes ( 1988 ) Billy Roche for A Handful of Stars ( 1989 ) 1990 -- 1999 Lucy Gannon for Keeping Tom Nice ( 1990 ) Terry Johnson for Imagine Drowning ( 1991 ) Rod Wooden for Your Home in the West ( 1992 ) Martin Crimp for The Treatment and Helen Edmundson for The Clearing ( shared ) ( 1993 ) Jonathan Harvey for Beautiful Thing ( 1994 ) Joe Penhall for Some Voices ( 1995 ) Ayub Khan - Din for East is East ( 1996 ) Ann Coburn for Get Up and Tie Your Fingers ( 1997 ) Roy Williams for Starstruck ( 1998 / 9 ) 2000 -- 2009 David Greig for The Cosmonaut 's Last Message... and Tanika Gupta for The Waiting Room ( shared ) ( 2000 ) Zinnie Harris for Further than the Furthest Thing ( 2001 ) Peter Rumney for Jumping on my Shadow ( 2002 ) Rona Munro for Iron ( 2003 ) Owen McCafferty for Scenes from the Big Picture ( 2004 ) Fin Kennedy for How to Disappear Completely and Never Be Found ( 2005 ) James Philips for The Rubenstein Kiss and Fraser Grace for Breakfast with Mugabe ( shared ) ( 2006 ) Dennis Kelly for Taking Care of Baby ( 2007 ) Bryony Lavery for Stockholm ( 2008 ) Alexi Kaye Campbell for The Pride ( 2009 ) 2010 -- 9999 Tim Crouch for The Author and Lucy Kirkwood for It Felt Empty When The Heart Went At First But It Is Alright Now ( shared ) ( 2010 ) Retrieved from `` https://en.wikipedia.org/w/index.php?title=Rosencrantz_and_Guildenstern_Are_Dead&oldid=806657324 '' Categories : 1966 books 1968 plays Debut plays Existentialist plays Metafictional plays New York Drama Critics ' Circle Award winners Parallel literature British plays adapted into films Plays and musicals based on Hamlet Plays by Tom Stoppard Tony Award - winning plays Hidden categories : Use British English from November 2012 Use dmy dates from November 2012 Wikipedia articles needing style editing from September 2015 All articles needing style editing CS1 maint : Uses editors parameter Talk Contents About Wikipedia Afrikaans Български Čeština Dansk Español فارسی 한국어 Italiano עברית 日本 語 Norsk Русский Українська Edit links This page was last edited on 23 October 2017, at 11 : 34. 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Question: when was rosencrantz and guildenstern are dead written
Answer: 1966; 1966