Ashvamedha - wikipedia Ashvamedha Ashwamedha yagna of Yudhisthira The Ashvamedha ( Sanskrit : अश्वमेध aśvamedhá ) is a horse sacrifice ritual followed by the Śrauta tradition of Vedic religion. It was used by ancient Indian kings to prove their imperial sovereignty : a horse accompanied by the king 's warriors would be released to wander for a period of one year. In the territory traversed by the horse, any rival could dispute the king 's authority by challenging the warriors accompanying it. After one year, if no enemy had managed to kill or capture the horse, the animal would be guided back to the king 's capital. It would be then sacrificed, and the king would be declared as an undisputed sovereign. Ashvameda is a forbidden rite for Kaliyuga, the current age. Contents 1 The sacrifice 2 Similar sacrifices elsewhere 3 List of performers 4 In Hindu revivalism 5 Reception 6 See also 7 Footnotes 8 References The sacrifice A 19th - century painting, depicting the preparation of army to follow the sacrificial horse. Probably from a picture story depicting Lakshmisa 's Jaimini Bharata The Ashvamedha could only be conducted by a powerful victorious king ( rājā ). Its object was the acquisition of power and glory, the sovereignty over neighbouring provinces, seeking progeny and general prosperity of the kingdom. The horse to be sacrificed must be a stallion. The horse is sprinkled with water, and the Adhvaryu, the priest and the sacrificer whisper mantras into its ear. The horse is then set loose towards the North - East, to roam around wherever it chooses, for the period of one year ( or half a year, according to some commentators ). The horse is associated with the Sun, and its yearly course. If the horse wanders into neighbouring provinces hostile to the sacrificer, they must be subjugated. The wandering horse is attended by a hundred young men, sons of princes or high court officials, charged with guarding the horse from all dangers and inconvenience. During the absence of the horse, an uninterrupted series of ceremonies is performed in the sacrificer 's home. After the return of the horse, more ceremonies are performed. The horse is yoked to a gilded chariot, together with three other horses, and Rigveda ( RV ) 1.6. 1, 2 ( YajurVeda ( YV ) VSM 23.5, 6 ) is recited. The horse is then driven into water and bathed. After this, it is anointed with ghee by the chief queen and two other royal consorts. The chief queen anoints the fore - quarters, and the others the barrel and the hind - quarters. They also embellish the horse 's head, neck, and tail with golden ornaments. The sacrificer offers the horse the remains of the night 's oblation of grain. After this, the horse, a hornless he - goat, a wild ox ( go - mrga, Bos gaurus ) are bound to sacrificial stakes near the fire, and seventeen other animals are attached to the horse. A great number of animals, both tame and wild, are tied to other stakes, according to a commentator, 609 in total. The chief queen ritually calls on the king 's fellow wives for pity. The queens walk around the dead horse reciting mantras. The chief queen then has to spend a night with the dead horse. On the next morning, the priests raise the queen from the place. One priest cuts the horse along the `` knife - paths '' while other priests start reciting the verses of Vedas, seeking healing and regeneration for the horse. The Laws of Manu refer to the Ashvamedha ( V. 53 ) : `` The man who offers a horse - sacrifice every day for a hundred years, and the man who does not eat meat, the two of them reap the same fruit of good deeds. '' Similar sacrifices elsewhere Main article : Horse sacrifice Many Indo - European branches show evidence for horse sacrifice, and comparative mythology suggests that they derive from a Proto - Indo - European ritual. The Ashvamedha is the clearest evidence preserved, but vestiges from Latin and Celtic traditions allow the reconstruction of a few common attributes. A similar ritual is found in Celtic tradition in which the King in Ireland conducted a rite of symbolic marriage with a sacrificed horse. Roman horse sacrifice tradition also coincide with Ashvamedha. Horse sacrifice were performed among the ancient Germans, Armenians, Iranians, Chinese, Greeks, among others. List of performers Sanskrit epics and Puranas mention numerous legendary performances of the horse sacrifice. For example, according to the Mahabharata, Emperor Bharata performed a hundred Ashvamedha ceremonies on the banks of Yamuna, three hundred on the banks of Saraswati and four hundred on the banks of the Ganga. He again performed a thousand Ashvamedha on different locations and a hundred Rajasuya. Following the vast empires ruled by the Gupta and Chalukya dynasties, the practice of the sacrifice diminished remarkably. The historical performers of Ashvamedha include : Monarch Reign Dynasty Source Pushyamitra Shunga 185 - 149 BCE Shunga Ayodhya inscription of Dhanadeva and Malavikagnimitra of Kalidasa Sarvatata 1st century BCE Gajayana Ghosundi and Hathibada inscriptions. Some scholars believe Sarvatata to be a Kanva king, but there is no definitive evidence for this. Devimitra 1st century BCE Unknown Musanagar inscription Satakarni I 1st or 2nd century CE Satavahana Nanaghat inscription mentions his second Ashvamedha Vasishthiputra Sri Santamula or Chantamula 3rd century CE Andhra Ikshvaku Records of his son and grandson Shilavarman 3rd century CE Varshaganya Jagatpur inscriptions mention his fourth Ashvamedha Bhavanaga 305 - 320 CE Nagas of Padmavati The inscriptions of Vakataka relatives of the Nagas credit them with 10 horse - sacrifices, although they do not name these kings. Vijaya - devavarman 300 - 350 CE Shalankayana Ellore inscription Shivaskanda Varman 4th century CE Pallava Hirahadagalli inscription Kumaravishnu 4th century CE Pallava Omgodu inscription of his great - grandson Samudragupta 355 - 375 CE Gupta Coins of the king and records of his descendants Kumaragupta I 414 -- 455 CE Gupta Madhava Varmana 440 - 460 CE Vishnukundina Pravarasena II 5th century CE Vakataka Inscriptions of his descendants state that he performed four Ashvamedha sacrifices Dharasena 5th century CE Traikutaka Krishnavarman 5th century CE Kadamba Narayanavarman 494 -- 518 CE Varman Legend of Bhaskaravarman 's seals Bhutivarman 518 -- 542 CE Varman Barganga inscription Pulakeshin I 543 -- 566 Chalukyas of Vatapi Sthitavarman 565 -- 585 CE Varman Pulakeshin II 610 -- 642 CE Chalukyas of Vatapi Madhavaraja II ( alias Madhavavarman or Sainyabhita ) c. 620 - 670 CE Shailodbhava Inscriptions Simhavarman ( possibly Narasimhavarman I ) 630 - 668 CE Pallava The Sivanvayal pillar inscription states that he performed ten Ashvamedhas Adityasena 655 - 680 CE Later Gupta Vaidyanatha temple ( Deoghar ) inscription Madhyamaraja I ( alias Ayashobhita II ) c. 670 - 700 CE Shailodbhava Inscriptions ; one interpretation of the inscriptions suggests that he merely participated in the Ashvamedha performed by his father Madhavaraja II Dharmaraja ( alias Manabhita ) c. 726 - 727 CE Shailodbhava Inscriptions ; one interpretation of the inscriptions suggests that he merely participated in the Ashvamedha performed by his grandfather Madhavaraja II Rajadhiraja Chola 1044 -- 1052 CE Chola Jai Singh II 1699 -- 1743 CE Kachwahas of Jaipur The Dhanadeva - Ayodhya inscription, 1st century BCE, mentions two Ashvamedha rituals by Pushyamitra in the city of Ayodhya. An Ashwamedha coin of Kumaragupta, who performed the sacrifice in 5th century CE Coin of Samudragupta circa 335 - 380 CE. Ashvamedha type. The Udayendiram inscription of the 8th century Pallava king Nandivarman II ( alias Pallavamalla ) states that his general Udayachandra defeated the Nishada ruler Prithvivyaghra, who, `` desiring to become very powerful, was running after the horse of the Ashvamedha ''. The inscription does not clarify which king initiated this Ashvamedha campaign. Historian N. Venkataramanayya theorized that Prithvivyaghra was a feudatory ruler, who unsuccessfully tried to challenge Nandivarman 's Ashvamedha camapign. However, historian Dineshchandra Sircar notes that no other inscriptions of Nandivarman or his descendants mention his performance of Ashvamedha ; therefore, it is more likely that the Ashvamedha campaign was initiated by Prithvivyaghra ( or his overlord ), and Nandivarman 's general foiled it. In Hindu revivalism In the Arya Samaj reform movement of Dayananda Sarasvati, the Ashvamedha is considered an allegory or a ritual to get connected to the `` inner Sun '' ( Prana ) According to Dayananda, no horse was actually to be slaughtered in the ritual as per the Yajurveda. Following Dayananda, the Arya Samaj disputes the very existence of the pre-Vedantic ritual ; thus Swami Satya Prakash Saraswati claims that the word in the sense of the Horse Sacrifice does not occur in the Samhitas (... ) In the terms of cosmic analogy, ashva s the Sun. In respect to the adhyatma paksha, the Prajapati - Agni, or the Purusha, the Creator, is the Ashva ; He is the same as the Varuna, the Most Supreme. The word medha stands for homage ; it later on became synonymous with oblations in rituology, since oblations are offered, dedicated to the one whom we pay homage. The word deteriorated further when it came to mean ' slaughter ' or ' sacrifice '. He argues that the animals listed as sacrificial victims are just as symbolic as the list of human victims listed in the Purushamedha. ( which is generally accepted as a purely symbolic sacrifice already in Rigvedic times ). All World Gayatri Pariwar since 1991 has organized performances of a `` modern version '' of the Ashvamedha where a statue is used in place of a real horse, according to Hinduism Today with a million participants in Chitrakoot, Madhya Pradesh on April 16 to 20, 1994. Such modern performances are sattvika Yajnas where the animal is worshipped without killing it, the religious motivation being prayer for overcoming enemies, the facilitation of child welfare and development, and clearance of debt, entirely within the allegorical interpretation of the ritual, and with no actual sacrifice of any animal. Reception The earliest recorded criticism of the ritual comes from the Cārvāka, an atheistic school of Indian philosophy that assumed various forms of philosophical skepticism and religious indifference. A quotation of the Cārvāka from Madhavacharya 's Sarva - Darsana - Sangraha states : `` The three authors of the Vedas were buffoons, knaves, and demons. All the well - known formulae of the pandits, jarphari, turphari, etc. and all the obscene rites for the queen commanded in Aswamedha, these were invented by buffoons, and so all the various kinds of presents to the priests, while the eating of flesh was similarly commanded by night - prowling demons. '' This part of the ritual offended the Dalit reformer and framer of the Indian constitution B.R. Ambedkar and is frequently mentioned in his writings as an example of the perceived degradation of Brahmanical culture. While others such has Manohar L. Varadpande, praised the ritual as `` social occasions of great magnitude ''. Rick F. Talbott writes that `` Mircea Eliade treated the Ashvamedha as a rite having a cosmogonic structure which both regenerated the entire cosmos and reestablished every social order during its performance. '' See also Horse sacrifice Ashva, horse in Vedic culture October Horse in Roman religion Footnotes Jump up ^ Rosen, Steven. Holy Cow : The Hare Krishna Contribution to Vegetarianism and Animal Rights. Lantern Books. p. 212. Jump up ^ The Vedas : With Illustrative Extracts. Book Tree. p. 62. horse sacrifice was prohibited in the Kali Yuga Jump up ^ Mansingh, Surjit. Historical Dictionary of India. Rowman & Littlefield. p. 68. Jump up ^ Talbott, Rick ( 2005 ). Sacred Sacrifice : Ritual Paradigms in Vedic Religion and Early Christianity. Wipf and Stock Publishers. p. 111. Jump up ^ Gopal, Madan ( 1990 ). K.S. Gautam, ed. India through the ages. Publication Division, Ministry of Information and Broadcasting, Government of India. p. 72. Jump up ^ Glucklich, Ariel. The Strides of Vishnu : Hindu Culture in Historical Perspective. Oxford University Press. p. 112. ^ Jump up to : Thomas V. Gamkrelidze ; Vjaceslav V. Ivanov ( 1995 ). Indo - European and the Indo - Europeans : A Reconstruction and Historical Analysis of a Proto - Language and Proto - Culture. Part I : The Text. Part II : Bibliography, Indexes. Walter de Gruyter. p. 402 - 403. Jump up ^ Talbott, Rick ( 2005 ). Sacred Sacrifice : Ritual Paradigms in Vedic Religion and Early Christianity. Wipf and Stock Publishers. p. 123. Jump up ^ The Laws of Manu, translated by Wendy Doniger with Brian K. Smith, p. 104. Penguin Books, London, 1991 Jump up ^ Thomas V. Gamkrelidze ; Vjaceslav V. Ivanov ( 1995 ). Indo - European and the Indo - Europeans : A Reconstruction and Historical Analysis of a Proto - Language and Proto - Culture. Part I : The Text. Part II : Bibliography, Indexes. Walter de Gruyter. p. 70. Jump up ^ Talbott, Rick ( 2005 ). Sacred Sacrifice : Ritual Paradigms in Vedic Religion and Early Christianity. Wipf and Stock Publishers. p. 142. Jump up ^ Dalal, Roshen ( 2010 ). Hinduism : An Alphabetical Guide. Penguin Books. Jump up ^ David M. Knipe 2015, p. 234. Jump up ^ KM Ganguly 1883, pp. 130 -- 131. Jump up ^ Mansingh, Surjit. Historical Dictionary of India. Rowman & Littlefield. p. 68. ^ Jump up to : Dineshchandra Sircar 1971, p. 175. Jump up ^ Dinesh Chandra Shukla ( 1978 ). Early history of Rajasthan. Bharatiya Vidya Prakashan. p. 30. Jump up ^ David M. Knipe 2015, p. 8. ^ Jump up to : Jayantanuja Bandyopadhyaya 2007, p. 203. ^ Jump up to : Dineshchandra Sircar 1971, p. 176. ^ Jump up to : Upinder Singh 2008, p. 510. Jump up ^ David M. Knipe 2015, p. 9. Jump up ^ Ashvini Agrawal 1989, p. 139. ^ Jump up to : Dineshchandra Sircar 1971, p. 179. Jump up ^ David M. Knipe 2015, p. 10. Jump up ^ Karl J. Schmidt ( 20 May 2015 ). An Atlas and Survey of South Asian History. Taylor & Francis. p. 77. ISBN 978 - 1 - 317 - 47680 - 1. Jump up ^ Snigdha Tripathy 1997, p. 67. Jump up ^ Snigdha Tripathy 1997, pp. 74 - 75. Jump up ^ Rama Shankar Tripathi ( 1942 ). History of Ancient India. Motilal Banarsidass. p. 466. ISBN 978 - 81 - 208 - 0018 - 2. Jump up ^ Yamini Narayanan ( 2014 ). Religion, Heritage and the Sustainable City : Hinduism and Urbanisation in Jaipur. Routledge. p. 106. ISBN 978 - 1 - 135 - 01269 - 4. Jump up ^ Ayodhya Revisited by Kunal Kishore p. 24 ( 1 ) Jump up ^ Dineshchandra Sircar 1962, p. 263. Jump up ^ as a bahuvrihi, saptāśva `` having seven horses '' is another name of the Sun, referring to the horses of his chariot. ; akhandjyoti.org Archived September 29, 2007, at the Wayback Machine. glosses ' ashva ' as `` the symbol of mobility, valour and strength '' and ' medha ' as `` the symbol of supreme wisdom and intelligence '', yielding a meaning of ' ashvamedha ' of `` the combination of the valour and strength and illumined power of intellect '' ^ Jump up to : The Critical and Cultural Study of the Shatapatha Brahmana by Swami Satya Prakash Saraswati, p. 415 ; 476 Jump up ^ Hinduism Today, June 1994 Archived December 13, 2006, at the Wayback Machine. Jump up ^ `` Ashwamedha Yagam in city ''. Hyderabad, Andhra Pradesh. The Hindu. Oct 13, 2005. Retrieved 30 September 2014. Jump up ^ Ashwamedhayagnam.org Archived September 29, 2007, at the Wayback Machine. Jump up ^ Madhavacarya, Sarvadarsana - sangraha, English translation by E.B. Cowell and A.E. Gough, 1904 quoted in Debiprasad Chattopadhyaya ( ed. ), Carvaka / Lokayata : An Anthology of Source Materials and Some Recent Studies ( New Delhi : Indian Council of Philosophical Research, 1990 ) Jump up ^ Dr. Babasaheb Ambedkar, Writings and Speeches. p. 1376. Jump up ^ `` History of Indian Theatre, Volume 1 '' by Manohar Laxman Varadpande, p. 46 Jump up ^ `` Sacred Sacrifice : Ritual Paradigms in Vedic Religion and Early Christianity '' by Rick F. Talbott, p. 133 References Ashvini Agrawal ( 1989 ). Rise and Fall of the Imperial Guptas. Motilal Banarsidass. ISBN 978 - 81 - 208 - 0592 - 7. Charles Drekmeier ( 1962 ). Kingship and Community in Early India. Stanford University Press. ISBN 978 - 0 - 8047 - 0114 - 3. David M. Knipe ( 2015 ). Vedic Voices : Intimate Narratives of a Living Andhra Tradition. Oxford : Oxford University Press. Dineshchandra Sircar ( 1962 ). Ramesh Chandra Majumdar, ed. The History and Culture of the Indian People : The classical age. Bharatiya Vidya Bhavan. p. 263. Dineshchandra Sircar ( 1971 ). Studies in the Religious Life of Ancient and Medieval India. Motilal Banarsidass. ISBN 978 - 81 - 208 - 2790 - 5. Jayantanuja Bandyopadhyaya ( 2007 ). Class and Religion in Ancient India. Anthem. ISBN 978 - 1 - 84331 - 332 - 8. KM Ganguly ( 1896 ). The Mahabharata of Krishna Dwaipayana Vyasa. Sacred Texts. Snigdha Tripathy ( 1997 ). Inscriptions of Orissa. I - Circa 5th - 8th centuries A.D. Indian Council of Historical Research and Motilal Banarsidass. ISBN 978 - 81 - 208 - 1077 - 8. Stephanie Jamison ( 1996 ). Sacrificed Wife / Sacrificer 's Wife. Oxford : Oxford University Press. Upinder Singh ( 2008 ). A History of Ancient and Early Medieval India. Pearson Education India. ISBN 9788131711200. Retrieved from `` https://en.wikipedia.org/w/index.php?title=Ashvamedha&oldid=815678276 '' Categories : Vedic animal sacrifice Horses in culture and religion Hindu rituals Yajna Hidden categories : Webarchive template wayback links Wikipedia indefinitely semi-protected pages Articles containing Sanskrit - language text Talk View source Contents About Wikipedia বাংলা Català Čeština Deutsch Español Euskara Français ગુજરાતી हिन्दी Bahasa Indonesia Italiano ಕನ್ನಡ മലയാളം Nederlands नेपाल भाषा ਪੰਜਾਬੀ Português Русский தமிழ் తెలుగు Українська Edit links This page was last edited on 16 December 2017, at 10 : 22. Text is available under the Creative Commons Attribution - ShareAlike License ; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia ® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization. About Wikipedia

Question: who issued ashwamedha coins after performing ashvamedha sacrifice
Answer: Samudragupta