The Sleeping Beauty ( ballet ) - wikipedia The Sleeping Beauty ( ballet ) Ballets by Pyotr Ilyich Tchaikovsky Swan Lake ( 1876 ) Sleeping Beauty ( 1889 ) The Nutcracker ( 1892 ) List of all compositions The Sleeping Beauty ( Russian : Спящая красавица / Spyashchaya krasavitsa ) is a ballet in a prologue and three acts, first performed in 1890. The music was composed by Pyotr Ilyich Tchaikovsky ( his opus 66 ). The score was completed in 1889, and is the second of his three ballets. The original scenario was conceived by Ivan Vsevolozhsky, and is based on Charles Perrault 's La Belle au bois dormant. The choreographer of the original production was Marius Petipa. The premiere performance took place at the Mariinsky Theatre in St. Petersburg on January 15, 1890. The work has become one of the classical repertoire 's most famous ballets. Contents 1 History 1.1 Composition history 1.2 Performance history 2 Roles and original cast 3 Instrumentation 4 Roles 5 Synopsis 6 Structure 7 Versions by other hands 7.1 Piano arrangements 7.2 Aurora 's Wedding by Sergei Diaghilev 8 Trademark controversy 9 References 10 External links 10.1 Video samples 10.2 Scores 10.3 History History Composition history Tchaikovsky was approached by the Director of the Imperial Theatres in St. Petersburg, Ivan Vsevolozhsky on 25 May 1888 about a possible ballet adaptation on the subject of the story of Undine. It was later decided that Charles Perrault 's La Belle au bois dormant would be the story for which Tchaikovsky would compose the music for the ballet. Tchaikovsky did not hesitate to accept the commission, although he was aware that his only previous ballet, Swan Lake, met with little enthusiasm at that stage of his career. The ballet scenario that Tchaikovsky worked on was based on the Brothers Grimm 's version of Perrault 's work entitled ' Dornröschen '. In that version, the Princess 's parents ( the King and the Queen ) survived the 100 - year sleep to celebrate the Princess 's wedding to the Prince. However, Vsevolozhsky incorporated Perrault 's other characters from his stories into the ballet, such as Puss in Boots, Little Red Riding Hood, Cinderella, Bluebird, Bluebeard, Ricky of the Tuft and Tom Thumb. Other French fairy tale characters to be featured are Beauty and the Beast, Pretty Goldilocks and The White Cat. Regardless, Tchaikovsky was happy to inform the Director of the Imperial Theatre that he had great pleasure studying the work and had come away with adequate inspiration to do it justice. The choreographer was Marius Petipa, ballet master of the Imperial Ballet, who wrote a very detailed list of instructions as to the musical requirements. Tchaikovsky worked quickly on the new work at Frolovskoye ; he began initial sketches in the winter of 1888 and began orchestration on the work on 30 May 1889. The ballet 's focus was undeniably on the two main conflicting forces of good ( the Lilac Fairy ) and evil ( Carabosse ) ; each has a leitmotif representing them, which run through the entire ballet, serving as an important thread to the underlying plot. Act III of the work, however, takes a complete break from the two motifs and instead places focus on the individual characters of the various court dances. Performance history St. Petersburg premiere ( world premiere ) Date : 15 January 1890 Place : Imperial Mariinsky Theatre, St. Petersburg Balletmaster : Marius Petipa Conductor : Riccardo Drigo Scene Designers : Henrich Levogt ( Prologue ), Ivan Andreyev ( Act 1 ), Mikhail Bocharov ( Acts 1 & 2 ), Matvey Shishkov ( Act 3 ) Costumes : Ivan Vsevolozhsky Moscow premiere Date : 17 January 1899 Place : Moscow Imperial Bolshoi Theatre Balletmaster : Aleksandr Gorsky Conductor : Andrey Arends Scene Designers : Anatoliy Geltser, Karl Valts ( Waltz ) Other notable productions 1896, Milan, La Scala, staged by Giorgio Saracco, Carlotta Brianza as Aurora 1921, London, Alhambra Theatre, as The Sleeping Princess, Diaghilev production, staged by Nikolay Sergeyev, scenes by Léon Bakst 1937, Philadelphia, staged by Catherine Littlefield 1946, London, Royal Opera House debut, performed by the Sadler 's Wells Ballet. 1968, London, with the London Festival Ballet at the Royal Festival Hall 1990, San Francisco, with San Francisco Ballet as choreographed by Helgi Tómasson in tribute to Tchaikovsky, and with a focus on maintaining the Russian - French connection 1992, Basel Theater Basel reworked by Youri Vámos with new narrative involving the life of Anna Anderson and her claim to be Grand Duchess Anastasia. The order of musical numbers has been slightly changed, some numbers omitted with other music by Tchaikovsky added and major set pieces of Petipa 's choreography retained, but now placed in different narrative context - often performed as Anderson 's `` memories ''. This version has been performed by a number of central European ballet companies over the past two decades. Roles and original cast Role Mariinsky 1890 Bolshoi 1899 King Florestan Feliks Krzesiński ( Mathilde Kschessinska 's father ) Queen Giuseppina Cecchetti Princess Aurora, the Sleeping Beauty Carlotta Brianza Lyubov Roslavleva Lilac Fairy Marie Petipa M. Grachevskaya Carabosse Enrico Cecchetti Vasiliy Geltser Prince Désiré Pavel Gerdt Ivan Khlyustin Bluebird Enrico Cecchetti Princess Florine Varvara Nikitina The ballet 's premiere received more favorable accolades than Swan Lake from the press but Tchaikovsky never had the luxury of being able to witness his work become an instant success in theatres outside of Russia. He died in 1893. By 1903, The Sleeping Beauty was the second most popular ballet in the repertory of the Imperial Ballet ( the Petipa / Pugni The Pharaoh 's Daughter was first ), having been performed 200 times in only 10 years. Original cast members costumed for Act I. At center is Carlotta Brianza as Aurora. Mariinsky Theatre, St. Petersburg, 1890 A production mounted at the La Scala in Milan did not arouse much interest and it was not until 1921 that, in London, the ballet finally gained wide acclaim and eventually a permanent place in the classical repertoire. In 1999, the Mariinsky Ballet reconstructed the original 1899 production, including reproductions of the original sets and costumes. Although the 1951 Kirov production by Konstantin Sergeyev is available on DVD / Video, the 1999 `` authentic '' version is only available in short excerpts as of 2007. The Sleeping Beauty is Tchaikovsky 's longest ballet, lasting nearly four hours at full length - counting the intermissions. Without intermissions ( as it appears on several CD sets ), it lasts nearly three hours. It is nearly always cut. At the premiere, Tsar Alexander III summoned Tchaikovsky to the imperial box. The Tsar made the simple remark ' Very nice, ' which seemed to have irritated Tchaikovsky, who had likely expected a more favorable response. Instrumentation Strings : Violins I, Violins II, Violas, Cellos, Double Basses Woodwinds : Piccolo, 2 Flutes, 2 Oboes, Cor Anglais, 2 Clarinets ( B ♭, A ), 2 Bassoons Brass : 4 Horns ( F ), 2 Cornets ( B ♭, A ), 2 Trumpets ( B ♭, A ), 3 Trombones, Tuba Percussion : Timpani, Triangle, Tambourine, Side Drum, Cymbals, Bass Drum, Tam - tam, Glockenspiel Other : 2 Harps, Piano Roles The Royal Court : King Florestan XXIV Queen, his wife Princess Aurora, the Sleeping Beauty, their daughter Catalabutte, the master - of - ceremonies Courtiers, maids of honor, pages, lackeys The Fairies : Candide ( Candor ) Coulante, Fleur de farine ( Flowing, Wheat flour ) Miettes qui tombent ( Falling breadcrumbs ) Canari qui chante ( Singing canary ) Violente ( Force ) The Lilac Fairy Carabosse, the evil fairy The Gold, Silver, Sapphire, and Diamond Fairies The Four Suitors : Prince Chéri Prince Charmant Prince Fortuné Prince Fleur de Pois The Prince 's Hunting Party : Prince Désiré ( Florimund ) Gallifron, Prince Désiré 's tutor The Prince 's friends, duchesses, baronesses, countesses, and marchionesses Fairy - Tale Characters : Puss - in - Boots The White Cat Cinderella Prince Charming Princess Florine Bluebird Little Red Riding Hood The Gray Wolf Hop - o ' - My - Thumb, his brothers, and the Ogre Synopsis Setting Time : Baroque Place : Europe The bad fairy Carabosse by Léon Bakst, who created the décor and about 300 costume designs in 2 months for Diaghilev 's lavish 1921 production of The Sleeping Beauty in London. Prologue ( The Christening ) King Florestan XXIV and his Queen have welcomed their first child, Princess Aurora, and declare a grand christening ceremony to honor her. Six fairies are invited to the ceremony to bestow gifts on the child. Each fairy represents a virtue or positive trait, such as beauty, courage, sweetness, musical talent, and mischief. The most powerful fairy, the Lilac Fairy, arrives with her entourage, but before she can bestow her gift, the evil fairy Carabosse arrives with her minions. Carabosse furiously asks the King and Queen why she had not received an invitation to the christening. The blame falls on the Master of Ceremonies who was in charge of the guest list. Carabosse gleefully tears his wig off and beats him with her staff, before placing a curse upon the baby princess as revenge : Aurora will indeed grow up to be a beautiful, healthy, delightful young lady, but on her sixteenth birthday she will prick her finger on a Spindle and die. The King and Queen are horrified and beg Carabosse for mercy, but she shows none. However, the Lilac Fairy intervenes. Though she does not have enough power to completely undo the curse, she alters it, allowing the spindle to cause a peaceful 100 - year sleep for the princess, rather than death. At the end of those 100 years, she will be woken by the kiss of a handsome prince. Relieved that Aurora 's life will ultimately be spared, the court is set at ease. Act I ( The Spell ) It is the day of Princess Aurora 's sixteenth birthday. Celebrations are underway, though the King is still unsettled by Carabosse 's omen. The master of ceremonies discovers several peasant ladies frolicking about with knitting needles and alerts the King, who initially sentences the women to a harsh punishment. The Queen gently persuades him to spare the innocent citizens, and he agrees. an elaborate waltz is performed and Princess Aurora arrives, She is introduced to four suitors by her doting parents. Aurora and the suitors perform the famous Rose Adagio. Presently, a cloaked stranger appears and offers a gift to the princess : a spindle. Having never seen one before, Aurora curiously examines the strange object as her parents desperately try to intervene. As predicted, she pricks her finger. While initially appearing to recover quickly, she falls into a swoon and collapses. The cloaked stranger reveals herself to be Carabosse, who believes that her curse still stands and that the princess is dead. Once again, the Lilac Fairy quells the hubbub and reminds the King and Queen that Aurora is merely asleep. The princess is carried off to bed, and the Lilac Fairy casts a spell of slumber over the entire kingdom, which will only be broken when Aurora awakens Carlotta Brianza as Princess Aurora and Pavel Gerdt as Prince Désiré, costumed for the Grand Procession of Act III in Petipa 's original production of The Sleeping Beauty. ( Mariinsky Theatre, St. Petersburg, 1890 ) Act II ( The Vision ) One hundred years later, Prince Désiré is with his bossy countess girlfriend. He is unhappy, but dances. Still unhappy, he asks for some time to himself. Alone in the forest, he is met by the Lilac Fairy, who has chosen him to awaken Aurora. She shows him a vision of the beautiful princess, and the prince is immediately smitten. The Lilac Fairy explains the situation, and Désiré begs to be taken to the princess. The Lilac Fairy takes himto the hidden castle. Carabosse makes one last attempt to cement her vengeful curse, but the Lilac Fairy and the prince manage to defeat her together at last. Once inside the castle, Désiré awakens Aurora with a kiss. The rest of the court wakes as well, and the King and Queen heartily approve when the prince proposes marriage and the princess accepts. The royal wedding is underway. Guests include the Jewel Fairies : Diamond, Gold, Silver and Sapphire, and of course the Lilac Fairy. Fairytale characters are in attendance, including Puss in Boots and The White Cat, Princess Florine and the Bluebird, and others. Aurora and Désiré perform a grand Pas de Deux, and the entire ensemble dances. The prince and princess are married, with the Lilac Fairy blessing the union. Structure Alexandra Ansanelli as Princess Aurora and David Makhateli as Prince Florimund in a Royal Ballet production of Sleeping Beauty, 29 April 2008. Titles of all of the numbers listed here come from Marius Petipa 's original scenario, as well as the original libretto and programs of the first production of 1890. Major changes which were made to the score for Petipa 's original production are mentioned, and help explain why the score is often heard in different versions in theatres today. All libretti and programs of works performed on the stages of the Imperial Theatres were titled in French, which was the official language of the Emperor 's Court, as well as the language in which balletic terminology is derived. Prologue -- Le baptême de la Princesse Aurore No. 1 - a Introduction No. 1 - b Marche de salon No. 2 - a Entrée des fées No. 2 - b Scène dansante No. 3 Grand pas d'ensemble ( a.k.a. Pas de six ) -- a. Grand adage. Petit allégro b. Variation - Candide c. Variation - Coulante -- Fleur de farine d. Variation - Miettes -- qui tombent ( a.k.a. breadcrumb ) e. Variation - Canari -- qui chante f. Variation - Violente -- échevelée g. Variation - La Fée des lilas -- voluptueuse h. Coda générale No. 4 Scène et final -- a. Entrée de Carabosse b. Scène mimique de Carabosse c. Scène mimique de la Fée des lilas Act I -- Les quatre fiancés de la Princesse Aurore No. 5 - a Introduction No. 5 - b Scène des tricoteuses No. 6 Grande valse villageoise ( a.k.a. The Garland Waltz ) No. 7 Entrée d'Aurore No. 8 Grand pas d'action -- a. Grand adage à la rose ( opening harp cadenza possibly extended by either the harpist Albert Heinrich Zabel or Riccardo Drigo ) b. Danse des demoiselles d'honneur et des pages c. Variation d'Aurore ( coda edited by an unknown hand, possibly Riccardo Drigo ) d. Coda No. 9 Scène et final -- a. Danse d'Aurore avec le fuseau b. Le charme c. L'arrivée de la Fée des lilas Act II Scene I -- La chasse du Prince Désiré No. 10 - a Entr'acte No. 10 - b Scène de la chasse royale No. 11 Colin - Maillard No. 12 Danses des demoiselles nobles -- a. Scène b. Danse des duchesses c. Danse des baronesses ( likely cut by Petipa from the original production ) d. Danse des comtesses ( likely cut by Petipa from the original production ) e. Danse des marquises ( likely cut by Petipa from the original production ) No. 13 Coda -- Farandole No. 14 - a Scène et départ des chasseurs No. 14 - b Entrée de la Fée des lilas No. 15 Pas d'action -- a. Entrée de l'apparition d'Aurore b. Grand adage ( opening harp cadenza possibly extended by either the harpist Albert Heinrich Zabel or Riccardo Drigo ) c. Valse des nymphes -- Petit allégro coquet Interpolation : 4 transitional bars for the end of no. 15 - c composed by Riccardo Drigo to lead into Brianza 's variation Interpolation : Variation Mlle. Brianza ( No. 23 - b Variation de la fée - Or from Act III ) d. Variation d'Aurore ( cut by Petipa from the original production ) e. Petite coda No. 16 Scène No. 17 Panorama Interpolation : 3 transitional bars for the end of no. 17 composed by Riccardo Drigo to lead into no. 19, as no. 18 was cut in the original production No. 18 Entr'acte symphonique ( solo for violin with light orchestral accompaniment, composed for Leopold Auer, cut from the original production ) Scene II -- Le château de la belle au bois dormant No. 19 Scène du château de sommeil No. 20 Scène et final -- Le réveil d'Aurore The Bluebird and Princess Florina ( Valeri Panov and Natalia Makarova ) from the 1964 Russian motion picture featuring artists of the Kirov Ballet. Act III -- Les Noces de Désiré et d'Aurore No. 21 Marche No. 22 Grand polonaise dansée ( a.k.a. The Procession of the Fairy Tales ) Grand divertissement -- No. 23 Pas de quatre a. Entrée b. Variation de la fée - Or ( transferred by Petipa to Act II as a variation for Carlotta Brianza in the original production ) c. Variation de la fée - Argent ( changed by Petipa in the original production -- Pas de trois pour la Fées d'Or, d'Argent et de Saphir ) d. Variation de la fée - Saphir ( cut by Petipa from the original production ) e. Variation de la fée - Diamant f. Coda Interpolation : Entrée de chats ( a 10 bar introduction written by Tchaikovsky for no. 24 ) No. 24 Pas de caractère -- Le Chat botté et la Chatte blanche No. 25 Pas de quatre ( changed by Petipa in the original production -- Pas de deux de l'Oiseau bleu et la Princesse Florine ) a. Entrée b. Variation de Cendrillon et Prince Fortuné ( changed by Petipa in the original production -- Variation de l'Oiseau bleu ) c. Variation de l'Oiseau bleu la Princesse Florine ( changed by Petipa in the original production -- Variation de la Princesse Florine ) d. Coda No. 26 Pas de caractère -- Chaperon Rouge et le Loup Interpolation : Pas de caractère -- Cendrillon et Prince Fortuné No. 27 Pas berrichon -- Le Petit Poucet, ses frères et l'Ogre No. 28 Grand pas de quatre ( originally arranged by Petipa as a Pas de quatre for the Princess Aurora, Prince Désiré and the Gold and Sapphire Fairies ) a. Entrée ( only the first eight bars were retained ) b. Grand adage Interpolation : Danse pour les Fées d'Or et de Saphir in 6 / 8 ( Petipa possibly utilized the music for the Entrée to accompany a dance for the Gold and Sapphire Fairies ) c. Variation du Prince Désiré d. Variation d'Aurore -- Mlle. Brianza ( edited by Riccardo Drigo for the original production at Petipa 's request ) e. Coda No. 29 Sarabande -- quadrille pour Turcs, Éthiopiens, Africains et Américains No. 30 - a Coda générale No. 30 - b Apothéose -- Helios en costume de Louis XIV, éclairé par le soleil entouré des fées ( music based on Marche Henri IV ) Versions by other hands Piano arrangements In 1890, Alexander Siloti was approached to arrange the music for piano duet. He declined, but suggested his then 17 - year - old cousin Sergei Rachmaninoff would be more than competent. This offer was accepted, although Siloti supervised the arrangement. Rachmaninoff himself arranged the entire score for piano solo. Aurora 's wedding by Sergei Diaghilev In 1922, ballet impresario Sergei Diaghilev arranged a 45 - minute version of the final act for his Ballets Russes, entitled Aurora 's Wedding. This abridged version has been recorded by conductor Leopold Stokowski, in one of his last performances, and by Charles Dutoit. The adaptation takes material from the Act I Introduction of the ballet and combines it with most of the final act, as well as other sections. The selections in this version are listed as follows : Introduction ( Prologue ) Polacca ( Act 3 ) Pas de Six ( Prologue ) Scene ; Danse des Duchesses ; Danse des Marquises ( Act 2 ) Farandole ; Danse - Tempo di Mazurka ( Act 2 ) Pas de Quatre ( Act 3 ) Pas de Charactere - Chaperone Rouge et le Loup ( Act 3 ) Pas de Quatre ( Act 3 ) Coda - les trois Ivans ( Act 3 ) Pas de Deux ( Act 3 ) Finale - Tempo di Mazurka ; Apothéose ( Act 3 ) Trademark controversy The Walt Disney Company has registered a trademark with the US Patent and Trademark Office, filed 13 March 2007, for the name `` Princess Aurora '' that covers production and distribution of motion picture films ; production of television programs ; production of sound and video recordings. Some suggest that this may limit the ability to perform this ballet, from which Disney acquired some of the music for its animated 1959 film Sleeping Beauty. References Jump up ^ Roger Fiske ( 1973 ) : Eulenberg Edition, Foreword to the complete score of the ballet : `` On 2 Feb 1939 Sadler 's Wells presented the ballet in London with Margot Fonteyn in the title role... This was the first successful production outside Russia, and it led to The Sleeping Beauty becoming extremely popular in all countries where classical ballet is cultivated... The way in which he developed his themes and the lavish originality with which he scored the music raised his ballets far above those his predecessors had composed. '' Jump up ^ `` The Sleeping Beauty ''. Collections Online. Royal Opera House. Retrieved 9 April 2016. Jump up ^ `` Review / Ballet ; San Francisco ' Sleeping Beauty ' Underlines Russian Influences ''. Retrieved November 27, 2013. New York Times / Anna Kisselgoff, March 20, 1990 ^ Jump up to : Brillarelli, Livia ( 1995 ). Cecchetti A Ballet Dynasty. Toronto : Dance Collection Danse Educational Publications. p. 31. Jump up ^ Lawrence & Elizabeth Hanson, Tchaikovsky page 269 Cassell London 1965 Jump up ^ `` US Patent and Trademark Office -- Princess Aurora trademark status ''. Retrieved March 26, 2010. Jump up ^ `` An Attempt To Stop The Disney Machine ''. Retrieved March 26, 2010. Deadline Hollywood / Niki Finke, May 1, 2009 External links Wikimedia Commons has media related to The Sleeping Beauty. Video samples The Sleeping Beauty - Choreography by Rudolf Nureyev The Ballet Soloist ( aka Russian Ballerina ) -- 1947 Soviet musical film with scenes from Tchaikovsky 's Swan Lake and The Sleeping Beauty. With subtitles in Esperanto. Solo of Prince Désiré from Pas de deux ( Act 3 ) danced by Rudolf Nureyev ( from YouTube ) Scores Sleeping Beauty : Scores at the International Music Score Library Project ( IMSLP ) History Tchaikovsky Research Ballets by Pyotr Ilyich Tchaikovsky Swan Lake, Op. 20 Sleeping Beauty, Op. 66 The Nutcracker, Op. 71 List of compositions by Pyotr Ilyich Tchaikovsky The ballets and * revivals of Marius Petipa in Russia 1847 -- 59 Paquita ( * 1847, * 1881 ) Le Diable amoureux ( as `` Satanella '' ) ( * 1848 ) Leda, the Swiss Milkmaid ( 1849 ) Giselle ( * 1850, * 1884, * 1899, * 1903 ) The Star of Granada ( 1855 ) The Rose, the Violet, and the Butterfly ( 1857 ) Le Corsaire ( * 1858, * 1863, * 1868, * 1885, * 1899 ) A Marriage During the Regency ( 1858 ) The Parisian Market ( 1859, * 1861 ) 1860 -- 79 The Blue Dahlia ( 1860, * 1875 ) Terpsichore ( 1861 ) The Pharaoh 's Daughter ( 1862, * 1885, * 1898 ) The Beauty of Lebanon ( 1863 ) The Traveling Dancer ( 1864 ) Florida ( 1866 ) Titania ( 1866 ) Faust ( * 1867 ) The Benevolent Cupid ( 1868 ) The Slave ( 1868 ) Le Roi Candaule ( 1868, * 1891, * 1903 ) Don Quixote ( 1869, * 1871 ) Trilby ( 1870 ) Catarina ( * 1870 ) The Two Stars ( 1871 ) La Péri ( * 1872 ) Camargo ( 1872 ) Le Papillon ( * 1874 ) Ondine ( as `` The Naiad and the Fisherman '' ) ( * 1874, * 1892 ) The Bandits ( 1875 ) The Adventures of Peleus ( 1876, * 1897 ) A Midsummer Night 's Dream ( 1876 ) La Bayadère ( 1877, * 1900 ) Roxana ( 1878 ) Ariadne ( 1878 ) The Daughter of the Snows ( 1879 ) Frizak the Barber ( 1879 ) Mlada ( 1879, * 1896 ) 1880 -- 99 La Fille du Danube ( * 1880 ) Zoraiya ( 1881 ) La Vivandière ( as `` Markitenka '' ) ( * 1881 ) Pâquerette ( * 1882 ) The Night and the Day ( 1883 ) Pygmalion ( 1883 ) Coppélia ( * 1884 ) Giselle ( * 1884, 1899, 1903 ) Le Diable à Quatre ( as `` The Willful Wife '' ) ( * 1885 ) La Fille Mal Gardée ( * 1885 ) The Magic Pills ( 1886 ) The King 's Command ( 1886, * 1887, * 1900 ) La Esmeralda ( * 1886, * 1899 ) The Sacrifices to Cupid ( 1886 ) * Fiametta ( 1887 ) The Vestal ( 1888 ) The Talisman ( 1889, * 1895 ) The Enchanted Forest ( * 1889 ) The Caprices of a Butterfly ( 1889, * 1895 ) The Sleeping Beauty ( 1890 ) Nénuphar ( 1890 ) Kalkabrino ( 1891 ) A Fairy Tale ( 1891 ) La Sylphide ( * 1892 ) The Nutcracker ( 1892 ) Cinderella ( 1893 ) The Awakening of Flora ( 1894 ) Swan Lake ( * 1895 ) The Little Humpbacked Horse ( as `` The Tsar Maiden '' ) ( * 1895 ) The Calvary Halt ( 1896 ) The Pearl ( 1896 ) Bluebeard ( 1896 ) Raymonda ( 1898 ) 1900 -- 03 Les Ruses d'Amour or The Trial of Damis ( 1900 ) The Seasons ( 1900 ) Harlequinade ( 1900 ) The Heart of the Marquis ( 1902 ) The Magic Mirror ( 1903 ) The Romance of the Rosebud and the Butterfly ( never presented ) Pyotr Ilyich Tchaikovsky Operas The Voyevoda Undina The Oprichnik Vakula the Smith Eugene Onegin The Maid of Orleans Mazepa ( or Mazeppa ) Cherevichki The Enchantress The Queen of Spades Iolanta Ballets Swan Lake The Sleeping Beauty The Nutcracker Symphonies No. 1 in G minor ( `` Winter Daydreams '' ) No. 2 in C minor ( `` Little Russian '' ) No. 3 in D major ( `` Polish '' ) No. 4 in F minor Symphony in B minor ( `` Manfred '' ) No. 5 in E minor No. 6 in B minor ( `` Pathétique '' ) No. 7 in E ♭ major ( unfinished ) Concertante Piano Concerto No. 1 in B ♭ minor Piano Concerto No. 2 in G major Piano Concerto No. 3 in E ♭ major Concert Fantasia Andante and Finale Sérénade mélancolique Valse - Scherzo Violin Concerto in D major Variations on a Rococo Theme Pezzo capriccioso Cello Concerto Orchestral works Romeo and Juliet The Tempest Hamlet Capriccio Italien Francesca da Rimini The Storm Fatum The Voyevoda 1812 Overture Marche slave Festival Overture on the Danish National Anthem Festival Coronation March Orchestral Suite No. 1 in D minor Orchestral Suite No. 2 in C major Orchestral Suite No. 3 in G major Orchestral Suite No. 4 in G major ( `` Mozartiana '' ) Serenade for Strings Vocal music Liturgy of St John Chrysostom All - Night Vigil Moscow Six Romances ( Op. 38 ) Chamber music Quartet Movement in B ♭ major String Quartet No. 1 in D major String Quartet No. 2 in F major String Quartet No. 3 in E ♭ minor Souvenir d'un lieu cher Piano Trio in A minor String Sextet in D minor ( Souvenir de Florence ) Piano music Scherzo à la russe Souvenir de Hapsal The Seasons ( Les saisons ) Piano Sonata No. 2 in C ♯ minor Grand Piano Sonata in G major Portrayals Tchaikovsky ( 1969 film ) Music competitions International Tchaikovsky Competition International Tchaikovsky Competition for Young Musicians Related articles Antonina Miliukova Belyayev circle Death Modest Ilyich Tchaikovsky Musical style Nadezhda von Meck Pyotr Ilyich Tchaikovsky in popular media Symphonies by Pyotr Ilyich Tchaikovsky Tchaikovsky State House - Museum The Five Vladimir Davydov Book : Pyotr Ilyich Tchaikovsky List of compositions by Pyotr Ilyich Tchaikovsky Category : Pyotr Ilyich Tchaikovsky `` Sleeping Beauty '' / `` Little Briar Rose '' by Charles Perrault and the Brothers Grimm Theatre La Belle au Bois Dormant ( opera ) The Sleeping Beauty ( ballet ) Variants Sun, Moon, and Talia The Young Slave The Glass Coffin Retellings Alinda of the Loch Enchantment The Light Princess `` Little Daylight '' The Ordinary Princess The Sleeping Beauty Quartet Spindle 's End The Gates of Sleep Films Sleeping Beauty ( 1959 ) Some Call It Loving ( 1973 ) Sleeping Beauty ( 1987 ) Sleeping Beauty ( 1995 ) Keys to the Kingdom ( 2007 ) Sleeping Betty ( 2008 ) Maleficent ( 2014 ) Descendants ( 2015 ) Charming ( 2018 ) Disney `` Once Upon a Dream '' ( song ) Sleeping Beauty Castle Le Château de la Belle au Bois Dormant `` Evil Like Me '' ( song ) Kingdom Hearts series Characters Prince Charming Wicked fairy godmother Disney 's Sleeping Beauty characters Princess Aurora Flora, Fauna, and Merryweather Maleficent VIAF : 177018667 LCCN : n79129182 GND : 300033966 Retrieved from `` https://en.wikipedia.org/w/index.php?title=The_Sleeping_Beauty_(ballet)&oldid=820890862 '' Categories : Ballets by Marius Petipa Suites by Pyotr Ilyich Tchaikovsky 1890 ballet premieres 1889 compositions Works based on Sleeping Beauty Adaptations of works by Charles Perrault Ballets by Pyotr Ilyich Tchaikovsky Ballets based on fairy tales Hidden categories : Articles containing Russian - 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Question: swan lake the sleeping beauty and the nutcracker are three famous ballets by
Answer: Pyotr Ilyich Tchaikovsky; Pyotr Ilyich Tchaikovsky; Pyotr Ilyich Tchaikovsky; Pyotr Ilyich Tchaikovsky; Pyotr Ilyich Tchaikovsky