Pink Floyd -- the Wall - wikipedia Pink Floyd -- the Wall For the Pink Floyd album, see The Wall. For other works related to the Pink Floyd album, see Wall ( disambiguation ). Pink Floyd -- The Wall Theatrical release poster Directed by Alan Parker Gerald Scarfe ( animation ) Produced by Alan Marshall Screenplay by Roger Waters Based on The Wall by Pink Floyd Starring Bob Geldof Music by Pink Floyd Bob Ezrin Michael Kamen Cinematography Peter Biziou Edited by Gerry Hambling Production company Metro - Goldwyn - Mayer Distributed by MGM / UA Entertainment Company Release date 23 May 1982 ( 1982 - 05 - 23 ) ( Cannes ) 15 July 1982 ( 1982 - 07 - 15 ) ( United Kingdom ) Running time 95 minutes Country United Kingdom Language English Budget $12 million Box office $22.2 million Pink Floyd -- The Wall is a 1982 British live - action / animated musical drama film directed by Alan Parker with animated segments by political cartoonist Gerald Scarfe, and is based on the 1979 Pink Floyd album of the same name. The film centers around a confined rocker named Pink, who, after being driven into insanity by the death of his father and many depressive moments during his lifetime, constructs a metaphorical ( and sometimes physical ) wall to be protected from the world and emotional situations around him. When this coping mechanism backfires he puts himself on trial and sets himself free. The screenplay was written by Pink Floyd vocalist and bassist Roger Waters. Like its musical companion, the film is highly metaphorical and symbolic imagery and sound are present most commonly. However, the film is mostly driven by music, and does not feature much dialogue. Gerald Scarfe drew and animated 15 minutes of animated sequences, which appear at several points in the film. It was the seventh animated feature to be presented in Dolby Stereo. The film is best known for its disturbing surrealism, animated sequences, sexual situations, violence and gore. Despite its turbulent production and the creators voicing their discontent about the final product, the film has since fared well generally, and has established cult status. Contents 1 Plot 2 Cast 3 Production 3.1 Concept 3.2 Development 3.3 Filming 4 Release 4.1 Box office and critical reception 4.2 Themes and analysis 4.3 Home media 4.4 Awards 5 Documentary 6 Soundtrack 7 References 8 External links Plot Pink is a rock star, one of several reasons behind his apparent depressive and detached emotional state. He is first seen in an unkempt hotel room, motionless and expressionless, watching television while the Vera Lynn recording of `` The Little Boy that Santa Claus Forgot '' plays. It is later revealed that Pink 's father, a British soldier, was killed in action while defending the Anzio bridgehead during World War II, in Pink 's infancy. In a flashback, Pink is a young English boy growing up in the early 1950s. Throughout his childhood, Pink longs for a father figure. He discovers a scroll from `` kind old King George '' and other relics from his father 's military service and death, placing a bullet on the track of an oncoming train. At school, he is caught writing poems in class and humiliated by the teacher. To the tune of `` Another Brick in the Wall ( Part 2 ) '', Pink imagines a surrealistically oppressive school system in which children fall into a meat grinder. The children then rise in rebellion and destroy the school, carrying the Teacher away to an unknown fate. Pink is also negatively affected by his overprotective mother. Such traumatic experiences are represented as `` bricks '' in the metaphorical wall he constructs around himself that divides him from society. As an adult, Pink eventually marries, but he and his wife soon grow apart. While he is in the United States on tour, Pink learns that his wife is having an affair. He turns to a willing groupie, whom he brings back to his hotel room only to trash it in a fit of violence, terrifying the groupie out of the room. Pink slowly begins to lose his mind to metaphorical `` worms ''. He shaves all his body hair and, while watching The Dam Busters on television, morphs into a neo-Nazi alter - ego. Pink 's manager, along with the hotel manager and some paramedics, discover Pink unresponsive and inject him with drugs to enable him to perform. Pink fantasizes that he is a dictator and his concert is a neo-Nazi rally. His followers proceed to attack ethnic minorities, and Pink holds a rally in suburban London, singing `` Waiting for the Worms ''. The scene is intercut with images of animated marching hammers that goose - step across ruins. Pink then stops hallucinating and screams `` Stop ! '' He then takes refuge in the toilets at the concert venue, reciting poems. In a climactic animated sequence, Pink, depicted as a small, almost inanimate rag doll, is on trial, and his sentence is `` to be exposed before ( his ) peers. '' The judge gives the order to `` tear down the wall ''. Following a prolonged silence, the wall is smashed. Several children are seen cleaning up a pile of debris after an earlier riot, with a freeze - frame on one of the children emptying a Molotov cocktail. Cast Bob Geldof as Pink Kevin McKeon as Young Pink David Bingham as Little Pink Christine Hargreaves as Pink 's mother Eleanor David as Pink 's wife Alex McAvoy as Teacher Bob Hoskins as Rock - and - roll manager Michael Ensign as Hotel manager James Laurenson as Pink 's father Jenny Wright as American groupie Margery Mason as Teacher 's wife Ellis Dale as English doctor James Hazeldine as Lover Ray Mort as Playground father Robert Bridges as American doctor Joanne Whalley, Nell Campbell, Emma Longfellow, and Lorna Barton as Groupies Philip Davis and Gary Olsen as Roadies Production See also : The Wall Concept In the mid-1970s, as Pink Floyd gained mainstream fame, Waters began feeling increasingly alienated from their audiences : Audiences at those vast concerts are there for an excitement which, I think, has to do with the love of success. When a band or a person becomes an idol, it can have to do with the success that that person manifests, not the quality of work he produces. You do n't become a fanatic because somebody 's work is good, you become a fanatic to be touched vicariously by their glamour and fame. Stars -- film stars, rock ' n ' roll stars -- represent, in myth anyway, the life as we 'd all like to live it. They seem at the very centre of life. And that 's why audiences still spend large sums of money at concerts where they are a long, long way from the stage, where they are often very uncomfortable, and where the sound is often very bad. Waters was also dismayed by the `` executive approach '', which was only about success, not even attempting to get acquainted with the actual persons of whom the band was comprised ( addressed in an earlier song from Wish You Were Here, `` Have a Cigar '' ). The concept of the wall, along with the decision to name the lead character `` Pink '', partly grew out of that approach, combined with the issue of the growing alienation between the band and their fans. This symbolised a new era for rock bands, as Pink Floyd `` explored (... ) the hard realities of ' being where we are ' '', drawing upon existentialists, namely Jean - Paul Sartre. Development The iconic `` marching hammers '' Even before the original Pink Floyd album was recorded, a film was intended to be made from it. However, the concept of the film was intended to be live footage from the album 's tour, with Scarfe 's animation and extra scenes. The film was going to star Waters himself. EMI did not intend to make the film, as they did not understand the concept. Director Alan Parker, a Pink Floyd fan, asked EMI whether The Wall could be adapted to film. EMI suggested that Parker talk to Waters, who had asked Parker to direct the film. Parker instead suggested that he produce it and give the directing task to Gerald Scarfe and Michael Seresin, a cinematographer. Waters began work on the film 's screenplay after studying scriptwriting books. He and Scarfe produced a special - edition book containing the screenplay and art to pitch the project to investors. While the book depicted Waters in the role of Pink, after screen tests, he was removed from the starring role and replaced with punk musician and frontman of the Boomtown Rats, Bob Geldof. In Behind the Wall, both Waters and Geldof later admitted to a story during casting where Geldof and his manager took a taxi to an airport, and Geldof 's manager pitched the role to the singer, who continued to reject the offer and express his contempt for the project throughout the fare, unaware that the taxi driver was Waters ' brother, who promptly proceeded to tell Waters about Geldof 's opinion. Since Waters was no longer in the starring role, it no longer made sense for the feature to include Pink Floyd footage, so the live film aspect was dropped. The footage culled from the five Wall concerts at Earl 's Court from 13 -- 17 June 1981 that were held specifically for filming was deemed unusable also for technical reasons as the fast Panavision lenses needed for the low light levels turned out to have insufficient resolution for the movie screen. Complex parts such as `` Hey You '' still had not been properly shot by the end of the live shows. Parker also managed to convince Waters and Scarfe that the concert footage was too theatrical and that it would jar with the animation and stage live action. After the concert footage was dropped, Seresin left the project and Parker became the only director connected to The Wall. Filming One of the masks worn by children in the classroom scenes ; displayed at the Pink Floyd : Their Mortal Remains exhibition Parker, Waters and Scarfe frequently clashed with each other during production, to the point where the director described the filming as `` one of the most miserable experiences of my creative life. '' Scarfe declared that he would drive to Pinewood Studios carrying a bottle of Jack Daniel 's, because `` I had to have a slug before I went in the morning, because I knew what was coming up, and I knew I had to fortify myself in some way. '' During production, while filming the destruction of a hotel room, Geldof suffered a cut to his hand as he pulled away the Venetian blinds. The footage remains in the film. Also, it was discovered while filming the pool scenes that Geldof did not know how to swim. Interiors were shot at Pinewood Studios, and it was suggested that they suspend Geldof in Christopher Reeve 's clear cast used for the Superman flying sequences, but his frame was too small by comparison ; it was then decided to make a smaller rig that was a more acceptable fit, and he simply lay on his back. The war scenes were shot on Saunton Sands in North Devon, which was also featured on the cover of Pink Floyd 's A Momentary Lapse of Reason six years later. Release The film was shown `` out of competition '' during the 1982 Cannes Film Festival. The premiere at Cannes was amazing -- the midnight screening. They took down two truckloads of audio equipment from the recording studios so it would sound better than normal. It was one of the last films to be shown in the old Palais which was pretty run down and the sound was so loud it peeled the paint off the walls. It was like snow -- it all started to shower down and everyone had dandruff at the end. I remember seeing Terry Semel there, who at the time was head of Warner Bros., sitting next to Steven Spielberg. They were only five rows ahead of me and I 'm sure I saw Steven Spielberg mouthing to him at the end when the lights came up, ' what the fuck was that ? ' And Semel turned to me and then bowed respectfully. ' What the fuck was that ?, ' indeed. It was like nothing anyone had ever seen before -- a weird fusion of live - action, story - telling and of the surreal. Alan Parker The film 's official premiere was at the Empire, Leicester Square in London, on 14 July 1982. It was attended by Waters and fellow Pink Floyd members David Gilmour and Nick Mason, but not Richard Wright, who was no longer a member of the band. It was also attended by various celebrities including Geldof, Scarfe, Paula Yates, Pete Townshend, Sting, Roger Taylor, James Hunt, Lulu and Andy Summers. Box office and critical reception So it 's difficult, painful and despairing, and its three most important artists came away from it with bad feelings. Why would anybody want to see it ? Perhaps because filming this material could not possibly have been a happy experience for anyone -- not if it 's taken seriously. Roger Ebert The film opened with a limited release on 6 August 1982 and entered at No. 28 of the US box office charts despite only playing in one theatre on its first weekend, grossing over $68,000, a rare feat even by today 's standards. The film then spent just over a month below the top 20 while still in the top 30. The film later expanded to over 600 theatres on 10 September, achieving No. 3 at the box office charts, below E.T. the Extra-Terrestrial, and An Officer and a Gentleman. The film eventually earned $22 million before closing in early 1983. The film received generally positive reviews. Reviewing The Wall on their television programme At the Movies in 1982, film critics Roger Ebert and Gene Siskel gave the film `` two thumbs up ''. Ebert described The Wall as `` a stunning vision of self - destruction '' and `` one of the most horrifying musicals of all time... but the movie is effective. The music is strong and true, the images are like sledge hammers, and for once, the rock and roll hero is n't just a spoiled narcissist, but a real, suffering image of all the despair of this nuclear age. This is a real good movie. '' Siskel was more reserved in his judgement, stating that he felt that the film 's imagery was too repetitive. However, he admitted that the `` central image '' of the fascist rally sequence `` will stay with me for an awful long time. '' In February 2010, Roger Ebert added The Wall to his list of `` Great Movies, '' describing the film as `` without question the best of all serious fiction films devoted to rock. Seeing it now in more timid times, it looks more daring than it did in 1982, when I saw it at Cannes... It 's disquieting and depressing and very good. '' It was chosen for the opening night of Ebertfest 2010. Rotten Tomatoes currently ranks the film with a critics ' review rating of 70 % ( based on 20 reviews ). Danny Peary wrote that the `` picture is unrelentingly downbeat and at times repulsive... but I do n't find it unwatchable -- which is more than I could say if Ken Russell had directed this. The cinematography by Peter Biziou is extremely impressive and a few of the individual scenes have undeniable power. '' Waters has expressed deep reservations about the film, saying that the filming had been `` a very unnerving and unpleasant experience... we all fell out in a big way. '' As for the film itself, he said : `` I found it was so unremitting in its onslaught upon the senses, that it did n't give me, anyway, as an audience, a chance to get involved with it, '' although he had nothing but praise for Geldof 's performance. David Gilmour stated ( on the `` In the Studio with Redbeard '' episodes of The Wall, A Momentary Lapse of Reason and On an Island ) that the conflict between him and Waters started with the making of the film. Gilmour also stated on the documentary Behind The Wall ( which was aired on the BBC in the UK and VH1 in the US ) that `` the movie was the less successful telling of The Wall story as opposed to the album and concert versions. '' Although the symbol of the crossed hammers used in the film and not related to any real racist group, it was adopted by white supremacist group the Hammerskins in the late 1980s. It earned its creators two British Academy Awards ; ' Best Sound ' for James Guthrie, Eddy Joseph, Clive Winter, Graham Hartstone & Nicholas Le Messurier ; and ' Best Original Song ' for Waters. Themes and analysis It has been suggested that the protagonist stands in some way for Waters. Beyond the obvious parallel of them both being rock stars, Waters lost his father while he was an infant and had marital problems, divorcing several times. Romelo and Cabo place the Nazism and imperialism related symbols in the context of Margaret Thatcher 's government and British foreign policy especially concerning the Falklands issue. Home media Pink Floyd -- The Wall was released on VHS in 1983 ( MV400268 ), 1989 ( M400268 ), 1994 ( M204694 ) by MGM / UA Home Entertainment, and 1999 ( CV50198 ) by Columbia Music Video. The DVD was released in 1999 ( UPC : 074645019895 ) and 2005 ( UPC : 074645816395 ) by Columbia Music Video. Awards List of awards Award Category Recipient ( s ) Result BAFTA Film Award Best Original Song Roger Waters For the song `` Another Brick in the Wall '' Won BAFTA Film Award Best Sound James Guthrie Eddy Joseph Clive Winter Graham V. Hartstone Nicolas Le Messurier Won Saturn Award Best Poster Art Gerald Scarfe Nominated Documentary A documentary was produced about the making of Pink Floyd -- The Wall entitled The Other Side of the Wall that includes interviews with Parker, Scarfe, and clips of Waters, originally aired on MTV in 1982. A second documentary about the film was produced in 1999 entitled Retrospective that includes interviews with Waters, Parker, Scarfe, and other members of the film 's production team. Both are featured on The Wall DVD as extras. Soundtrack Pink Floyd - The Wall Soundtrack album by Pink Floyd Released Unreleased Recorded 1981 -- 1982 Genre Progressive rock Pink Floyd soundtracks chronology Obscured by Clouds ( 1972 ) Obscured by Clouds 1972 Pink Floyd - The Wall ( 1982 ) La Carrera Panamericana ( 1992 ) La Carrera Panamericana 1992 Singles from Pink Floyd - The Wall `` When the Tigers Broke Free '' Released : 26 July 1982 Song changes from album : Track Changes `` When the Tigers Broke Free '' 1 New song, edited into two sections strictly for the film, but later released as one continuous song. The song was released as a single in 1982 and was later included on the 2001 compilation Echoes : The Best of Pink Floyd and on the 2004 re-release of The Final Cut. `` In the Flesh ? '' Extended / re-mixed / lead vocal re-recorded by Geldof. `` The Thin Ice '' Extended / re-mixed with additional piano overdub in second verse, baby sounds removed. `` Another Brick in the Wall, Part 1 '' Extra bass parts, which were muted on the album mix, can be heard. `` When the Tigers Broke Free '' 2 New song. `` Goodbye Blue Sky '' Re-mixed. `` The Happiest Days of Our Lives '' Re-mixed. Helicopter sounds dropped, teacher 's lines re-recorded by Alex McAvoy. `` Another Brick in the Wall, Part 2 '' Re-mixed with extra lead guitar, children 's chorus part edited and shortened, teacher 's lines re-recorded by McAvoy and interspersed within children 's chorus portion. `` Mother '' Re-recorded completely with exception of guitar solo and its backing track. The lyric `` Is it just a waste of time ? '' is replaced with `` Mother, am I really dying ? '', which is what appeared on the original LP lyric sheet. `` What Shall We Do Now ? '' A full - length song which begins with the music of, and a similar lyric to `` Empty Spaces ''. This was intended to be on the original album, and in fact appears on the original LP lyric sheet. At the last minute, it was dropped in favour of the shorter `` Empty Spaces '' ( which was originally intended as a reprise of `` What Shall We Do Now '' ). A live version is on the album Is There Anybody Out There ? The Wall Live 1980 -- 81. `` Young Lust '' Screams added and phone call part removed. The phone call part was moved to the beginning of `` What Shall We Do Now ? '' `` One of My Turns '' Re-mixed. Groupie 's lines re-recorded by Jenny Wright. `` Do n't Leave Me Now '' Shortened and remixed. `` Another Brick in the Wall, Part 3 '' Re-recorded completely with a slightly faster tempo. `` Goodbye Cruel World '' Unchanged. `` Is There Anybody Out There ? '' Classical guitar re-recorded, this time played with a leather pick by guitarist Tim Renwick, as opposed to the album version, which was played finger - style by Joe DiBlasi. `` Nobody Home '' Musically unchanged, but with different clips from the TV set. `` Vera '' Unchanged. `` Bring the Boys Back Home '' Re-recorded completely with brass band and Welsh male vocal choir extended and without Waters ' lead vocals. `` Comfortably Numb '' Re-mixed with Geldof 's scream added. Bass line partially different from album. `` In the Flesh '' Re-recorded completely with brass band and Geldof on lead vocals. `` Run Like Hell '' Re-mixed and shortened. `` Waiting for the Worms '' Shortened but with extended coda. `` 5 : 11 AM ( The Moment of Clarity ) '' Geldof unaccompanied on lead vocals. The song is taken from The Pros and Cons of Hitch Hiking, a concept album Waters wrote simultaneously with The Wall, and later recorded solo. Geldof sings the lyrics to the melody of `` Your Possible Pasts '', a song intended for The Wall that later appeared on The Final Cut. `` Stop '' Re-recorded completely with Geldof unaccompanied on lead vocals. ( The audio in the background of this scene is from Gary Yudman 's introduction from The Wall Live at Earl 's Court. ) `` The Trial '' Re-mixed. `` Outside the Wall '' Re-recorded completely with brass band and Welsh male voice choir. Extended with a musical passage similar to `` Southampton Dock '' from The Final Cut. The only songs from the album not used in the film are `` Hey You '' and `` The Show Must Go On ''. `` Hey You '' was deleted as Waters and Parker felt the footage was too repetitive ( eighty percent of the footage appears in montage sequences elsewhere ) but available to view as a bonus feature on the DVD release under the name `` Reel 13 ''. A soundtrack album from Columbia Records was listed in the film 's end credits, but only a single containing `` When the Tigers Broke Free '' and the rerecorded `` Bring the Boys Back Home '' was released. `` When the Tigers Broke Free '' later became a bonus track on the band 's 1983 album The Final Cut, an album Waters intended as an extension to The Wall. Guitarist David Gilmour, however, dismissed the album as a collection of songs that had been rejected for The Wall project, but were being recycled. The song, in the edit used for the single, also appears on the 2001 compilation album Echoes : The Best of Pink Floyd. Chart positions Year Chart Position 2005 Australian ARIA DVD Chart # 10 References Jump up ^ `` PINK FLOYD - THE WALL ( AA ) ''. British Board of Film Classification. 23 June 1982. Retrieved 16 August 2015. ^ Jump up to : Box Office Information for Pink Floyd -- The Wall. Box Office Mojo. Retrieved 1 January 2014. Jump up ^ Curtis, James M. ( 1987 ). Rock Eras : Interpretations of Music and Society, 1954 -- 1984. Popular Press. p. 283. ISBN 0 - 87972 - 369 - 6. Jump up ^ Reisch, George A. ( 2007 ). Pink Floyd and Philosophy : Careful With That Axiom, Eugene !. Open Court Publishing Company. pp. 76 -- 77. ISBN 0 - 8126 - 9636 - 0. Retrieved 10 July 2013. Jump up ^ Reisch, George A. ( 2009 ). Radiohead and philosophy. Open Court Publishing Company. p. 60. ISBN 0 - 8126 - 9700 - 6. Retrieved 10 July 2013. Jump up ^ Schaffner, Nicholas. Saucerful of Secrets. Dell Publishing. p. 225. ^ Jump up to : J.C. Maçek III ( 5 September 2012 ). `` The Cinematic Experience of Roger Waters ' ' The Wall Live ' ''. PopMatters. Jump up ^ Schaffner, Nicholas. Saucerful of Secrets. Dell Publishing. p. 244. Jump up ^ Schaffner, Nicholas. Saucerful of Secrets. Dell Publishing. pp. 244 -- 245. Jump up ^ Schaffner, Nicholas. Saucerful of Secrets. Dell Publishing. pp. 245 -- 246. Jump up ^ Schaffner, Nicholas. Saucerful of Secrets. Dell Publishing. p. 246. Jump up ^ Pink Floyd 's The Wall, page 83 Jump up ^ Pink Floyd 's The Wall, page 105 ^ Jump up to : Pink Floyd 's The Wall, page 118 Jump up ^ `` Interview : Gerald Scarfe ''. Floydian Slip. November 5 -- 7, 2010. Retrieved June 22, 2016. Jump up ^ Geldof, Bob. Is That It ?. Weidenfeld & Nicolson. Jump up ^ Storm Thorgerson and Peter Curzon. Mind Over Matter : The Images of Pink Floyd. page 102. ISBN 1 - 86074 - 206 - 8. Jump up ^ `` Festival de Cannes -- From 16 to 27 may 2012 ''. Festival-cannes.com. Retrieved 7 January 2012. Jump up ^ Scarfe, Gerald. The Making of Pink Floyd : The Wall. Da Capo Press. p. 216. ^ Jump up to : Mabbett, Andy ( 2010 ). Pink Floyd -- The Music and the Mystery. London : Omnibus,. ISBN 978 - 1 - 84938 - 370 - 7. Jump up ^ Miles, Barry ; Andy Mabbett ( 1994 ). Pink Floyd the visual documentary ( ( Updated ed. ) ed. ). London : : Omnibus,. ISBN 0 - 7119 - 4109 - 2. ^ Jump up to : `` Pink Floyd : The Wall ( 1982 ) ''. Chicago Sun - Times. Jump up ^ Danny Peary, Guide for the Film Fanatic ( Simon & Schuster, 1986 ) p. 331 Jump up ^ Pink Floyd 's The Wall, page 129 Jump up ^ `` The Hammerskin Nation ''. Extremism in America. Anti-Defamation League. 2005. Retrieved 8 September 2011. ^ Jump up to : `` Past Winners and Nominees -- Film -- Awards ''. BAFTA. Retrieved 26 December 2010. Jump up ^ `` Roger Waters : Another crack in the wall The Sunday Times ''. www.thesundaytimes.co.uk. Retrieved 2015 - 12 - 25. Jump up ^ `` Roger Waters ' Poetry of the Absent Father : British Identity in Pink Floyd 's `` The Wall '' on JSTOR ``. JSTOR 41055246. Missing or empty url = ( help ) ^ Jump up to : Bench, Jeff ( 2004 ). Pink Floyd 's The Wall. Richmond, Surrey, UK : Reynolds and Hearn,. pp. 107 -- 110p. ISBN 1 - 903111 - 82 - X. Jump up ^ Marty Yawnick ( June 28, 2016 ). `` Is There Anybody Out There ? - Hear David Gilmour 's version ''. The Wall Complete. Retrieved 2017 - 07 - 05. Jump up ^ Pink Floyd : The Wall ( 1980 Pink Floyd Music Publishers Ltd., London, England, ISBN 0 - 7119 - 1031 - 6 ( USA ISBN 0 - 8256 - 1076 - 1 ) ) Jump up ^ Pink Floyd : The Final Cut ( 1983 Pink Floyd Music Publishers Ltd., London, England. ) Jump up ^ Pink Floyd 's The Wall, page 128 External links Pink Floyd portal 1980s portal Wikiquote has quotations related to : Pink Floyd -- The Wall Pink Floyd -- The Wall on IMDb Pink Floyd -- The Wall at Box Office Mojo Pink Floyd -- The Wall at Rotten Tomatoes A Complete Analysis of Pink Floyd -- The Wall by Bret Urick Original screenplay by Roger Waters Pink Floyd Nick Mason Roger Waters Richard Wright Syd Barrett David Gilmour Studio albums The Piper at the Gates of Dawn A Saucerful of Secrets More Ummagumma Atom Heart Mother Meddle Obscured by Clouds The Dark Side of the Moon Wish You Were Here Animals The Wall The Final Cut A Momentary Lapse of Reason The Division Bell The Endless River Live albums Ummagumma Delicate Sound of Thunder Pulse Is There Anybody Out There ? The Wall Live 1980 -- 81 Singles `` Arnold Layne '' / `` Candy and a Currant Bun '' `` See Emily Play '' / `` The Scarecrow '' `` Flaming '' / `` The Gnome '' ( US ) `` Apples and Oranges '' / `` Paint Box '' ( UK ) `` It Would Be So Nice '' / `` Julia Dream '' `` Let There Be More Light '' / `` Remember a Day '' ( US ) `` Point Me at the Sky '' / `` Careful with That Axe, Eugene '' ( UK ) `` One of These Days '' / `` Fearless '' ( US ) `` Free Four '' `` Money '' / `` Any Colour You Like '' ( US ) `` Time '' / `` Us and Them '' ( US ) `` Have a Cigar '' / `` Welcome to the Machine '' ( US ) or `` Shine On You Crazy Diamond Part I '' ( Europe ) `` Another Brick in the Wall ( Part II ) '' / `` One of My Turns '' `` Run Like Hell '' / `` Do n't Leave Me Now '' ( Europe / some US ) or `` Comfortably Numb '' ( later US ) `` Comfortably Numb '' / `` Hey You '' ( US ) `` Pink Floyd The Wall - Music From The Film '' ( `` When the Tigers Broke Free '' / `` Bring the Boys Back Home '' ) `` Not Now John '' / `` The Hero 's Return ( Parts 1 and 2 ) '' `` Learning to Fly '' / `` Terminal Frost '' and / or `` One Slip '' `` On the Turning Away '' / `` Run Like Hell ( live ) '' ( UK ) `` One Slip '' / `` Terminal Frost '' / `` The Dogs of War '' ( UK ) `` Take It Back '' / `` Astronomy Domine ( live ) '' ( US ) `` High Hopes '' / `` Keep Talking '' / `` Marooned '' `` Wish You Were Here ( Live ) '' / `` Coming Back to Life ( live ) / `` Keep Talking ( live ) '' ( UK ) `` Louder than Words '' Compilations The Best of the Pink Floyd / Masters of Rock Relics A Nice Pair A Collection of Great Dance Songs Works 1967 : The First Three Singles Echoes : The Best of Pink Floyd The Best of Pink Floyd : A Foot in the Door 1965 : Their First Recordings Box sets Shine On Oh, by the Way Discovery The Early Years 1965 -- 1972 Films Concerts London ' 66 -- ' 67 Live at Pompeii Delicate Sound of Thunder Pulse Narratives The Wall The Final Cut Documentaries The Pink Floyd and Syd Barrett Story London ' 66 -- ' 67 The Story of Wish You Were Here Soundtracks San Francisco The Committee Tonite Lets All Make Love in London More Zabriskie Point Obscured by Clouds Pink Floyd -- The Wall La Carrera Panamericana Tours World Tour 1968 The Man and The Journey Tour Atom Heart Mother World Tour Meddle Tour Dark Side of the Moon Tour Wish You Were Here Tour In the Flesh The Wall Tour A Momentary Lapse of Reason Tour The Division Bell Tour Related media and tributes 19367 Pink Floyd The Amazing Pudding The Australian Pink Floyd Show Barn Jams Brit Floyd The Dark Side of the Moo `` Embryo '' Inside Out : A Personal History of Pink Floyd The Man and The Journey Music from The Body Pinkfloydia `` Proper Education '' Synalpheus pinkfloydi Umma gumma Their Mortal Remains Other topics Discography Videography Song list Unreleased material Members Bootleg recordings Pink Floyd live performances The 14 Hour Technicolor Dream Azimuth Co-ordinator Blackhill Enterprises Britannia Row Studios Dark Side of the Rainbow EMS Synthi A Games for May Midsummer High Weekend Pink Floyd pigs Publius Enigma Why Pink Floyd... ? Book Category Portal The Wall Songs Side one `` In the Flesh ? '' `` The Thin Ice '' `` Another Brick in the Wall ( Part 1 ) '' `` The Happiest Days of Our Lives '' `` Another Brick in the Wall ( Part 2 ) '' `` Mother '' Side two `` Goodbye Blue Sky '' `` Empty Spaces '' `` Young Lust '' `` One of My Turns '' `` Do n't Leave Me Now '' `` Another Brick in the Wall ( Part 3 ) '' `` Goodbye Cruel World '' Side three `` Hey You '' `` Is There Anybody Out There ? '' `` Nobody Home '' `` Vera '' `` Bring the Boys Back Home '' `` Comfortably Numb '' Side four `` The Show Must Go On '' `` In the Flesh '' `` Run Like Hell '' `` Waiting for the Worms '' `` Stop '' `` The Trial '' `` Outside the Wall '' Related tracks `` What Shall We Do Now ? '' `` The Last Few Bricks '' `` When the Tigers Broke Free '' Related albums Is There Anybody Out There ? The Wall Live 1980 -- 81 The Wall -- Live in Berlin Roger Waters : The Wall The Final Cut The Pros and Cons of Hitch Hiking Tribute albums Back Against the Wall Rebuild the Wall Us and Them : Symphonic Pink Floyd Videos Pink Floyd -- The Wall Roger Waters : The Wall The Final Cut Tours The Wall Tour The Wall Live Adaptations Another Brick in the Wall : The Opera The Piper at the Gates of Dawn A Saucerful of Secrets More Ummagumma Atom Heart Mother Meddle Obscured by Clouds The Dark Side of the Moon Wish You Were Here Animals The Wall The Final Cut A Momentary Lapse of Reason The Division Bell The Endless River Films directed by Alan Parker The Evacuees ( 1975, Play for Today ) Bugsy Malone ( 1976 ) Midnight Express ( 1978 ) Fame ( 1980 ) Shoot the Moon ( 1982 ) Pink Floyd -- The Wall ( 1982 ) Birdy ( 1984 ) Angel Heart ( 1987 ) Mississippi Burning ( 1988 ) Come See the Paradise ( 1990 ) The Commitments ( 1991 ) The Road to Wellville ( 1994 ) Evita ( 1996 ) Angela 's Ashes ( 1999 ) The Life of David Gale ( 2003 ) Retrieved from `` https://en.wikipedia.org/w/index.php?title=Pink_Floyd_ -- _The_Wall&oldid = 836443307 '' Categories : 1982 films English - language films Pink Floyd films The Wall ( rock opera ) British films 1980s drama films 1980s musical films British animated films British drama films British musical films Adultery in films Allegory BAFTA winners ( films ) Fiction with unreliable narrators Films scored by Michael Kamen Films about fascists Films about music and musicians Films based on albums Films directed by Alan Parker Films set in the 1950s Films set in the 1970s Films with live action and animation Mental illness in fiction Nonlinear narrative films Sung - through musical films Films shot at Pinewood Studios Goldcrest Films films Metro - Goldwyn - Mayer films Hidden categories : Pages using web citations with no URL EngvarB from May 2014 Use dmy dates from May 2014 Pages using div col with deprecated parameters Articles with hAudio microformats Album infoboxes lacking a cover Music infoboxes with deprecated parameters Talk More Contents About Wikipedia Wikiquote Български Català Čeština Dansk Deutsch Ελληνικά Español Esperanto فارسی Français Galego Հայերեն Italiano עברית ქართული Кыргызча Lietuvių Magyar Nederlands 日本 語 Norsk Norsk nynorsk Polski Português Русский Simple English Slovenčina Suomi Svenska Türkçe Українська 22 more Edit links This page was last edited on 14 April 2018, at 21 : 14. 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Question: who played pink in pink floyd the wall
Answer: Bob Geldof; Bob Geldof; Bob Geldof; Bob Geldof; Bob Geldof as Pink