The Man with the Golden Arm - wikipedia The Man with the Golden Arm For the novel, see The Man with the Golden Arm ( novel ). For the blood donor, see James Harrison ( blood donor ). This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. ( November 2016 ) The Man with the Golden Arm Theatrical release poster by Saul Bass Directed by Otto Preminger Produced by Otto Preminger Screenplay by Walter Newman Lewis Meltzer Ben Hecht ( uncredited ) Based on The Man with the Golden Arm 1949 novel by Nelson Algren Starring Frank Sinatra Eleanor Parker Kim Novak Arnold Stang Darren McGavin Music by Elmer Bernstein Cinematography Sam Leavitt Edited by Louis R. Loeffler Distributed by United Artists Release date December 15, 1955 ( 1955 - 12 - 15 ) Running time 119 minutes Country United States Language English Budget $1 million Box office $4,350,000 ( US ) The Man with the Golden Arm is a 1955 American drama film with elements of film noir, based on the novel of the same name by Nelson Algren, which tells the story of a drug addict who gets clean while in prison, but struggles to stay that way in the outside world. Although the addictive drug is never identified in the film, according to the American Film Institute `` most contemporary and modern sources assume that it is heroin '', in contrast to Algren 's book which named the drug as morphine. The film stars Frank Sinatra, Eleanor Parker, Kim Novak, Arnold Stang and Darren McGavin. It was adapted for the screen by Walter Newman, Lewis Meltzer and Ben Hecht ( uncredited ), and directed by Otto Preminger. The film 's initial release sparked controversy due to its serious, in - depth treatment of the then - taboo subject of drug addiction. It was nominated for three Academy Awards : Sinatra for Best Actor in a Leading Role, Joseph C. Wright and Darrell Silvera for Best Art Direction - Set Decoration, Black - and - White and Elmer Bernstein for Best Music, Scoring of a Dramatic or Comedy Picture. Sinatra was also nominated for best actor awards by the BAFTAs and The New York Film Critics. The film is in the public domain. Contents 1 Plot 2 Cast 3 Production 4 Controversy over release 5 Reception 6 Differences from the novel 7 Preservation 8 Musical score and soundtrack 8.1 Track listing 8.2 Personnel 9 See also 10 Notes 11 External links Plot Frankie Machine ( Frank Sinatra ) Frankie Machine ( Frank Sinatra ) is released from the Lexington Federal Medical Center with a set of drums and a new outlook on life, and returns to his run - down neighborhood on the North Side of Chicago. A drug addict ( the drug is never named, but heroin is strongly implied ), Frankie became clean in prison. On the outside, he greets friends and acquaintances. Sparrow ( Arnold Stang ), who runs a con selling homeless dogs, clings to him like a young brother, but Schwiefka ( Robert Strauss ), whom Frankie used to deal for in his illegal card game, has more sinister reasons for welcoming him back, as does Louie ( Darren McGavin ), Machine 's former drug dealer. Frankie returns home to his wife Zosh ( Eleanor Parker ), who is supposedly wheelchair - bound after a car crash some years earlier that was caused by Frankie driving drunk. Zosh is secretly fully recovered, but pretends to be unable to walk in order to keep making Frankie feel guilty so he will stay with her. Frankie comments on the whistle she wears around her neck, a device she used in Frankie 's absence to summon a neighbor, Vi ( Doro Merande ), when needed. With Frankie home, Zosh smothers her husband in their small tenement apartment and hinders his attempt to make something of himself. He thinks he has what it takes to play drums for a big band. While calling to make an appointment, he bumps into an old flame, Molly ( Kim Novak ) who works in a local strip joint as a hostess and lives in the apartment below Frankie 's. Unlike Zosh, Molly encourages his dream of becoming a drummer. Frankie soon gets himself a tryout and asks Sparrow to get him a new suit, but the suit is a stolen one and he ends up back in a cell at a local Chicago Police Precinct. Schwiefka offers to pay the bail. Frankie refuses, but soon changes his mind when the sight of a drug addict on the edge becomes too much for him. Now, to repay the debt, he must deal cards for Schwiefka again. Louie is trying to hook him on drugs again, and with no job and Zosh to please, pressure is building from all directions. Soon Frankie succumbs and is back on drugs and dealing marathon all - night card games for Schwiefka. Molly sees he is using drugs again and runs away from him. He gets a tryout as a drummer, but spends 24 hours straight dealing a poker game. Desperately needing a fix, Frankie follows Louie home, attacks him, and ransacks his house, but ca n't find his drug stash. At the audition, with withdrawal coming on, Frankie ca n't keep the beat and ruins his chance of landing the drumming job. When Louie goes to see Zosh to try to find Frankie, Louie discovers that Zosh has been faking her paralysis and can walk. Zosh, scared of being found out, pushes Louie over the railing of the stairwell to his death, but things backfire when Frankie is sought for Louie 's murder. Initially not realizing he is a suspect in Louie 's death, Frankie goes to Molly hoping to get money for a fix. After learning that Captain Bednar and the police are looking for him, Molly convinces Frankie that he must go cold turkey if he is to stand a chance with the police. Frankie agrees and is locked in Molly 's apartment where he goes through a grueling withdrawal to clear the drugs from his body. Finally clean again, he tells Zosh he is going to leave her, start anew and stand trial. In her desperation to keep Frankie from leaving her, Zosh once again gives herself away, standing up in front of Frankie and the police. She runs, but can get no farther than the outside balcony. Trapped, she blows the whistle and throws herself off the balcony to her death. A police ambulance then arrives to remove Zosh 's lifeless body and drives away, while Frankie watches in dismay. He then walks away, with Molly following. Cast Frank Sinatra as Frankie `` Dealer '' Machine Eleanor Parker as Sophia `` Zosh '' Machine Kim Novak as Molly Novotny Arnold Stang as Sparrow Darren McGavin as `` Nifty Louie '' Fomorowski Robert Strauss as Zero Schwiefka John Conte as Drunkie John Doro Merande as Vi George E. Stone as Sam Markette George Mathews as Williams Leonid Kinskey as Dominowski Emile Meyer as Captain Bednar Shorty Rogers as himself ( bandleader at audition ) Ralph Peña as himself ( bassist at audition ) Shelly Manne as himself ( drummer at audition ) Production Screen rights to Algren 's novel were first acquired in 1949 on behalf of John Garfield, who planned to star in the film version. However, production was delayed because the Production Code Authority ( PCA ) refused to approve the script, with Joseph Breen stating that the basic story was `` unacceptable '' because of the Code 's prohibition on showing illegal drug trafficking and drug addiction. The ability to obtain PCA approval was critical because at that time, many movie theaters would not show films that had not received approval. The PCA further predicted that the subject would also be unacceptable to the National Legion of Decency ( a Catholic film censor board ), Federal authorities, and state and local censor boards in the United States and abroad. Garfield died in 1952 and director Otto Preminger acquired the rights from his estate. Preminger had previously released The Moon Is Blue ( 1953 ), which succeeded at the box office despite being denied the Production Code seal of approval due to its sexual subject matter. He told Peter Bogdanovich why he was attracted to Algren 's novel : `` I think there 's a great tragedy in any human being who gets hooked on something, whether it 's heroin or love or a woman or whatever. '' Although United Artists ( UA ) had a distribution contract with Preminger, a clause in the contract allowed them to withdraw if a film failed to get Code approval. Preminger stated that in that event, he would set up his own company to handle distribution of The Man With The Golden Arm. Preminger continued to have problems with the PCA during the making of the film. Although the novel 's author, Nelson Algren, was initially brought to Hollywood to work on the screenplay, he and Preminger did not get along, and he was quickly replaced by Walter Newman. Preminger and Newman went on to make significant changes to Algren 's original story, and the film was eventually released as `` A Film By Otto Preminger ''. In 1956, Algren sued Preminger and others seeking an injunction to keep Preminger from claiming authorship of the film, but had to drop the suit because he could not afford the legal fees. Frank Sinatra jumped at a chance to star in the film before reading the entire script. The script was given to Marlon Brando around the same time as Sinatra, who still harbored some anger at Brando for beating out Sinatra for the lead role in On the Waterfront. To prepare for his role, Sinatra spent time at drug rehabilitation clinics observing addicts going cold turkey. He also learned to play drums from drummer Shelly Manne. The picture was shot in six weeks at RKO Studios in Hollywood from September 26 through November 4, 1955. Saul Bass designed the crooked arm symbol used in the film 's advertising campaign, which Preminger liked so much that he threatened to pull the picture if an exhibitor changed the advertisements. Bass also created the animated title sequence for the film, the first of many such sequences that he created for films by Preminger, Alfred Hitchcock, and others. Controversy over release Preminger decided to release the finished film prior to submitting it for a Code seal of approval. He contended that his film would not entice any viewers to take drugs, since drug use was depicted as having severely negative consequences. United Artists, which had invested $1 million in the film 's production, opted to distribute the film, even though doing so could result in the company being fined $25,000 by the Motion Picture Association of America ( MPAA ). The president of United Artists, Arthur Krim, expressed the company 's hope that the PCA would make an exception to its usual rules and grant the film approval because of the film 's `` immense potential for public service. '' The film received several advance bookings in November and early December 1955, before the PCA had made a decision on whether to grant a Code seal. However, in early December 1955, the PCA denied the film a Code seal, and the decision was upheld upon appeal to the MPAA. As a result, United Artists resigned from the MPAA that same month ( although the company re-joined a few years later ). The National Legion of Decency also showed disagreement with the PCA ruling by rating the film as a `` B '' meaning `` morally objectionable in part for all '', instead of a `` C '' meaning `` condemned '', which was the rating normally given to films that were denied a Code seal. Large theater circuits including Loews also refused to ban the film and instead showed it despite the lack of a Code seal. As a result of the controversy, the MPAA investigated and revised production codes, allowing later movies more freedom to deeply explore hitherto taboo subjects such as drug abuse, kidnapping, miscegenation, abortion, and prostitution. In the end, The Man With The Golden Arm finally received the Production Code seal number 17011 in June 1961, which permitted the film to be reissued and sold for television broadcast. Reception This section needs expansion. You can help by adding to it. ( November 2016 ) The Man with the Golden Arm earned $4,100,000 at the North American box office and the critical reception was just as strong ; Variety magazine stated : `` Otto Preminger 's The Man with the Golden Arm is a feature that focuses on addiction to narcotics. Clinical in its probing of the agonies, this is a gripping, fascinating film, expertly produced and directed and performed with marked conviction by Frank Sinatra as the drug slave. '' Differences from the novel This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. ( November 2016 ) After replacing novel author and original screenwriter Nelson Algren with Walter Newman, Preminger proceeded to change the plot and characters extensively from the original novel, which led to feelings of bitterness from Algren. When photographer and friend Art Shay asked Algren to pose below the film 's marquee, he is reported to have said, `` What does that movie have to do with me ? '' Even though the first draft of the novel did not even deal with drug addiction ( it was only added later ), this became the singular focus of the film. In the novel, Frankie served in World War II and became addicted to morphine following treatment for a war injury. There is little mention of Frankie 's film counterpart serving in the war, and he tells Molly that he started drugs `` for kicks. '' In Algren 's novel, Frankie is a blond - haired man in his late 20s, and as a poor veteran he often wears a torn Army jacket and brogans. Played by Sinatra ( who was nearly 40 years old at the time ), the film 's protagonist has dark hair and normally wears slacks and a dress shirt. In the film he is given a drum set and almost lands a job as a big band drummer, but in the novel he only has a practice pad, and his dream of being a drummer is only a fleeting aspiration. The novel implies that Zosh 's paralysis is a psychosomatic symptom of her mental illness, but in the film she is deliberately deceiving Frankie and is fully able to walk. The novel 's version of Violet ( `` Vi '' ) is an attractive young woman and Sparrow 's love interest. In the film, she is played by Doro Merande, who was in her 60s at the time. The movie combines the character of her spouse, `` Old Husband '' Koskozka, with that of the landlord, `` Jailer '' Schwabatski. Frankie 's employer, Schwiefka, is a relatively neutral character in the novel, but in the film he is a villain and Nifty Louie 's partner. In the novel, Frankie inadvertently kills Nifty Louie during a fight, while in the film, a walking Zosh pushes Louie to his death. Algren 's novel ends with a cornered and hopeless Frankie committing suicide, but in the film Zosh is the one who dies, while Sinatra 's Frankie and Novak 's Molly survive the end of the film together. Preservation The Academy Film Archive preserved The Man with the Golden Arm in 2005. Musical score and soundtrack The Man with the Golden Arm Soundtrack album by Elmer Bernstein Released Mid February 1956 Recorded September & December, 1955 Hollywood, CA Genre Film score Length 45 : 22 Label Decca DL 8257 Elmer Bernstein chronology The Eternal Sea ( 1955 ) The Man with the Golden Arm ( 1956 ) The Ten Commandments ( 1956 ) Professional ratings Review scores Source Rating Allmusic The film score was composed, arranged and conducted by Elmer Bernstein, and the soundtrack album was released on the Decca label in February 1956. Allmusic 's Bradley Torreano called it `` one of the finest jazz soundtracks to come out of the ' 50s '' and said that `` on its own it still shines as an excellent example of how good film music can get. Bernstein 's control over the smallest details of the music is what gives it the energy it contains ; his blustery horns and deep percussion are only the front while some gorgeous orchestration happens almost unnoticed behind the music. '' The theme was recorded by many other musicians including Billy May & His Orchestra who had a # 9 hit in the UK in May 1956 ; Jet Harris, who released it as a single in 1963, Sweet, who covered the theme on their album Desolation Boulevard, and Barry Adamson, who released a version on his 1988 album Moss Side Story. A vocal version of the theme called `` Delilah Jones '', with lyrics by Sylvia Fine unrelated to the subject matter of the film, was released by the McGuire Sisters on Coral Records in 1956. A vocal version of Bernstein 's composition `` Molly '' with lyrics by Fine, entitled `` Molly - O '', was also recorded by a number of artists, including The Gaylords, Dick Jacobs and his orchestra, and others. An alternate theme song, `` The Man With the Golden Arm '', was composed by Sammy Cahn and Jimmy Van Heusen, and recorded by Sinatra backed by Nelson Riddle 's orchestra. However, the song was ultimately not used in the film and did not appear on the soundtrack album. Although Sinatra 's recording appeared on some bootleg albums, it remained officially unreleased until 2002, when it was included in the box set Frank Sinatra in Hollywood 1940 -- 1964. Sammy Davis Jr. also recorded a version of the Cahn / Van Heusen theme, which was released on Decca in 1955. Track listing All compositions by Elmer Bernstein `` Clark Street : ( a ) The Top ; ( b ) Homecoming ; ( c ) Antek 's '' - 4 : 58 `` Zosh '' - 4 : 28 `` Frankie Machine '' - 4 : 57 `` The Fix '' - 3 : 30 `` Molly '' - 4 : 53 `` Breakup : ( a ) Flight ; ( b ) Louie 's ; ( c ) Burlesque '' - 3 : 42 `` Sunday Morning '' - 2 : 49 `` Desperation '' - 2 : 47 `` Audition '' - 2 : 42 `` The Cure : ( a ) Withdraw ; ( b ) Cold ; ( c ) Morning '' - 5 : 57 `` Finale '' - 4 : 13 Personnel Orchestra conducted by Elmer Bernstein featuring : Shorty Rogers - flugelhorn Conte Candoli, Pete Candoli, Buddy Childers, Bob Fleming, Ray Linn, Cecil Read - trumpet Albert Anderson, Harry Betts, Milt Bernhart, Jimmy Henderson, George Roberts, Frank Rosolino, Ray Sims - trombone Joe Eger, Arthur Frantz, Dick Perissi - French horn Martin Ruderman, Sylvia Ruderman - flute Nick Fera, Mitchell Lurie - clarinet Jerome Kasper, Bud Shank - alto saxophone Bob Cooper, Bill Holman, Jack Montrose - tenor saxophone Jimmy Giuffre - baritone saxophone Arnold Koblenz - oboe Fowler Friedlander, Jack Marsh - bassoon Sam Rice - tuba Israel Baker, Anatol Kaminsky - violin Philip Goldberg, Milton Thomas - viola Armand Kaproff -- cello Chauncey Haines - novachord Pete Jolly, Lou Levy, Ray Turner - piano Abe Luboff, Ralph Peña - bass Shelly Manne - drums Milt Holland, Lee Previn - percussion Fred Steiner - orchestration See also List of American films of 1955 Notes Jump up ^ Tino Balio, United Artists : The Company That Changed the Film Industry, University of Wisconsin Press, 1987 p. 71 Jump up ^ ' The Top Box - Office Hits of 1956 ', Variety Weekly, January 2, 1957 ^ Jump up to : `` The Man With The Golden Arm ''. AFI.com. American Film Institute. 2015. Retrieved 2015 - 11 - 26. Jump up ^ Synopsis by Hal Erickson. `` Allmovie ''. Allmovie. Retrieved 2015 - 11 - 03. ^ Jump up to : Phillips, Gene D. ( 1998 ). Exiles in Hollywood : Major European Film Directors in America. Cranbury, New Jersey : Associated University Presses. p. 115. ISBN 0934223491. Jump up ^ IMDB awards page Jump up ^ Kehr, Dave ( 11 October 2005 ). `` New DVD 's ''. The New York Times. Retrieved 9 March 2018. Jump up ^ Bogdanovich, Peter ( 1997 ). Who the Devil Made It : Conversations with Legendary Film Directors. New York : Alfred A. Knopf. ISBN 0 - 679 - 44706 - 7. ^ Jump up to : Jeff Huebner ( 19 November 1998 ). `` Full Nelson ''. Chicago Reader. Retrieved 13 July 2011. Jump up ^ Thompson, Lang. `` The Man With The Golden Arm ( 1956 ) ''. TCM.com. Turner Classic Movies. Retrieved 2015 - 11 - 28. Jump up ^ Fujiwara, Chris ( 2008 ). The World and Its Double : The Life and Work of Otto Preminger. New York City : Faber and Faber. pp. 184 -- 187. ISBN 978 - 0 - 86547 - 995 - 1. ^ Jump up to : Fujiwara, p. 194. Jump up ^ Fujiwara, p. 187. Jump up ^ Cantarini, Martha Crawford ; Spicer, Chrystopher J. ( 2010 ). Fall Girl : My Life as a Western Stunt Double. Jefferson, North Carolina : McFarland & Company. p. 70. ISBN 0 - 679 - 44706 - 7. Jump up ^ `` Variety Archives ''. Varietyultimate.com. Retrieved 2015 - 11 - 03. Jump up ^ Fujiwara, pp. 193 - 194. Jump up ^ Author Interviews ( 2011 - 12 - 30 ). `` Remembering the Hayes Code ''. NPR. Retrieved 2015 - 11 - 03. Jump up ^ Variety Staff ( 1954 - 12 - 31 ). `` Review : ' The Man With The Golden Arm ' ''. Variety.com. Retrieved 2015 - 11 - 03. Jump up ^ Furek, Maxim W. ( July / August 2007 ). `` Heroin in the Cinema : The Glorification of the Junkie. '' Counselor Magazine, The Magazine for Addiction Professionals. Jump up ^ Rob Christopher ( 18 May 2009 ). `` Interview : Filmmaker Michael Caplan ''. Chicagoist. Archived from the original on 19 October 2010. Retrieved 13 July 2011. Jump up ^ Anderson, Alston ; Southern, Terry ( 1955 ). `` Nelson Algren, The Art of Fiction No. 11 ''. The Paris Review ( 11 ). Retrieved 13 July 2011. Jump up ^ `` Preserved Projects ''. Academy Film Archive. Jump up ^ `` ' ' Billboard ' ' Feb 25, 1956 ''. Books.google.it. 1956 - 02 - 25. Retrieved 2015 - 11 - 03. ^ Jump up to : Torreano, Bradley. The Man with the Golden Arm ( Original Motion Picture Soundtrack -- Review ) at AllMusic. Retrieved August 11, 2015. Jump up ^ Edwards, D., Callahan, M., Eyries, P., Watts, R., & Neely, T. Decca Album Discography, Part 4 : Main 12 - inch 8000 Series ( 1949 - 1960 ) accessed August 11, 2015 Jump up ^ `` Jet Harris - Main Title Theme ( from The Man With The Golden Arm ) ''. Discogs.com. Retrieved 2015 - 11 - 26. Jump up ^ `` The McGuire Sisters * - Picnic / Delilah Jones ''. Discogs.com. Retrieved 2015 - 11 - 26. Jump up ^ `` Notated Music : Molly - O ''. Loc.gov. Library of Congress. Retrieved 2015 - 11 - 26. Jump up ^ `` Dick Jacobs and his Chorus and Orchestra - `` Main Title '' and `` Molly - O '' / Butternut ``. Discogs.com. Retrieved 2015 - 11 - 26. Jump up ^ Oliver, Myrna ( 1993 - 01 - 16 ). `` Sammy Cahn, Oscar - Winning Lyricist, Dies ''. Los Angeles Times. Los Angeles, California. Retrieved 2015 - 11 - 26 -- via Latimes.com. Jump up ^ `` Sammy Davis Jr. - The Man With The Golden Arm / In a Persian Market ''. Discogs.com. Retrieved 2015 - 11 - 26. External links The Man with the Golden Arm on IMDb The Man with the Golden Arm is available for free download at the Internet Archive The Man with the Golden Arm at AllMovie The Man with the Golden Arm at the TCM Movie Database The Man with the Golden Arm at the American Film Institute Catalog Films directed by Otto Preminger Die große Liebe ( 1931 ) Under Your Spell ( 1936 ) Danger -- Love at Work ( 1937 ) Kidnapped ( 1938 ) Margin for Error ( 1943 ) In the Meantime, Darling ( 1944 ) Laura ( 1944 ) A Royal Scandal ( 1945 ) Fallen Angel ( 1945 ) Centennial Summer ( 1946 ) Forever Amber ( 1947 ) Daisy Kenyon ( 1947 ) The Fan ( 1949 ) Whirlpool ( 1949 ) Where the Sidewalk Ends ( 1950 ) The 13th Letter ( 1951 ) Angel Face ( 1953 ) The Moon Is Blue ( 1953 ) / Die Jungfrau auf dem Dach ( 1953 ) River of No Return ( 1954 ) Carmen Jones ( 1954 ) The Man with the Golden Arm ( 1955 ) The Court - Martial of Billy Mitchell ( 1955 ) Saint Joan ( 1957 ) Bonjour Tristesse ( 1958 ) Porgy and Bess ( 1959 ) Anatomy of a Murder ( 1959 ) Exodus ( 1960 ) Advise & Consent ( 1962 ) The Cardinal ( 1963 ) In Harm 's Way ( 1965 ) Bunny Lake Is Missing ( 1965 ) Hurry Sundown ( 1967 ) Skidoo ( 1968 ) Tell Me That You Love Me, Junie Moon ( 1970 ) Such Good Friends ( 1971 ) Rosebud ( 1975 ) The Human Factor ( 1979 ) Shorty Rogers Years given are for the recording ( s ), not first release, except where noted. As leader or co-leader Modern Sounds ( 1951 ) Popo ( 1951 ) Shorty Rogers and His Giants ( 1953 -- 54 ) Cool and Crazy ( 1953 ) Bud Shank -- Shorty Rogers -- Bill Perkins ( 1954 -- 55 ) Collaboration ( 1954 ) Shorty Rogers Courts the Count ( 1954 ) Martians Come Back ! ( 1955 ) Martians Stay Home ( 1955 ) The Swinging Mr. Rogers ( 1955 ) Way Up There ( 1955 ) Portrait of Shorty ( 1957 ) Shorty Rogers Plays Richard Rodgers ( 1957 ) Wherever the Five Winds Blow ( 1957 ) Afro - Cuban Influence ( 1958 ) Chances Are It Swings ( 1958 ) Gigi in Jazz ( 1958 ) The Wizard of Oz and Other Harold Arlen Songs ( 1959 ) The Swingin ' Nutcracker ( 1960 ) An Invisible Orchard ( 1961 ) The Fourth Dimension in Sound ( 1961 ) Bossa Nova ( 1962 ) Jazz Waltz ( 1962 ) Mavis Meets Shorty ( with Mavis Rivers, 1962 ) Gospel Mission ( 1963 ) Yesterday, Today and Forever ( and Bud Shank, 1963 ) California Concert ( with Bud Shank, 1985 ) With Stan Kenton Innovations in Modern Music ( 1950 ) Stan Kenton Presents ( 1950 ) Popular Favorites by Stan Kenton ( 1950 -- 53 ) The Kenton Era ( 1950 -- 51 ) The Innovations Orchestra ( 1950 -- 51 ) With Pete Rugolo Introducing Pete Rugolo ( 1954 ) Adventures in Rhythm ( 1954 ) Rugolomania ( 1954 -- 55 ) New Sounds by Pete Rugolo ( 1954 -- 55 ) Sideman with others Collaboration West ( Teddy Charles, 1952 -- 53 ) Evolution ( Teddy Charles, 1953 -- 55 ) Jimmy Giuffre ( Jimmy Giuffre, 1954 -- 55 ) The Jimmy Giuffre Clarinet ( Jimmy Giuffre, 1956 ) Soundtracks The Man with the Golden Arm ( with Elmer Bernstein, 1955 ) Shorty Rogers Meets Tarzan ( from Tarzan, the Ape Man, 1959 ) Baby the Rain Must Fall ( film released 1965 ) Stagecoach ( collaboration with Jerry Goldsmith, film released 1966 ) Heart Beat ( 1979 ) Arranger Christmas Album ( Herb Alpert, released 1968 ) Chet Baker & Strings ( 1953 -- 54 ) You 're the Reason I 'm Living ( for Bobby Darin, 1962 -- 63 ) Bobby Darin Sings The Shadow of Your Smile ( for Bobby Darin, released 1966 ) Ode to Billie Joe ( for Bobbie Gentry, released 1967 ) Local Gentry ( for Bobbie Gentry, released 1968 ) The Delta Sweete ( for Bobbie Gentry, released 1968 ) Reza ( for Terry Gibbs, 1966 ) Lena Like Latin ( for Lena Horne, 1963 ) In Love Again ! ( for Peggy Lee, 1963 ) Pass Me By ( for Peggy Lee, 1965 ) The West Coast Sound ( for Shelly Manne, 1953 -- 55 ) My Son the Jazz Drummer ! ( for Shelly Manne, 1962 ) Portrait of Carmen ( for Carmen McRae, 1967 ) The Sound of Silence ( for Carmen McRae, 1967 -- 68 ) The Wichita Train Whistle Sings ( for Michael Nesmith, 1968 ) Big Swing Face, 1967 ) Buddy & Soul ( for Buddy Rich, 1969 ) A Spoonful of Jazz ( for Bud Shank, 1967 ) Comin ' Home Baby ! ( for Mel Tormé, 1962 ) Arranger for The Monkees The Monkees Present ( 1966 -- 69 ) `` Daydream Believer '' / `` Goin ' Down '' ( released 1967 ) `` D.W. Washburn '' ( released 1968 ) The Birds, The Bees & The Monkees ( 1967 -- 68 ) Retrieved from `` https://en.wikipedia.org/w/index.php?title=The_Man_with_the_Golden_Arm&oldid=866338551 '' Categories : 1955 films English - language films 1950s drama films American drama films American black - and - white films Films scored by Elmer Bernstein Films about heroin addiction Films about music and musicians Films based on American novels Films directed by Otto Preminger Films set in Chicago United Artists films American films Gambling films Hidden categories : Articles needing additional references from November 2016 All articles needing additional references Articles to be expanded from November 2016 All articles to be expanded Articles using small message boxes Articles with hAudio microformats Articles with Internet Archive links Talk Contents About Wikipedia Català Deutsch Español فارسی Français Bahasa Indonesia Italiano עברית മലയാളം Nederlands 日本 語 Polski Português Русский Srpskohrvatski / српскохрватски Suomi Svenska Українська 9 more Edit links This page was last edited on 29 October 2018, at 19 : 13 ( UTC ). 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Question: where was the man with the golden arm filmed
Answer: RKO Studios in Hollywood