Mime artist - wikipedia Mime artist `` Mime '' redirects here. For Multipurpose Internet Mail Extensions, see MIME. For other uses, see Mime ( disambiguation ). This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. ( November 2015 ) Mime artists Jean Soubeyran and Brigitte Soubeyran in 1950. A mime or mime artist ( from Greek μῖμος, mimos, `` imitator, actor '' ) is a person who uses mime as a theatrical medium or as a performance art. Miming involves acting out a story through body motions, without use of speech. In earlier times, in English, such a performer would typically be referred to as a mummer. Miming is distinguished from silent comedy, in which the artist is a seamless character in a film or sketch. Jacques Copeau, strongly influenced by Commedia dell'arte and Japanese Noh theatre, used masks in the training of his actors. Étienne Decroux, a pupil of his, was highly influenced by this and started exploring and developing the possibilities of mime and developed corporeal mime into a highly sculptural form, taking it outside the realms of naturalism. Jacques Lecoq contributed significantly to the development of mime and physical theatre with his training methods. Contents 1 History 1.1 In Western theatre traditions 1.1. 1 Greek and Roman mime 1.2 In non-Western theatre traditions 2 Formats 2.1 In film 2.2 On stage and street 2.3 In literature 3 Mime artists 4 See also 5 References 6 External links History In Western theatre traditions The performance of mime originates at its earliest in Ancient Greece ; the name is taken from a single masked dancer called Pantomimus, although performances were not necessarily silent. In Medieval Europe, early forms of mime such as mummer plays and later dumbshows evolved. In early nineteenth century Paris, Jean - Gaspard Deburau solidified the many attributes that have come to be known in modern times -- the silent figure in whiteface. Greek and Roman mime Main article : Ancient Greek comedy Mime Pablo Zibes. The first recorded mime was Telestēs in the play Seven Against Thebes by Aeschylus. Tragic mime was developed by Puladēs of Kilikia ; comic mime was developed by Bathullos of Alexandria. Main article : Theatre of ancient Rome § Roman comedy The Roman emperor Trajan banished mime artists ; Caligula favored them ; Marcus Aurelius made them priests of Apollo. Nero himself acted as a mime. In non-western theatre traditions While most of this article has treated mime as a constellation of related and historically linked Western theatre genres and performance techniques, analogous performances are evident in the theatrical traditions of other civilizations. Classical Indian musical theatre, although often erroneously labeled a `` dance, '' is a group of theatrical forms in which the performer presents a narrative via stylized gesture, an array of hand positions, and mime illusions to play different characters, actions, and landscapes. Recitation, music, and even percussive footwork sometimes accompany the performance. The Natya Shastra, an ancient treatise on theatre by Bharata Muni, mentions silent performance, or mukabhinaya. In Kathakali, stories from Indian epics are told with facial expressions, hand signals and body motions. Performances are accompanied by songs narrating the story while the actors act out the scene, followed by actor detailing without background support of narrative song. The Japanese Noh tradition has greatly influenced many contemporary mime and theatre practitioners including Jacques Copeau and Jacques Lecoq because of its use of mask work and highly physical performance style. Butoh, though often referred to as a dance form, has been adopted by various theatre practitioners as well. Formats In film A Dog 's Life ( 1918 ). Charlie Chaplin. Prior to the work of Étienne Decroux there was no major treatise on the art of mime, and so any recreation of mime as performed prior to the twentieth century is largely conjecture, based on interpretation of diverse sources. However, the twentieth century also brought a new medium into widespread usage : the motion picture. The restrictions of early motion picture technology meant that stories had to be told with minimal dialogue, which was largely restricted to intertitles. This often demanded a highly stylized form of physical acting largely derived from the stage. Thus, mime played an important role in films prior to advent of talkies ( films with sound or speech ). The mimetic style of film acting was used to great effect in German Expressionist film. Silent film comedians like Charlie Chaplin, Harold Lloyd, and Buster Keaton learned the craft of mime in the theatre, but through film, they would have a profound influence on mimes working in live theatre decades after their deaths. Indeed, Chaplin may be the best - documented mime in history. The famous French comedian, writer, and director Jacques Tati achieved his initial popularity working as a mime, and indeed his later films had only minimal dialogue, relying instead on many subtle expertly choreographed visual gags. Tati, like Chaplin before him, would mime out the movements of every single character in his films and ask his actors to repeat them. On stage and street Whitefaced mime on Boston Common in 1980 Mime has been performed on stage, with Marcel Marceau and his character `` Bip '' being the most famous. Mime is also a popular art form in street theatre and busking. Traditionally, these sorts of performances involve the actor / actress wearing tight black and white clothing with white facial makeup. However, contemporary mimes often perform without whiteface. Similarly, while traditional mimes have been completely silent, contemporary mimes, while refraining from speaking, sometimes employ vocal sounds when they perform. Mime acts are often comical, but some can be very serious. On the stage, Mime Artist Nithor Mahbub from Bangladesh introduced the first practice of teaching through humor with group Mimo Drama troupe Mime Art. In literature Canadian author Michael Jacot 's first novel, The Last Butterfly, tells the story of a mime artist in Nazi - occupied Europe who is forced by his oppressors to perform for a team of Red Cross observers. Nobel laureate Heinrich Böll 's The Clown relates the downfall of a mime artist, Hans Schneir, who has descended into poverty and drunkenness after being abandoned by his beloved. Jacob Appel 's Pushcart short - listed story, Coulrophobia, depicts the tragedy of a landlord whose marriage slowly collapses after he rents a spare apartment to an intrusive mime artist. Mime artists Dick Van Dyke Rowan Atkinson Samuel Avital Nithor Mahbub Steven Banks Jean - Louis Barrault Blue Man Group Wolfe Bowart Tony Brown Janet Carafa Charlie Chaplin Michel Courtemanche Adam Darius Jean - Gaspard Debureau Étienne Decroux Ryan Drummond Jogesh Dutta Ladislav Fialka Dario Fo George L. Fox Chris Harris Bill Irwin Alejandro Jodorowsky Zillur Rahman John Buster Keaton Lindsay Kemp Stan Laurel Thomas Leabhart Jacques Lecoq Paul Legrand Tina Lenert Partha Pratim Majumder Marcel Marceau Ennio Marchetto Kari Margolis Carlos Martínez Harpo Marx Samy Molcho Tony Montanaro Mummenschanz Stefan Niedziałkowski Adrian Pecknold Lenka Pichlíková - Burke Slava Polunin Oleg Popov Nola Rae Gene Sheldon Richmond Shepard Shields and Yarnell Red Skelton Steam Powered Giraffe Daniel Stein Jacques Tati Pan Tau Modris Tenisons Tik and Tok Henryk Tomaszewski Sam Wills Vahram Zaryan Achille Zavatta See also Busking Corporeal mime Dumbshow Lip sync Liquid and digits Mummers Play Pantomime Popping Physical theatre Turfing References Jump up ^ μῖμος, Henry George Liddell, Robert Scott, A Greek - English Lexicon, on Perseus Digital Library Jump up ^ Callery, Dympha ( 2001 ). Through the Body : A Practical Guide to Physical Theatre. London : Nick Hern Books. ISBN 1 - 85459 - 630 - 6. Jump up ^ Lust, Annette. `` The Origins and Development of the Art of Mime ''. From the Greek Mimes to Marcel Marceau and Beyond : Mimes, Actors, Pierrots and Clowns : A Chronicle of the Many Visages of Mime in the Theatre. 9 March 2000. Retrieved 14 February 2010. Jump up ^ Broadbent, R.J. ( 1901 ) A History of Pantomime, Chapter VI. London. Retrieved 14 February 2010. Jump up ^ Broyard, Anatole. `` A Laugh Before Dying. '' The New York Times. 7 March 1974. p. 37 Jump up ^ Stern, Daniel. `` Without Shmerz. '' The New York Times. 4 January 1965. Book Review. p. 4 Jump up ^ Bellevue Literary Review, Vol 5, No. 2, Fall 2005. Jump up ^ Scpr.org Retrieved 29 April 2015 Jump up ^ `` Mime wizard 's final act '', The Times of India. 22 August 2009. Retrieved 31 December 2009. Jump up ^ `` Modris Tenisons : Režisors un scenogrāfs, dizaina mākslinieks, profesionāla pantomīmas teātra izveidotājs Kauņā. '' 2003. Retrieved 6 October 2010. Wikimedia Commons has media related to Category : Mimes. External links Look up mime in Wiktionary, the free dictionary. World Mime Index International mime theatre information MOVEO International school of corporeal mime and physical theatre in Barcelona. International Theatre School Jacques Lecoq London International School of Performing Arts Innovo Conservatory of Physical Theatre Retrieved from `` https://en.wikipedia.org/w/index.php?title=Mime_artist&oldid=835435294 '' Categories : Mime Pantomime Theatrical genres Theatrical occupations Silence Hidden categories : Use dmy dates from August 2017 Articles needing additional references from November 2015 All articles needing additional references All articles with unsourced statements Articles with unsourced statements from November 2015 Pages using div col with deprecated parameters Talk Contents About Wikipedia Asturianu བོད ་ ཡིག Brezhoneg Català Čeština Dansk Eesti Español Euskara Français 한국어 Հայերեն हिन्दी Latina Македонски 日本 語 ਪੰਜਾਬੀ Polski Русский Simple English Slovenčina Srpskohrvatski / српскохрватски తెలుగు Українська 中文 17 more Edit links This page was last edited on 8 April 2018, at 18 : 11. 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Question: who wrote the first play containing an early form of mime
Answer: Aeschylus