Rainy Day Women ♯ 12 & 35 - wikipedia Rainy Day Women ♯ 12 & 35 For the Waylon Jennings song, see Rainy Day Woman. The correct title of this article is Rainy Day Women # 12 & 35. The substitution or omission of the # is due to technical restrictions. `` Rainy Day Women # 12 & 35 '' Single by Bob Dylan from the album Blonde on Blonde B - side `` Pledging My Time '' Released April 1966 Format 7 '' Recorded March 10, 1966 Genre Blues rock, jazz Length 4 : 36 ( album version ) 2 : 26 ( single edit ) 6 : 17 ( full version ) Label Columbia Songwriter ( s ) Bob Dylan Producer ( s ) Bob Johnston Bob Dylan singles chronology `` One of Us Must Know ( Sooner or Later ) '' ( 1966 ) `` Rainy Day Women # 12 & 35 '' ( 1966 ) `` I Want You '' ( 1966 ) `` One of Us Must Know ( Sooner or Later ) '' ( 1966 ) `` Rainy Day Women ♯ 12 & 35 '' ( 1966 ) `` I Want You '' ( 1966 ) Blonde on Blonde track listing 14 tracks Side one `` Rainy Day Women # 12 & 35 '' `` Pledging My Time '' `` Visions of Johanna '' `` One of Us Must Know ( Sooner or Later ) '' Side two `` I Want You '' `` Stuck Inside of Mobile with the Memphis Blues Again '' `` Leopard - Skin Pill - Box Hat '' `` Just Like a Woman '' Side three `` Most Likely You Go Your Way and I 'll Go Mine '' `` Temporary Like Achilles '' `` Absolutely Sweet Marie '' `` 4th Time Around '' `` Obviously 5 Believers '' Side four `` Sad Eyed Lady of the Lowlands '' `` Rainy Day Women ♯ 12 & 35 '' is a song by Bob Dylan. It is the opening track of his 1966 album, Blonde on Blonde. It was initially released as a single in April 1966, reaching No. 7 in the UK and No. 2 in the US chart. `` Rainy Day Women '', recorded in the Nashville studio of Columbia Records, features a raucous brass band backing track. The song 's title does not appear anywhere in the lyrics and there has been much debate over the meaning of the recurrent chorus, `` Everybody must get stoned ''. This has made the song controversial, being labelled by some commentators as `` a drug song ''. Contents 1 Song 1.1 Critical comments 2 Chart history 3 Chart performance 3.1 Weekly singles charts 3.2 Year - end charts 4 Cover versions 5 References Song The song is notable for its brass band arrangement and the controversial chorus `` Everybody must get stoned ''. Al Kooper, who played keyboards on Blonde on Blonde, recalled that when Dylan initially demoed the song to the backing musicians in Columbia 's Nashville studio, producer Bob Johnston suggested that `` it would sound great Salvation Army style. When Dylan queried how they would find horn players in the middle of the night, Charlie McCoy, who played trumpet, made a phone call and summoned a trombone player. The song is essentially a simple blues chord progression in the key of F. The parts played by the trombone, tuba, piano, bass, drums, and tambourine remain practically the same in all of the verses. Much laughter and shouting in the background accompanies the song, mixed down to a low volume level, and Dylan laughs several times during his vocal delivery. The track was recorded in Columbia Music Row Studios in Nashville in the early hours of March 10, 1966. In the account of Dylan biographer Howard Sounes, the chaotic musical atmosphere of the track was attained by the musicians playing in unorthodox ways and on unconventional instruments. McCoy switched from bass to trumpet. Drummer Kenny Buttrey set up his bass drum on two hard - back chairs and played them using a timpani mallet. Moss played bass, while Strzelecki played Al Kooper 's organ. Kooper played a tambourine. Producer Bob Johnston recalled, `` all of us walking around, yelling, playing and singing. '' Sean Wilentz, who listened to the original studio tapes to research his book on Dylan, wrote that at the end of the recording of `` Rainy Day Women '', producer Bob Johnston asked Dylan for the song 's title. Dylan replied, `` A Long - Haired Mule and a Porcupine Here. '' Johnston commented, `` It 's the only one time that I ever heard Dylan really laugh... going around the studio, marching in that thing. '' Sounes quoted musician Wayne Moss recalling that in order to record `` Rainy Day Women '', Dylan insisted the backing musicians must be intoxicated. A studio employee was sent to an Irish bar to obtain `` Leprechaun cocktails ''. In Sounes 's account, Moss, Hargus `` Pig '' Robbins, and Henry Strzelecki claimed they also smoked a `` huge amount '' of marijuana and `` got pretty wiped out ''. Sounes stated that some musicians, including McCoy, remained unintoxicated. This version of events has been challenged by Wilentz 's study of the making of Blonde on Blonde. According to Wilentz, both McCoy and Kooper insisted that all the musicians were sober and that Dylan 's manager, Albert Grossman, would not have permitted pot or drink in the studio. In support of this view, Wilentz pointed out that three other tracks were recorded that night in the Nashville studio, all of which appeared on the final album. In Robert Shelton 's biography of Dylan, Shelton said he was told by Phil Spector that the inspiration for the song came when Spector and Dylan heard the Ray Charles song, `` Let 's Go Get Stoned '' on a jukebox in Los Angeles. Spector said `` they were surprised to hear a song that free, that explicit '', referring to its chorus of `` getting stoned '' as an invitation to indulge in alcohol or narcotics. ( This anecdote may be questioned, because the Ray Charles song was released in April 1966, after `` Rainy Day Women '' was recorded. ) After recording Blonde on Blonde, Dylan embarked on his 1966 `` world tour ''. At a press conference in Stockholm on April 28, 1966, Dylan was asked about the meaning of his new hit single, `` Rainy Day Women ''. Dylan replied the song was about `` cripples and orientals and the world in which they live... It 's a sort of Mexican thing, very protest... and one of the pro-testiest of all things I 've protested against in my protest years. '' Shelton stated that, as the song rose up the charts, it became controversial as a `` drug song ''. Shelton says that the song was barred by some radio stations in the United States and from airplay in Great Britain. He pointed out that Time magazine, on July 1, 1966, wrote : `` In the shifting multi-level jargon of teenagers, ' to get stoned ' does not mean to get drunk but to get high on drugs... a ' rainy - day woman ', as any junkie ( sic ) knows, is a marijuana cigarette. '' Dylan responded to the controversy by announcing, during his May 27, 1966, performance at the Royal Albert Hall, London, `` I never have and never will write a drug song. '' Critical comments According to Dylan critic Clinton Heylin, Dylan was determined to use a `` fairly lame pun '' -- the idea of being physically stoned for committing a sin, as opposed to being stoned on `` powerful medicine '' -- to avoid being banned on the radio. Given its Old Testament connotations, Heylin argued that the Salvation Army band backing becomes more appropriate. Heylin further suggested that the song 's title is a Biblical reference, taken from the Book of Proverbs, `` which contains a huge number of edicts for which one could genuinely get stoned ''. He suggested that the title `` Rainy Day Women # 12 & 35 '' refers to chapter 27, verse 15 ( in the King James Bible ) : `` A continual dropping in a very rainy day and a contentious woman are alike. '' Dylan critic Andrew Muir suggested that the sense of paranoia suggested by the recurring phrase `` they 'll stone you '' is a reference to the hostile reaction of Dylan 's audience to his new sound. `` Dylan was ' being stoned ' by audiences around the world for moving to Rock from Folk, '' wrote Muir, who also suggested the seemingly nonsensical verses of `` Rainy Day Women '' can be heard as allusions to social and political conflicts in the United States. For Muir, `` They 'll stone ya when you 're tryin ' to keep your seat '' evokes the refusal of black people to move to the back of the bus during the civil rights struggle. For Muir, `` They 'll stone you and then say you are brave / They 'll stone you when you are set down in your grave '' reminds listeners that Dylan also wrote `` Masters of War '' and other `` anti-militarism songs that mourned the waste of young men being sent off to be maimed or killed ''. Muir quoted a comment Dylan made to New York radio host Bob Fass in 1986 : `` ' Everybody must get stoned ' is like when you go against the tide... you might in different times find yourself in an unfortunate situation and so to do what you believe in sometimes... some people they just take offence to that. You can look through history and find that people have taken offence to people who come out with a different viewpoint on things. '' Chart history The song reached No. 1 on the Billboard Hot 100 and No. 7 on the UK Singles Chart. Unlike Dylan 's previous six - minute hit single `` Like a Rolling Stone '', the single edit of `` Rainy Day Women # 12 & 35 '' was significantly shorter than the original album version, omitting the third and final verse. Chart performance Weekly singles charts Chart ( 1966 ) Peak position Australia 17 Canadian RPM Singles Chart Netherlands 9 New Zealand ( Listener ) 13 UK Singles Chart 7 US Billboard Hot 100 US Cashbox Top 100 Year - end charts Chart ( 1966 ) Rank US Billboard Hot 100 82 US Cash Box 67 Cover versions The first cover version of `` Rainy Day Women # 12 & 35 '' was recorded soon after the original by Blonde on Blonde producer Bob Johnston and several musicians from the Dylan recording session. It was released in 1966 by Columbia records on the album Moldy Goldies : Colonel Jubilation B. Johnston and His Mystic Knights Band and Street Singers. The song was performed by Lester Flatt and Earl Scruggs on their 1968 album, Nashville Airplane. The Beatles sang a few lines of `` Rainy Day Women # 12 & 35 '' ( John Lennon sings the line `` everybody must get stoned '' twice ) near the end of the second take of `` I 've Got a Feeling '' during the Apple rooftop concert, on January 30, 1969. The song was covered by The Black Crowes, first released as the B - side of the 1992 `` Hotel Illness '' single. In 1995, the Black Crowes ' version was included on the Hempilation : Freedom Is NORML benefit album for the NORML organization. Ben Fong - Torres recorded a parody, entitled `` Rainy Day Bookstores '', for the 1998 charity compilation album Stranger Than Fiction. Tom Petty and the Heartbreakers covered the song many times between 1985 and 2008. One of their cover versions appeared on the Bob Dylan tribute album, The 30th Anniversary Concert Celebration, featuring Booker T. Jones on organ and Donald `` Duck '' Dunn on bass. The song was covered by Sammy Hagar on his 2006 album, Livin ' It Up. Country music artist Jessi Colter recorded a version for her 2006 album, Out of the Ashes. Jimmy Buffett performed a cover version in concert on his 2007 and 2008 tours. A parody cover of the song can be found on The Meatmen 's album Toilet Slave. Lenny Kravitz covered the song on the 2012 compilation Chimes of Freedom : Songs of Bob Dylan Honoring 50 Years of Amnesty International. Saint Etienne covered the song, including it on the 2009 reissue of the album So Tough. My Morning Jacket covered the song at their 2015 One Big Holiday festival. South African protest musicians Johannes Kerkorrel and the Gereformeerde Blues Band performed a parody of the song in Afrikaans, called Almal moet gerook raak ( literally `` everybody must get smoked '' ) on the Voëlvry Tour, a controversial country - wide procession performing protest songs in the language of the oppressor during 1989, i.e. 2 years before the release of Nelson Mandela. The song appears on the album Voëlvry Die Toer, released by Shifty Records Old Crow Medicine Show performed this and many other Dylan songs on their live tribute to Blonde on Blonde in 2017. References ^ Jump up to : Heylin 2009, pp. 309 -- 310 ^ Jump up to : Björner, Olof ( November 8, 2013 ). `` The 10th Blonde On Blonde session ''. bjorner.com. Retrieved May 6, 2014. ^ Jump up to : Sounes 2001, pp. 203 -- 204 ^ Jump up to : Wilentz 2009, p. 123 ^ Jump up to : Shelton 2011, pp. 224 -- 225 Jump up ^ Whitburn 2010, p. 122 Jump up ^ Sounes 2001, p. 209 Jump up ^ `` Dylan View On The Big Boo '', Melody Maker, June 4, 1966 ^ Jump up to : Muir, Andrew ( January 10, 2013 ). `` Everybody Must Get Stoned '' ( PDF ). a-muir.co.uk. Retrieved February 17, 2015. Jump up ^ RPM Top Singles, May 23, 1966 Jump up ^ Flavour of New Zealand, 1 July 1966 Jump up ^ `` UK Top 40 Database ''. everyHit.com. Archived from the original on March 19, 2008. Retrieved February 5, 2010. Jump up ^ `` Bob Dylan Billboard singles ''. Allmusic. Retrieved October 26, 2009. Jump up ^ `` Cash Box Top Singles 1966 ''. Archived from the original on archive - url = requires archive - date = ( help ). Retrieved April 23, 2018. Jump up ^ `` Top 100 Hits of 1966 / Top 100 Songs of 1966 ''. Musicoutfitters.com. Retrieved 2016 - 10 - 12. Jump up ^ ( 1 ) Heylin, Clinton ( 2009 ). Revolution In The Air : The Songs of Bob Dylan, Volume One : 1957 -- 73. Constable. ISBN 1 - 84901 - 051 - X. Shelton, Robert ( 2011 ). No Direction Home : The Life and Music of Bob Dylan ( Revised & updated edition ). Omnibus Press. ISBN 978 - 184938 - 458 - 2. Sounes, Howard ( 2001 ). Down the Highway : The Life of Bob Dylan. Grove Press. ISBN 0 - 8021 - 1686 - 8. Whitburn, Joel ( 2010 ). Hot R&B Songs : 1942 - 2010. Record Research Inc. ISBN 978 - 0 - 89820 - 186 - 4. Wilentz, Sean ( 2009 ). Bob Dylan In America. The Bodley Head. ISBN 978 - 1 - 84792 - 150 - 5. Bob Dylan Discography Awards Bibliography Songs written by Dylan Studio albums Bob Dylan The Freewheelin ' Bob Dylan The Times They Are a-Changin ' Another Side of Bob Dylan Bringing It All Back Home Highway 61 Revisited Blonde on Blonde John Wesley Harding Nashville Skyline Self Portrait New Morning Pat Garrett & Billy the Kid Dylan Planet Waves Blood on the Tracks The Basement Tapes Desire Street - Legal Slow Train Coming Saved Shot of Love Infidels Empire Burlesque Knocked Out Loaded Down in the Groove Oh Mercy Under the Red Sky Good as I Been to You World Gone Wrong Time Out of Mind Love and Theft Modern Times Together Through Life Christmas in the Heart Tempest Shadows in the Night Fallen Angels Triplicate Live albums Before the Flood Hard Rain Bob Dylan at Budokan Real Live Dylan & the Dead The 30th Anniversary Concert Celebration MTV Unplugged Live 1961 -- 2000 : Thirty - Nine Years of Great Concert Performances Live at The Gaslight 1962 Live at Carnegie Hall 1963 In Concert -- Brandeis University 1963 The 1966 Live Recordings Compilations Bob Dylan 's Greatest Hits Bob Dylan 's Greatest Hits Vol. II Dylan The Basement Tapes Masterpieces Biograph Bob Dylan 's Greatest Hits Volume 3 The Best of Bob Dylan ( 1997 ) The Best of Bob Dylan, Vol. 2 The Essential Bob Dylan Bob Dylan : The Collection The Best of Bob Dylan ( 2005 ) Blues Dylan The Original Mono Recordings The 50th Anniversary Collection Bob Dylan : The Complete Album Collection Vol. One The 50th Anniversary Collection 1963 The 50th Anniversary Collection 1964 Bootlegs Great White Wonder List of Basement Tapes songs ( 1967, 1975 ) The Bootleg Series Volumes 1 -- 3 ( Rare & Unreleased ) 1961 -- 1991 Volume 4 : The Royal Albert Hall concert Vol. 5 : Bob Dylan Live 1975, The Rolling Thunder Revue Vol. 6 : Bob Dylan Live 1964, Concert at Philharmonic Hall Vol. 7 : No Direction Home : The Soundtrack Vol. 8 : Tell Tale Signs : Rare and Unreleased 1989 -- 2006 Vol. 9 : The Witmark Demos : 1962 -- 1964 Vol. 10 : Another Self Portrait ( 1969 -- 1971 ) Vol. 11 : The Basement Tapes Complete Vol. 12 : The Cutting Edge 1965 -- 1966 Vol. 13 : Trouble No More 1979 -- 1981 Concert tours England Tour ( 1965 ) World Tour ( 1966 ) Tour with The Band ( 1974 ) Rolling Thunder Revue ( 1975 -- 1976 ) World Tour ( 1978 ) Gospel Tour ( 1979 -- 1980 ) World Tour ( 1981 ) European Tour ( 1984 ) True Confessions Tour ( 1986 ) Tour with the Grateful Dead ( 1987 ) Temples in Flames Tour ( 1987 ) Never Ending Tour 1988 1989 1990 1991 1993 2017 2018 Films Dont Look Back Eat the Document Renaldo and Clara Hard to Handle The 30th Anniversary Concert Celebration Masked and Anonymous No Direction Home I 'm Not There 65 Revisited The Other Side of the Mirror : Bob Dylan Live at the Newport Folk Festival 1963 -- 1965 Trouble No More - A Musical Film Writings Tarantula Writings and Drawings Chronicles : Volume One Books about Dylan The Bob Dylan Encyclopedia Bob Dylan, Performing Artist Invisible Republic The Cambridge Companion to Bob Dylan Related Recording Sessions The Band Traveling Wilburys Electric Dylan controversy Artists who have covered Dylan songs Joan Baez Suze Rotolo The Telegraph magazine Festival Pat Garrett and Billy the Kid Hearts of Fire Theme Time Radio Hour Gotta Serve Somebody : The Gospel Songs of Bob Dylan Chimes of Freedom ( album ) The Lost Notebooks of Hank Williams Lost on the River : The New Basement Tapes Family Sara Dylan ( first wife ) Carolyn Dennis ( second wife ) Jesse Dylan ( son ) Jakob Dylan ( son ) Book Portal Bob Dylan singles discography 1962 `` Mixed - Up Confusion '' / `` Corrina, Corrina '' 1963 `` Blowin ' in the Wind '' / `` Do n't Think Twice, It 's All Right '' 1965 `` The Times They Are a-Changin ' '' / `` Honey, Just Allow Me One More Chance '' `` Maggie 's Farm '' / `` On the Road Again '' `` Subterranean Homesick Blues '' / `` She Belongs to Me '' `` Like a Rolling Stone '' / `` Gates of Eden `` Positively 4th Street '' / `` From a Buick 6 '' `` Can You Please Crawl Out Your Window ? '' / `` Highway 61 Revisited '' 1966 `` One of Us Must Know ( Sooner or Later ) '' / `` Queen Jane Approximately '' `` Rainy Day Women ♯ 12 & 35 '' / `` Pledging My Time '' `` I Want You '' / `` Just Like Tom Thumb 's Blues '' ( live with The Hawks ) `` Just Like a Woman '' / `` Obviously 5 Believers '' 1967 `` Leopard - Skin Pill - Box Hat '' / `` Most Likely You Go Your Way And I 'll Go Mine '' `` If You Gotta Go, Go Now '' / `` To Ramona '' ( only in Europe ) 1968 `` Drifter 's Escape '' / `` John Wesley Harding '' `` All Along the Watchtower '' / `` I 'll Be Your Baby Tonight '' 1969 `` I Threw It All Away '' / `` Drifter 's Escape '' `` Lay Lady Lay '' / `` Peggy Day '' `` Tonight I 'll Be Staying Here with You '' / `` Country Pie '' 1970 `` If Not for You '' / `` New Morning '' `` Wigwam '' / `` Copper Kettle '' 1971 `` Watching the River Flow '' / `` Spanish is the Loving Tongue '' `` George Jackson '' ( band version ) / `` George Jackson '' ( acoustic version ) 1973 `` Knockin ' on Heaven 's Door '' / `` Turkey Chase '' ( instrumental from Pat Garrett and Billy the Kid ) `` A Fool Such as I '' / `` Lily of the West '' `` On a Night Like This '' / `` You Angel You '' `` Something There Is About You '' / `` Tough Mama '' `` Most Likely You Go Your Way ( And I 'll Go Mine ) '' ( live with The Band ) `` All Along the Watchtower '' / `` It Ai n't Me Babe '' `` Tangled Up in Blue '' / `` If You See Her, Say Hello '' `` Million Dollar Bash '' / `` Tears of Rage '' `` Hurricane '' ( Part 1 ) / `` Hurricane '' ( Part 2 ) 1976 `` Mozambique '' / `` Oh Sister '' `` Stuck Inside of Mobile With the Memphis Blues Again '' ( live ) / `` Rita May '' 1978 `` Baby, Stop Crying '' / `` We Better Talk This Over '' `` Changing of the Guards '' / `` Señor ( Tales of Yankee Power ) '' `` Is Your Love In Vain ? '' / `` We Better Talk This Over '' 1979 `` Maggie 's Farm ( live ) / `` All Along the Watchtower '' `` Forever Young '' ( live ) / `` All Along the Watchtower '' / `` I Want You '' `` Man Gave Names to All the Animals '' / `` When You Gonna Wake Up ? '' `` Gotta Serve Somebody '' / `` Trouble in Mind '' `` Precious Angel '' / `` Trouble in Mind '' 1980 `` Slow Train '' / `` Do Right to Me Baby '' `` Solid Rock '' / `` Covenant Woman '' `` Saved '' / `` Are You Ready ? '' 1981 `` Heart of Mine '' / `` Let It Be Me '' `` Dead Man, Dead Man '' / `` Lenny Bruce '' `` Union Sundown '' / `` Angel Flying too Close to the Ground '' `` I and I '' / `` Angel Flying too Close to the Ground '' `` Sweetheart Like You '' / `` Union Sundown '' 1984 `` Jokerman '' / `` Isis '' 1985 `` Tight Connection to My Heart ( Has Anybody Seen My Love ) '' / `` We Better Talk this Over '' `` When the Night Comes Falling from the Sky '' / `` Emotionally Yours '' 1986 `` Band of the Hand '' / `` Joe 's Death '' ( Michael Rubini ) `` Got My Mind Made Up '' / `` The Usual '' 1988 `` Silvio '' / `` Driftin ' too Far from the Shore '' 1989 `` Everything Is Broken '' / `` Death is Not the End '' `` Slow Train '' ( live with The Grateful Dead ) 1990 `` Political World '' / `` Ring Them Bells '' ( only in the UK and Australia ) `` Most of the Time '' / `` Most of the Time ( edit piece ) `` Unbelievable '' / `` 10,000 Men '' 1991 `` Series of Dreams '' / `` Seven Curses '' `` Blind Willie McTell '' / `` It Takes a Lot to Laugh, It Takes a Train to Cry '' ( from The Bootleg Series Volumes 1 - 3 ) `` Step it Up and Go '' -- ( no b - side ) 1993 `` My Back Pages '' ( with Roger McGuinn, Tom Petty, Neil Young, Eric Clapton, George Harrison ) -- ( no b - side ) 1995 `` Dignity '' ( live on MTV Unplugged ) / `` A Hard Rain 's a-Gonna Fall '' ( live version ) `` Knockin ' on Heaven 's Door '' / `` John Brown '' ( both live on MTV Unplugged ) 1998 `` Not Dark Yet '' / `` Tombstone Blues '' ( live ) / `` Ballad of a Thin Man '' ( live ) / `` Boots of Spanish Leather '' ( live ) `` Love Sick '' / `` Tombstone Blues '' ( live ) 2000 `` Things Have Changed '' / `` Make You Feel My Love '' ( live ) / `` Hurricane '' / `` Song to Woody '' ( live ) 2006 `` Someday Baby '' / `` Someday Baby '' ( edit piece ) `` Rollin ' and Tumblin ' '' / `` Not Dark Yet '' / `` High Water ( for Charley Patton ) '' 2007 `` Most Likely You Go Your Way ( And I 'll Go Mine ) '' ( Mark Ronson remix version ) / `` Most Likely You Go Your Way ( And I 'll Go Mine ) '' ( album version ) 2008 `` Dreamin ' of You '' ( edit piece ) / `` Dreamin ' of You '' ( album version ) 2009 `` Beyond Here Lies Nothin ' '' / `` Down Along the Cove '' ( live ) `` I Feel a Change Comin ' On '' / `` I Feel a Change Comin ' On '' ( edit piece ) `` Must Be Santa '' / `` ' Twas the Night Before Christmas '' `` The Times They Are a-Changin ' '' ( demo version ) / `` Like a Rolling Stone '' 2012 `` Duquesne Whistle '' 2013 `` Wigwam '' ( demo version ) / `` Thirsty Boots '' Retrieved from `` https://en.wikipedia.org/w/index.php?title=Rainy_Day_Women_ ♯ 12_ % 26_35&oldid = 856660520 '' Categories : Songs written by Bob Dylan Bob Dylan songs 1966 singles Song recordings produced by Bob Johnston Columbia Records singles 1966 songs Hidden categories : Pages with archiveurl citation errors Restricted titles Music infoboxes with deprecated parameters Articles with hAudio microformats Talk Contents About Wikipedia Deutsch Español Français Italiano 日本 語 Norsk nynorsk Polski Português Svenska Edit links This page was last edited on 26 August 2018, at 19 : 52 ( UTC ). Text is available under the Creative Commons Attribution - ShareAlike License ; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia ® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization. About Wikipedia

Question: who sings the song everybody must get stoned
Answer: Bob Dylan