K - pop - wikipedia K - pop This is the latest accepted revision, reviewed on 14 July 2018. Music in South Korea `` KPOP '' redirects here. For other uses, see KPOP ( disambiguation ). K - pop Stylistic origins Korean music experimental pop gospel Latin rhythm and blues hip hop jazz folk classical country rock reggae EDM Cultural origins Late 1980s, South Korea Typical instruments Vocals drum machine electronic drums bass guitar acoustic guitar synthesizer keyboard sampler sequencer digital audio workstation percussion groovebox Local scenes Seoul Incheon Busan Jeju K - pop ( abbreviation of Korean pop ; Hangul : 케이팝 ) is characterized by a wide variety of audiovisual elements. Although it generally classifies `` popular music '' within South Korea, the term is often used in a narrower sense to describe a modern form of South Korean pop that is influenced by styles and genres from around the world, such as Western pop music, rock, experimental, jazz, gospel, Latin, hip hop, R&B, reggae, electronic dance, folk, country and classical on top of its uniquely traditional Korean music roots. The more modern form of the genre emerged with one of the earliest K - pop groups, Seo Taiji and Boys, forming in 1992. Their experimentation with different styles and genres of music and integration of foreign musical elements helped reshape and modernize South Korea 's contemporary music scene. Modern K - pop `` idol '' culture began with the boy band H.O.T. in 1996, as K - pop grew into a subculture that amassed enormous fandoms of teenagers and young adults. After a slump in early K - pop, from 2003 TVXQ and BoA started a new generation of K - pop idols that broke the music genre into the neighboring Japanese market and continue to popularize K - pop internationally today. With the advent of online social networking services and Korean TV shows, the current global spread of K - pop and Korean entertainment, known as the Korean Wave, is seen not only in East and Southeast Asia but also Latin America, India, North Africa, the Middle East and the Western world, gaining a widespread global audience. Contents 1 Characteristics 1.1 Audiovisual content 1.2 Systematic training of artists 1.3 Hybrid genre and transnational values 1.4 Marketing 1.5 Use of English phrases 1.6 Choreography 1.7 Fashion 1.8 Government support 2 History 2.1 Origins of Korean popular music 2.2 1940s -- 1960s : Arrival of Western culture 2.3 1970s : Hippie and folk influences 2.4 1980s : The era of ballads 2.5 1990s : Development of modern K - pop 2.6 21st century : Rise of Hallyu 3 Industry 3.1 Agencies 3.2 Sales and market value 3.3 Trainee system 3.4 Record charts 3.5 Television 4 Culture 4.1 Industry - specific expressions 4.2 Appeal and fan base 4.2. 1 Obsession 4.3 Events 4.3. 1 International tours 4.3. 2 Conventions and music festivals 4.4 Social media 5 Popularity and impact 5.1 Asia 5.1. 1 Japan 5.1. 2 China 5.1. 3 North Korea 5.1. 4 Taiwan 5.1. 5 Singapore 5.1. 6 Malaysia 5.1. 7 Indonesia 5.1. 8 India 5.1. 9 Nepal 5.2 North America 5.3 Latin America 5.4 Mexico 5.5 Europe 5.6 Middle East and Africa 5.7 Oceania 6 Foreign relations 7 Criticism and controversies 7.1 Music and visuals 7.2 Industry practices 7.2. 1 Corruption 7.2. 2 Exploitation and poor living conditions 7.2. 3 Sexualization and sexual exploitation 8 See also 9 Notes 10 References 11 Bibliography Characteristics Audiovisual content Although K - pop generally refers to South Korean popular music, some consider it to be an all - encompassing genre exhibiting a wide spectrum of musical and visual elements. The French Institut national de l'audiovisuel defines K - pop as a `` fusion of synthesized music, sharp dance routines and fashionable, colorful outfits. '' Songs typically consist of one or a mixture of pop, rock, hip hop, R&B and electronic music genres. Systematic training of artists See also : § Industry Management agencies in South Korea offer binding contracts to potential artists, sometimes at a young age. Trainees live together in a regulated environment and spend many hours a day learning music, dance, foreign languages and other skills in preparation for their debut. This `` robotic '' system of training is often criticized by Western media outlets. In 2012, The Wall Street Journal reported that the cost of training one Korean idol under S.M. Entertainment averaged US $3 million. Hybrid genre and transnational values Search volume for K - pop for the period 2008 -- 2012 according to Google Trends K - pop is a cultural product that features `` values, identity and meanings that go beyond their strictly commercial value. '' It is characterized by a mixture of Western sounds with an Asian aspect of performance. It has been remarked that there is a `` vision of modernization '' inherent in Korean pop culture. For some, the transnational values of K - pop are responsible for its success. A commentator at the University of California has said that `` contemporary Korean pop culture is built on (... ) transnational flows (... ) taking place across, beyond, and outside national and institutional boundaries. '' Some examples of the transnational values inherent in K - pop that may appeal to those from different ethnic, national, and religious backgrounds include a dedication to high - quality output and presentation of idols, as well as their work ethic and polite social demeanour, made possible by the training period. Marketing Many agencies have presented new idol groups to an audience through a `` debut showcase '', which consists of online marketing and television broadcast promotions as opposed to radio. Groups are given a name and a `` concept '', along with a marketing hook. These concepts are the type of visual and musical theme that idol groups utilize during their debut or comeback. Concepts can change between debuts and fans often distinguish between boy group concepts and girl group concepts. Concepts can also be divided between general concepts and theme concepts, such as cute or fantasy. New idol groups will often debut with a concept well - known to the market to secure a successful first debut. Sometimes sub-units or sub-groups are formed among existing members. An example subgroup is Super Junior - K.R.Y. which consists of members Kyuhyun, Ryeowook, and Yesung, and Super Junior - M, which became one of the best - selling K - pop subgroups in China. Online marketing includes music videos posted to YouTube in order to reach a worldwide audience. Prior to the actual video, the group releases teaser photos and trailers. Promotional cycles of subsequent singles are called comebacks even when the musician or group in question did not go on hiatus. Use of English phrases Modern K - pop is marked by its use of English phrases. Jin Dal Yong of Popular Music and Society wrote that the usage may be influenced by `` Korean - Americans and / or Koreans who studied in the U.S. ( who ) take full advantage of their English fluency and cultural resources that are not found commonly among those who were raised and educated in Korea. '' In 1995, the percentage of song titles using English in the top 50 charts was 8 %. This fluctuated between 30 % in 2000, 18 % in 2005, and 44 % in 2010. Similarly, increasing numbers of K - pop bands use English names rather than Korean ones. This allows songs and artists to be marketed to a wider audience around the world. An example of a Korean song with a large proportion of English lyrics is Kara 's `` Jumping, '' which was released at the same time in both Korea and Japan to much success. Increasingly, foreign songwriters and producers are employed to work on songs for K - pop idols, such as will.i.am and Sean Garrett. Musicians, including rappers such as Akon, Kanye West, Ludacris, and Snoop Dogg, have also featured on K - pop songs. However, the use of English has not guaranteed the popularity of K - pop in the North American market. For some commentators, the reason for this is because the genre can be seen as a distilled version of Western music, making it difficult for K - pop to find acceptance in these markets. Furthermore, Western audiences tend to place emphasis on authenticity and individual expression in music, which the idol system can be seen as suppressing. Choreography Dance is an integral part of K - pop. When combining multiple singers, the singers often switch their positions while singing and dancing by making prompt movements in synchrony, a strategy called `` formation changing '' ( Korean : 자리 바꿈, Jaribaggum ). The K - pop choreography ( Korean : 안무, Anmu ) often includes the so - called `` point dance '' ( Korean : 포인트 안무 ), referring to a dance made up of hooking and repetitive movements within the choreography that matches the characteristics of the lyrics of the song. Super Junior 's `` Sorry Sorry '' and Brown Eyed Girls ' `` Abracadabra '' are examples of songs with notable `` point '' choreography. To choreograph a dance for a song requires the writers to take the tempo into account. According to Ellen Kim, a Los Angeles dancer and choreographer, a fan 's ability to do the same steps must also be considered : Consequently, K - pop choreographers have to simplify movements. Fashion See also : Fashion in South Korea K - pop has a significant influence on fashion in Asia, where trends started by idols are followed by young audiences. Some idols have established status as fashion icons, such as G - Dragon and CL, who has repeatedly worked with fashion designer Jeremy Scott, being labeled his `` muse. '' There is some concern over trends such as skin whitening being popularised by the industry, which has been criticised for its narrow beauty standards. The emergence of Seo Taiji & Boys in 1992 paved the way for the development of contemporary K - pop groups that fans interact with today. Seo Taiji & Boys revolutionized the Korean music scene by incorporating rap and American hip - hop conventions into their music. This adoption of Western style spread into the fashions worn by the boy band, and the boys adopted the hip - hop aesthetic. Seo and bandmates ' outfits for the promotional cycle of `` Nan Arayo '' ( 난 알아요, I Know ) included vibrant streetwear such as oversized T - shirts and sweatshirts, windbreakers, overalls worn with one strap, overalls worn with one pant leg rolled up, and American sports team jerseys. Accessories included baseball caps worn backwards, bucket hats, and do - rags. As K - pop `` was born of post-Seo trends, '' many acts that followed Seo Taiji & Boys adopted the same fashion style. Deux and DJ DOC can also be seen wearing on - trend hip - hop fashions such as sagging baggy pants, sportswear, and bandanas in their performances. With Korean popular music transforming into youth - dominated media, manufactured teenage idol groups began debuting in the mid and late ' 90s, wearing coordinated costumes that reflected the popular fashion trends among youth at the time. Hip - hop fashion, considered the most popular style in the late ' 90s, remained, with idol groups H.O.T. and Sechs Kies wearing the style for their debut songs. The use of accessories elevated the idol 's style from everyday fashion to performance costume, as ski goggles ( worn either around the head or neck ), headphones worn around the neck, and oversized gloves worn to accentuate choreography moves were widely used. H.O.T. 's 1996 hit `` Candy '' exemplifies the level of coordination taken into account for idol 's costumes, as each member wore a designated color and accessorized with face paint, fuzzy oversized mittens, visors, bucket hats, and earmuffs, and used stuffed animals, backpacks, and messenger bags as props. While male idol groups ' costumes were constructed with similar color schemes, fabrics, and styles, the outfits worn by each member still maintained individuality. On the other hand, female idol groups of the ' 90s wore homogeneous costumes, often styled identically. The costumes for female idols during their early promotions often focused on portraying an innocent, youthful image. S.E.S. 's 1997 debut `` I 'm Your Girl '' and Baby Vox 's 1998 debut `` Ya Ya Ya '' featured the girls dressed in all white outfits, and Fin. K.L. 's `` To My Boyfriend '' showcases the idols in pink school girl outfits. To portray a natural and cutesy image, accessories were limited to large hair bows, pom pom hair adornments, and scrunchies. With the maturation of female idol groups and the move away from bubblegum pop in the very late ' 90s, female idol groups ' outfits focused on following the fashion trends of the time, many of which were revealing garments. The later promotions of girl groups Baby Vox and Jewelry exemplify these trends, as members can be seen wearing hot pants, micro miniskirts, crop tops, peasant tops, see - through garments, and midriff baring tops. 2NE1 Fire Wonder Girls Nobody K - pop showed significant trends over the past few decades. In the early 90s ~ 2000s, ullzang culture emerged as good looking internet celebrities posted photos on popular sites like Haduri ( face webcam site ), Daum community. The rise of ulzzang style parallels the K - pop phenomenon, hence many K - pop idols adopted the look, which is described as `` huge, delicate bambi - like eyes with double lids and a tiny, delicate nose with a high bridge are a prerequisite. Smooth, pale snow - white skin, and rosebud lips are also desirable. So is a small and sharp chin to achieve the perfect `` V - line '' face, which should ideally be no bigger than the size of your palm ``. This look was nearly impossible to gain naturally, giving rise to the popularity of circle contact lenses, plastic surgeries, and skin - whitening products. As K - pop became a modern hybrid of Western and Asian cultures starting from the late 2000s, fashion trends within K - pop reflects diversity and distinction as well. Fashion trends from the late 2000s to early 2010s can largely be categorized under the following : Street : focuses on individuality, bright colors, mix - and - match styling, graphic prints, sports brands such as Adidas and Reebok ( e.g. 2NE1 - Fire, SHINee - Ring Ding Dong, etc. ) Retro : aims to bring back `` nostalgia '' from the 1960s to 1980s, dot prints, detailed patterns, common clothing items include denim jackets, boot - cut pants, wide pants, hair bands, scarves, and sunglasses ( e.g. Wonder Girls - Nobody, Tiara - Roly Poly, etc. ) Sexy : highlights femininity and masculinity, revealing outfits made of satin, lace, fur, and leather, common clothing items include mini skirts, corsets, net stockings, high heels, sleeveless vests, see - through shirts ( e.g. Girls ' Generation - The Boys, After School, TVXQ - Mirotic, etc. ) Girls ' Generation Genie Black & White : emphasizes modern & chic, symbolizes elegance & charisma, mostly applied to formal wear ( e.g. Girls ' Generation - Genie, Super Junior - Sorry Sorry, Beast - Fiction, etc. ) Futurism : commonly wore with electronic and hip - hop genres, popping color items, metallic details and prints, aims to have a futuristic outlook ( e.g. 2NE1 - I am the Best, Wonder Girls - Like Money, NCT U-Seventh Sense, etc. ) The Bank of Korea has attributed the rapid surge in cultural exports since 1997 to the increased worldwide popularity of K - pop. Government support The South Korean government has acknowledged benefits to the country 's export sector as a result of the Korean Wave ( it was estimated in 2011 that a US $100 increase in the export of cultural products resulted in a US $412 increase in exports of other consumer goods including food, clothes, cosmetics and IT products ) and thus have subsidised certain endeavours. Government initiatives to expand the popularity of K - pop are mostly undertaken by the Ministry of Culture, Sports and Tourism, which is responsible for the worldwide establishment of Korean Cultural Centers. South Korean embassies and consulates have also organized K - pop concerts outside the country, and the Ministry of Foreign Affairs regularly invites overseas K - pop fans to attend the annual K - Pop World Festival in South Korea. History Origins of Korean popular music Oppaneun punggakjaengi ( 오빠 는 풍각 쟁이 ) A 1938 trot song by Kim Song Kyu and Park Yeong Ho. Sung by Park Hyang Rim. Problems playing this file ? See media help. The history of Korean popular music can be traced back to 1885 when an American missionary, Henry Appenzeller, began teaching American and British folk songs at a school. These songs were called changga in Korean, and they were typically based on a popular Western melody sung with Korean lyrics. For example, the song `` Oh My Darling, Clementine '' became known as `` Simcheongga. '' During the Japanese rule ( 1910 -- 1945 ) the popularity of changga songs rose as Koreans expressed their feelings against Japanese oppression through music. One of the most popular songs was `` Huimangga '' ( 희망가, The Song of Hope ). The Japanese confiscated the existing changga collections and published lyrics books of their own. The first known Korean pop album was `` Yi Pungjin Sewol '' ( This Tumultuous Time ), by Park Chae - seon and Lee Ryu - saek in 1925, which contained popular songs translated from Japanese. The first pop song written by a Korean composer is thought to be `` Nakhwayusu '' ( 낙화 유수, Fallen Blossoms on Running Water ) sung by Lee Jeong - suk in 1929. In the mid-1920s, Japanese composer Masao Koga mixed traditional Korean music with Gospel music that American Evangelists introduced in the 1870s. This type of music became known as Enka in Japan, and later in Korea as Trot ( Korean : `` 트로트 '' ). 1940s -- 1960s : arrival of Western culture After the Korean Peninsula was partitioned into North and South following its liberation in 1945 from Japanese occupation, Western culture was introduced into South Korea on a small scale, with a few Western - styled bars and clubs playing Western music. After the Korean War ( 1950 -- 53 ) U.S. troops remained in South Korea. With the continued presence of the U.S. military during this time, American and world culture spread in South Korea and Western music gradually became more accepted. Marilyn Monroe entertaining American soldiers in Korea in 1954 The United Service Organizations made it possible for several prominent figures of American entertainment, like Marilyn Monroe and Louis Armstrong to visit the soldiers stationed in Korea. These visits prompted attention from the Korean public. In 1957, the American Forces Korea Network radio started its broadcast, spreading the popularity of Western music. American music started influencing Korean music, as pentatony was gradually replaced by heptachords and popular songs started to be modeled after American ones. In the 1960s, the development of LP records and improvements in recording technology led to the pursuit of diverse voice tones. Many singers sang for the American troops, usually in dedicated clubs, the number of which rose to 264. They performed various genres like country music, blues, jazz and rock & roll. The South Korean economy started blooming and popular music followed the trend, spread by the first commercial radio stations. Korean cinema also began to develop and Korean musicians began performing to wider audiences. When Beatlemania reached the shores of Korea the first local rock bands appeared, the first of which is said to be Add4, a band founded in 1962. The first talent contest for rock bands in Seoul was organized in 1968. Besides rock and pop, trot songs remained popular. Some Korean singers gained international popularity. The Kim Sisters, Yoon Bok - hee and Patti Kim were the first singers to debut in such countries as Vietnam and United States. The Kim Sisters became the first Korean group to release an album in the United States, performing in Las Vegas and appearing several times on Ed Sullivan 's TV show. Han Myeong Suk 's 1961 song `` The Boy in The Yellow Shirt '' was covered by French singer Yvette Giraud and was also popular in Japan. 1970s : hippie and folk influences At the end of the 1960s Korean pop music underwent another transformation. More and more musicians were university students and graduates who were heavily influenced by American culture and lifestyle ( including the hippie movement ) and made lighthearted music unlike their predecessors, who were influenced by war and Japanese oppression. The younger generation opposed the Vietnam War as much as American hippies did, which resulted in the Korean government banning songs with more liberal lyrics. In spite of this, folk - influenced pop remained popular among the youth, and local television channel MBC organised a music contest for university students in 1977. This was the foundation of several modern music festivals. One of the leading figures of the era was Han Dae - soo, who was raised in the United States and influenced by Bob Dylan, Leonard Cohen and John Lennon. Han 's song `` Mul jom juso '' ( 물 좀 주소, Give Me Water ) became iconic among young people in Korea. His daring performances and unique singing style often shocked the public and later he was banned from performing in Korea. Han moved to New York City and pursued his musical career there, only returning to his home country in the 1990s. Other notable singers of the period include Song Chang - sik, Young Nam - cho and Hee Eun - yang. In the 1970s, DJs also started to become popular. 1980s : the era of Ballads The 1980s saw the rise of ballad singers after Lee Gwang - jo 's 1985 album `` You 're Too Far Away to Get Close to '' ( 가까이 하기엔 너무 먼 당신, Gakkai Hagien Neomu Meon Dangsin ) sold more than 300,000 copies. Other popular ballad singers included Lee Moon - se ( 이문세 ) and Byun Jin - seob ( 변진섭 ), nicknamed the `` Prince of Ballads ''. One of the most sought - after ballad composers of the era was Lee Young - hoon ( 이영훈 ), whose songs were compiled into a modern musical in 2011 titled Gwanghwamun Yeonga ( 광화문 연가, Gwanghwamun 's Song ). The Asia Music Forum was launched in 1980, with representatives from five different Asian countries competing in the event. Korean singer Cho Yong - pil won first place and went on to have a successful career, performing in Hong Kong and Japan. His first album Chang bakkui yeoja ( 창 밖의 여자, Woman outside the window ) was a hit and he became the first Korean singer to take to the stage at Carnegie Hall in New York. Cho 's musical repertoire included rock, dance, trot and folk pop. 1990s : development of modern K - pop DJ DOC, one of the popular hip hop trios of the 1990s In the 1990s, Korean pop musicians incorporated partially Europop and mostly American popular music styles such as hip hop, rock, jazz, and electronic dance in their music. In 1992 the emergence of Seo Taiji & Boys marked a revolutionary moment in the history of K - pop. The trio debuted on MBC 's talent show with their song `` Nan Arayo '' ( 난 알아요, I Know ) and got the lowest rating from the jury ; however, the song and album of the same name became so successful that it paved the way for other songs of the same format. The song 's success was attributed to its new jack swing - inspired beats and memorable chorus, as well as innovative lyrics which dealt with the problems of Korean society. Their footsteps were followed by a wave of successful hip hop and R&B artists like Yoo Seung - jun, Jinusean, Solid, Deux, 1TYM and Drunken Tiger. In 1995, South Korean record producer Lee Soo - man founded the entertainment company S.M. Entertainment. Former Seo Taiji & Boys ' member Yang Hyun - suk formed YG entertainment in 1996, and Park Jin - young established JYP Entertainment in 1997. Idol bands ( young boybands or girlbands ) formed, inspired by Seo Taiji & Boys, to cater for a growing teenage audience. H.O.T. was one of the first idol boybands, debuting in 1996. Their success was followed by that of bands like Sechs Kies, S.E.S., Fin. K.L, NRG, Baby V.O.X., Diva, Shinhwa and g.o.d. The 1990s saw a reactionary movement against mainstream popular culture with the rise of illegal underground music clubs and punk rock bands such as Crying Nut. The 1997 Asian financial crisis prompted South Korean entertainers to look for new markets : H.O.T. released a Mandarin - language album and Diva released an English - language album in Taiwan. The need for new markets drove K - pop stars to look at foreign markets. Similar to J - pop Idols, K - pop stars are selected before being groomed to appeal to a global audience, whether through formal training and classes, or through residency programs. They are trained via an extensive and intensive process that includes physical and language training ( a program sometimes called abusive ), and they are selected for height as well, being much taller on average than their Japanese counterparts. As for looks, `` K - pop emphasizes thin, tall, and feminine looks with adolescent or sometimes very cute facial expressions, regardless of whether they 're male or female singers '', according to sociology professor Ingyu Oh. Over time, Korean - American artists have become successful due to their fluency. These efforts increase the marketability of K - pop while also increasing South Korean soft power, which has become an important part of official policy. 21st century : rise of Hallyu Main article : Korean Wave K - pop 's increasing popularity forms part of Hallyu, or the Korean Wave, which refers to the popularity of South Korean culture in other countries. K - pop is increasingly making appearances on Western charts such as Billboard. The development of online social media has been a vital tool for the Korean music industry in reaching a wider audience. K - pop industry statistics Year Total exports in US $ YouTube views 2008 $16.5 million 2009 $31.3 million $84.9 million 800 million 2011 $180 million 2.2 billion 2012 $235 million 7.0 billion Exports by country ( US $ ) Year Japan China 2008 $11.2 million $1.80 million 2009 $21.6 million $2.36 million $3.60 million 2012 $204 million Girls ' Generation SNSD at SM Town Live NY in 2011 By the beginning of the 21st century, the K - pop market had slumped and early K - pop idol groups that had seen success in the 90 's were on the decline. H.O.T. disbanded in 2001, while other groups like Sechs Kies, S.E.S., Fin. K.L, Shinhwa, and g.o.d became inactive by 2005. Solo singers like BoA and Rain grew in success. However, the success of boy band TVXQ after its debut in 2003 marked the resurgence of idol groups to Korean entertainment and the growth of K - pop as part of Hallyu. The birth of second - generation K - pop was followed with the successful debuts of SS501 ( 2005 ), Super Junior ( 2005 ), Big Bang ( 2006 ), Wonder Girls ( 2007 ), Girls ' Generation ( 2007 ), Kara ( 2007 ), SHINee ( 2008 ), 2NE1 ( 2009 ), 4Minute ( 2009 ), T - ara ( 2009 ), and After School ( 2009 ). During the beginning of the 21st century, K - pop idols began receiving success elsewhere in Asia : in 2002, Baby V.O.X. 's single `` Coincidence '' became popular in many Asian countries after it was released and promoted during the World Cup in South Korea. BoA became the first K - pop singer to reach No. 1 on the Japanese Oricon music chart and shortly afterwards, Rain had a sold - out concert to an audience of 40,000 fans in Beijing. In 2003, Baby V.O.X. topped the Chinese music charts with their Chinese single `` I 'm Still Loving You '' from their third album Devotion, the first idol group to do so, creating a huge fanbase in China. They also charted in various music charts in Thailand. TVXQ marked the rise of K - pop boy bands in Japan. In 2008, their single `` Purple Line '' made TVXQ the first foreign boy band and second Korean artist after BoA to top the Oricon music chart. Since the mid-2000s, a huge portion of the East Asian music market has been dominated by K - pop. In 2008, South Korea 's cultural exports ( including television dramas and computer games ) rose to US $2 billion, maintaining an annual growth rate of over 10 %. That year, Japan accounted for almost 68 % of all K - pop export revenues, ahead of China ( 11.2 % ) and the United States ( 2.1 % ). The sale of concert tickets proved to be a lucrative business ; TVXQ 's Tohoshinki Live Tour in Japan sold over 850,000 tickets at an average cost of US $109 each, generating a total of US $92.6 million in revenues. Elsewhere in the world, the genre has rapidly grown in success, especially after Psy 's `` Gangnam Style '' music video was the first YouTube video to reach one billion views, achieving widespread coverage in mainstream media. As of November 2016, the video has 2.7 billion views. Although several attempts have been made by entertainment companies ( with idols such as BoA, Wonder Girls, and CL releasing English - language singles ) at breaking into the English - language market, these have not all achieved overall success. As part of the Korean Wave, K - pop has been embraced by the South Korean government as a tool for projecting South Korea 's soft power abroad, particularly towards overseas youth. In August 2014, the prominent British news magazine The Economist dubbed Korean pop culture `` Asia 's foremost trendsetter ''. In May 2017, K - pop received international coverage following boy group BTS 's win for Top Social Artist at the 2017 Billboard Music Awards, making them the first K - pop group to win a BBMA. In November 2017, BTS made their U.S television debut on the American Music Awards performing DNA, which peaked at number 67 on the Billboard Hot 100, becoming the first K - pop group to perform on the award show. In May 2018, BTS became the first K - pop group to reach number 1 on the Billboard 200 with Love Yourself : Tear. They have also made two appearances on The Ellen DeGeneres Show, highlighting their success and popularity, as well as the growing popularity of K - pop, in the U.S. In January 2018, boy group EXO was invited to Dubai, United Arab Emirates for the Dubai Fountain Show. Their single, `` Power '', was chosen as the first K - pop song to be played at the fountain for the choreographed fountain show in Dubai. This prompted the group 's agency, SM Entertainment, to hold the very first SM Town concert in the country in April. Industry Agencies K - pop has spawned an entire industry encompassing music production houses, event management companies, music distributors, and other merchandise and service providers. The three biggest companies in terms of sales and revenue are S.M. Entertainment, YG Entertainment and JYP Entertainment, often referred to as the ' Big Three '. These record labels also function as representative agencies for their artists. They are responsible for recruiting, financing, training, and marketing new artists as well as managing their musical activities and public relations. Currently, the agency with the greatest market share is S.M. Entertainment. In 2011, together with Star J Entertainment, AM Entertainment, and Key East, the Big Three companies founded the joint management company United Asia Management. Total revenues of K - pop record labels ( in USD million ) Year of establishment Record label 2008 2011 2012 2013 2014 2015 2016 Source 1995 S.M. Entertainment 42.5 87.1 129 241 268 286.9 280 313 YG Entertainment 51.8 70.3 96.9 116.6 156.3 170 286.4 JYP Entertainment 3.1 9.1 17.8 13.5 21.4 48.5 50.56 69.5 Sales and market value In 2009, DFSB Kollective became the first distributor of K - pop on iTunes. In 2011, 1,100 albums were released in South Korea. The hip - hop genre had the most representation, at two - thirds of the total albums. One - third of the albums were from a variety of other genres, including rock, modern folk, and crossover. In 2012, the average cost of obtaining a K - pop song in South Korea amounted to US $0.10 for a single download, or $0.002 when streamed online. In the first half of 2012, according to Billboard, the Korean music industry grossed nearly US $3.4 billion - a 27.8 % increase on the previous year - and was recognized by Time magazine as `` South Korea 's Greatest Export ''. K - pop ( in Korea ) global music market rank Year Physical * Digital 2005 27 2006 27 2007 32 23 2008 24 2009 24 14 21 2011 11 11 2012 11 8 * includes albums, singles and DVDs sold Trainee system See also : Slave contracts By convention in modern K - pop, trainees go through a rigorous training system for an undetermined amount of time before debut. This method was popularised by Lee Soo - man, founder of S.M. Entertainment, as part of a concept labelled `` cultural technology ''. The Verge described this as an `` extreme '' system of artist management. According to the CEO of Universal Music 's Southeast Asian branch, the Korean idol trainee system is unique in the world. Because of the training period, which can last for many years, and the significant amount of investment agencies put towards their trainees, the industry is very serious about launching new artists. Trainees may enter an agency through auditions or be scouted, and once recruited are given accommodation and classes ( commonly singing, dancing, rapping, and foreign languages such as Mandarin, English and Japanese ) while they prepare for debut. Young trainees sometimes attend school at the same time. There is no age limit to become a trainee and no limit to the duration one can spend as a trainee. Record charts Main article : Gaon Chart Further information : Billboard K - Town Korean record charts include the Korea K - Pop Hot 100 and the Gaon Singles Chart. Recently, some K - pop records have appeared on the Oricon Albums Chart of Japan and the Billboard Hot 100 of the United States. In May 2014, EXO became the third K - pop act to enter the Billboard 200 that year after 2NE1, Girls ' Generation and Wonder Girls were the first K - Pop act to chart on Billboard 200. In October 2016, BTS 's album Wings becomes the first Korean album to chart in the UK Album Charts, reaching # 62, and the highest charting and best selling K - pop album in the Billboard 200. They also became the first Korean artist to have three entries on the Billboard 200 and first K - pop act to have an entry for more than one week on the Billboard 200. In February 2017, BTS landed their fourth album, `` You Never Walk Alone, '' at # 61 on the Billboard 200, becoming the first K - pop act to have four entries on the Billboard 200. They also became the first Korean artist to break into the Top 10 of the US iTunes sales chart with the title track `` Spring Day '' at # 9. In May 2017, BTS also became the first Korean artist group to win a Billboard Music Award. In September 2017, BTS landed at # 14 on the UK Album Charts with their new album, Love Yourself : Her, becoming the first Korean artist to land in the top 40 of the chart. Moreover, on the 27th of May 2018, the band reached # 1 on the Billboard 200 with their album `` LOVE YOURSELF : Tear ''. With 135,000 copies sold, BTS made history as the first Korean band to top the Billboard charts. Television The Korean music industry has spawned numerous related reality TV shows, including talent shows such as Superstar K and K - pop Star, specialist rap competition Show Me The Money and its female counterpart Unpretty Rapstar, and many ' survival ' shows, which commonly pit trainees against each other in order to form a new idol group. Examples of survival shows include Jellyfish Entertainment 's MyDOL, which formed the boy group VIXX ; YG Entertainment 's WIN : Who Is Next, which formed the boy group WINNER ; MIX&MATCH, which formed iKON ; JYP Entertainment 's SIXTEEN, which formed girl group Twice ; Starship Entertainment 's No. Mercy, which formed boy group Monsta X ; Cube Entertainment 's Pentagon Maker, which formed boy group PENTAGON ; Mnet 's Produce 101, which formed girl group I.O.I and boy group Wanna One, ; Duble Kick Entertainment 's Finding Momo Land, which formed the girl group Momoland ; and most recently, Mnet 's Idol School, which formed the girl group Fromis 9. Culture K - pop artists are frequently referred to as idols or idol groups. Groups usually have a leader, who is often the eldest or most experienced member and speaks for the group. The youngest group member is called the maknae ( 막내 ). The popular use of this term in Japan was influenced by boy group SS501 when they expanded their activities in the country in 2007. Its Japanese translation `` マンネ '' was often used to name the group 's youngest member Kim Hyung - jun in order to differentiate him from their leader with a similar name and spelling, Kim Hyun - joong. K - pop groups often are very delineated, with each member having a specific role or roles within the group. Roles are divided mainly into singing, dancing, and rapping, with `` main '', `` lead '', or `` sub '' added before the main role to differentiate between the skill level or position of the members in the group. Groups also have `` visuals '', who are the most traditionally beautiful or handsome member of the group. The `` face '' of the group refers to the most well - known or popular member of the group, and sometimes changes between releases as popularity fluctuates. Industry - specific expressions Korean Romanized Meaning 대상 daesang At music awards artists may receive a bonsang for outstanding music achievements. One of the bonsang winners is then awarded with a daesang, the `` Grand Prize ''. 본상 bonsang All - Kill ( AK ) Referring to chart positions. An Instiz certified all - kill ( `` AK '' ) occurs when an individual song sweeps all of South Korea 's major music charts simultaneously, placing first on both the real - time and daily charts. Perfect All - Kill ( PAK ) An Instiz Perfect all - kill happens when an individual song has an all - kill and at the same time it places first on Instiz Weekly Chart. Mini album Roughly equivalent to an EP, contains multiple tracks but shorter than a full - length album. Title track Equivalent to a ' lead single ', title track is the main track of an album released with a music video and promoted through live performances on televised music shows. Promotion Takes place when a title track is released. Artists perform in televised music shows and interviews. Promotion on TV shows usually lasts one month, with a ' debut stage ' for newcomers, a ' comeback stage ' for regulars and a ' goodbye stage ' at the end of the cycle. Comeback Refers to the release of an artist 's new music and the accompanying TV performances. Appeal and fan base Big Bang fans ( VIPs ) hold crown shaped light sticks during a concert : this is the symbol of the fan club Not all K - pop fans are young females, although most are ; in 2012 New York magazine interviewed male adult Girls ' Generation fans, who admitted to liking the group for its members ' looks and personalities, citing the members ' humility and friendliness towards the fans. Many fans travel overseas to see their idols on tour, and tourists commonly visit Korea from Japan and China to see K - pop concerts. A K - pop tour group from Japan had more than 7,000 fans fly to Seoul to meet boy band JYJ in 2012, and during JYJ 's concert in Barcelona in 2011, fans from many parts of the world camped overnight to gain entrance. A 2011 survey conducted by the Korean Culture and Information Service reported that there were over 3 million active members of Hallyu fan clubs. An article by The Wall Street Journal indicated that K - pop 's future staying power will be shaped by fans, whose online activities have evolved into `` micro-businesses ''. K - pop groups commonly have dedicated fanclubs with a collective name and sometimes an assigned colour, to which they will release merchandise. For example, TVXQ fans are known as ' Cassiopeia ', and their official colour is ' pearl red '. Some of the more popular groups have personalised light sticks for use at concerts ; for example, Big Bang fans hold yellow crown - shaped light sticks. Fan rice for the Korean boyband Exo Fan clubs sometimes participate in charity events to support their idols, purchasing bags of ' fan rice ' in order to show support. The rice bags are donated to those in need. According to Time, for one of Big Bang 's shows, 12.7 tons of rice were donated from 50 fan clubs around the world. There are businesses in Korea dedicated to shipping rice from farmers to the venues. Another way that fan clubs show their devotion is sending lunch to idols during their schedules, and there are catering companies in South Korea specifically for this purpose. A unique feature of K - pop fandom is the `` fan chant ''. When an idol group releases a new song, chants, usually consisting of group members ' names, are performed by live concert audiences during non-singing parts of songs. Obsession Main article : Sasaeng fan Some idols and idol groups have faced problems from obsessive fans that indulge in stalking or invasive behaviour. These fans are known as sasaeng fans, from the Korean word for ' private life ', which alludes to their penchant for invading the privacy of idols and members of idol groups. There have been accounts of extreme behaviours from fans trying to gain idols ' attention as well as taxi services that cater to those wishing to follow idols. Korean public officials recognize this as a unique but serious concern. Some idols have reacted angrily towards sasaeng fans, for which they received backlash ; including members of JYJ, Super Junior member Kim Hee - chul, and Jang Keun - suk. In response to the issue, a new law introduced in February 2016 in Korea saw the penalty for stalking rise to around US $17,000 as well a possible two - year jail sentence. Events Psy, whose music video for `` Gangnam Style '' in December 2012 became the first to reach more than a billion YouTube views International tours Main article : List of K - pop concerts held outside Asia Conventions and music festivals See also : Category : K - pop festivals 2003 -- present : Korean Music Festival at the Hollywood Bowl in Los Angeles 2011 -- present : K - POP World Festival in South Korea 2012 -- present : KCON in California 2015 -- present : KCON in New York 2015 -- present : KCON in Japan 2009 -- present : Philippine K - pop Convention Social media Social media has been instrumental in the global reach of K - Pop, particularly video - sharing site YouTube. Of the 2.28 billion worldwide K - pop YouTube views in 2011, 240 million came from the United States, more than double the figure from 2010 ( 94 million ). Popularity and impact Asia Japan Following the lifting of WWII - era restrictions imposed on exchanges and trade between Korea and Japan in the late 1990s, the first - generation girl group S.E.S became the first Korean artists to debut in Japan in late 1998 and their first album Reach Out in 1999. BoA 's debut Japanese album released in 2002, entitled Listen to My Heart, was the first album by a Korean singer to debut at the top of the Japanese Oricon Charts and become an RIAJ - certified `` million - seller '' in Japan. On January 16, 2008, TVXQ ( known as Tōhōshinki in Japan ) also reached the top of the Oricon Charts with their sixteenth Japanese single `` Purple Line ''. This made them the first Korean male group to have a number - one single in Japan. Since then, the Japanese market has seen an influx of Korean pop acts such as SS501, SHINee, Super Junior, Big Bang, KARA and Girls ' Generation. In 2011, it was reported that the total sales for K - pop artists ' increased 22.3 % between 2010 -- 2011 in Japan. Some Korean artists were in the top 10 selling artists of the year in Japan. With tensions still remaining between Korea and Japan, the import of Korean popular culture has been met with different forms of resistance, in the form of the ' Anti-Korean Wave '. One demonstration against the Korean Wave with roughly 500 participants was broadcast on Japan 's Fuji TV to an Internet audience of over 120,000. However, the chairman of the Presidential Council on National Branding cites this resistance as proof of `` how successful Korean Wave is. '' China China is the biggest country in the world with a large K - pop fan community. Dark green : Countries with a large K - pop fan community. Light green : Countries with a small but significant K - pop fan community. Red dots : Immigrant hubs with a small K - pop fan community. The 1990s saw the rise of K - pop in China through groups like H.O.T. and SechKies -- sparking China 's investment in Korea 's entertainment industry. K - pop artists have achieved considerable success in China since then : in 2005, Rain held a concert in Beijing with 40,000 people in attendance. In 2010, the Wonder Girls won an award for the highest digital sales for a foreign artist, with 5 million digital downloads, in the 5th annual China Mobile Wireless Music Awards. Most recently, China has become the South Korean entertainment industry 's biggest market for exports. Twelve percent of SM Entertainment 's sales in 2015 went to China, and this number rose to 14.4 percent by the middle of 2016. China has found that K - pop is a profitable investment. According to Director of Communication for the Korea Economic Institute of America Jenna Gibson, sales for a certain shampoo brand rose by 630 % after Super Junior endorsed it on a Chinese reality show. K - pop 's popularity has also led China 's e-commerce company Alibaba to buy roughly $30 million worth of SM Entertainment 's shares in 2016 in order to help its expansion into the online music industry. Legend Capital China has also invested in BTS ' label BigHit Entertainment. As of the beginning of 2017, China took up around 8 - 20 percent of major Korean entertainment companies ' total sales. Chinese entertainment companies have also claimed stakes in the industry, partially overseeing groups like EXID and T - ara or representing groups like UNIQ and WJSN, which include both Chinese and Korean members Having Chinese members in K - pop groups is one way Korean entertainment companies make K - pop more marketable and appealing in China. Other strategies include giving Korean members Chinese - sounding names, releasing songs or whole albums in Chinese, and making subgroups with members that predominantly speak Mandarin -- like S.M. Entertainment 's EXO - M and Super Junior - M, which has had successful results on the Kuang Nan Record and CCR. Chinese singer Zhang Bi Chen, later a member of K - pop girl group Sunny Days, performs during 2012 's K - POP World Festival. The K - pop industry 's methods of producing idols have influenced Chinese entertainment companies ' practices. These Chinese companies aim to reproduce K - pop idols ' success with their own stars so that Chinese entertainers can compete better globally. To achieve this, Chinese entertainment companies have recruited K - pop industry experts, and some of these insiders have actively started moving into the Chinese music industry to capitalize on K - pop 's increasing influence on market demands. Chinese reality show Idol Producer further highlights K - pop 's impact on China 's entertainment scene : closely mirroring Korea 's Produce 101. Chinese singer Jackson Wang from GOT7 at promotional event in Hong Kong A number of Chinese K - pop idols, such as Super Junior - M 's Han Geng and EXO - M 's Kris, Luhan, and Tao, have left their respective K - pop groups in order to pursue solo careers in China. However, lately, Korean entertainment companies have allowed their Chinese K - pop idols more freedom in pursuing solo work in China. Therefore, GOT7 's Jackson Wang, for example, has released several of his own songs in China and, in 2017, reached number one on Chinese music charts. Additionally, the rise of K - pop has led to an increase in the number of Chinese tourists in South Korea -- 3.8 million more Chinese toured South Korea in 2016 than 2015 according to the Union of International Associations. K - pop has also made China 's youth find South Korean culture `` cool '', and K - pop has helped facilitate greater understanding between Korea and China. North Korea Despite North Korea 's traditionally strict isolationism, K - pop has managed reach a North Korean audience. While consumption of South Korean entertainment is punishable by death in North Korea, it has still become increasingly more available with the global rise of technology and the implementation of underground smuggling networks over the past decades. Utilizing the increasingly sophisticated smuggling networks, several thousands of USB drives and SD cards containing K - pop and K - dramas have been distributed and sold through care packages and the black market. In fact, access to USB drives and SD cards exponentially rose from 26 % to 81 % in from 2010 - 2014, with a large majority containing South Korean music and dramas. The content on these USB drives and SD cards are then viewed by plugging the device into a notel, a small portable media player. Although this practice had originally began with banned books and simple radios, there is now an even higher demand for South Korean media following the cultural phenomena of hallyu, or the Korean Wave. The dissemination of K - pop and Korean media has been crucial in presenting the realities of North Korea to its citizens. By detailing the basic conditions of life in South Korea and introducing foreign ideologies, Korean media has aroused civil unrest amongst both citizens and elites concerning the disparities between living conditions inside and outside North Korea. The high demand for Korean media continues to rise as now approximately 70 % of North Koreans consume foreign media in their homes. One researcher at the Korea Institute for National Unification claims to have never met a single defector who had not seen or listened to foreign media before entering South Korea. Even North Korean leader Kim Jong Un has shown a liking for K - Pop music. In 2018, Kim stated he was `` deeply moved '' after attending a two - hour concert in Pyongyang featuring South Korean performers such as singer Cho Yong Pil and the popular girl band Red Velvet. Taiwan Despite sharing a similar past, the Taiwanese did not carry a positive sentiment towards South Korea after 1992, which is when South Korea broke off its diplomatic relationship with Taiwan in order to pursue one with mainland China. This changed in the early 2000s as the cultural dispersion of Hallyu has contributed to the reconstruction of South Korea 's image among the Taiwanese. This change was in part prompted by the South Korean government, who wished to encourage goodwill between the two countries after the break of diplomacy. Now many Taiwanese have remarked that Korean popular music and Korean dramas has helped to foster a renewed interest and healthier relationship with South Korea. Singapore 2NE1 holding a concert in Clarke Quay, Singapore. There is a thriving K - pop fanbase in Singapore, where idol groups, such as 2NE1, BTS, Girls ' Generation and EXO, often hold concert tour dates. The popularity of K - pop alongside Korean dramas has influenced the aesthetics image of Singaporeans. Korean - style `` straight eyebrows '' have become quite popular among many Singaporean females and males of Chinese, Malay and Indian descent. Singaporean beauty salons have seen an increase in the number of customers interested in getting Korean - style `` straight eyebrows '' and Korean - style haircuts in recent years. On 5 August 2017, Singapore hosted the 10th Music Bank World Tour, a concert spin - off of Music Bank, a popular weekly music programme by South Korean broadcaster KBS. More than 7,000 fans were treated to a spread by five music acts, namely BTS, Red Velvet, SHINee, Mamamoo and CNBlue, at the sold - out session at the Suntec Singapore Convention & Exhibition Centre. This event proved the immense popularity of the Hallyu wave in Singapore. Malaysia In Malaysia, among the three main ethnic groups - Malay, Chinese and Indian - many prefer to listen to music in their own languages, but the popularity of K - pop alongside Korean movies and TV series has become popular among all three ethnic groups, which Malaysian firms have capitalized upon. The popularity of K - pop has also resulted in politicians bringing K - pop idols to the country in order attract young voters. Indonesia K - pop along with Korean TV series and movies has turned into a popular culture, specially among young generation of Indonesia. This trend can be observed in any major city of the country. Music in Indonesia is also influenced by Korean Pop ( K - Pop ) music. Popularity of Korean culture has increased continuously in Indonesia since the early 2000s, starting with the East Asian popular culture boom. India In the Northeast Indian state of Manipur, where separatists have banned Bollywood movies, consumers have turned to Korean popular culture for their entertainment needs. The BBC 's correspondent Sanjoy Majumder reported that Korean entertainment products are mostly unlicensed copies smuggled in from neighbouring Burma, and are generally well received by the local population. This has led to the increasing use of Korean phrases in common parlance amongst the young people of Manipur. In order to capitalize on the popularity of K - pop in Manipur, many hairdressing salons have offered `` Korean - style '' cuts based on the hairstyles of K - pop boy bands. This wave of Korean popular culture is currently spreading from Manipur to the neighbouring state of Nagaland. K - pop is catching up in various other states of the country and millions of fans hold festivals and competitions in regard of the same. Nepal In Nepal, K - pop gained popularity along with Korean dramas and films. K - pop has become influential in the Nepali music industry and K - pop music videos are often used as an accompaniment to Nepali music on YouTube and has become a popular trend in the country. North America Donika Sterling, an American K - Pop fan diagnosed with Charcot -- Marie -- Tooth disease, was sponsored to meet her favourite idols in South Korea. In 2006, Rain held sold - out concerts in New York and Las Vegas as part of his Rain 's Coming World Tour. In 2009, the Wonder Girls became the first K - pop artist to debut on the Billboard Hot 100 singles chart. They went on to join the Jonas Brothers on the Jonas Brothers World Tour 2009. In 2010, they toured 20 cities in the United States, Canada and Mexico, and were named House of Blues `` Artist of the Month '' for June. In 2010, S.M. Entertainment held the SMTown Live ' 10 World Tour with dates in Los Angeles, Paris, Tokyo, and New York. The same year, during the 8th Annual Korean Music Festival, K - pop artists made their first appearances at the Hollywood Bowl. Rain at the 2011 Time 100 gala at Lincoln Center in New York City Notable K - pop concerts in the United States in 2011 include the KBS Concert at the New York Korea Festival, the K - Pop Masters Concert in Las Vegas, and the Korean Music Wave in Google, which was held at Google 's headquarters in Mountain View, California. 2012 marked a breakthrough year for K - pop in North America. At the start of the year, Girls ' Generation performed the English version of `` The Boys '' on the late night talk show The Late Show with David Letterman and also on the daytime talk show Live ! with Kelly, becoming the first Korean musical act to perform on these shows, and the first Korean act to perform on syndicated television in the United States. In the same year, the group formed their first sub-unit, entitled Girls ' Generation - TTS, or simply `` TTS '', composed of members Taeyeon, Tiffany, and Seohyun. The subgroup 's debut EP, Twinkle, peaked at # 126 on the Billboard 200. In May, SMTown returned to California again with the SMTown Live World Tour III in Anaheim. In August, as part of their New Evolution Global Tour, 2NE1 held their first American concert in the New York Metropolitan Area at the Prudential Center of Newark, New Jersey. In November, as part of their Alive Tour, Big Bang held their first solo concert in America, visiting the Honda Center in Los Angeles and the Prudential Center in Newark. The tickets sold out in only a few hours, and additional dates were added. On November 13, the American singer - songwriter Madonna and backup dancers performed `` Gangnam Style '' alongside PSY during a concert at Madison Square Garden in New York City. PSY later told reporters that his gig with Madonna had `` topped his list of accomplishments ''. On January 29, 2013, Billboard, one of America 's most popular music magazines, launched Billboard K - Town, an online column on its website that covered K - pop news, artists, concerts, and chart information. In March of that year, f ( x ) performed at the K - Pop Night Out at SXSW in Austin, Texas, alongside The Geeks, who represented Korean rock. f ( x ) was the first K - pop group ever to perform at SXSW. Mnet hosted its Kcon event in NY and LA in July 2016. In 2017, BTS was nominated for the Top Social Artist Award at the 2017 Billboard Music Awards. Their winning of the award marks the first time a Korean group has won a Billboard Award, and the second time a Korean artist has won the award, after Psy 's win in 2013. BTS won the award at both the 2017 and 2018 Billboard Music Awards. They performed at the 2017 American Music Awards and the 2018 Billboard Music Awards, making them one of the first Korean group to have performed at either awards show. BTS 's album Love Yourself : Tear reached # 1 on the Billboard 200, making it the first Korean act to do so. Additionally, BTS 's single, `` Fake Love '', debuted at # 10 on the Billboard Hot 100, making them the second Korean artist to chart in the top ten. Latin America Main article : K - Pop in Latin America Many idol groups have loyal fan bases in Latin America. Since 2009, about 260 fan clubs with a total of over 20,000 and 8,000 active members have been formed in Chile and Peru respectively. In 2011, the United Cube Concert was held in São Paulo, shortly after the second round of the first K - Pop Cover Dance Festival was held in Brazil, with MBLAQ as judges. In March 2012, JYJ performed in Chile and Peru. When the group arrived at the Jorge Chávez International Airport in Peru for the JYJ World Tour Concert, they were escorted by airport security officials through a private exit due to safety reasons concerning the large number of fans ( over 3,000 ). At the Explanada Sur del Estadio Monumental in Lima, some fans camped out for days in to see JYJ. In April, Caracol TV and Arirang TV jointly aired a K - pop reality show in Colombia. In September, Junsu became the first K - pop idol to perform solo in Brazil and Mexico, after the Wonder Girls in Monterrey in 2009. The concerts sold out well in advance. That year there were 70 K - pop fan clubs in Mexico, with at least 60,000 members altogether. In January 2014, Kim Hyung - jun performed in Peru, Chile, and Bolivia, becoming the first K - pop idol to perform in Bolivia. The tour proved his popularity in the continent as both fans and the media followed him everywhere he went, causing traffic on the roads and police to be called to maintain safety. Fans were also seen pitching their tents outside the concert venue for days before the actual concert. Mexico Korean media in Mexico experienced a surge in 2002 after Mexican governor, Arturo Montiel Rojas, visited South Korea. From his trip, he brought Korean series, movies, and other programs to Mexico State 's broadcasting channel : Televisión Mexiquense ( channel 34 ). Korean dramas exposed the Mexican public to Korean products and spurred interest in other aspects of Korean culture. K - Pop commenced to gain ground in Mexico due to the series the music accompanied. Fans particularly sought out the music of soundtracks respective to Korean dramas that were broadcast. However, K - Pop 's arrival to Mexico is also attributed to an influence of Japanese media in Mexico and the introduction of PIU s ( Pump It Up ). The comic convention, La Mole, commenced selling Japanese comics and music and later commenced to sell K - Pop. PIUs combined gaming and dancing, introducing the Mexican youth to Korean gaming software and generating interest in Korean music. KCON in Mexico City K - Pop 's presence in Mexico can be outlined through the growing number of Korean music acts in the country. In the recent years, the amount of K - Pop concerts in Mexico has risen and branched into other portions of the country. Idol groups, including BIGBANG and NU'EST, have visited Mexico through their respective world tours. JYJ 's Kim Jun - su became the first Korean star to perform solo. His concert held in Mexico City sold out in advance. The Music Bank World Tour also brought various acts to the Mexican public. Many of those groups covered widely - known songs, such as EXO 's cover of Sabor A Mi. In 2017, Mexico also became the first Latin American country to host KCON. The two - day convention held on March 17 -- 18 brought over 33,000 fans to Arena Ciudad de México. Much like artists during Music Bank, idols covered Spanish songs. The strength and large number of fanclubs have continuously helped promote and support K - Pop across the country. Over 70 fan clubs dedicated to Korean music are present in Mexico, bringing together around 30,000 fans. Although many fanclubs were created around 2003, they achieved a public presence in 2005 when Korea 's ex-president Roh Moo Hyun visited Mexico for a meeting with Mexico 's ex-president Vicente Fox Quesada. Around 30 Hallyu fanclubs held a `` rally '' asking Roh to bring actors Jang Dong - gun and Ahn Jae - wook to their country. Demonstrations have continued into recent years. On May 13, 2013, a large march was held in Mexico City 's Zócalo. Called KPOP : MASSIVE MARCH K - POP MEXICO II, it was the second mass march that brought together hundreds of avid K - Pop fans. However, larger fanclub organization in Mexico receive indirect or direct support from Korean cultural programs. KOFICE ( Korea Foundation for International Cultural Exchange ) and the Korean Cultural Center in Mexico often work in conjunction with fanclubs. These larger organizations contain multiple fanclubs within their structure. The three largest are MexiCorea, Hallyu Mexican Lovers, and HallyuMx. Both MexiCorea and Hallyu Mexican Lovers are supported by KOFICE while HallyuMx previously worked with the Korean Cultural Center and the Embassy of the Republic of Korea in Mexico. Europe In 2010, both the SMTown Live ' 10 World Tour and the Super Junior Super Show 4 Tour were held in Paris. K - pop fans in Warsaw holding a South Korean - Polish flag as well as banners of various boy bands In February 2011, Teen Top performed at the Apolo concert hall in Barcelona. In May, Rain became the first K - pop artist to perform in Germany, during the Dresden Music Festival. JYJ also performed in both Berlin and Barcelona. Big Bang flew to Belfast and won the Best Worldwide Act during the 2011 MTV EMAs in Northern Ireland. In Poland, the K - pop Star Exhibition was held in the Warsaw Korean Culture Center. K - pop also saw a surge in popularity in Russia, where 57 dance teams took part in the K - pop Cover Dance Festival. During the second round of the competition, SHINee flew to Moscow as judges, also performing to Russian fans. The following year, Russian youths launched K - Plus, a Korean culture magazine, and the number of Russian K - pop fans was reported at 50,000. Beast performing at the Beautiful Show in Berlin In February 2012, BEAST held their Beautiful Show in Berlin. According to the Berliner Zeitung, many fans who attended were not just from Germany but also from neighbouring countries such as France and Switzerland. Also in February, the Music Bank World Tour drew more than 10,000 fans to the Palais Omnisports de Paris - Bercy. That year, artists such as Beast and 4Minute performed during the United Cube Concert in London, where the MBC Korean Culture Festival was also held. When SHINee arrived at the London Heathrow Airport for a concert at the Odeon West End in the same year, part of the airport became temporarily overrun by frenzied fans. The reservation system of the Odeon West End crashed for the first time one minute after ticket sales began as the concert drew an unexpectedly large response. At this time, SHINee also held a 30 - minute performance at the Abbey Road Studio. The ticket demand for this performance was so high that fashion magazine Elle gave away forty tickets through a lottery, and the performance was also televised in Japan through six different channels. Also in 2012, Big Bang won the Best Fan category in the Italian TRL Awards. 2014 saw a continued rise in the popularity of K - pop in Russia. On February 3, Park Jung - min became the first ever Korean singer to hold a solo concert in Moscow. Middle East and Africa K - pop has become increasingly popular across the Middle East and Africa over recent years, particularly among younger fans. In July 2011, Israeli fans met South Korea 's Ambassador to Israel, Ma Young - sam, and traveled to Paris for the SMTown Live ' 10 World Tour in Europe. According to Dr. Nissim Atmazgin, a professor of East Asian Studies at Hebrew University of Jerusalem, `` Many young people look at K - pop as culture capital - something that makes them stand out from the crowd. '' As of 2012, there are over 5,000 K - pop fans in Israel and 3,000 in the Palestinian territories. Some dedicated Israeli and Palestinian fans see themselves as `` cultural missionaries '' and actively introduce K - pop to their friends and relatives, further spreading the Hallyu wave within their communities. In 2012, the number of fans in Turkey surpassed 100,000, reaching 150,000 in 2013. ZE : A appeared for a fan meet - and - greet session in Dubai and a concert in Abu Dhabi. In Cairo, hundreds of fans went to the Maadi Library 's stage theater to see the final round of the K - POP Korean Song Festival, organised by the Korean Embassy. Oceania In 2011, the K - Pop Music Festival at the ANZ Stadium was held in Sydney, featuring Girls ' Generation, TVXQ, B2ST, SHINee, 4minute, miss A, 2AM, and MBLAQ. There was also demand for concerts from New Zealand. In August 2012, NU'EST visited Sydney Harbour and the University of New South Wales, as judges of a K - pop contest being held there. The following year, 4Minute were judges at the same contest in Sydney. In October, Psy toured Australia after his single `` Gangnam Style '' reached number one in Australia on the ARIA charts. In May 2016, B.A.P held a concert in Auckland, becoming the first K - Pop group to perform in New Zealand. In May 2017, BTS came to Sydney as part of their Wings Tour. The show sold out in less than 48 hours, and attracted fans from other Australian states and New Zealand. It was the group 's second time visiting Australia after their Red Bullet Tour in 2015. Foreign relations See also : Korean Wave On May 25, 2010, South Korea responded to the alleged North Korean sinking of a navy ship by broadcasting 4Minute 's single `` HuH '' across the DMZ. In response, North Korea affirmed its decision to `` destroy '' any speakers set up along the border. That year, The Chosun Ilbo reported that the Ministry of Defense had considered setting up large TV screens across the border to broadcast music videos by several popular K - pop girl groups such as Girls ' Generation, Wonder Girls, After School, Kara and 4Minute as part of `` psychological warfare '' against North Korea. In September 2012, North Korea uploaded a video with a photo manipulated image of South Korean president Park Geun - hye performing the dance moves of `` Gangnam Style ''. The video labeled her as a `` devoted '' admirer of the Yushin system of autocratic rule set up by her father, Park Chung - hee. Play media On May 7, 2013, U.S. President Barack Obama cited Psy 's `` Gangnam Style '' as an example of how people around the world are being `` swept up by Korean culture -- the Korean Wave. '' Since the early 2010s, several political leaders have acknowledged the global rise of Korean pop culture, most notably U.S. President Barack Obama, who made an official visit to South Korea in 2012 and mentioned the strong influences of social media networks, adding that it was `` no wonder so many people around the world have caught the Korean wave, Hallyu. '' A few months later, U.N. Secretary - General Ban Ki - moon delivered a speech in front of the National Assembly of South Korea, where he noted South Korea 's `` great global success '' in the fields of culture, sports and the arts, before pointing out that the Korean Wave was `` making its mark on the world ''. This occurred a few days after U.S. State Department spokeswoman Victoria Nuland remarked in a daily press briefing that her daughter `` loves Korean pop '', which sparked a media frenzy in South Korea after a journalist from the country 's publicly funded Yonhap News Agency arranged an interview with Nuland and described Nuland 's teenage daughter as `` crazy about Korean music and dance ''. In November 2012, the British Minister of State for the Foreign Office, Hugo Swire, addressed a group of South Korean diplomats at the House of Lords, where he emphasized the close ties and mutual cooperation shaping South Korea -- United Kingdom relations and added : `` As `` Gangnam Style '' has demonstrated, your music is global too. '' In February 2013, the Vice President of Peru, Marisol Espinoza, gave an interview with South Korea 's Yonhap News Agency, where she voiced her desire for more South Korean companies to invest in her country and named K - pop as `` one of the main factors that made Peruvian people wanting to get to know South Korea more ''. According to an article published by the international relations magazine Foreign Policy, the spread of Korean popular culture across Southeast Asia, parts of South America, and parts of the Middle East is illustrating how the gradual cessation of European colonialism is giving way and making room for unexpected soft power outside of the Western world. On the other hand, an article published by The Quietus magazine expressed concern that discussions about Hallyu as a form of soft power seems to bear a whiff of the `` old Victorian fear of Yellow Peril ''. In August 2016, it was reported that China planned to ban Korean media broadcasts and K - pop idol promotions within the country in opposition to South Korea 's defensive deployment of THAAD ( Terminal High Altitude Area Defense ) missiles. The reportage of these planned regulatory measures caused an immediate negative impact on shares in Korean talent agencies, although stock prices later recovered. On 1 April 2018, North Korean leader Kim Jong - Un watched a K - Pop concert in Pyeongyang. Criticism and controversies Main accusations and criticisms faced by the genre and industry as a whole include : Music and visuals K - Pop has at times faced criticisms from journalists who perceive the music to be formulaic and unoriginal. Accusations of plagiarism are also rampant, with K - Pop groups often being accused of plagiarizing Western music acts in particular. In addition, K - Pop has been criticized for its reliance on English phrases, with critics dubbing the use of English in titles `` meaningless ''. K - Pop groups have been regularly accused on cultural appropriation of cultures such as African American culture, especially due to the frequent use of cornrows and bandanas in idol groups ' on - stage styling. K - Pop groups have also been accused of appropriating Native American and Indian cultures. However, debate exists about whether the borrowing of cultural elements from cultures outside of Korea indeed constitutes cultural appropriation, or if this cultural appropriation is negative at all. Scholar Crystal S. Anderson writes that `` ( a ) ppropriating elements of a culture by taking them out of their original context and using them in a completely different way does not automatically constitute negative cultural appropriation. '' Industry practices Corruption In 2002, Time magazine reported that Korean television producers such as Hwang Yong - woo and Kim Jong - jin had been arrested for `` accepting under - the - table payments guaranteeing TV appearances to aspiring singers and musicians '' in a bid to tackle `` systemic corruption in South Korea 's music business ''. Companies investigated included SidusHQ and S.M. Entertainment. Exploitation and poor living conditions K - pop management companies have also been criticized for exploitation of idols through overwork and restrictive contracts, described as `` slave contracts '' in a BBC report. According to The Hollywood Reporter, `` Korea 's entertainment business is notoriously improvisational and unregulated. In - demand K - pop stars -- many of whom are teenage ' idols ' -- have been known to rehearse and perform without sleep. '' In July 2009, S.M. Entertainment was taken to court by TVXQ and a Super Junior member, who alleged that their working conditions had led to adverse health effects. The court decision in the TVXQ lawsuit determined their contract with S.M. Entertainment void, and resultantly the Fair Trade Commission released contract templates to regulate industry conditions. In 2014, South Korea passed a law to regulate its music industry, protecting idols aged under 19 from unhealthy labor practices and overtly sexualized performances. Under the new law, underage stars will be guaranteed the basic rights to learn, rest and sleep, though exceptions can be made for projects requiring long - distance travel. Weekly working hours for children younger than 15 are not to exceed 35 hours, while minors aged 15 - 18 are limited to 40 hours. Minors can not work between 10 p.m. and 6 a.m. unless their guardians give consent. It will also be illegal to coerce minors into wearing revealing stage costumes or dancing sexually suggestive choreography routines. Failure to comply with these regulations may lead to the equivalent of a US $10,000 fine. Industry professionals such as SM Entertainment 's CEO Kim Young - min have defended the system, arguing that individuals trained within the system are `` no different than typical middle or high school kids, who go to after - school programs to cram for college entrance exams ''. Kim has also argued that there is a need to consider the expenses incurred by the company during the trainee period, including `` facilities, equipment, costumes, and virtually everything the trainees need ''. On March 7, 2017, the South Korea Fair Trade Commission ( KFTC ) passed new regulations in order to protect trainee idols from unfair terms and working conditions. Prior to these regulations, trainee idols at eight idol agencies were not permitted to seek contracts at any other agency while at training. Moreover, agencies were able to terminate a trainee contract at any time for any reason. The Fair Trade Commission states that they believe these changes will `` result in a more just contract culture within the entertainment industry between trainee and agency. '' For now these regulations only apply to eight major idol agencies but the Ministry of Culture intends to apply these regulations to all existing agencies throughout 2018. Some of the concerns raised by the idol agencies over these regulations include the risk of a trainee at one agency going undercover at another agency to receive training with the other agency. This introduces further risk that the idol agencies must take in training new idols. Trainees train for 3 years on average and the agencies support these trainees with various training programs during this duration, resulting in each trainee being a very large investment for the agency. Sexualization and sexual exploitation The industry has been criticized for the sexualization of both male and female idols, with the sexualization of minors in particular being of concern. Critics such as James Turnbull of the Korean Pop Culture blog The Grand Narrative have argued young female idols are especially susceptible to pressures to wear revealing clothing or dance provocatively. However, compared to western popular music, K - pop has little sex, drugs, or aggressive behavior and has a much more parent - friendly branding. Sponsorships or `` sponsor relationships '' are a common form of sexual exploitation in the industry. Wealthy individuals will `` sponsor '' idols or trainees by giving them expensive gifts or by helping them land roles coverage in return for sexual favors. See also K - pop portal Korean idol Hallyu Korean drama Contemporary culture of South Korea South Korean music List of K - pop artists List of South Korean idol groups Korean hip hop Korean rock Music industry of East Asia List of K - Pop concerts held outside Asia Notes Jump up ^ Not to be confused with the pansori story of the same name. References Jump up ^ Holden, Todd Joseph Miles ; Scrase, Timothy J. ( 2006 ). Medi@sia : global media / tion in and out of context. Taylor & Francis. p. 144. ISBN 978 - 0 - 415 - 37155 - 1. Retrieved 5 December 2011. Since the 1990s, the term `` K - pop '' has become popularized to refer to Korean popular music, being widely used throughout East and Southeast Asia. Jump up ^ Laurie, Timothy ( 2016 ), `` Toward a Gendered Aesthetics of K - Pop '', Global Glam and Popular Music : Style and Spectacle from the 1970s to the 2000s : 214 -- 231 Jump up ^ Cho, Chung - un ( March 23, 2012 ). `` K - pop still feels impact of Seo Taiji & Boys ''. The Korea Herald. Retrieved April 12, 2016. Jump up ^ `` The Root of K - Pop : The Influences of Today 's Biggest Acts ''. Billboard. Retrieved 2017 - 07 - 16. Jump up ^ `` South Korea 's pop - cultural exports, '' The Economist Jump up ^ JungBong., Choi, ( 2014 ). K - pop - The International Rise of the Korean Music Industry. Maliangkay, Roald. Hoboken : Taylor and Francis. pp. 66 -- 80. ISBN 9781317681809. OCLC 890981690. Jump up ^ Song, Cheol - min ( 2016 ). K - pop Beyond Asia. Korea : 길잡이 미디어. pp. 37 -- 46. ISBN 9788973755981. Jump up ^ Anjani Trivedi ( August 1, 2013 ). `` Forget Politics, Let 's Dance : Why K - Pop Is a Latin American Smash ''. Time ( magazine ). Retrieved January 9, 2014. Jump up ^ Marlon Bishop ( December 15, 2013 ). `` Meet Latin America 's Teenage Korean Pop Fanatics ''. NPR. Retrieved January 9, 2014. Jump up ^ `` South Korea 's K - pop spreads to Latin America ''. Agence France - Presse. Retrieved March 28, 2013. ^ Jump up to : Kember, Findlay. `` Remote Indian state hooked on Korean pop culture ''. Agence France - Presse. Retrieved February 24, 2013. Jump up ^ Anugya Chitransh ( June 3, 2012 ). `` ' Korean Wave ' takes Indian kids in its sway ''. The Times of India. Retrieved January 9, 2014. Jump up ^ `` Korean pop culture spreads in Cairo ''. Egypt Independent. Retrieved April 14, 2013. Jump up ^ `` Egyptian - Korean ties endorsed through pop idol competition ''. Egypt Independent. Retrieved July 30, 2011. Jump up ^ `` Middle East : Korean pop ' brings hope for peace ' ''. BBC. August 7, 2013. Jump up ^ Natalie Long ( December 7, 2013 ). `` Infinite lead K - Pop invasion in Dubai ''. Gulf News. Retrieved January 9, 2014. Jump up ^ Brown, August ( April 29, 2012 ). `` K - pop enters American pop consciousness ''. Los Angeles Times. Retrieved March 24, 2013. K - pop fans in America are largely in major immigrant hubs like Los Angeles and New York, where, with a crop of rising K - pop acts including BoA and Super Junior, Girls ' Generation sold out Madison Square Garden. Jump up ^ Seabrook, John. `` Cultural technology and the making of K - pop ''. The New Yorker. Retrieved March 4, 2013. The crowd was older than I 'd expected, and the ambience felt more like a video - game convention than like a pop concert. About three out of four people were Asian - American, but there were also Caucasians of all ages, and a number of black women. Jump up ^ `` How Korean culture stormed the world ''. South China Morning Post. Jump up ^ `` K - pop Music : For the Eyes or For the Ears ? ''. Seoulbeats. October 1, 2011. Retrieved March 27, 2012. Jump up ^ Rousee - Marquet, Jennifer. `` K - pop : the story of the well - oiled industry of standardized catchy tunes ''. Institut national de l'audiovisuel. Retrieved January 25, 2013. K - pop is a fusion of synthesized music, sharp dance routines and fashionable and colorful outfits. ^ Jump up to : `` NYT Draws Attention to K - Pop Idol - Making Factories ''. Chosun Ilbo. Retrieved December 28, 2012. Jump up ^ Yang, Jeff. `` Can Girls ' Generation Break Through in America ? ''. The Wall Street Journal. Retrieved January 25, 2013. The management firms pay for everything ; leading talent house S.M. Entertainment has pegged the cost of rearing a single idol at around $3 million, which for Girls ' Generation would be multiplied by nine. Jump up ^ Choi, JungBong and Roald Maliangkay ( 2015 ). K - pop -- The International Rise of the Korean Music Industry. New York : Routledge. ISBN 9781138775961. Jump up ^ Doboo Shim ( 2005 ). `` Hybridity and the rise of Korean popular culture in Asia '' ( PDF ). National University of Singapore. Jump up ^ Eun - Young Jung ( 2009 ). `` Transnational Korea : A Critical Assessment of the Korean Wave in Asia and the United States '' ( PDF ). University of California, San Diego. Jump up ^ Lyan, Irina. `` Hallyu across the Desert : K - pop Fandom in Israel and Palestine ''. Retrieved January 19, 2015. ^ Jump up to : Chace, Zoe. `` Gangnam Style : Three Reasons K - Pop Is Taking Over The World ''. NPR. Retrieved December 26, 2012. Jump up ^ Kallen, Stuart A. ( 2014 ). K - Pop : Korea 's Musical Explosion. Twenty - First Century Books. p. 37 -- 38. ISBN 9781467720427. Jump up ^ Ramstad, Evan. `` Korea Counts Down Not Just To New Year, But to New Girls ' Album ''. The Wall Street Journal. Retrieved January 5, 2013. K - pop news sites for the past couple of weeks have seemed to have some new video or bit of Girls - related gossip to chew over once or twice a day. There 's been a `` drama '' teaser and a `` dance '' teaser ( that 's the one above ) and countdown videos from each of the group 's nine members... One of the unique things about album releases by K - pop artists is that they are routinely called ' comebacks ' even when there 's been no evidence that the musician or group went away or, in the conventional sports usage of the term, experienced a setback or loss. ^ Jump up to : Jin, Dal Yong ; Ryoo, Woongjae ( March 15, 2014 ). `` Critical Interpretation of Hybrid K - Pop : The Global - Local Paradigm of English Mixing in Lyrics ''. Popular Music and Society. 37 ( 2 ) : 113 -- 131. doi : 10.1080 / 03007766.2012. 731721. ISSN 0300 - 7766. Jump up ^ Lindvall, Helienne ( April 20, 2011 ). `` Behind the music : What is K - Pop and why are the Swedish getting involved ? ''. The Guardian. London. Retrieved March 27, 2012. Jump up ^ Xu, Tina. `` The K - Pop / U.S. Music Connections You Never Knew Existed ''. Fuse. Retrieved March 7, 2013. Jump up ^ Hampp, Andrew. `` Secrets Behind K - Pop 's Global Success Explored at SXSW Panel ''. Billboard. Retrieved March 28, 2013. The American hip - hop community 's recent interest in K - pop has helped open a lot of doors for other artists and managers Stateside, too. Jump up ^ `` 유튜브 센세이션, 그루브 네이션 ( Groove Nation ) 과 인터뷰 ''. Archived from the original on December 27, 2017. Retrieved December 27, 2017. CS1 maint : BOT : original - url status unknown ( link ) ( ) Jump up ^ `` K - pop 's second wave ''. Retrieved 27 December 2017. Jump up ^ `` K - Pop success for easy choreography ''. Retrieved 27 December 2017. ^ Jump up to : `` K - Pop takes America : how South Korea 's music machine is conquering the world ''. The Verge. 2012 - 10 - 18. Retrieved 2017 - 12 - 27. Jump up ^ `` K - pop 's slick productions win fans across Asia ''. Inquirer. September 21, 2011. Retrieved April 2, 2012. Jump up ^ `` G - Dragon Voted Best - Dressed Celebrity of the Year ''. The Chosun Ilbo. December 25, 2012. Retrieved 2017 - 03 - 02. Jump up ^ PAPERMAG. `` Jeremy Scott and CL On Moschino, Pop Culture and the Power Of Girls ''. PAPERMAG. Retrieved April 12, 2016. Jump up ^ `` Bow Down To The Ultimate Besties Jeremy Scott And CL In ' Paper ' Mag ''. MTV News. Retrieved April 12, 2016. Jump up ^ `` Warning : This fad may kill you ''. Global Post. August 26, 2010. Retrieved April 2, 2012. ^ Jump up to : Jin, Dal Yong ( 2017 - 04 - 20 ). `` Critical Discourse of K - pop within Globalization ''. University of Illinois Press. doi : 10.5406 / illinois / 9780252039973.003. 0006. Jump up ^ Lie, John ( 2012 ). `` What Is the K in K - pop ? South Korean Popular Music, the Culture Industry, and National Identity ''. Korea Observer. 43 : 339 -- 63. ^ Jump up to : John,, Lie,. K - pop : popular music, cultural amnesia, and economic innovation in South Korea. Oakland, California. ISBN 9780520958944. OCLC 893686334. 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Jump up ^ `` 얼짱 '', naver dictionary ( in Korean ) Jump up ^ `` 너희 가 얼짱 을 아느냐 ? '', MK Kyongjae ( in Korean ) Jump up ^ `` Korean ' Ulzzang ' beauty mania comes to Singapore ''. Retrieved 2018 - 03 - 17. Jump up ^ VÕ, LINDA TRINH ( 2016 ). Global Asian American Popular Cultures. NYU Press. pp. 304 -- 320. ISBN 9781479867097. JSTOR j. ctt18040jc. 24. Jump up ^ JIN, DAL YONG, ed. ( 2016 ). New Korean Wave. Transnational Cultural Power in the Age of Social Media. University of Illinois Press. pp. 111 -- 130. doi : 10.5406 / j. ctt18j8wkv. 9 # page_scan_tab_contents. ISBN 9780252039973. JSTOR 10.5406 / j. ctt18j8wkv. 9. Jump up ^ Kim, Yun ( Spring 2012 ). `` K - pop 스타 의 패션 에 관한 연구 '' ( PDF ). Journal of the Korean Society of Fashion Design. 12.2 : 17 -- 37. Jump up ^ `` K - Pop Leads Record Earnings from Cultural Exports ''. The Chosun Ilbo. Retrieved January 26, 2013. A BOK official said the increase `` is related to a surge in exports of cultural products amid the rising popularity of K - pop in Europe and the U.S. as well as in Asia. '' Jump up ^ `` Korean Wave Gives Exports a Boost ''. The Chosun Ilbo. Retrieved January 26, 2013. But for every $100 increase in exports of cultural products themselves, outbound shipments of processed food, clothes, cosmetics and IT products also grew $412 on average. Jump up ^ Rousee - Marquet, Jennifer. `` K - pop : the story of the well - oiled industry of standardized catchy tunes ''. Institut national de l'audiovisuel. Retrieved January 25, 2013. The government then identified the cultural industry as the next growth driver. Numerous state research agencies were created and some projects were subsided in an attempt to boost the nation 's cultural industry. Jump up ^ `` ' Hallyu ' to highlight Korea - Indonesia ties in March ''. Jakarta Post. Retrieved January 26, 2013. Jump up ^ `` K - POP World Festival ( 케이팝 월드 페스티벌 ) ''. Visit Korea. Korean Tourism Organization. Retrieved March 2, 2017. ^ Jump up to : K - Pop : A New Force in Pop Music, pp. 47 -- 79 Jump up ^ `` : JPNews 일본 이 보인다 ! 일본 뉴스 포털 ! ''. Jpnews.kr. Retrieved January 13, 2012. Jump up ^ `` 고가 마사오 ''. Doosan Encyclopedia. Retrieved January 13, 2012. ^ Jump up to : K - Pop : A New Force in Pop Music, pp. 50 -- 54 ^ Jump up to : 대중 가요. Encyclopedia of Korean Culture ( in Korean ). Academy of Korean Studies. Retrieved December 7, 2012. Jump up ^ `` ADD4 & KOREAN PSYCH - ROCK & FOLK - POP reissues : ADD 4 ''. psychemusic.org. Retrieved February 27, 2012. Jump up ^ `` '' Csomagolhattok és mehettek vissza Szöulba. '' Mia Kim a Quartnak '' ( in Hungarian ). Quart.hu. September 12, 2011. Archived from the original on March 8, 2012. Retrieved February 27, 2012. ^ Jump up to : K - Pop : A New Force in Pop Music, pp. 54 -- 57 ^ Jump up to : K - Pop : A New Force in Pop Music, pp. 60 -- 61 Jump up ^ `` DJ DOC ''. KBS World. Retrieved December 10, 2012. Jump up ^ Hartong, Jan Laurens ( 2006 ). Musical terms worldwide : a companion for the musical explorer. Semar Publishers. p. 15. ISBN 978 - 88 - 7778 - 090 - 4. Since the 1990s, popular genres like rap, rock and techno house have been incorporated into Korean popular music... which often emulates American models. ^ Jump up to : K - Pop : A New Force in Pop Music, pp. 63 -- 66 ^ Jump up to : MacIntyre, Donald ( July 29, 2002 ). `` Flying Too High ? ''. Time. Retrieved July 3, 2012. ^ Jump up to : Shim, Doobo. `` Hybridity and the rise of Korean popular culture in Asia ''. Media Culture & Society : 29. ^ Jump up to : Oh, Ingyu ( 2013 ). `` The Globalization of K - pop : Korea 's Place in the Global Music Industry ''. Korea Observer. 44 ( 3 ) : 389 -- 409. Jump up ^ `` Critical Interpretation of Hybrid K - Pop : The Global - Local Paradigm of English Mixing in Lyrics ''. Popular Music & Society. 37 : 120. Jump up ^ `` Critical Interpretation of Hybrid K - Pop : The Global - Local Paradigm of English Mixing in Lyrics ''. Popular Music & Society. 37 : 119. Jump up ^ Walsh, John. Korean Wave. pp. 20 -- 21. Jump up ^ Ryoo, Woongjae ( 2009 ). `` Globalization, or the logic of cultural hybridization : The case of the Korean wave ''. Asian Journal of Communication. 19 ( 2 ) : 139. Jump up ^ `` Breaking & Entering : The Wonder Girls ''. Billboard. Retrieved April 12, 2016. Jump up ^ `` K - Pop Hot 100 : BIGBANG Is Unstoppable ''. Billboard. Retrieved April 12, 2016. Jump up ^ Oliver, Christopher. `` South Korea 's K - pop takes off in the west ''. Financial Times. Retrieved October 11, 2012. ^ Jump up to : `` K - pop 's second wave ''. The Korea Herald. Retrieved November 4, 2013. ^ Jump up to : `` Move Over Bieber -- Korean Pop Music Goes Global ''. CNBC. July 16, 2012. Jump up ^ `` K - Pop Videos Set New Record on YouTube ''. Soompi. Retrieved November 4, 2013. ^ Jump up to : Anita Li. `` K - Pop YouTube Views Triple in Past Year Thanks to ' Gangnam Style ' ''. Mashable. Retrieved November 4, 2013. Jump up ^ `` More K - pop stars looking overseas ''. The Korea Times. Retrieved November 4, 2013. Jump up ^ `` K - pop 's second wave ''. AsiaOne. August 22, 2011. Archived from the original on September 27, 2014. ^ Jump up to : `` Psy agency eyes China presence ''. South China Morning Post. Retrieved November 4, 2013. ^ Jump up to : `` K - pop opens new chapter in Asian music market ''. The Korea Times. July 18, 2011. Jump up ^ `` K - pop groups strong in Japan 's music charts ''. The Korea Times. Retrieved November 4, 2013. Jump up ^ `` The first video on MTV K : BoA `` My Name '' ``. MTV K. June 26, 2006. Archived from the original on July 5, 2006. Retrieved September 29, 2008. ^ Jump up to : K - Pop : A New Force in Pop Music, pp. 67 -- 71 Jump up ^ `` K - pop : the story of the well - oiled industry of standardized catchy tunes ''. INA Global. Retrieved May 2, 2013. Jump up ^ `` South Korea 's K - pop craze lures fans and makes profits ''. BBC. April 26, 2011. Retrieved May 2, 2013. According to South Korea 's Trade and Investment Agency, income from cultural exports like pop music and TV shows has been rising by about 10 % a year. In 2008, it was worth almost $2 bn. Jump up ^ `` K - pop : the story of the well - oiled industry of standardized catchy tunes ''. INA Global. Retrieved May 2, 2013. It accounts for most of K - pop albums ' overseas sales. As of 2008, Japan accounted for 68 percent of Korea 's total music industry exports in 2008, while the Chinese and U.S. markets accounted for only 11.2 percent and 2.1 percent, respectively. Jump up ^ `` TVXQ rakes in over $92 million in overseas concert revenues ''. Allkpop. Retrieved May 3, 2013. Jump up ^ `` Gangnam Style hits one billion views on YouTube ''. BBC News. Retrieved April 12, 2016. Jump up ^ `` Gangnam Style statue built in South Korea 's Seoul ''. BBC News. Retrieved April 12, 2016. Jump up ^ officialpsy ( July 15, 2012 ), PSY - GANGNAM STYLE ( 강남 스타일 ) M / V, retrieved November 3, 2016 Jump up ^ CHOE SANG - HUN ; MARK RUSSELL ( March 4, 2012 ). `` Bringing K - Pop to the West ''. The New York Times. Retrieved September 12, 2012. Jump up ^ `` K - Pop Idols And The Formidable American Debut - KultScene ''. KultScene. Retrieved April 12, 2016. Jump up ^ Constant, Linda ( September 23, 2012 ). `` K - Pop Soft Power for the SK Government ''. Huffington Post. Jump up ^ `` South Korea pushes its pop culture abroad ''. BBC. November 8, 2011. Retrieved September 7, 2012. Jump up ^ South Korea 's soft power : Soap, sparkle and pop The Economist ( August 9, 2014 ). Retrieved on August 12, 2014. Jump up ^ CNN, Marian Liu,. `` K - pop band BTS beats US stars to win Billboard Music Award ''. CNN. Retrieved 2017 - 09 - 13. Jump up ^ Gore, Sydney. `` Watch BTS make their official U.S. television debut at the American Music Awards ''. The FADER. Retrieved 2018 - 03 - 10. Jump up ^ `` On the Charts : BTS Become First K - Pop Act to Reach Number One ''. Rolling Stone. 27 May 2018. Jump up ^ `` BTS Set to Perform New Song Called ' Fake Love ' on ' Ellen ' ''. Billboard. Jump up ^ Chowdhury, Farhana. `` EXO conquer iconic Dubai Fountain ''. www.khaleejtimes.com. Jump up ^ `` SM Entertainment To Hold `` SMTOWN LIVE '' Concert In Dubai This April - Soompi ``. www.soompi.com. ^ Jump up to : `` The big 3 of Korean pop music and entertainment ''. The Dong - A Ilbo. July 26, 2011. Retrieved February 5, 2012. Jump up ^ `` United Asia Management to hold a ' talent meeting ' at the 16th ' Busan International Film Festival ' ''. Allkpop. September 8, 2011. 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DFSB Kollective was the first company to begin direct distribution of Korean music acts on iTunes, in 2009. It began with more than 50 Korean artists in the alternative, hip - hop and electronica genres ; now there are hundreds of Korean artists available in the online music store. ^ Jump up to : 이, 동연 ( January 11, 2012 ). `` 케이팝 에 왜 열광 하지 ? ''... 케이팝 의 두 얼굴. PRESSian ( in Korean ). Retrieved March 11, 2012. Jump up ^ `` PSY 's riches from ' Gangnam Style ' not made at home ''. Associated Press. Archived from the original on January 13, 2013. Retrieved December 30, 2012. South Koreans pay less than $10 a month for a subscription to a music service that allows them to download hundreds of songs or have unlimited access to a music streaming service. That makes the cost of a downloaded song about 10 cents on average. The average price for streaming a song is 0.2 cent. Jump up ^ `` South Korea 's Greatest Export : How K - Pop 's Rocking the World ''. Time. March 7, 2012. Retrieved April 28, 2013. Jump up ^ Kwak, Donnie. `` PSY 's ' Gangnam Style ' : The Billboard Cover Story ''. Billboard. Retrieved November 2, 2012. The Korean music industry grossed nearly $3.4 billion in the first half of 2012, according to Billboard estimates, a 27.8 % increase from the same period last year. Jump up ^ `` RIAJ : Yearbook 2007, IFPI 2005 Report, p. 24 '' ( PDF ). Recording Industry Association of Japan. Retrieved February 25, 2011. ^ Jump up to : `` RIAJ : Yearbook 2013, pg 24 ''. Recording Industry Association of Japan. Retrieved July 25, 2013. Jump up ^ `` RIAJ : Yearbook 2009, IFPI 2007 Report, p. 24 '' ( PDF ). Recording Industry Association of Japan. Retrieved February 13, 2011. ^ Jump up to : `` Digital Music Report 2012 '' ( PDF ). IFPI. Retrieved March 11, 2012. Jump up ^ `` RIAJ : Yearbook 2010, IFPI 2008 Report, p. 24 '' ( PDF ). Recording Industry Association of Japan. Retrieved November 7, 2010. Jump up ^ `` RIAJ : Yearbook 2011, IFPI 2009 Report : 33. Global Sales of Recorded Music by Country in 2009 ( Page 23 ) '' ( PDF ). Recording Industry Association of Japan. Retrieved April 25, 2011. Jump up ^ `` RIAJ : Yearbook 2012, IFPI 2010 Report : 31. Global Sales of Recorded Music by Country in 2010, p. 24 '' ( PDF ). Recording Industry Association of Japan. Retrieved April 26, 2012. Jump up ^ Marchand, Ruby. `` Trade Mission Engages Key Korean Music Professionals ''. Grammy Award. Retrieved January 14, 2013. Korea is the eighth - largest digital music market in the world, larger than Sweden, China and India. It 's also the first country where digital surpassed physical sales. Currently, physical is making a modest comeback as merchandise, thanks to elaborate packaging. Jump up ^ `` Lee Soo Man : Taking Korean Pop Culture Global ''. Stanford Graduate School of Business. Retrieved April 12, 2016. Jump up ^ Seabrook, John ( October 8, 2012 ). `` Factory Girls ''. The New Yorker. ISSN 0028 - 792X. Retrieved April 12, 2016. Jump up ^ Flatley, Joseph. `` K - Pop takes America : how South Korea 's music machine is conquering the world ''. The Verge. Retrieved October 19, 2012. Jump up ^ K - Pop : A New Force in Pop Music, p. 39 Jump up ^ Leong, Melissa ( August 2, 2014 ). `` How Korea became the world 's coolest brand ''. Financial Post. Retrieved January 18, 2015. Jump up ^ Woo, Jaeyeon ( May 3, 2012 ). `` Journey to K - Pop Star, ' I Am. ' -- Korea Real Time ''. The Wall Street Journal. Retrieved September 17, 2012. Jump up ^ `` KPop 's Frontiers : How Does the Big 3 Teach Foreign Languages to Their Trainees ? ''. Kpopstarz.com. February 7, 2012. Retrieved March 1, 2012. Jump up ^ `` EXO - K 's ' Overdose ' EP Enters Billboard 200 ''. Billboard. Retrieved June 4, 2014. Jump up ^ `` BTS make history as they become the first Korean band to enter the Official Albums Chart with Wings ''. Official Charts. The Official UK Charts Company. 18 October 2016. Retrieved 2017 - 02 - 03. ^ Jump up to : Benjamin, Jeff. `` BTS ' ' Wings ' Sets New U.S. Record for Highest - Charting, Best - Selling K - Pop Album ''. Billboard ( magazine ). Jump up ^ Benjamin, Jeff. `` BTS Extend Chart Dominance : ' Wings ' Spends 2nd Week on Billboard 200, ' Blood Sweat & Tears ' Debuts on Canadian Hot 100 ''. Billboard ( magazine ). Jump up ^ `` BTS ' `` Spring Day, '' `` Not Today '' Reach Top 20 On US iTunes Sales Chart ; `` You Never Walk Alone '' Also Rising ``. Headline Planet. 2017 - 02 - 12. Retrieved 2017 - 03 - 25. Jump up ^ CNN, Marian Liu,. `` K - pop band BTS beats US stars to win Billboard Music Award ''. CNN. Retrieved 2017 - 09 - 13. Jump up ^ Copsey, Rob. `` Foo Fighters secure their fourth Number 1 on the Official Albums Chart with Concrete and Gold ''. Jump up ^ `` BTS Earns First No. 1 Album on Billboard 200 Chart With ' Love Yourself : Tear ' ''. Jump up ^ `` Sung Si Kyung to feature debut process of idol stars through ' Mydol ' ''. Retrieved March 28, 2012. Jump up ^ `` Jellyfish Male Trainees Revealed Ahead of ′ My Dol ′ Premiere ''. CJ E&M enewsWorld. Retrieved March 19, 2016. Jump up ^ Sung, So - young. `` TV competition aims to form a K - pop supergroup ''. Korea JoongAng Daily. Retrieved January 25, 2016. Jump up ^ Kim, Ji - young. `` Produce 101 ' girl group to be named ' IOI ' ''. Kpop Herald. Retrieved April 2, 2016. Jump up ^ Ko, Dong - hwan. `` 101 girls down to ' I.O.I ' ''. Korea Times. The Korea Times. Retrieved April 7, 2016. Jump up ^ `` A Korean Idol 's Life : Sweat and Sleepless Nights ''. Korean JoongAng Daily. February 18, 2010. Archived from the original on January 11, 2013. Retrieved February 2, 2012. Jump up ^ `` K - pop dictionary : maknae ''. MTV Korea. Archived from the original on August 18, 2011. Retrieved January 30, 2012. Jump up ^ `` ソロ で の 活躍 が めざましい 各 グループ の マンネ たち '' Hwaiting ! Hallyu News & Magazine. Retrieved. 2013 - 02 - 23 Jump up ^ `` K - Pop Positions Explained ''. Kprofiles. Retrieved 29 May 2018. Jump up ^ `` Winners from the 21st Seoul Music Awards ''. Allkpop. January 19, 2012. Retrieved January 1, 2013. Jump up ^ `` Big Bang first to achieve ' Perfect All Kill ' in 2012 ''. Allkpop. February 26, 2012. Retrieved February 26, 2012. Jump up ^ `` IU achieves a certified all - kill with ' The Red Shoes ' ''. Allkpop.com. October 9, 2013. An Instiz certified all - kill ( `` AK '' ) occurs when an individual song sweeps all of South Korea 's major music charts simultaneously, placing first on both the real - time and daily charts. ^ Jump up to : `` K - Pop Culture Glossary ''. Soompi. 2012. Retrieved January 31, 2012. Jump up ^ `` English terms all K - Pop fans should know ''. allkpop. Retrieved 29 May 2018. Jump up ^ Herald, The Korea ( 2011 - 06 - 13 ). `` K - pop drives hallyu craze : survey ''. Retrieved 2017 - 09 - 18. Jump up ^ `` Grown Men Creepily Moved by South Korean Girl Groups ''. New York. October 1, 2012. Retrieved October 2, 2012. Jump up ^ Mahr, Krista ( March 7, 2012 ). `` K - Pop : How South Korea 's Great Export Is Rocking the World ''. Time. Retrieved September 17, 2012. Jump up ^ `` Latest K - Pop Invasion : The Fans ''. The Wall Street Journal. June 15, 2012. Retrieved December 19, 2012. Jump up ^ `` JYJ First K - Pop Band to Perform Solo in Europe ''. The Chosun Ilbo. October 13, 2011. Retrieved December 19, 2012. Jump up ^ Mukasa, Edwina ( December 15, 2011 ). `` Bored by Cowell pop ? Try K - pop ''. The Guardian. London. Retrieved January 25, 2013. The result, according to a survey conducted by the Korean Culture and Information Service, is that there are an estimated 460,000 Korean - wave fans across Europe, concentrated in Britain and France, with 182 Hallyu fan clubs worldwide boasting a total of 3.3 m members. Jump up ^ Ramstad, Evan. `` Behind K - pop 's Pop : The Work of Fans ''. The Wall Street Journal. Retrieved January 26, 2013. Others handle things like publishing lyrics, translations of lyrics or spreading news about K - pop groups and stars. To get a feel for this micro-business, we asked the operators of a K - pop lyrics translation site called pop ! gasa.com to provide a glimpse of their role in the Korean Wave. Our takeaway : it 's as competitive as any business. Jump up ^ `` What 's Your Name ? : A Compendium of K - pop Fandoms ''. seoulbeats. Retrieved April 12, 2016. Jump up ^ `` Official Fan Clubs and Fan Colors ''. Kpop Lists. Retrieved April 12, 2016. Jump up ^ 아이돌 팬 ' 응원 풍선 색깔 찾기 전쟁 ' ( in Korean ). Hani.co.kr. June 13, 2011. Retrieved June 25, 2012. Jump up ^ `` ' Rice wreaths ' indicate that K - Pop fandoms are becoming more mature ''. Allkpop. August 16, 2011. Retrieved January 30, 2012. Jump up ^ Mahr, Krista ( March 7, 2012 ). `` South Korea 's Greatest Export : How K - pop 's Rocking the World ''. Time. Retrieved September 13, 2012. Jump up ^ `` Video : Treating Your Idol to Lunch Is the True Test of Fandom ''. The Wall Street Journal. February 24, 2012. Retrieved December 19, 2012. ^ Jump up to : `` ' Sasaeng Stalkers ' ( Part 1 ) : K - pop fans turn to blood, poison for attention ''. Yahoo ! Singapore. August 2, 2012. Retrieved December 19, 2012. Jump up ^ `` When an autograph is n't enough ''. Korea JoongAnd Daily. April 13, 2012. Archived from the original on January 3, 2013. Retrieved December 19, 2012. Jump up ^ `` JYJ apologises over rough treatment of obsessive `` sasaeng '' fans ``. Channel NewsAsia. March 9, 2012. Retrieved December 19, 2012. Jump up ^ `` JYJ 's Sasaeng fan at the center of the recorded audio clip speaks up ''. Allkpop. March 10, 2012. Retrieved March 15, 2012. Jump up ^ `` Stalkers to face harsher punishment ''. koreatimes. Retrieved April 21, 2016. Jump up ^ Anthony Wing Kosner ( December 21, 2012 ). `` Out Of This World ! Gangnam Style Hits One Billion Views And Now Even NASA 's In PSY 's Orbit ''. Forbes. Retrieved December 21, 2012. Jump up ^ `` K - Pop Videos Set New Record on YouTube ''. Soompi. January 2, 2012. Retrieved September 17, 2012. Jump up ^ `` RIAJ 2002 million - seller list by year ''. RIAJ. Jump up ^ `` 東方神起 - リリース - ORICON STYLE ミュージック '' ( in Japanese ). Oricon. Retrieved December 19, 2012. Jump up ^ 동방신기 오리콘 위클리 1 위 아시아 - 남성 가수 최초 ( in Korean ). Newsen. January 22, 2008. Retrieved December 19, 2012. Jump up ^ `` THE 22nd JAPAN GOLD DISC AWARD 2008 ''. Recording Industry Association of Japan. Retrieved January 26, 2014. SS501 released their first Japanese single Kokoro in 2007, debuting at the 5th spot on the Oricon chart, and moved to 3rd spot the next day. It was also chosen as an ending theme song for an anime entitled Blue Dragon. The next year in 2008, the group received the `` Newcomer Award '' by Japan Gold Disc Award marking the first time for Korean artists to receive this award. Jump up ^ `` SHINee Ranks # 2 on Oricon Upon Release ''. May 17, 2012. Retrieved December 19, 2012. Jump up ^ `` CD シングル 月間 ランキング - ORICON STYLE ランキング '' ( in Japanese ). Oricon. Retrieved December 19, 2012. Jump up ^ `` BIGBANG Major Debut in Japan '' ( in Japanese ). Oricon. Retrieved December 19, 2012. Jump up ^ `` How Korean Pop Conquered Japan ''. The Atlantic. Retrieved December 19, 2012. Jump up ^ 지은, 백 ( February 17, 2012 ). `` 韓 가수, 지난해 日 서 3490 억 벌었 다 ! `` 소시 - 카라, 견인차 역할 '' ``. Sports Joseon. Retrieved March 10, 2012. ^ Jump up to : Kim, Yeojin. `` A Possibility of the Korean Wave Renaissance Construction Through K - Pop : Sustainable Development of the Korean Wave as a Cultural Industry ''. Hastings Communications and Entertainment Law Journal. Retrieved December 7, 2015. Jump up ^ Mendoza, Jaime ( December 31, 2009 ). `` Wonder Girls to Invade China in 2010 ''. Asia Pacific Arts. Jump up ^ Qin, Amy ; Sang - Hun, Choe ( 2016 - 08 - 07 ). `` South Korean Missile Defense Deal Appears to Sour China 's Taste for K - Pop ''. The New York Times. ISSN 0362 - 4331. Retrieved 2018 - 03 - 16. ^ Jump up to : `` K - Pop Industry Relies More on Japan Than China ''. 2017 - 01 - 26. Retrieved 2018 - 03 - 16. ^ Jump up to : Herman, Tamar. `` Korean Entertainment Thrives On Beneficial But Tense Relationship With Chinese Investments ''. Forbes. Retrieved 2018 - 03 - 16. ^ Jump up to : Kang, John. `` Why Alibaba Bought $30 M Stake In K - Pop Giant SM Entertainment, Home To EXO And Girls ' Generation ''. Forbes. Retrieved 2018 - 03 - 16. Jump up ^ `` 슈퍼 주니어 M, 중국 가요계 완전 싹쓸이 ''. Newsis. March 8, 2011. Jump up ^ `` China V Chart ''. Billboard. Retrieved 2018 - 04 - 07. Jump up ^ CNN, Emiko Jozuka and Sol Han,. `` Why South Korean companies, entertainers are getting cold shoulder in China ''. CNN. Retrieved 2018 - 04 - 07. Jump up ^ `` The surprising reason why China is blocking South Korean music videos and TV ''. Vox. Retrieved 2018 - 04 - 07. Jump up ^ `` China 's ban on hallyu ''. koreatimes. 2016 - 11 - 23. Retrieved 2018 - 04 - 07. Jump up ^ `` North Korea conducts public executions for theft, watching South Korea media : report ''. www.japantimes.co.jp. July 19, 2017. Jump up ^ Hajek, Danny ( July 5, 2017 ). `` Watching Foreign Movies Is Illegal In North Korea, But Some Do It Anyway ''. www.npr.org. ^ Jump up to : Baek, Jieun. North Korea 's Hidden Revolution. Jump up ^ Kretchun, Lee, Tuohy. `` Compromising Connetivity - Information Dynamics Between the State and Society in a Digitizing North Korea '' ( PDF ). www.intermedia.org -- via Intermedia. CS1 maint : Multiple names : authors list ( link ) Jump up ^ `` Kim Jong Un likes K - pop music, banned in North Korea. That could be a diplomatic breakthrough ''. USA TODAY. Retrieved 2018 - 05 - 11. Jump up ^ Sang - Yeon Sung ( July 2010 ). `` Constructing a New Image. Hallyu in Taiwan ''. JSTOR 23615262. Jump up ^ `` GOT7 To Hold Their First Solo Concert in Singapore ''. KpopStarz. April 10, 2016. Retrieved April 13, 2016. Jump up ^ 14, Yanie / / December ; Reply, 2015 at 5 : 19 PM / /. `` ( UPCOMING EVENT ) EXO to hold two nights of concert in Singapore in January 2016 ''. HallyuSG. Retrieved April 13, 2016. Jump up ^ hermes ( July 28, 2016 ). `` Brows are big in the beauty business ''. Jump up ^ `` Eyebrows in spotlight as brow - grooming services and products rise in popularity ''. Jump up ^ Ng, Gwendolyn ( August 7, 2017 ). `` K - pop extravaganza Music Bank In Singapore is a music buffet feast ''. The Straits Times. Retrieved 21 October 2017. Jump up ^ `` Malaysian firms tap into K - Pop power ''. BBC. Kuala Lumpur. July 3, 2012. Retrieved December 8, 2015. Jump up ^ `` Asians worry about ' hallyu effect ' ''. The Korea Times. Bangkok. November 20, 2014. Retrieved February 28, 2016. Jump up ^ `` Music, fashion, drama : Indonesians ' falling in love ' with South Korea ''. Retrieved 2 April 2018. Jump up ^ `` ESSAY : Hallyu, the Korean wave ''. The Jakarta Post. Retrieved 2 April 2018. ^ Jump up to : `` A little corner of Korea in India ''. BBC. October 17, 2010. Retrieved August 30, 2012. Jump up ^ `` K - pop goes India ! Riding the Korean musical wave ''. July 17, 2016. Jump up ^ Sugathan, Priya. `` South Korean films inundate Manipur market ''. Daily News and Analysis. Retrieved February 24, 2013. Jump up ^ `` Korea in Nepal ''. beed. Archived from the original on July 10, 2016. Retrieved January 6, 2016. Jump up ^ Kala, Advaita ( November 30, 2012 ). `` Seoul mate to the world : What is it about the Koreans that makes them so popular ? ''. Daily Mail. London. Retrieved December 2, 2012. Jump up ^ American teenager with illness meets K - pop idols, Associated Press Jump up ^ Super Junior and SHINee meet a young American girl Archived June 24, 2012, at the Wayback Machine., KOREA.com Jump up ^ `` South Korean Pop Sensation Wonder Girls Hits The States ''. Access Hollywood. Retrieved January 13, 2012. Jump up ^ `` Featured artist at House of Blues ''. House of Blues. Archived from the original on March 20, 2012. Retrieved August 30, 2012. Jump up ^ `` Upcoming K - Pop Concerts In The US ''. Soompi. Retrieved August 30, 2012. Jump up ^ Hong, Grace Danbi. `` K - Pop Stars to Take Over Google Headquarters ''. Mnet. Retrieved August 30, 2012. Jump up ^ McCurry, Justin ( September 28, 2012 ). `` K - pop stars : the lowdown on South Korean pop ''. The Guardian. London. Retrieved December 19, 2012. Jump up ^ `` Girls ' Generation Splinter Group Enters Billboard 200 ''. Billboard. May 4, 2012. Retrieved December 19, 2012. Jump up ^ `` 2NE1 Holds First Concert In The US ''. Manila Bulletin. August 20, 2012. Retrieved September 12, 2012. Jump up ^ `` Big Bang adds two additional tour dates for the U.S ''. Allkpop. September 29, 2012. Retrieved December 19, 2012. Jump up ^ Kaufman, Gil. `` Madonna Goes ' Gangnam Style ' With Psy ''. MTV. Retrieved November 15, 2012. Jump up ^ Bae, Soo - min ( January 31, 2013 ). `` Billboard launches K - pop column with INFINITE ''. The Korea Herald. Retrieved October 9, 2014. Jump up ^ Benjamin, Jeff ( January 29, 2013 ). `` Billboard & Girls ' Generation Welcome You to K - Town ! ''. Billboard. Retrieved October 9, 2014. Jump up ^ Carr, David ( January 7, 2014 ). `` New Leader at Billboard Sees Future in Visuals ''. The New York Times. Retrieved October 9, 2014. Jump up ^ `` f ( x ) Schedule at SXSW ''. SXSW. March 1, 2013. Retrieved November 27, 2013. Jump up ^ KpopStarz ( July 8, 2016 ). `` A Look Back At A First Timer 's KCON NY 2016 - Day 1 ''. Jump up ^ `` KCON LA 2016 : BTS, Monsta X, Davichi & More Close Out Fest ''. Jump up ^ `` BTS Becomes First K - Pop Group To Win At Billboard Music Awards ''. Soompi. Retrieved 29 May 2018. Jump up ^ `` BILLBOARD MUSIC AWARDS 2013 : THE COMPLETE WINNERS LIST ''. MTV. Retrieved 29 May 2018. Jump up ^ Cirisano, Tatiana. `` BTS Wins Top Social Artist Award at the 2018 Billboard Music Awards ''. Billboard. Retrieved 29 May 2018. Jump up ^ Wang, Mary. `` BTS 's Much - Hyped AMAs Performance Fulfilled All Your K - Pop Dreams ''. Vogue. Retrieved 29 May 2018. Jump up ^ Weatherby, Taylor. `` BTS Put on Epic Performance of ' Fake Love ' at the 2018 Billboard Music Awards : Watch ''. Billboard. Retrieved 29 May 2018. Jump up ^ Chiu, Allyson. `` South Korean boy band BTS makes history : First K - pop group to top U.S. Billboard 200 chart ''. Washington Post. Retrieved 28 May 2018. Jump up ^ Trust, Gary. `` BTS Scores First Hot 100 Top 10 for a K - Pop Group & Its First No. 1 on Digital Song Sales Chart With ' Fake Love ' ''. Billboard. Retrieved 29 May 2018. Jump up ^ Oh, Seok - min. `` ( Yonhap Feature ) K - pop fever takes hold in Latin America ''. Yonhap News Agency. Retrieved December 16, 2012. Jump up ^ Shin, Hyon - hee. `` K - pop craze boosts Korea 's public diplomacy ''. The Korea Herald. Retrieved January 28, 2013. In Chile alone, there are about 20,000 members of 200 clubs also for Big Bang, 2PM, CN Blue, SHINee, MBLAQ and other artists. Peru is another K - pop stronghold, with nearly 8,000 people participating in 60 groups. Jump up ^ `` ' 2011 K - POP Cover Dance Festival to Celebrate the Visit Korea Year Campaign ', The Second Round Contest Held Successfully in Russia and Brazil ''. Archived from the original on April 8, 2014. Retrieved April 7, 2014. Jump up ^ `` Over 3,000 Peruvian fans gather to greet JYJ in Peru ''. Allkpop. Retrieved August 30, 2012. Jump up ^ `` AFP : South Korea 's K - pop spreads to Latin America ''. Google. June 19, 2012. Retrieved September 17, 2012. Jump up ^ `` Colombia Getting into K - Pop Groove with Reality TV Shows ''. The Chosun Ilbo. Retrieved August 30, 2012. ^ Jump up to : `` JYJ Charts New Territory for K - Pop Solo Act in Mexico ''. The Chosun Ilbo. Retrieved September 11, 2012. Jump up ^ DAMIEN CAVE ( September 21, 2013 ). `` For Migrants, New Land of Opportunity Is Mexico ''. The New York Times. Retrieved September 23, 2013. there are now 70 fan clubs for Korean pop music in Mexico, with at least 60,000 members. Jump up ^ `` Kim Hyung Jun completes his South American concert tour on a successful note ''. Yahoo !. January 22, 2014. Archived from the original on January 26, 2014. Retrieved January 26, 2014. Jump up ^ `` Kim Hyung Jun Is Greeted By Huge Kpop Fan Base In Bolivia ''. YouTube. Retrieved January 26, 2014. Jump up ^ `` Kim Hyung Jun Gathers Crowds of Fans Everywhere in Peru ''. Mwave. Retrieved January 26, 2014. Jump up ^ ( in Korean ) `` 김형준 남미 인기 이 정도 ? 페루 공항 마비 포착 ''. Naver. Retrieved January 26, 2014. Jump up ^ `` Inicia Montiel gira por Asia, para atraer inversiones ''. www.cronica.com.mx ( in Spanish ). Retrieved 2018 - 03 - 11. Jump up ^ `` Ministerio de Cultura busca convertir a Surcorea en líder de la industria cultural del mundo ''. world.kbs.co.kr ( in Spanish ). Retrieved 2018 - 04 - 01. ^ Jump up to : Lopez Rocha, Nayelli. `` Hallyu in Mexico and the role of Korean pop idols ' fan clubs ''. The Journal of Foreign Studies. 24 : 615 -- 637. Jump up ^ `` JYJ Charts New Territory for K - Pop Solo Act in Mexico ''. Retrieved 2018 - 04 - 01. Jump up ^ `` Inaugural KCON Mexico draws over 33,000 fans plus another 200,000 live stream viewers ! -- Hello Asia ! ''. Hello Asia !. Retrieved 2018 - 04 - 01. Jump up ^ Cave, Damien ( 2013 - 09 - 21 ). `` For Migrants, New Land of Opportunity Is Mexico ''. The New York Times. ISSN 0362 - 4331. Retrieved 2018 - 04 - 01. Jump up ^ `` Mexican fans ask President Roh to send hallyu stars ''. HanCinema. Retrieved 2018 - 04 - 01. Jump up ^ `` KPOP : MARCHA MASIVA K - POP MEXICO II ''. g-dragon-is-vip.blogspot.kr ( in Spanish ). Retrieved 2018 - 04 - 01. Jump up ^ `` German press praises Rain at the Dresden Music Festival ''. Allkpop. Retrieved August 30, 2012. Jump up ^ Mukasa, Edwina ( December 15, 2011 ). `` Bored of Cowell pop ? Try K - pop ''. The Guardian. London. Retrieved September 17, 2012. Jump up ^ `` К - РОР Cover Dance Фестиваль ''. Muz TV. Retrieved August 30, 2012. Jump up ^ `` SHINee in Russia on first episode of 2011 Cover Dance Festival ' K - Pop Road Show 40120 ′ ''. Allkpop. Retrieved August 30, 2012. Jump up ^ `` K - pop magazine published in Russia ''. Korea.net. October 15, 2012. Retrieved January 17, 2015. Jump up ^ `` Schön frisiert und wohlerzogen ''. Berliner Zeitung ( in German ). February 10, 2012. Retrieved December 19, 2012. Jump up ^ Kleinman :, Kleinman. `` KPop ' Music Bank ' World Tour : Korean Star Groups Pack Paris Stadium ''. International Business Times. Retrieved August 30, 2012. Jump up ^ `` ' MBC Korean Culture Festival in London 2012 ′ gathers 2,500 fans ''. Allkpop. Retrieved August 30, 2012. Jump up ^ `` SHINee 's London Concert Causes a Stir ''. The Chosun Ilbo. Retrieved August 30, 2012. Jump up ^ `` Big Bang Wins ' Best Fan ' MTV TRL Award In Italy ''. MTV. Retrieved August 30, 2012. Jump up ^ `` Park Jung Min to Hold Solo Concert in Russia ''. Mwave. Retrieved July 30, 2014. ^ Jump up to : `` K - pop fan base continues to grow ''. KOREA.net. Retrieved January 20, 2013. Jump up ^ `` Israeli fans latch on to ever - mobile K - pop wave ''. JoongAng Daily. Archived from the original on January 27, 2013. Retrieved August 31, 2012. Jump up ^ `` Middle East : Korean pop ' brings hope for peace ' ''. BBC. August 7, 2013. Retrieved August 7, 2013. Jump up ^ Nissim Otmazgin ; Irina Lyan ( December 2013 ). `` Hallyu across the Desert : K - pop Fandom in Israel and Palestine '' ( PDF ). Hebrew University of Jerusalem. Retrieved January 17, 2015. Jump up ^ `` K - POP İstanbul'u sallayacak ! '' ( in Turkish ). Milliyet. Retrieved June 25, 2013. Türkiye'de kayıtlı 150.000 K - POP fanı bulunuyor. Jump up ^ `` K - pop invasion ''. Gulf News. Retrieved August 30, 2012. Jump up ^ Tusing, David. `` Korean pop phenomenon ZE : A in Dubai ''. Gulf News. Retrieved August 30, 2012. Jump up ^ `` Egyptian - Korean ties endorsed through pop idol competition ''. Egypt Independent. Retrieved September 9, 2012. Jump up ^ `` 2011 K - POP MUSIC FEST ''. Azn stadium. Retrieved August 30, 2012. Jump up ^ `` Tidal wave of K - pop heads our way ''. The New Zealand Herald. April 26, 2012. Retrieved August 30, 2012. Jump up ^ `` NU'EST to judge K - pop contest in Sydney ''. DKpopnews. Retrieved December 19, 2012. Jump up ^ `` Gangnam Style 's Psy on way to Australia ''. news.com.au. October 2, 2012. Retrieved December 19, 2012. Jump up ^ `` Dates announced for B.A.P Australian and New Zealand 2016 Tour ''. helloasia. Retrieved June 26, 2016. Jump up ^ `` B.A.P. first K - Pop group to perform in NZ ''. nzherald. Retrieved June 26, 2016. Jump up ^ `` South Korea blasts pop music, propaganda over the border ''. Daily News. New York. Retrieved March 5, 2013. Jump up ^ `` South Korean Propaganda Blasts ''. Time. June 7, 2010. Retrieved March 5, 2013. Jump up ^ `` Girl Bands to Assist in ' Psychological Warfare ' ''. The Chosun Ilbo. Retrieved March 5, 2013. Jump up ^ `` N. Korea takes ' Gangnam Style ' shot at South politician ''. The Straits Times. Singapore Press Holdings. August 20, 2012. Retrieved September 20, 2012. Jump up ^ Kwon, K.J. ; Mullen, Jethro ( September 20, 2012 ). `` North Korean video evokes ' Gangnam Style ' to taunt South Korean candidate ''. CNN. Retrieved September 25, 2012. Jump up ^ `` Remarks by President Obama and President Park of South Korea in a Joint Press Conference ''. White House. Retrieved May 7, 2013. And of course, around the world, people are being swept up by Korean culture -- the Korean Wave. And as I mentioned to President Park, my daughters have taught me a pretty good Gangnam Style. Jump up ^ `` Remarks by President Obama at Hankuk University ''. White House. Retrieved October 27, 2012. It 's no wonder so many people around the world have caught the Korean Wave, Hallyu. Jump up ^ `` United Nations Secretary - General Ban Ki - Moon 's Statements ''. United Nations. Retrieved December 28, 2012. As is clear with the recent rise of Psy 's `` Gangnam Style '', the Hallyu - wave and Korean pop music, Korean culture is making its mark on the world. Jump up ^ `` Daily Press Briefing -- October 3, 2012 ''. United States Department of State. Retrieved March 5, 2013. No, but I bet you my daughter does. She loves Korean pop. Jump up ^ Chi - dong, Lee. `` Psy - loving Nuland hopes for closer Korea - US - Japan ties ''. Yonhap. Retrieved March 5, 2013. Nuland 's teenage daughter was the first in the family to go crazy about Korean music and dance, dubbed K - pop Jump up ^ `` Speech : Anglo - Korean Society Dinner ''. gov.uk. Retrieved March 5, 2013. As `` Gangnam Style '' has demonstrated, your music is global too. Jump up ^ `` ( LEAD ) ( Yonhap Interview ) Peruvian vice president hopes for further economic ties ''. Yonhap. Retrieved March 5, 2013. `` K - pop and soap operas have taken popularity. It was one of the main factors that made Peruvian people wanting to get to know South Korea more, '' Espinoza said. Jump up ^ James Russell, Mark. `` The Gangnam Phenom ''. Foreign Policy. Retrieved March 5, 2013. More generally, it illustrates the new reality that the North - South pattern of trade and cultural exchange that has dominated the world since the ascendance of European colonialism is giving way and making room for unexpected soft power. Jump up ^ Barry, Robert. `` Gangnam Style & How The World Woke Up To The Genius Of K - Pop ''. The Quietus. Retrieved March 5, 2013. While suspicious talk of Hallyu as ' soft power ' akin to the CIA 's cultural Cold War bears a whiff of the old Victorian fear of yellow peril, ^ Jump up to : Frater, Patrick ( August 4, 2016 ). `` China Reportedly Bans Korean TV Content, Talent ''. Variety. Retrieved September 5, 2016. Jump up ^ Fu, Eva ( August 8, 2016 ). `` K - Pop Stars Become Scapegoats in China 's Protests Against Anti-Missile Deployment ''. Epoch Times. Retrieved September 5, 2016. Jump up ^ Brzeski, Patrick ( August 2, 2016 ). `` China Takes Aim at K - pop Stars Amid Korean Missile - Defense Dispute ''. The Hollywood Reporter. Retrieved September 5, 2016. Jump up ^ Seo, Yoonjung ; Levenson, Eric ; McKirdy, Euan. `` Kim Jong Un ' deeply moved ' by K - pop concert in Pyongyang ''. CNN. Retrieved 29 May 2018. Jump up ^ `` K - pop grows on disposable ' fast music ' ''. The Korea Times. April 12, 2011. Retrieved March 27, 2012. Jump up ^ Wang, Amy X. ( 30 July 2016 ). `` Hallyu, K - pop ! Inside the weirdest, most lucrative global frenzy in music ''. QUARTZ. Retrieved 11 April 2018. Jump up ^ Lhatoo, Yonden ( 30 December 2017 ). `` K - pop is an infectious disease, not a cultural export to be proud of ''. South China Morning Post. Retrieved 10 April 2018. Jump up ^ Seabrook, John ( 8 October 2012 ). `` Factory Girls ''. The New Yorker. Retrieved 11 April 2018. Jump up ^ `` K - Pop 's Plague of Plagiarism ''. Soompi. April 26, 2010. Retrieved March 27, 2012. Jump up ^ Lindvall, Helienne. `` Behind the music : What is K - Pop and why are the Swedish getting involved ? ''. Jump up ^ Tucci, Sherry ( 2 April 2016 ). `` When K - pop culturally appropriates ''. The Daily Dot. Retrieved 10 April 2018. Jump up ^ `` K - pop and Cultural Appropriation : `` Cool '' Culture ``. Seoulbeats. 24 August 2012. Retrieved 10 April 2018. Jump up ^ Dahir, Ikran ( 21 July 2016 ). `` This K - Pop Girl Group Is Being Accused Of Appropriating Indian Culture ''. Buzzfeed. Retrieved 10 April 2018. Jump up ^ Anderson, Crystal ( 12 January 2013 ). `` Of Misconceptions About Cultural Appropriation in K - pop ''. High Yellow. Retrieved 10 April 2018. ^ Jump up to : `` The dark side of South Korean pop music ''. BBC. June 14, 2011. Retrieved January 6, 2012. ^ Jump up to : `` South Korean Law to Protect Young K - Pop Stars From Sexualization, Overwork ''. The Hollywood Reporter. Retrieved April 13, 2016. Jump up ^ `` Will TVXQ Stay Together ? ''. KBS World. October 28, 2009. Retrieved October 28, 2009. Jump up ^ `` 한경 `` SM, 非 정상적 활동 강요 '' Star News. December 22, 2009. Retrieved May 1, 2012 ( in Korean ) Jump up ^ South Korea Passes Law Regulating K - Pop Industry Archived August 4, 2014, at the Wayback Machine. WonderingSound.com ( July 8, 2014 ). Retrieved on August 3, 2014. Jump up ^ Park, Gil - Sung ( 2013 ). `` Manufacturing Creativity : Production, Performance '' ( PDF ). Korea Journal. 53 ( 4 ) : 14 -- 33. Jump up ^ `` New contractual changes cause concern within music industry ''. Jump up ^ `` South Korea Passes new regulations for unfair trainee contracts ''. Korea Boo. ^ Jump up to : Power, John ( 20 July 2011 ). `` Should a law ban sexualizing of K - pop teens ? ''. Korea Herald. Retrieved 10 April 2018. Jump up ^ Oakeley, Lucas ( 24 April 2018 ). `` How K - pop became a propaganda tool ''. The Outline. Retrieved 25 April 2018. Jump up ^ `` Sponsorships : Just Another Word For Prostitution ? ''. Seoulbeats. 22 February 2016. Retrieved 11 April 2018. first1 = missing last1 = in Authors list ( help ) Bibliography Look up k - pop in Wiktionary, the free dictionary. Wikimedia Commons has media related to K - pop. Hartong, Jan Laurens ( 2006 ). Musical Terms Worldwide : A Companion for the Musical Explorer. Semar Publishers. ISBN 978 - 88 - 7778 - 090 - 4. Holden, Todd Joseph Miles ; Scrase, Timothy J. ( 2006 ). Medi@sia : Global Media / tion In and Out of Context. Taylor & Francis. ISBN 978 - 0 - 415 - 37155 - 1. Jung, Sun ( 2011 ). Korean Masculinities and Transcultural Consumption : Yonsama, Rain, Oldboy, K - Pop Idols. Hong Kong University Press. ISBN 978 - 988 - 8028 - 66 - 5. Kim, Myung Oak ; Jaffe, Sam ( 2010 ). The New Korea : An Inside Look at South Korea 's Economic Rise. AMACOM Div American Mgmt Assn. ISBN 978 - 0 - 8144 - 1489 - 7. K - Pop : A New Force in Pop Music ( PDF ) ( Korean Culture No. 2 ed. ). Korean Culture and Information Service ; Ministry of Culture, Sports and Tourism. 2011. ISBN 978 - 89 - 7375 - 166 - 2. K - pop Korean Wave Korean hip hop Korean rock Trot Terminology Cultural technology Fan rice Idols K - pop fans Sasaeng fan Slave contract Virtual concert Artists Individual artists Idol groups Events List of K - pop concerts held outside Asia KCON K - pop Cover Dance Festival K - Pop World Festival Websites Allkpop Billboard K - Town Timeline Eat Your Kimchi Soompi Koreaboo Music shows Inkigayo ( SBS ) M Countdown ( Mnet ) Music Bank ( KBS2 ) Music on Top ( JTBC ) Pops in Seoul ( ArirangTV ) Show Champion ( MBC Music ) Show ! 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The Beatles Madonna Elvis Presley Lists Best - selling albums Best - selling artists Girl groups Best - selling singles Genres Honorific nicknames Glossary of terms Other topics 50s progression Boy band Catchiness Concept album Earworm Folk music Girl group Groove Hook Imperial phase Lick Microgenre Record chart Recording consciousness Popular culture Pop icon Song structure Stan Tin Pan Alley Vernacular music Regional variants Asia Arabic Assyrian Chinese Mandarin Taiwanese Cantopop Hong Kong English pop Xinyao Indian Iranian Japanese Korean Global Pakistani Indonesian Lao Malaysian Philippine Thai Vietnamese Turkish Africa Africa Afropop America American Popular music Pop music Brazilian Latin Colombian Mexican Europe Azerbaijani British Europop Austropop French Greek Hungarian Italian Nederpop Serbian Scandipop Swedish Russian SFR Yugoslavia Ukraine Retrieved from `` https://en.wikipedia.org/w/index.php?title=K-pop&oldid=850170017 '' Categories : K - pop South Korean popular culture Hidden categories : CS1 maint : BOT : original - url status unknown CS1 uses Korean - language script ( ko ) CS1 Korean - language sources ( ko ) CS1 Hungarian - language sources ( hu ) CS1 Japanese - language sources ( ja ) CS1 maint : Multiple names : authors list Webarchive template wayback links Articles with Korean - language external links CS1 Spanish - language sources ( es ) CS1 German - language sources ( de ) CS1 Turkish - language sources ( tr ) CS1 errors : missing author or editor Wikipedia pending changes protected pages Articles with short description Use mdy dates from January 2017 Articles containing Korean - language text All articles with unsourced statements Articles with unsourced statements from May 2018 Articles with hAudio microformats All articles lacking reliable references Articles lacking reliable references from March 2013 Articles containing video clips Talk Contents About Wikipedia Aragonés Asturianu Azərbaycanca বাংলা Bân - lâm - gú Беларуская Беларуская ( тарашкевіца ) ‎ Български Boarisch Bosanski Català Cebuano Čeština Dansk Deutsch Eesti Ελληνικά Español Esperanto فارسی Føroyskt Français Galego 한국어 Հայերեն Hrvatski Bahasa Indonesia Íslenska Italiano עברית Basa Jawa ქართული Қазақша Latina Latviešu Lëtzebuergesch Lietuvių Magyar Македонски Bahasa Melayu Nederlands 日本 語 Norsk Occitan Polski Português Română Русский Саха тыла Scots Simple English Slovenčina Slovenščina Српски / srpski Srpskohrvatski / српскохрватски Suomi Svenska Tagalog ไทย Türkçe Українська Tiếng Việt West - Vlams Winaray 中文 57 more Edit links This page was last edited on 14 July 2018, at 03 : 20 ( UTC ). 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Question: the k-pop band that in 1992 was the first to be successful was
Answer: Seo Taiji and Boys