American Bandstand - wikipedia American Bandstand This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. ( April 2010 ) American Bandstand Also known as Bandstand ( 1952 -- 1957 ) Presented by Bob Horn ( 1952 -- 1956 ) Lee Stewart ( co-host, 1952 -- 1955 ) Tony Mammarella ( 1956 ) Dick Clark ( 1956 -- 1989 ) David Hirsch ( 1989 ) Narrated by Charlie O'Donnell ( 1958 - 1969 ) Country of origin United States No. of seasons 37 ( 5 -- WFIL ) ( 30 -- ABC ) ( 1 -- Syndication ) ( 1 -- USA Network ) No. of episodes 3,000 Production Running time 90 minutes 60 minutes ( originally two hours and thirty minutes on WFIL - TV / Philadelphia only ) Production company ( s ) Dick Clark Productions ( 1964 -- 1989 ) WFIL - TV ( 1952 -- 1964 ) Distributor LBS Communications ( 1987 -- 1988 ) Release Original network WFIL - TV ( 1952 -- 1957 ) ABC ( 1957 -- 1987 ) Syndicated ( 1987 -- 1988 ) USA Network ( 1989 ) Picture format Black - and - white ( 1952 -- 1967 ) Color ( 1967 -- 1989 ) Audio format Monaural ( 1952 -- 1983 ) Stereo ( 1983 -- 1989 ) Original release October 7, 1952 ( 1952 - 10 - 07 ) -- October 7, 1989 ( 1989 - 10 - 07 ) American Bandstand is an American music - performance show that aired in various versions from 1952 to 1989 and was hosted from 1956 until its final season by Dick Clark, who also served as producer. The show featured teenagers dancing to Top 40 music introduced by Clark ; at least one popular musical act -- over the decades, running the gamut from Jerry Lee Lewis to Run -- D.M.C. -- would usually appear in person to lip - sync one of their latest singles. Freddy `` Boom Boom '' Cannon holds the record for most appearances, at 110. The show 's popularity helped Dick Clark become an American media mogul and inspired similar long - running music programs, such as Soul Train and Top of the Pops. Clark eventually assumed ownership of the program through his Dick Clark Productions company. Contents 1 Background 2 Program features 2.1 Rate - a-Record 2.2 Hosts 2.3 Theme music 3 Changes to Bandstand 3.1 Early changes 3.2 Move from Philadelphia to Los Angeles 3.3 Move from ABC to syndication and the USA Network 4 Civil rights movement and social impact 5 50th anniversary 6 Revival plans 7 Episode status 8 Legacy 9 References in popular culture 10 See also 11 References 12 Further reading 13 External links Background Dick Clark talks to Myrna Horowitz, one of the original dancers when the program began in 1950, on the show 's 17th anniversary in 1970. American Bandstand premiered locally in late March 1950 as Bandstand on Philadelphia television station WFIL - TV Channel 6 ( now WPVI - TV ), as a replacement for a weekday movie that had shown predominantly British films. Hosted by Bob Horn as a television adjunct to his radio show of the same name on WFIL radio, Bandstand mainly featured short musical films produced by Snader Telescriptions and Official Films, with occasional studio guests. This incarnation was an early predecessor of sorts of the music video shows that became popular in the 1980s, featuring films that are themselves the ancestors of music videos. Horn, however, was disenchanted with the program, so he wanted to have the show changed to a dance program, with teenagers dancing along on camera as the records played, based on an idea that came from a radio show on WPEN, The 950 Club, hosted by Joe Grady and Ed Hurst. This more - familiar version of Bandstand debuted on October 7, 1952 in `` Studio ' B ', '' which was located in their just - completed addition to the original 1947 building in West Philadelphia ( 4548 Market Street ), and was hosted by Horn, with Lee Stewart as co-host until 1955. Stewart was the owner of a TV / Radio business in Philadelphia and even though he was an older gentleman, his advertising account was a large one for WFIL - TV at the time and was put on the program to appease the account. As WFIL grew financially and the account became less important, Stewart was n't needed and was eventually dropped from the program. Tony Mammarella was the original producer with Ed Yates as director. The short Snader and Official music films continued in the short term, mainly to fill gaps as they changed dancers during the show -- a necessity, as the studio could not fit more than 200 teenagers. On July 9, 1956, Horn was fired after a drunk - driving arrest, as WFIL and dual owner Walter Annenberg 's The Philadelphia Inquirer at the time were doing a series on drunken driving. He was also reportedly involved in a prostitution ring and brought up on morals charges. Horn was temporarily replaced by producer Tony Mammarella before the job went to Dick Clark permanently. In late spring of 1956, the ABC television network asked their O&O 's and affiliates for programming suggestions to fill their 3 : 30 p.m. ( ET ) time slot ( WFIL had been pre-empting the ABC programming with Bandstand ). Clark decided to pitch the show to ABC president Thomas W. Moore, and after some badgering the show was picked up nationally, becoming American Bandstand on August 5, 1957. One show from this first season ( December 18, 1957, indicated as the `` Second National Telecast '' ) is now in the archives of Chicago 's Museum Of Broadcast Communications. `` Studio ' B ' '' measured 80'x42'x24 ', but appeared smaller due to the number of props, television cameras, and risers that were used for the show. It was briefly shot in color in 1958 when WFIL - TV began experimenting with the then - new technology. Due to a combination of factors that included the size of the studio, the need to have as much space available for the teenagers to dance, and the size of the color camera compared to the black - and - white models, it was only possible to have one RCA TK - 41 where three RCA TK - 10s had been used before. WFIL went back to the TK - 10s two weeks later when ABC refused to carry the color signal and management realized that the show lost something without the extra cameras. Program features Rate - a-Record Clark would often interview the teenagers about their opinions of the songs being played, most memorably through the `` Rate - a-Record '' segment. During the segment, two audience members each ranked two records on a scale of 35 to 98, after which the two opinions were averaged by Clark, who then asked the audience members to justify their scores. The segment gave rise, perhaps apocryphally, to the phrase `` It 's got a good beat and you can dance to it. '' In one humorous segment broadcast for years on retrospective shows, comedians Cheech and Chong appeared as the record raters. Featured artists typically performed their current hits by lip - syncing to the released version of the song. Hosts The only person to ever co-host the show with Dick Clark was Donna Summer, who joined him to present a special episode dedicated to the release of the Casablanca film Thank God It 's Friday on 27 May 1978. From the late 1950s and most of the 1960s, Clark 's on - camera sidekick was announcer Charlie O'Donnell, who later went on to announce Wheel of Fortune and other programs hosted or produced by Clark, such as The $100,000 Pyramid. During this time, there were occasionally shows that were not hosted by Clark, in which case a substitute host ( among them being Rick Azar ) would be brought in to host in Clark 's stead. Theme music Bandstand originally used `` High Society '' by Artie Shaw as its theme song, but by the time the show went national, it had been replaced by various arrangements of Charles Albertine 's `` Bandstand Boogie, '' including Larry Elgart 's big - band recording remembered by viewers of the daily version. From 1969 to 1974, `` Bandstand Theme, '' a synthesized rock instrumental written by Mike Curb, opened each show. From 1974 to 1977, there was a newer, orchestral disco version of `` Bandstand Boogie, '' arranged and performed by Joe Porter, played during the opening and closing credits. From 1977 to the end of its ABC run in 1987, the show opened and closed with Barry Manilow 's rendition of `` Bandstand Boogie, '' which he originally recorded for his 1975 album Tryin ' to Get the Feeling. This version introduced lyrics written by Manilow and Bruce Sussman, referencing elements of the series. The previous theme was retained as bumper music. The Manilow version was replaced by an updated instrumental arrangement of `` Bandstand Boogie '' when Bandstand went into syndication, arranged by David Russo. From 1974 to the end of the ABC run in 1987, Bandstand featured another instrumental at its mid-show break : Billy Preston 's synth hit `` Space Race. '' Changes to Bandstand Early changes When ABC picked up the game show Do You Trust Your Wife ? from CBS in November 1957, they renamed the program as Who Do You Trust ? and scheduled the program at 3 : 30PM ET -- almost in the middle of Bandstand. Instead of shortening or moving Bandstand, ABC opted to just begin Bandstand at 3PM, cut away to Who Do You Trust ? at 3 : 30PM, then rejoin Bandstand at 4PM. In Philadelphia, however, WFIL opted to tape - delay the game show for later broadcast in another time slot, and to continue on with Bandstand, though only for the local audience. Ticket for a broadcast in 1962, when the show was still in Philadelphia. A half - hour evening version of American Bandstand aired on Monday nights from 7 : 30 p.m. to 8 : 00 p.m. ( ET ), beginning on October 7, 1957. It preceded The Guy Mitchell Show. Both were ratings disasters. Dick Clark later stated that he knew the prime - time edition would fail because its core audience -- teenagers and housewives -- was occupied with other interests in the evenings. The Monday - night version aired its last program in December 1957, but ABC gave Clark a Saturday - night time slot for The Dick Clark Saturday Night Beech - Nut Show, which originated from the Little Theatre in Manhattan, beginning on February 15, 1958. The Saturday show would run until 1960. The program was broadcast live, weekday afternoons and, by 1959, the show had a national audience of 20 million. In the fall of 1961, ABC truncated American Bandstand 's airtime from 90 to 60 minutes ( 4 : 00 -- 5 : 00pm ET ), then even further as a daily half - hour ( 4 : 00 -- 4 : 30pm ET ) program in September 1962 ; beginning in early 1963, all five shows for the upcoming week were videotaped the preceding Saturday. The use of videotape allowed Clark to produce and host a series of concert tours around the success of American Bandstand and to pursue other broadcast interests. On September 7, 1963, the program was moved from its weekday slot and began airing weekly every Saturday afternoon, restored to an hour, until 1989. Move from Philadelphia to Los Angeles Production of the show moved from Philadelphia to the ABC Television Center in Los Angeles ( now known as The Prospect Studios ) on February 8, 1964, which coincidentally was the same weekend that WFIL - TV moved from 46th and Market to their then - new facility on City Line Avenue. The program was permanently in color from September 9, 1967. The typical production schedule consisted of videotaping three shows on a Saturday and three shows on a Sunday, every six weeks. The shows were usually produced in either Stage 54 or Stage 55 at ABC Television Center. For a brief time in 1973, Bandstand alternated its time slot with Soul Unlimited, a show featuring soul music that was hosted by Buster Jones. Soul Unlimited was not well - received among its target audience of African - Americans, ostensibly due to its being created by a white man ( Clark ), and because of its alleged usage of deliberately racial overtones despite this fact. Don Cornelius, the creator and host of Soul Train, along with Jesse Jackson, entered into a dispute with Clark over this upstart program, and it was canceled within a few weeks. Set pieces from Soul Unlimited were utilized by Bandstand for its 1974 -- 1978 set design. During the 1978 season of Bandstand, Donna Summer became the only music artist in Bandstand 's history to co-host the program. Move from ABC to syndication and the USA network As Bandstand moved towards the 1980s, the ratings began to decline. Many factors were involved in this, particularly the launch of MTV and other music programs on television, and along with that, the number of ABC affiliates opting to pre-empt or delay the program. The increase in competition hurt Bandstand and the variety of options for music on TV decreased its relevance. The other reason was that American Bandstand was pre-empted on many occasions by televised college football games ( which expanded greatly in number in the wake of a court - ordered deregulation in 1984 ) which were becoming huge ratings successes, as well as occasional special presentations ( i.e. unsold game show pilots ). Making matters worse, for the 1986 -- 87 season, ABC reduced Bandstand from a full hour to 30 minutes ; at Clark 's request, the 2,751 st and final ABC installment ( with Laura Branigan performing `` Shattered Glass '' ) aired on September 5, 1987. Two weeks later, Bandstand moved to first - run syndication, restored to its former hour length, and videotaped at KCET 's Studio B. The show 's new set was similar to that of Soul Train. Clark continued as host of the series, which primarily aired on NBC affiliates ( including KYW - TV, in the show 's former Philadelphia base ), from September 19, 1987 until June 4, 1988 ; it was distributed by LBS Communications. After a ten - month hiatus, Bandstand moved to USA Network on April 8, 1989, with comedian David Hirsch taking over hosting duties. In another format shift, it was shot outdoors at Universal Studios Hollywood. Clark remained as executive producer. This version was canceled after 26 weeks, and its final show ( with The Cover Girls performing `` My Heart Skips a Beat '' and `` We Ca n't Go Wrong '' ) aired on October 7, 1989. Civil Rights movement and social impact With American Bandstand being originally located in Philadelphia, segregation easily affected the concentrated area. `` With Bandstand, WFIL resolved this tension by drawing on Philadelphia 's interracial music scene to create an entertaining and profitable television show, while refusing to allow the city 's black teenagers into the studio audience for fear of alienating viewers and advertisers. Like the white homeowners associations ' concerns about property values, WFIL 's version of defensive localism built on a belief that integration would hurt the station 's investment in Bandstand. '' WFIL defended these local associations in order to maintain support. Once the program went national in Los Angeles, new host Dick Clark decided that integration was the most responsible move. History goes back and forth with the timing and motives of the integration, but nevertheless, American Bandstand socially impacted teenagers ' opinions regarding race. 50th anniversary This section needs expansion. You can help by adding to it. ( February 2011 ) American Bandstand 's 50th anniversary reunion in 2002. In 2002, Dick Clark hosted a special 50th anniversary edition. Michael Jackson, a frequent Bandstand guest, performed `` Dangerous ''. The Village People performed their legendary song, `` YMCA '' for the audience in Pasadena, California. Other performers including Brandy, members of KISS, Dennis Quaid and his band The Sharks, Cher, and Stevie Wonder also performed to remember the iconic program. Revival plans In 2004, Dick Clark, with the help of Ryan Seacrest, announced plans to revive the show in time for the 2005 season ; although this did not occur ( due in part to Clark suffering a severe stroke in late 2004 ), one segment of the revived Bandstand -- a national dance contest -- eventually became the series So You Think You Can Dance. Dick Clark Productions is credited as the show 's co-producer, and longtime employee Allen Shapiro serves as co-executive producer. While the American series has aired thirteen seasons, its format was also replicated worldwide, from Norway ( Dansefeber ) to Australia ( So You Think You Can Dance Australia ). Episode status 883 Episodes Exist. Legacy American Bandstand played a crucial role in introducing Americans to such famous artists as Prince, Jackson 5, Sonny and Cher, Aerosmith, and John Lydon 's PiL -- all of whom made their American TV debuts on the show. American Bandstand was a daily ritual for many teenagers throughout the nation. The Top 40 hits that everyone heard were matched with fun routines performed by relatable teenagers. It became a staple in homes and heavily influenced American society culturally, musically, and socially. It also was a prototype for musical television properties including cable channel MTV and Fox 's reality - competition show American Idol. References in popular culture In his song Sweet Little Sixteen recorded 1957, Chuck Berry name - checks the show with the lyric `` Cause they 'll be rocking on Bandstand in Philadelphia, PA ''. The show was featured prominently in the 2002 -- 2005 NBC - TV drama series American Dreams, which like Bandstand was executive produced by Dick Clark. In a 2005 episode, Eddie Kelly and Bunny Gibson -- one of the most famous couples to appear on American Bandstand in the Philadelphia years -- were the only two to make cameo appearances on the acclaimed TV series. Along with that, Kelly and Gibson were named a number of times in the script, and Kelly referred to in the last episode. Actor Paul D. Roberts made frequent appearances as Dick Clark, while Michael Burger played announcer Charlie O'Donnell. Clark frequently provided voice - overs as his younger self. In the film Escape from New York, the theme song is heard while in the cab and near the end when Snake Plisskin takes out the President 's address and replaces it with the tape that had the American Bandstand theme. In the animated TV series King of the Hill while Bobby is cleaning the gutters on the roof he is attacked by a bird. Hank hears him stomping around and shouts `` It 's a roof, not American Bandstand ! '' The live national program National Bandstand in the musical Grease, was an ode to the American Bandstand. Pam Tillis ' video for her 1994 cover of `` When You Walk in the Room '' depicted a mid-1960s performance on American Bandstand, and featured a voiceover by Dick Clark. In the quarterfinals of season 7 of America 's Got Talent, contestant Ulysses performed a cover of the American Bandstand theme song. In episode 4089 of Sesame Street, there was a parody of American Bandstand called `` American Fruit Stand '' where a duck named `` Duck Clark '' hosted the program. It featured Miles singing songs about fruits to the tune of famous oldies songs such as `` Johnny B. Goode '', `` Twist and Shout '', and `` I Feel Good ''. The lyric video for Sia 's song `` Cheap Thrills '' features a show reminiscent of American Bandstand. See also Philadelphia portal List of acts who appeared on American Bandstand Bandstand, Australian version loosely based on the American version The Buddy Deane Show Soul Train The Clay Cole Show Electric Circus Dick Clark References Jump up ^ Fontenot, Robert. `` American Bandstand Timeline ''. About.com. Retrieved 28 October 2013. Jump up ^ ( 1 ) Jump up ^ pharis-video.com/p2853.htm Jump up ^ https://www.youtube.com/watch?v=5Y9IBwihU4w#t=02m39s Jump up ^ Pergament, Alan ( April 19, 2012 ). Top of newscast salutes to Clark deserved. Retrieved April 19, 2012. ^ Jump up to : Oldenburg, Ann. `` TV legend Dick Clark dies at age 82 '', USA Today, April 18, 2012 Jump up ^ `` AB now in syndication : Jody Watley, Dan Hill, David Spade ''. TV.com. Retrieved 28 October 2013. Jump up ^ `` American Bandstand, Season 30, Episode 38 : Laura Brannigan ( Final ABC show ) ''. TV.com. Retrieved 15 December 2013. Jump up ^ `` AB moves to USA network ''. TV.com. Retrieved 28 October 2013. Jump up ^ `` TV Series Finale - American Bandstand ''. TV Series Finale. Retrieved 28 October 2013. Jump up ^ `` Final American Bandstand : The Cover Girls ''. TV.com. Retrieved 28 October 2013. Jump up ^ Delmont, Matthew F. ( 30 September 2014 ). `` Bandstand 's Backyard ''. http://nicestkids.com/nehvectors/nicest-kids/bandstands-backyard. Retrieved 22 November 2015. Jump up ^ `` Remembering American Bandstand 's 50th ( Photos ) ''. wcbsfm.cbslocal.com. Retrieved 2015 - 12 - 07. ^ Jump up to : `` American Bandstand and its Legacy ''. scripts.cac.psu.edu. Retrieved 2015 - 12 - 07. Further reading Matthew F. Delmont, The Nicest Kids in Town : American Bandstand, Rock'n'Roll, and the Struggle for Civil Rights in 1950s Philadelphia. Berkeley, CA : University of California Press, 2012. Murray Forman, One Night on TV is Worth Weeks at the Paramount : Popular Music on Early Television. Durham, NC : Duke University Press, 2012. External links American Bandstand on IMDb American Bandstand at TV.com The Museum of Broadcast Communications -- American Bandstand http://nicestkids.com/nehvectors/nicest-kids/index Children 's programming on the American Broadcasting Company in the 1960s First - run animated series Rocky and His Friends ( 1959 -- 73 ) The New Casper Cartoon Show ( 1963 -- 70 ) Hoppity Hooper ( 1961 -- 75 ) The Beatles ( 1965 -- 69 ) The Porky Pig Show Tennessee Tuxedo and His Tales Milton the Monster ( 1965 -- 68 ) The King Kong Show ( 1966 -- 69 ) Fantastic Four ( 1967 -- 70 ) Spider - Man ( 1967 -- 70 ) Journey to the Center of the Earth ( 1967 -- 69 ) George of the Jungle ( 1967 -- 70 ) The Adventures of Gulliver ( 1968 -- 70 ) Fantastic Voyage ( 1968 -- 70 ) The Smokey the Bear Show The Cattanooga Cats Show ( 1969 -- 71 ) Hot Wheels ( 1969 -- 71 ) The Hardy Boys ( 1969 -- 71 ) Skyhawks ( 1969 -- 71 ) First - run live - action series Lunch with Soupy Sales ( 1959 -- 61 ) The Magic Land of Allakazam ( 1962 -- 64 ) Discovery ( 1962 -- 71 ) American Bandstand ( 1957 -- 87 ) Shenanigans ( 1964 -- 65 ) Rebroadcasts Top Cat ( 1962 -- 63 ) The Bugs Bunny Show ( 1962 -- 68 ) My Friend Flicka The Jetsons ( 1962 -- 64 ) Beany and Cecil ( 1962 -- 88 ) Buffalo Bill, Jr. Annie Oakley The Magilla Gorilla Show Schedules 1960 -- 61 1961 -- 62 1962 -- 63 1963 -- 64 1964 -- 65 1965 -- 66 1966 -- 67 1967 -- 68 1968 -- 69 1969 -- 70 Related Animation in the United States in the television era Children 's programming on the American Broadcasting Company in the 1970s First - run animated series The New Casper Cartoon Show ( 1963 -- 70 ) The Smokey the Bear Show ( 1969 -- 70 ) The Cattanooga Cats Show ( 1969 -- 71 ) Hot Wheels ( 1969 -- 71 ) Skyhawks ( 1969 -- 71 ) The Adventures of Gulliver ( 1968 -- 70 ) Fantastic Voyage ( 1968 -- 70 ) Will the Real Jerry Lewis Please Sit Down ( 1970 -- 72 ) The Road Runner Show ( 1971 -- 73 ) The Funky Phantom ( 1971 -- 73 ) The Jackson 5ive ( 1971 -- 73 ) The Osmonds ( 1972 -- 74 ) The ABC Saturday Superstar Movie ( 1972 -- 74 ) The Brady Kids ( 1972 -- 74 ) Kid Power ( 1972 -- 74 ) Yogi 's Gang ( 1973 -- 75 ) Super Friends ( 1973 -- 74 ) Lassie 's Rescue Rangers ( 1973 -- 75 ) Goober and the Ghost Chasers ( 1973 -- 75 ) Mission : Magic ! ( 1973 -- 74 ) Hong Kong Phooey ( 1974 -- 76 ) The New Adventures of Gilligan ( 1974 -- 77 ) Devlin ( 1974 -- 76 ) These Are the Days ( 1974 -- 76 ) The Tom and Jerry Show ( 1975 -- 77 ) The Great Grape Ape Show ( 1975 -- 76 ) The Oddball Couple ( 1975 -- 77 ) Jabberjaw ( 1976 -- 78 ) The Scooby - Doo / Dynomutt Hour ( 1976 -- 77 ) The Mumbly Cartoon Show ( 1976 -- 77 ) The All - New Super Friends Hour ( 1977 -- 78 ) Scooby 's All - Star Laff - A-Lympics ( The Scooby - Doo Show Laff - A-Lympics Captain Caveman and the Teen Angels ) ( 1977 -- 79 ) Fangface ( 1978 -- 79 ) Challenge of the Super Friends ( 1978 -- 79 ) The All - New Pink Panther Show ( 1978 -- 79 ) The World 's Greatest Super Friends ( 1979 -- 80 ) The Plastic Man Comedy / Adventure Show ( Mighty Man and Yukk Rickety Rocket ) ( 1979 -- 81 ) Spider - Woman ( 1979 -- 80 ) Scooby - Doo and Scrappy - Doo ( 1979 -- 80 ) First - run live - action series American Bandstand ( 1957 -- 87 ) Lancelot Link, Secret Chimp ( 1970 -- 72 ) Here Come the Double Deckers ( 1970 -- 72 ) Lidsville ( 1971 -- 73 ) Curiosity Shop ( 1971 -- 73 ) Make a Wish ( 1971 -- 76 ) Korg : 70,000 B.C. ( 1974 -- 75 ) The Lost Saucer ( 1975 -- 76 ) Uncle Croc 's Block ( 1975 -- 76 ) The Krofft Supershow ( 1976 -- 78 ) Bigfoot and Wildboy Dr. Shrinker Electra Woman and Dyna Girl Wonderbug Junior Almost Anything Goes ( 1976 -- 78 ) Animals, Animals, Animals ( 1976 -- 81 ) ABC Weekend Special ( 1977 -- 97 ) Kids Are People Too ( 1978 -- 82 ) Rebroadcasts George of the Jungle ( 1967 -- 70 ) Bewitched ( 1972 -- 73 ) Jonny Quest ( 1970 -- 72 ) H.R. Pufnstuf ( 1972 -- 73 ) The Monkees ( 1972 -- 73 ) The Pebbles and Bamm - Bamm Show ( 1972 ) The Roman Holidays ( 1972 ) Speed Buggy ( 1976 ) Scooby - Doo, Where Are You ! ( 1978 ) Schedules 1969 -- 70 1970 -- 71 1971 -- 72 1972 -- 73 1973 -- 74 1974 -- 75 1975 -- 76 1976 -- 77 1977 -- 78 1978 -- 79 1979 -- 80 Related topics Animation in the United States in the television era Children 's programming on the American Broadcasting Company in the 1980s First - run animated series The World 's Greatest Super Friends ( 1979 -- 80 ) The Plastic Man Comedy / Adventure Show ( Mighty Man and Yukk Fangface Rickety Rocket ) ( 1979 -- 81 ) Spider - Woman ( 1979 -- 80 ) Scooby - Doo and Scrappy - Doo ( 1979 -- 80 ) Captain Caveman and the Teen Angels ( 1977 -- 80 ) Super Friends ( 1980 - 82 ) The Fonz and the Happy Days Gang ( 1980 -- 82 ) Richie Rich ( 1980 -- 84 ) Scooby - Doo and Scrappy - Doo ( shorts ) ( 1980 -- 83 ) Thundarr the Barbarian ( 1980 -- 82 ) The Heathcliff and Dingbat Show ( 1980 -- 82 ) Laverne & Shirley in the Army ( 1981 -- 82 ) Goldie Gold and Action Jack ( 1981 -- 82 ) Pac - Man ( 1982 -- 84 ) The Little Rascals ( 1982 -- 84 ) Mork & Mindy / Laverne & Shirley / Fonz Hour ( 1982 -- 83 ) The Scooby & Scrappy - Doo / Puppy Hour ( 1982 -- 83 ) The Puppy 's Further Adventures ( 1982 -- 84 ) Monchhichis ( 1983 -- 84 ) Rubik, the Amazing Cube ( 1983 -- 85 ) The Littles ( 1983 -- 86 ) Super Friends : The Legendary Super Powers Show ( 1984 -- 85 ) Mighty Orbots ( 1984 -- 85 ) Turbo Teen ( 1984 -- 85 ) Dragon 's Lair ( 1984 -- 85 ) The New Scooby and Scrappy - Doo Show / The New Scooby - Doo Mysteries ( 1983 -- 85 ) Star Wars : Ewoks ( 1985 -- 87 ) Star Wars : Droids ( 1985 -- 86 ) The Super Powers Team : Galactic Guardians ( 1985 -- 86 ) The 13 Ghosts of Scooby - Doo ( 1985 ) The Care Bears ( 1986 -- 88 ) The Flintstone Kids ( 1986 -- 89 ) The Real Ghostbusters ( 1986 -- 91 ) Pound Puppies ( 1986 -- 87 ) My Pet Monster ( 1987 -- 88 ) The New Adventures of Beany and Cecil ( 1988 ) The New Adventures of Winnie the Pooh ( 1988 -- 1991 ) A Pup Named Scooby - Doo ( 1988 -- 93 ) Disney 's Adventures of the Gummi Bears ( 1989 -- 90 ) Beetlejuice ( 1989 -- 92 ) First - run live - action series ABC Weekend Special ( 1977 -- 97 ) American Bandstand ( 1957 -- 87 ) Animals, Animals, Animals ( 1976 -- 81 ) Kids Are People Too ( 1978 -- 82 ) Menudo on ABC ( 1983 -- 85 ) ABC Funfit ( 1985 ) ABC Fun Facts ( 1988 ) Rebroadcasts The Best of Scooby - Doo ( 1983 -- 84 ) The Bugs Bunny Show ( 1985 -- 2000 ) Scary Scooby Funnies ( 1984 -- 85 ) Scooby 's Mystery Funhouse ( 1985 -- 86 ) Pink Panther and Sons ( 1986 ) The Wuzzles ( 1986 -- 87 ) Schedules 1979 -- 80 1980 -- 81 1981 -- 82 1982 -- 83 1983 -- 84 1984 -- 85 1985 -- 86 1986 -- 87 1987 -- 88 1988 -- 89 1989 -- 90 Related programming and topics Animation in the United States in the television era Modern animation in the United States USA Network original programming Former 1970s debuts NBA on USA NHL on USA USA Thursday Game of the Week 1980s debuts Airwolf Alfred Hitchcock Presents ( 1985 ) American Bandstand Bumper Stumpers Chain Reaction Commander USA 's Groovie Movies Dance Party USA The Dick Cavett Show Jackpot Love Me, Love Me Not Night Flight PGA Tour on USA Radio 1990 Southwest Championship Wrestling Tuesday Night Fights Tuesday Night Titans U.S. Open Tennis Championship USA Cartoon Express USA Saturday Nightmares USA Up All Night WWF All American Wrestling WWF Prime Time Wrestling 1990s debuts Beyond Reality Campus Cops Claude 's Crib Crush Duckman Eco-Challenge Farmclub.com Free 4 All G vs E The Huntress La Femme Nikita Lost on Earth Manhattan, AZ Mortal Kombat : Defenders of the Realm The Net Night Flight Pacific Blue Quicksilver Silk Stalkings Strip Poker Swamp Thing : The Series USA Action Extreme Team USA High The War Next Door Weird Science World League of American Football WWF Action Zone WWF Heat WWF LiveWire WWF Mania 2000s debuts The 4400 Burn Notice Cannonball Run 2001 Cover Me Combat Missions Cool Money D.C. Sniper : 23 Days of Fear The Dead Zone Dr. Steve - O Frankenstein Helen of Troy In Plain Sight Kojak The Last Ride Law & Order : Criminal Intent Monk Nashville Star Peacemakers Psych Royal Pains Spartacus The Starter Wife miniseries TV series Stealing Christmas Smush Three Wise Guys To Love and Die Touching Evil Traffic Underfunded White Collar 2010s debuts Benched Common Law Complications Covert Affairs Dig Donny ! Eyewitness Fairly Legal Graceland Necessary Roughness Political Animals Rush Satisfaction Sirens WWE Tough Enough Current Chrisley Knows Best ( since 2014 ) Colony ( since 2016 ) Falling Water ( since 2016 ) First Impressions ( since 2016 ) Mr. Robot ( since 2015 ) Playing House ( since 2014 ) Queen of the South ( since 2016 ) Shooter ( since 2016 ) The Sinner ( since 2017 ) Suits ( since 2011 ) Team Ninja Warrior ( since 2017 ) Westminster Dog Show WWE Raw ( 1993 -- 2000, since 2005 ) WWE SmackDown ( since 2016 ) Upcoming Damnation ( 2017 ) Unsolved ( 2018 ) American Bandstand Hosts Bob Horn ( 1952 -- 1956 ) Tony Mammarella ( 1956 ) Dick Clark ( 1956 -- 1989 ) Donna Summer ( May 27, 1978 co-host ) David Hirsch ( 1989 ) Rick Azar ( substitute host ) Joe Grady ( The 950 Club ) Buster Jones ( Soul Unlimited ) Other crew - members Charlie O'Donnell ( 1958 - 1969 ) Edward Yates ( 1952 - 1969 ) Production companies WFIL - TV ( 1952 -- 1964 ) Walter Annenberg The Philadelphia Inquirer Dick Clark Productions ( 1964 -- 1989 ) Snader Telescriptions Official Films Filming locations WFIL - TV 's Studio ' B ' ( October 7, 1952 - 1964 ) RCA TK - 40 / 41 ABC Television Center in Los Angeles ( Stage 54 or Stage 55 ) ( February 8, 1964 - September 5, 1987 ) KCET 's Studio B ( September 19, 1987 - June 4, 1988 ) Universal Studios Hollywood ( April 8, 1989 - October 7, 1989 ) Original networks WFIL - TV ( 1952 -- 1957 ) ABC ( 1957 -- 1987 ) Children 's programming on ABC Syndicated ( 1987 -- 1988 ) LBS Communications USA Network ( 1989 ) Theme music composers Artie Shaw ( `` High Society '' ) Larry Elgart ( `` Bandstand Boogie '' ) Mike Curb ( `` Bandstand Theme '' ) 1969 - 1974 Joe Porter ( `` Bandstand Boogie '' ) 1974 - 1977 Barry Manilow ( `` Bandstand Boogie '' ) 1977 - 1987 Billy Preston ( `` Space Race '' ) 1974 - 1987 Related shows The Dick Clark Saturday Night Beech - Nut Show ( February 15, 1958 -- September 10, 1960 ) Soul Unlimited ( 1973 ) Similar shows Bandstand The Buddy Deane Show Soul Train The Clay Cole Show Electric Circus Top of the Pops Related articles List of acts who appeared on American Bandstand Retrieved from `` https://en.wikipedia.org/w/index.php?title=American_Bandstand&oldid=804870554 '' Categories : 1952 American television series debuts 1989 American television series endings 1950s American television series 1960s American television series 1970s American television series 1980s American television series American Broadcasting Company network shows American variety television series American music chart television programs Live television programs Black - and - white television programs Dance television shows English - language television programs First - run syndicated television programs in the United States Pop music television series Rock music television series Television series by Dick Clark Productions Culture of Philadelphia Television in Philadelphia USA Network shows Hidden categories : Use mdy dates from January 2012 Articles needing additional references from April 2010 All articles needing additional references All articles with unsourced statements Articles with unsourced statements from February 2009 Articles to be expanded from February 2011 All articles to be expanded Articles using small message boxes Talk Contents About Wikipedia Deutsch Français Bahasa Indonesia Nederlands Русский Simple English Srpskohrvatski / српскохрватски Svenska Edit links This page was last edited on 11 October 2017, at 16 : 51. 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Question: who wrote the theme song for american bandstand
Answer: Charles Albertine