Molissa Fenley - wikipedia Molissa Fenley Molissa Fenley is an American choreographer, performer and teacher of contemporary dance. Contents 1 Early life and education 2 Career 2.1 Early career 2.2 Solo Work 2.3 Current Work 3 Recognition and Professional Affiliations 4 Personal life 5 Major Works 6 References 7 External links Early life and Education Molissa Fenley ( née Avril Molissa Fenley ) was born in Las Vegas, Nevada on November 15, 1954. She is the youngest of three children born to Eileen Allison Walker and John Morris Fenley. At the age of six months Fenley and her family moved to Ithaca, NY where her father was a professor of Agricultural Extension at Cornell University. At the age of six, her family moved to Ibadan, Nigeria where her father worked for the US State Department 's USAID program. Fenley attended high school in Spain, and at 16 returned to the US where she received her BA in Dance from Mills College in 1975. Immediately after graduating from Mills, Fenley moved to New York City to begin her career as a choreographer and dancer. Career Early career Upon arriving in New York City in 1975, Fenley trained with Merce Cunningham, Viola Farber and studied at the Erick Hawkins School. During her first years in New York Fenley danced for several choreographers including Carol Conway and Andrew deGroat. She began creating her own work and formed Molissa Fenley and Dancers in 1977. After a tour of European festivals in 1980 her work began to receive more critical attention in the United State and abroad. Her early career ( 1977 - 1987 ) was focused on presenting ensemble work. Fenley and her dancers displayed remarkable stamina through complex patterning and sustained passages of intense speed, exemplified in works such as Energizer ( 1980 ). In addition to more traditional dance classes, Fenley and her dancers did workouts that included running, calisthenics and weight training in order to achieve the strength and endurance needed to execute her physically demanding choreography. Fenley has maintained this aesthetic of athletic virtuosity throughout her career. Solo work In 1987 she disbanded her ensemble and made a shift to performing solo works, often in collaboration with visual artists including Kiki Smith, Richard Long and Tatsuo Miyajima and composers such as Philip Glass, Laurie Anderson, Pauline Oliveros. It was during this period that she created her seminal work, State of Darkness ( 1988 ), which was commissioned by the American Dance Festival in Durham, N.C. Set to Igor Stravinsky 's Le Sacre du Printemps, this 35 minute solo received critical acclaim for both its physical rigor, innovative use of Stravinsky 's score and intense sense of ritual drama. Fenley reconstructed State of Darkness in 1999 at the request of New York City Ballet principal dancer Peter Boal, and again in 2007 for Pacific Northwest Ballet. State of Darkness received a Bessie Award for both Fenley 's original performance in 1989 and for Boal 's reconstruction in 1999. Current work After a decade of solo work, Fenley began creating ensemble pieces performed by herself and her company. She continues to create and perform in the United States and abroad. Fenley has maintained a long - time collaboration with composer Philip Glass and continues to collaborate with visual artists, composers and writers. Recent works include The Vessel Stories ( 2011 ), choreographed to music by Glass and featured at the Days and Nights Festival in Carmel, CA, and Credo in Us ( 2011 ) set to the John Cage piece of the same name and performed at the Mills College Art Museum and the Judson Memorial Church in New York City. She is currently working on a new project, entitled Found Object, with playwright John Guare, and writers Joy Harjo, Bob Holman, Rudy Wurlitzer. A book titled Rhythm Field : The Dance of Molissa Fenley containing essays by Fenley and her colleagues is due to be published in 2014. Over the course of her career Fenley has created over 75 works, which have been presented in the United States, South America, Europe, Australia, India, Indonesia, Japan, Korea, Singapore, Taiwan and Hong Kong. Her work has been commissioned by the Bill T. Jones / Arnie Zane Dance Company, Seattle Dance Project, Marymount Manhattan College, The American Dance Festival, Deutsche Opera Ballet of Berlin, Robert Moses ' Kin, The Foundation for Contemporary Performance Arts, the William Hale Harkness Foundation, The New National Theater, Tokyo, The Ohio Ballet, Australian Dance Theater, The Brooklyn Academy of Music, Barnard / Columbia, Repertory Dance Theater, Oakland Ballet, and Jacob 's Pillow Dance Festival. In 2015 Seagull Press / University of Chicago published Rhythm Field : The Dance of Molissa Fenley about her life and work. She has created over 85 works since founding her company Molissa Fenley and Dancers in 1977. Recognition and professional affiliations Fenley 's contribution to her field has been recognized with awards in the United States and internationally. She is an eleven - time recipient of the National Endowment for the Arts Choreography Fellowship. Fenley received a Bessie Award for Choreography in 1985 for her work Cenotaph and again in 1988 for State of Darkness. Fenley received a 2000 Foundation for Contemporary Arts Grants to Artists Award. She is a Guggenheim Fellow ( 2008 ), a Fellow of the American Academy in Rome ( 2008 ) and recipient of the American Masterpieces Initiative from the National Endowment of the Arts ( 2010 ). Fenley is a member of many professional arts organizations such as the Atlantic Center for the Arts, American Dance Guild, Asian Cultural Council, CHIME Mentorship program, Dance USA, International Dance Council and New York Live Arts. She is the Executive Director of the Momenta Foundation which she founded in 1986. Mills College and Higher Education Teaching In addition to being one of Mills College 's most esteemed alumna, Fenley has been on the Mills College Dance Department faculty since 1999. She began as a Distinguished Visiting Professor in 1999 and became an Associate Professor of Dance in 2006. She was made Full Professor in 2013. Fenley teaches courses in technique, choreography and oversees MFA candidates ' thesis projects. Additionally, Fenley often sets work on Mills College 's Repertory Dance Company. She was awarded the Mills College Sarlo Excellence in Teaching Award in 2011. Extensive archives from Fenley 's career are held at the F.W. Olin Library 's Special Collections on Mills campus. Fenley has taught as a Visiting Lecturer at New York University 's Experimental Theater Wing, University of Georgia at Athens and University of Utah. She worked as a Resident Artist for the Baryshnikov Arts Center, The Atlantic Center for the Arts, The American Academy in Rome, Bard College, The Hotchkiss School, The Asian Cultural Council in Tokyo, Yaddo, the Bogliasco Foundation, Djerassi, and Harvard University. She has taught repertory workshops at Bennington College, Barnard / Columbia and Hunter College. Personal life Fenley resides in New York, NY and Oakland, CA. She is married to painter Roy Fowler. Major works Circadian Rhythm ( 2016 ), created in collaboration with visual artist Robert Gaylor with music by Peter Garland Rue Surf ( 2016 ), collaboration with poet Bob Holman and artist Roy Fowler Water Table ( 2016 ), a work in 8 parts : Parts 1 and 2 - The Third Coast, music by Ryuichi Sakamoto Part 3 - Baffin Island, music by Ryuichi Sakamoto Part 4 - Sargasso Sea Part 5 - The Pattern of the Surface, music by Philip Glass Part 6 - On the Other Ocean, music by David Behrman Part 7 - Amdo, music by Ulfur Hansson Part 8 - Mali, music by Laetitia Sonami Seven ( 2015 ), commissioned by Dana and Shinichi Iova - Koga as part of 95 Rituals for Anna Halprin Dance an Impossible Space ( 2014 ), music composed and performed by Erin Gee Redwood Park, Part 1 ( 2014 ), commissioned by the Oakland Ballet, music composed by Joan Jeanrenaud Redwood Park, part 2 ( 2014 ) Esperanto ( 2014 ), reconstructed by Christiana Axelsen and Molissa Fenley, music by Ryuichi Sakamoto Entrance ( 2014 ), duet for Christiana Axelsen and Molissa Fenley, music by David Behrman BEAMS ( 2014 ), music by Alvin Curran Horizon, ( 2013 ), music by Pauline Oliveros Found Object ( 2012 ), collaboration with Peiling Kao Cross Bridge, ( 2012 ), collaboration with Holley Farmer, John Jesurun, David Moodey and Rosemary Quinn Credo In Us, ( 2011 ), music by John Cage. Commissioned by the Mills College Art Museum The Vessel Stories ( 2011 ), music by Philip Glass The Prop Dances ( 2010 ) Pieces of Land, props by Jene Highstein, music by Jason Hoopes 94 Feathers, props by Merrill Wagner, music by Cenk Ergün Mass Balance, prop by Todd Richmond, music by Cenk Ergün Planes in Air, props by Roy Fowler, music by Joan Jeanrenaud Prop Dance # 5, props by Keith Sonnier, music by Lainie Fefferman Regions ( Revival ), ( 2010 ), set by Roy Fowler, with music by Maggi Payne Double Beginning ( 2009 ), with spoken word by Bob Holman Ice, Dew, Food, Crew, Ape ( 2009 ), with music by Alvin Curran Cosmati Variations ( 2008 ), with music by John Cage Calculus and Politics ( 2007 ), with music by Harry Partch. Commissioned by The Joyce Theater Four Lines, ( 2006 ), with music by Jon Gibson Dreaming Awake, ( 2006 ), with music by Philip Glass. Commissioned by the Rovereto Music Festival, Rovereto, Italy Patterns and Expectations, ( 2006 ), with music by Fred Frith Desert Sea, ( 2005 ), with music by Lou Harrison. Commissioned by Repertory Dance Theatre, Salt Lake City, Utah Lava Field, ( 2004 ), with music by John Bischoff Kuro Shio, ( 2003 ), with music by Bun Ching Lam. Commissioned by Women in Dance / Seoul, Korea and Tokyo, Japan Water Courses ( 2003 ), with music by Joy Harjo Waiting For Rain ( 2003 ), with music by Robert Ashley, set by Roy Fowler. Commissioned by Peter Boal 331 Steps ( 2002 ), with music by Laetitia Sonami, set by Merrill Wagner Short Stories ( 2002 ), with music by Anthony Davis and in silence, costumes by Chado Signs / Landmark ( 2001 ), with music by Somei Satoh. Commissioned by the New National Theater, Tokyo Folds ( 2001 ), with music by Fred Frith, choreographed in collaboration with Bebe Miller. Commissioned by Virginia Commonwealth University Ceremony ( 2000 ), text by Joy Harjo Spring Waterfall ( 2000 ), music by Philip Glass and Foday Musa Suso Island ( 2000 ), with music by Harold Meltzer, artwork by Carol Hepper I and You Resemble Each Other, Now ( 2000 ), with music by Somei Satoh Delta ( 2000 ), music by John Cage Weathering ( 2000 ), with set by Merrill Wagner Voices ( 1999 ), music by Kevin Volans, with cellist Joan Jeanrenaud Timbral Inventions ( 1999 ), music by John Cage Tala ( 1999 ), with music by John Cage. La Muse Menagére ( 1998 ) with music by Darius Milhaud Icho ( 1997 ) music by Leroy Jenkins, commissioned by Felicia Norton On the Other Ocean ( 1997 ) with music by David Behrman Trace ( 1997 ) with composer Jonathan Hart Makwaia, painter Roy Fowler and writer John Jesurun. Commissioned by The Joyce Theater Latitudes ( 1996 ), a work created for the internet, commissioned by the Dia Art Foundation Pola'a ( 1996 ) with music by Lou Harrison. Commissioned by Jacob 's Pillow Regions ( 1995 ) with music by Maggi Payne. Commissioned by the 92nd Street Y Savanna ( 1995 ) with music by Peter Garland. Commissioned by Peggy Baker Dance Projects Sita ( 1995 ) with composer Philip Glass and photographer Sandi Fellman. Commissioned by The Joyce Theater Jalan Jalan ( 1994 ), music by Lou Harrison Bridge of Dreams ( 1994 ) with composer Laurie Anderson and visual artist Kiki Smith. Commissioned by the Deutsche Oper Berlin Witches ' Float ( 1993 ) with composer Alvin Lucier and visual artist Kiki Smith. Commissioned by the Krannert Art Center Sightings ( 1993 ) with composer Pauline Oliveros and sculptor Tatsuo Miyajima Nullarbor ( 1993 ) with composer Robert Lloyd and sculptor Richard Long Channel ( 1993 ) with composer Somei Satoh and visual artist Richard Serra Tilliboyo / Escalay ( 1993 ) with composers Foday Musa Suso and Hamza El Din Place ( 1992 ) with music by Arvo Pärt. Commissioned by the Foundation for Contemporary Performance Arts Threshold ( 1992 ), with music by Somei Satoh. Commissioned by The Joyce Theater Inner Enchantments ( 1991 ), with music by Philip Glass Bardo ( 1990 ), with music by Somei Satoh. Commissioned by Jacob 's Pillow Augury ( 1989 ) with music by Christopher Hyams - Hart, choreographed in collaboration with Doug Varone, commissioned by The American Dance Festival The Floor Dances ( 1989 ) with composer Henryk Gorecki and sculptor Richard Long. Commissioned by the Dia Art Foundation Provenance Unknown ( 1989 ), with composer Philip Glass. Commissioned by Dance Chance and The Kitchen for Video, Music and Dance State of Darkness ( 1988 ), music by Igor Stravinsky. Commissioned by the American Dance Festival. Subsequently, reconstructed for Peter Boal ( 1999 ), commissioned by Lincoln Center and for the Pacific Northwest Ballet, ( 2007 ) danced in alternation by Rachel Foster, James Moore and Jonathan Porretta In Recognition ( 1988 ), music by Philip Glass. Commissioned by Serious Fun Festival, Lincoln Center Separate Voices ( 1987 ), a group work performed in silence. Commissioned by The Joyce Theater A Descent into the Maelstrom ( 1986 ) music by Philip Glass, set design by Eamon D `` Arcy, direction by Matthew McGuire, commissioned by the Adelaide Festival and performed by the Australian Dance Theatre Geologic Moments ( 1986 ), with composers Philip Glass and Julius Eastman. Commissioned by the Brooklyn Academy of Music, Next Wave Festival Feral ( 1986 ), music by Robert Lloyd, commissioned by the Ohio Ballet Cenotaph ( 1985 ), with composer Jamaaladeen Tacuma and text by Eric Bogosian. Commissioned by Jacob 's Pillow Esperanto ( 1985 ), with composer Ryuichi Sakamoto. Commissioned by Tsurumoto Room, Tokyo Hemispheres ( 1983 ), with composer Anthony Davis and visual artist Francesco Clemente. Commissioned by the Brooklyn Academy of Music, Next Wave Festival Eureka ( 1982 ), with music by Peter Gordon. Commissioned by Dance Theater Workshop Gentle Desire ( 1981 ), with music by Mark Freedman. Commissioned by the American Dance Festival Peripheral Vision ( 1981 ), with music by Mark Freedman Energizer ( 1980 ), with music by Mark Freedman. Commissioned by Dance Theater Workshop Boca Raton ( 1980 ), extended dance mix by Paul Alexander of Talking Heads. Decor by Steven Keister Mix ( 1979 ), Commissioned by The Kitchen for Video, Music and Dance Video Clones ( 1979 ), video and performance work with Keith Haring References Jump up ^ Fenley, Molissa. Oral History Interview by Ann Murphy. The New York Public Library for the Performing Arts Dance Division 's Oral History Archive and Project. 28 June 2010. Web. 1 March 2013. Jump up ^ `` Molissa Fenley : Biography. '' Artservices. Web. 14 February 2013. Jump up ^ Reynolds, Nancy and Malcolm McCormick. No Fixed Points : Dance in the Twentieth Century. New Haven and London : Yale University Press, 2003. Jump up ^ Pippin, Karma. `` Guide to the Molissa Fenley Archive, 1973 - Present. '' F.W. Olin Library Special Collections and Archive. Web. 26 Feb 2013 Jump up ^ Reynolds, Nancy and Malcolm McCormick. No Fixed Points : Dance in the Twentieth Century. New Haven and London : Yale University Press, 2003. Jump up ^ Reynolds, Nancy and Malcolm McCormick. No Fixed Points : Dance in the Twentieth Century. New Haven and London : Yale University Press, 2003. Jump up ^ Jowitt, Deborah. Time and the Dancing Image. New York : William Morrow and Company, Inc. 1988 Jump up ^ `` Molissa Fenley : Biography. '' Artservices. Web. 14 February 2013. Jump up ^ Kisselgoff, Anna. `` In ' State of Darkness ', a Dancer 's Rite of Passage '' The New York Times, 8 October 1988. Print. Jump up ^ D'Aoust, Renée E. `` Lowenberg at Pacific Northwest Ballet & School '' The Dance Insider. July 2007. Web. Jump up ^ Molissa Fenley : Biography. '' Artservices. Web. 14 February 2013. Jump up ^ Molissa Fenley and Dancers. Web. 14 Feb 2013 Jump up ^ Molissa Fenley : Biography. '' Artservices. Web. 14 February 2013. Jump up ^ Faculty and Staff : Molissa Fenley. '' Mills College Dance Department. Web. 28 Feb 2013. Jump up ^ Rhythm Field : University of Chicago Press. Web 5 February 2018 Jump up ^ Molissa Fenley and Dancers : Biography. Web. 5 February 2018 Jump up ^ Pippin, Karma. `` Guide to the Molissa Fenley Archive, 1973 - Present. '' F.W. Olin Library Special Collections and Archive. Web. 26 Feb 2013 Jump up ^ http://www.foundationforcontemporaryarts.org/grant_recipients/molissafenley.html Jump up ^ Molissa Fenley : Biography. '' Artservices. Web. 14 February 2013. Jump up ^ `` Faculty and Staff : Molissa Fenley. '' Mills College Dance Department. Web. 28 Feb 2013. Jump up ^ `` Faculty and Staff : Molissa Fenley. '' Mills College Dance Department. Web. 28 Feb 2013. Jump up ^ Pippin, Karma. `` Guide to the Molissa Fenley Archive, 1973 - Present. '' F.W. Olin Library Special Collections and Archive. Web. 26 Feb 2013 Jump up ^ `` Faculty and Staff : Molissa Fenley. '' Mills College Dance Department. Web. 28 Feb 2013. External links Molissa Fenley GND : 132024160 ISNI : 0000 0000 2725 970X LCCN : n87836631 VIAF : 57761830 Retrieved from `` https://en.wikipedia.org/w/index.php?title=Molissa_Fenley&oldid=846296693 '' Categories : American choreographers Guggenheim Fellows Living people Mills College faculty People from Las Vegas Mills College alumni Bessie Award winners 1954 births Rome Prize winners American expatriates in Nigeria American expatriates in Spain Hidden categories : Wikipedia articles with GND identifiers Wikipedia articles with ISNI identifiers Wikipedia articles with LCCN identifiers Wikipedia articles with VIAF identifiers Talk Contents About Wikipedia Deutsch Edit links This page was last edited on 17 June 2018, at 20 : 04 ( UTC ). About Wikipedia

Question: what year did molissa fenley perform state of darkness
Answer: 1988