Noli Me Tángere ( novel ) - wikipedia Noli Me Tángere ( novel ) Noli Me Tángere The original front cover of the book. Author José Rizal Country Philippines ( first printing in Berlin ) Language Spanish Genre Novel, Fiction, Satire, Philippine History Publication date 1887 Media type Print ( hardcover ) Followed by El filibusterismo Part of a series on the History of the Philippines Prehistory ( pre-900 ) Paleolithic age Awidon Mesa Formation Callao Limestone Formation Neolithic age Callao and Tabon peoples Arrival of the Negritos Austronesian expansion Angono Petroglyphs Lal - lo and Gattaran Shell Middens Jade culture Iron age Sa Huyun Culture Society of the Igorot Ancient barangays Events / Artifacts Balangay grave goods Manunggul Jar Prehistoric gems Sa Huyun - Kalanay Complex Maitum Anthropomorphic Pottery Archaic epoch ( 900 -- 1521 ) Historically Documented Polities / Settlements ( by geography from North to South ) Samtoy chieftaincy Caboloan Tondo ( historical polity ) Namayan Rajahnate of Maynila Ma - i Kedatuan of Madja - as Chiefdom of Taytay Rajahnate of Cebu Kedatuan of Dapitan Rajahnate of Butuan Sultanate of Maguindanao Lanao confederacy Sultanate of Sulu Legendary Suwarnapumi Chryse Ophir Tawalisi Wāḳwāḳ Sanfotsi Zabag kingdom Ten Bornean Datus Events / Artifacts Maragtas Laguna Copperplate Inscription - c. 900 AD. Butuan Ivory Seal Limestone tombs Batanes citadels Golden Tara Gold Kinnara Ticao Stone Inscription Butuan Silver Paleograph Buddhist art Majapahit conflict - 1365 Brunei War 1500 Colonial period ( 1521 -- 1946 ) Spanish era Battle of Mactan Sandugo Spanish capture of Manila New Spain Captaincy General Spanish East Indies Manila galleon Revolts and uprisings Chinese invasion Castilian War Sulu Sea pirates Doctrina Christiana Dutch invasions Brunei Civil War Bohol secession British Invasion Florante at Laura Propaganda Movement Gomburza Noli me tangere La Solidaridad El filibusterismo La Liga Filipina Katipunan Philippine Revolution Spanish -- American War American capture of Manila Declaration of Independence First Republic Philippine -- American War American colonial period Tagalog Republic Negros Republic Zamboanga Republic Moro Rebellion Insular Government Bayan Ko Commonwealth Japanese occupation Second Republic Destruction of Manila Post-colonial period ( 1946 -- 1986 ) Treaty of Manila Third Republic Cold War Hukbalahap Rebellion SEATO Bandung Conference North Borneo dispute Marcos dictatorship ASEAN Declaration CPP -- NPA -- NDF rebellion Moro Conflict Spratly islands dispute Vietnamese boat people Assassination of Benigno Aquino Jr. Contemporary history ( 1986 -- present ) People Power Revolution 1986 -- 90 coup attempts Pinatubo eruption 1997 Asian financial crisis Second EDSA Revolution War on Terror South China Sea disputes Super Typhoon Yolanda Philippine Drug War By topic Arts Languages Demographic Ancient religions Rulers List of Queen consorts Military History Honorifics Military Science and technology Political Communications Transportation Timeline Historiography Philippines portal Noli Me Tángere ( Latin for Touch Me Not ) is a novel written by José Rizal, one of the national heroes of the Philippines, during the colonization of the country by Spain to expose the inequities of the Spanish Catholic priests and the ruling government. Originally written in Spanish, the book is more commonly published and read in the Philippines in either Tagalog or English. Together with its sequel, El Filibusterismo, the reading of Noli is obligatory for high school students throughout the country. Contents 1 Title 2 Background 3 Plot 4 Publication history 4.1 Recent English editions 5 Reaction and legacy 5.1 Influence on Filipino nationalism 6 Major characters 6.1 Crisóstomo Ibarra 6.2 Maria Clara 6.3 Kapitán Tiago 6.4 Padre Dámaso 6.5 Elías 6.6 Pilosopo Tacio 6.7 Doña Victorina 6.8 Sisa, Crispín, and Basilio 7 Other characters 8 Translations 8.1 English 8.2 Tagalog 8.3 Other languages 9 Adaptations 10 In popular culture 11 See also 12 References 13 External links Title Rizal entitled this novel as such drawing inspiration from `` Touch Me Not '' -- the technical name of a particularly painful type of cancer ( back in his time, it is unknown what is the modern name of said disease ). He proposed to probe all the cancers of Filipino society that everyone else felt too painful to touch. Early English translations of the novel used titles like An Eagle Flight ( 1900 ) and The Social Cancer ( 1912 ), disregarding the symbolism of the title, but the more recent translations were published using the original Latin title. It has also been noted by the Austro - Hungarian writer Ferdinand Blumentritt that `` Noli Me Tángere '' was a name used by ophthalmologists for cancer of the eyelids ; that as an ophthalmologist himself Rizal was influenced by this fact is suggested in the novel 's dedication, `` To My household ''. Background José Rizal, a Filipino nationalist and medical doctor, conceived the idea of writing a novel that would expose the ills of Philippine society after reading Harriet Beecher Stowe 's Uncle Tom 's Cabin. He preferred that the prospective novel express the way Filipino culture was backward, anti-progress, anti-intellectual, and not conducive to the ideals of the Age of Enlightenment. He was then a student of medicine in the Universidad Central de Madrid. In a reunion of Filipinos at the house of his friend Pedro A. Paterno in Madrid on 2 January 1884, Rizal proposed the writing of a novel about the Philippines written by a group of Filipinos. His proposal was unanimously approved by the Filipinos present at the tite, among whom were Pedro, Maximino Viola and Antonio Paterno, Graciano López Jaena, Evaristo Aguirre, Eduardo de Lete, Julio Llorente and Valentin Ventura. However, this project did not materialize. The people who agreed to help Rizal with the novel did not write anything. Initially, the novel was planned to cover and describe all phases of Filipino life, but almost everybody wanted to write about women. Rizal even saw his companions spend more time gambling and flirting with Spanish women. Because of this, he pulled out of the plan of co-writing with others and decided to draft the novel alone. Plot Having completed his studies in Europe, young Juan Crisostomo Magsalin Ibarra ( Spanish Juan Crisóstomo Ibarra y Magsalin ) returns to the Philippines after a seven - year absence. In his honor, Don Santiago de los Santos, also known as `` Captain Tiago '', a family friend, throws a reunion party, attended by friars and other prominent figures. One of the guests, a Franciscan friar named Dámaso Vardolagas, the former curate of San Diego, belittled and slandered Ibarra. The next day, Ibarra visits his betrothed María Clara, the beautiful daughter of Captain Tiago and affluent resident of Binondo. Their long - standing love was clearly manifested in this meeting, and María Clara can not help but reread the letters her sweetheart had written her before he went to Europe. Before Ibarra left for San Diego in time for the town fiesta, Lieutenant Guevara, an officer in the Civil Guard, reveals to him the incidents preceding the death of his father, Don Rafael Ibarra, a rich hacendero of the town. According to Guevara, Rafalel discovered the abuses and corruption committed by the friars. Although a practicing Catholic, Rafael 's non-participation in the Sacraments, such as Confession and Mass were caused by another discovery of Damaso 's evil acts. He was then alleged by Damaso as a subversive and was unjustly accused of being a heretic. Fr. Dámaso 's animosity towards Ibarra 's father is aggravated by another incident when Don Rafael helped out to stop a fight between a tax collector and a child, with the former 's accidental death being blamed on him. People who thought ill of him surfaced with additional complaints. Rafael was imprisoned, and just when the matter was almost settled, he died of an illness in jail. Guevara adds that Rafael 's remains, formerly interred at the local cemetery, were ordered by Dámaso to be exhumed and transferred to the Chinese cemetery, which Damaso believes is a burial place for heathens ; people who do not acknowledge God few years past. However the graveyard caretakers, who sympathize Rafael and the Ibarra family while also despising the friars, instead threw the remains in the lake to fool Dámaso. Revenge was not in Ibarra 's plans, instead he carried through his father 's plan of putting up a school, since he believed education would pave the way to his country 's progress ( all throughout the novel, the author refers to both Spain and the Philippines as two different countries but part of the same nation or family, with Spain seen as the mother and the Philippines as the daughter ). During the inauguration of the school, Ibarra would have been killed in a sabotage had Elías -- a mysterious man who had warned Ibarra earlier of a plot to assassinate him -- not warned him of the plot ( which involved the derrick supporting the cornerstone to be laid on the foundation collapsing on him ). Instead the hired assassin was killed. After the inauguration, Ibarra hosted a luncheon wherein Dámaso attended despite not being invited. The friar again insulted Ibarra, who ignored the priest 's insolence. But when Dámaso slandered the memory of his dead father, Ibarra was no longer able to restrain himself. He picks up a knife and lunged at Dámaso, holding the knife to his neck. After Ibarra tells everyone the truth about the friar 's evil acts and what he had done to insult his late father, he berates Dámaso and prepares to stab him to death only for Maria Clara to stop him out of mercy. Ibarra aborts his plan to kill Dámaso, and is excommunicated for assaulting a cleric after news of the incident reaches the Church. Damaso takes this opportunity to persuade the already - hesitant Tiago to forbid his daughter from marrying Ibarra. The friar instead wanted María Clara to marry Alfonso Linares de Espadaña, a Peninsular who just arrived from Spain. With the help of the sympathetic Governor - General, Ibarra 's excommunication was lifted by Friar Salvi and he ( the Archbishop ) receives him into the Church once again. Meanwhile, Friar Salvi went to the house of the alferez that a revolution was being plotted by Ibarra, but it 's true mastermind was Lucas, not Ibarra. A revolt happened soon after, and both Spanish colonial officials and friars implicated Ibarra as its mastermind. Thus, he was arrested and detained, and was punished to death without having a trial. Meanwhile, in Capitán Tiago 's residence, a party was being held to announce the upcoming wedding of María Clara and Linares. Ibarra, with the help of Elías and the sympathetic Governor - General, took this opportunity to escape from prison. Before leaving, Ibarra spoke to María Clara and accused her of betraying him, thinking she gave the letter he wrote her to the jury. María Clara explained that she would never conspire against him, but that she was forced to surrender Ibarra 's letter to Father Salví, in exchange for the letters written by her mother, Doña Pia, even before she, María Clara, was born. The letter states that Damaso is Maria Clara 's real father. María Clara, thinking Ibarra had been killed in the shooting incident, was greatly overcome with grief. Robbed of hope and severely disillusioned, she asked Dámaso to confine her to a nunnery. Dámaso reluctantly agreed when she threatened to take her own life, demanding, `` the nunnery or death ! '' Unbeknownst to her, Ibarra was still alive and able to escape, as it was Elías who had taken the shots. On Christmas Eve, a fatally injured Elías awakens in a forested land owned by Ibarra 's family, where he had instructed Ibarra to meet him. Instead, Elías found the altar boy Basilio cradling his already - dead mother, Sisa. The woman descended to madness after learning that Basilio and her other son, Crispín, were chased out of the convento by the sacristan mayor on suspicions of stealing two gold pieces. Elías, convinced he would die soon, instructs Basilio to build a funeral pyre and cremate his and Sisa 's corpses. He tells Basilio that, if nobody reaches the place, he was to return later and dig some of Ibarra 's treasures and gold buried in a concealed spot near their graves then use them to get education. In his dying breath, he instructed Basilio to continue dreaming about freedom for his motherland with the words : `` I shall die without seeing the dawn break upon my homeland. You, who shall see it, salute it ! Do not forget those who have fallen during the night. '' Elías died thereafter. In the epilogue, it was explained that Tiago became addicted to opium and was seen to frequent the public opium den in Binondo. María Clara became a nun and Salví, who had lusted after her from the beginning of the novel, regularly used her to sate his carnal desires. One stormy evening, a beautiful yet insane woman was seen on the roof of the nunnery, crying and cursing the heavens for the fate it had handed her. While the woman was never identified by name, the novel insinuates that it was María Clara. Publication history Rizal finished the novel in December 1886. At first, according to one of Rizal 's biographers, Rizal feared the novel might not be printed, and that it would remain unread. He was struggling with financial constraints at the time and thought it would be hard to pursue printing the novel. Financial aid came from a friend named Máximo Viola ; this helped him print the book at Berliner Buchdruckerei - Aktiengesellschaft in Berlin. Rizal was initially hesitant, but Viola insisted and ended up lending Rizal ₱ 300 for 2,000 copies. The printing was finished earlier than the estimated five months. Viola arrived in Berlin in December 1886, and by March 21, 1887, Rizal had sent a copy of the novel to his friend, Blumentritt. The book was banned by Spanish authorities in the Philippines, although copies were smuggled into the country. The first Philippine edition ( and the second published edition ) was finally printed in 1899 in Manila by Chofre y Compania in Escolta. Cover page of the first Philippine edition published in 1899. Recent English editions On August 21, 2007, a 480 - page English - language version of Noli me tangere was released to major Australian book stores. An Australian edition of the novel was published by Penguin Classics ( an imprint by Penguin Books ) to represent the company 's `` commitment to publish the major literary classics of the world. '' American writer Harold Augenbraum, who first read Noli in 1992, translated the novel. A writer well - acquainted with translating other Hispanophone literary works, Augenbraum proposed to translate the novel after being asked for his next assignment in the publishing company. Intrigued by the novel and knowing more about it, Penguin nixed their plan of adapting existing English versions and instead translated it on their own. Reaction and legacy This novel and its sequel, El filibusterismo ( nicknamed El fili ), were banned in Spanish Philippines because of their portrayal of corruption and abuse by the colonial government and the Catholic Church. Copies of the book were nevertheless smuggled in and hidden, and when Rizal returned to the Philippines after completing medical studies, he quickly ran afoul of the local government. A few days after his arrival, Rizal was summoned to Malacañan Palace by Governor - General Emilio Terrero, who told him of the charge that Noli me tangere contained subversive elements. After a discussion, Terrero was appeased but still unable to offer resistance to pressure from the Church against the book. The persecution can be discerned from Rizal 's letter to Leitmeritz : `` My book made a lot of noise ; everywhere, I am asked about it. They wanted to anathematize me ( ' to excommunicate me ' ) because of it... I am considered a German spy, an agent of Bismarck, they say I am a Protestant, a freemason, a sorcerer, a damned soul and evil. It is whispered that I want to draw plans, that I have a foreign passport and that I wander through the streets by night... '' Rizal was exiled to Dapitan in Mindanao, then later arrested for `` inciting rebellion '' based largely on his writings. Rizal was executed by firing squad at the Luneta outside Manila 's walls on December 30, 1896 at the age of thirty - five, at the park that now bears his name. Influence on Filipino nationalism Rizal depicted nationality by emphasising the positive qualities of Filipinos : the devotion of a Filipina and her influence on a man 's life, the deep sense of gratitude, and the solid common sense of the Filipinos under the Spanish regime. The work was instrumental in creating a unified Filipino national identity and consciousness, as many natives previously identified with their respective regions. It lampooned, caricatured and exposed various elements in colonial society. Two characters in particular have become classics in Filipino culture : María Clara, who has become a personification of the ideal Filipino woman, loving and unwavering in her loyalty to her spouse ; and the priest Father Dámaso, who reflects the covert fathering of illegitimate children by members of the Spanish clergy. The book indirectly influenced the Philippine Revolution of independence from Spain, even though Rizal actually advocated direct representation to the Spanish government and an overall larger role for the Philippines within Spain 's political affairs. In 1956, Congress passed Republic Act 1425, more popularly known as the Rizal Law, which requires all levels in Philippine schools to teach the novel as part of their curriculum. Noli me tangere is being taught to third year secondary school students, while its sequel El filibusterismo is being taught for fourth year secondary school students. The novels are incorporated to their study and survey of Philippine literature. Both of Rizal 's novels were initially banned from strict Catholic educational institutions given its negative portrayal of the Church, but this taboo has been largely superseded as religious schools conformed to the Rizal Law. Major characters Crisóstomo Ibarra Juan Crisóstomo Ibarra y Magsalin, commonly referred to the novel as Ibarra or Crisóstomo, is the novel 's protagonist. The mestizo ( mixed - race ) son of Filipino businessman Don Rafael Ibarra, he studied in Europe for seven years. Ibarra is also María Clara 's fiancé. María Clara A crayon sketch of Leonor Rivera -- Kipping by Rizal. Rivera, who was Rizal 's cousin and longtime love interest, is the commonly accepted basis for the María Clara character. Main article : María Clara María Clara de los Santos y Alba, commonly referred to as María Clara, is Ibarra 's fiancée and the most beautiful and widely celebrated girl in San Diego. She was raised by Capitán Tiago de los Santos, and his cousin, Isabel. In the later parts of the novel, she was revealed to be an illegitimate daughter of Father Dámaso, the comer curate of the town, and Doña Pía Alba, Capitán Tiago 's wife, who had died giving birth to María Clara. At the novel 's end, a heartbroken yet resolved María Clara entered the Beaterio de Santa Clara ( a nunnery ) after learning the truth of her parentage and mistakenly believing her lover Crisóstomo to have been killed. In the epilogue, Rizal stated that it is unknown if María Clara is still living within the walls of the convent or she is already dead. Kapitán Tiago Don Santiago de los Santos, known by his nickname Tiago and political title Kapitán Tiago is it is said that Kapitán Tiago is the richest man in the region of Binondo and he possessed real properties in Pampanga and Laguna de Bay. He is also said to be a good Catholic, a friend of the Spanish government and thus was considered a Spaniard by the colonial elite. Capitán Tiago never attended school, so he became the domestic helper of a Dominican friar who gave him an informal education. He later married Pía Alba from Santa Cruz. Padre Dámaso Main article : Father Dámaso Dámaso Verdolagas, or Padre Dámaso is a Franciscan friar and the former parish curate of San Diego. He is notorious for speaking with harsh words, highhandedness, and his cruelty during his ministry in the town. An enemy of Crisóstomo 's father, Don Rafael Ibarra, Dámaso is revealed to be María Clara 's biological father. Later, he and María Clara had bitter arguments whether she would marry Alfonso Linares de Espadaña ( which he preferred ) or to enter the nunnery ( her desperate alternative ). At the end of the novel, he is again reassigned to a distant town and later found dead in his bed. Elías Elías is Ibarra 's mysterious friend and ally. Elías made his first appearance as a pilot during a picnic of Ibarra and María Clara and her friends. He wants to revolutionize the country and to be freed from Spanish oppression. The 50th chapter of the novel explores the past of Elías and history of his family. In the past, Ibarra 's great - grandfather condemned Elías ' grandfather ( Ingkong ) of burning a warehouse which led to misfortune for Elías ' family. This led to Ingkong to commit suicide. Meanwhile, Impong ( Ingkong 's wife, Elias ' grandmother ), who resorted to prostitution to earn money, was accused of killing her husband as she did not bury him. She was to be punished after she gave birth to her second child, who unfortunately died upon birth. In order to avoid her punishment, she, and her son fled to another province. There, she gave birth to another boy ( Elias ' father ). Seeking revenge, the eldest son ( named `` Balat '' ) became a rebel. One day, Impong found Balat 's head hanged on a tree while the other parts of the body were scattered around the province. This shocked Impong which caused her to die. The youngest son fled upon finding out as he knew he will be accused. He fled to Tayabas where he met and fell in love with a girl but her father refused his hand as her family had discovered his past and lineage. Being rich, the father imprisoned the youngest son, but got the girl pregnant. The girl died upon giving birth to twins, a girl and a boy named Elias. In the long run, Elías and his twin sister were raised by their maternal grandfather. They lived luxuriously, but then a servant revealed to them their true parentage, and that their father was one of the servants. The father died after revealing to Elias and her sister their history. One day, his sister disappeared which led him to search for her. His search led him into different places, and finally, he became a fugitive and subversive. When Ibarra had been escaped in prison, they had been attacked Guardia Civil and Elias was hit by the shots of the civils and command Ibarra to hide. Two days later, he command Basilio to get things to cremate Sisa and him. After a long last words he passed away. Pilosopo Tacio Filosofo Tacio, known by his Tagalized name Pilosopong Tasyo, is another major character in the story. Seeking for reforms from the government, he expresses his ideals in paper written in a cryptographic alphabet similar from hieroglyphs and Coptic figures hoping `` that the future generations may be able to decipher it '' and realized the abuse and oppression done by the conquerors. His full name is only known as Don Anastasio. The educated inhabitants of San Diego labeled him as Filosofo Tacio ( Tacio the Sage ) while others called him as Tacio el Loco ( Tacio the Insane ) due to his exceptional talent for reasoning. Doña Victorina Doña Victorina de los Reyes de Espadaña, commonly known as Doña Victorina, is an ambitious Filipina who classifies herself as a Spanish and mimics Spanish ladies by putting on heavy make - up. The novel narrates Doña Victorina 's younger days : she had lots of admirers, but she spurned them all because none of them were Spaniards. Later on, she met and married Don Tiburcio de Espadaña, an official of the customs bureau ten years her junior. However, their marriage is childless. Her husband assumes the title of medical `` doctor '' even though he never attended medical school ; using fake documents and certificates, Tiburcio illegally practices medicine. Tiburcio 's usage of the title Dr. consequently makes Victorina assume the title Dra. ( doctora, female doctor ). Apparently, she uses the whole name Doña Victorina de los Reyes de de Espadaña, with double de to emphasize her marriage surname. She seems to feel that this awkward titling makes her more `` sophisticated. '' Sisa, Crispín, and Basilio Sisa, Crispín, and Basilio represent a Filipino family persecuted by the Spanish authorities : Narcisa or Sisa is the deranged mother of Basilio and Crispín. Described as beautiful and young, although she loves her children very much, she can not protect them from the beatings of her husband, Pedro. Crispín is Sisa 's 7 - year - old son. An altar boy, he was unjustly accused of stealing money from the church. After failing to force Crispín to return the money he allegedly stole, Father Salví and the head sacristan killed him. It is not directly stated that he was killed, but a dream of Basilio 's suggests that Crispín died during his encounter with Padre Salví and his minion. Basilio is Sisa 's 10 - year - old son. An acolyte tasked with ring the church 's bells for the Angelus, he faced the dread of losing his younger brother and the descent of his mother into insanity. At the end of the novel, a dying Elías requested Basilio to cremate him and Sisa in the woods in exchange for a chest of gold located nearby. He will later play a major role in El Filibusterismo. Due to their tragic but endearing story, these characters are often parodied in modern Filipino popular culture. Salomé is Elías ' sweetheart. She lived in a little house by the lake, and though Elías would like to marry her, he tells her that it would do her or their children no good to be related to a fugitive like himself. In the original publication of Noli, the chapter that explores the identity of Elías and Salomé was omitted, classifying her as a total non-existing character. This chapter, entitled Elías y Salomé was probably the 25th chapter of the novel. However, recent editions and translations of Noli provides the inclusion of this chapter, either on the appendix or renamed as Chapter X ( Ex ). Other characters There are a number of secondary and minor characters in Noli Me Tángere. Items indicated inside the parenthesis are the standard Filipinization of the Spanish names in the novel. Padre Hernándo de la Sibyla -- a Dominican friar. He is described as short and has fair skin. He is instructed by an old priest in his order to watch Crisóstomo Ibarra. Padre Bernardo Salví -- the successor of Padre Dámaso as the Franciscan curate of San Diego, and who secretly lusts after María Clara. He is described to be very thin and sickly. It is also hinted that his surname, `` Salvi '' is the shorter form of `` Salvi '' ( `` salvation '' ), or `` Salvi '' is short for `` salvaje '' ( `` savage '', `` wild '' ) hinting at the fact that he is willing to kill an innocent child, Crispín, who he accused of stealing money worth 2 onzas. El Alférez ( Alperes ) -- the unnamed chief of the Guardia Civil and husband of Doña Consolación. He is the sworn enemy of the priests in the town 's power struggle. Doña Consolación -- wife of the Alférez, nicknamed as la musa de los guardias civiles ( The muse of the Civil Guard ) or la Alféreza. She was a former laundrywoman who passes herself as a peninsular, and is best remembered for her abusive treatment of Sisa. Don Tiburcio de Espadaña -- A Spanish quack doctor who is weak and submissive to his pretentious wife, Doña Victorina. Tenyente Guevarra - a close friend of Don Rafael Ibarra. He reveals to Crisóstomo how Don Rafael Ibarra 's death came about. Alfonso Linares -- A distant nephew of Tiburcio de Espadaña, the would - be fiancé of María Clara. Although he presented himself as a practitioner of law, it was later revealed that he is, like Don Tiburcio, a fraud. He later died from medications Don Tiburcio had given him. Tíya Isabel -- Capitán Tiago 's cousin, who helped raise María Clara and served as a surrogate mother figure. Governor - General ( Gobernador - Heneral ) -- Unnamed in the novel, he is the most powerful colonial official in the Philippines. He harbours great disdain for the friars and corrupt officials, and sympathises with Ibarra. Don Filipo Lino -- vice mayor of the town of San Diego, leader of the liberals. Padre Manuel Martín -- he is the linguist curate of a nearby town who delivers the sermon during San Diego 's fiesta. Don Rafael Ibarra -- the deceased father of Crisóstomo Ibarra. Though he was the richest man in San Diego, he was also the most virtuous and generous. Doña Pía Alba -- wife of Capitán Tiago and mother of María Clara, she had died giving birth to her daughter. In reality, she was raped by Padre Dámaso. Don Pedro Eibarramendia - Crisóstomo Ibarra 's Basque great - grandfather who falsely accused Elias 's grandfather and ruined his family. The surname was later shortened to Ibarra, hence Elias does not realize the relationship at first. Albino - a seminarian who follows Crisostomo Ibarra in a picnic with Maria Clara 's friends. Translations Many English and Tagalog translations have been made of Noli Me Tángere, as well as a few other languages. The copyrights of the original text have expired, and the copyrights of some translators have also expired, so certain translations are in the public domain and have been put online by Project Gutenberg. English Friars and Filipinos ( 1900 ) by Frank Ernest Gannett. Available freely via Project Gutenberg. The Social Cancer ( 1912 ) by Charles Derbyshire. Available freely via Project Gutenberg. `` Noli Me Tángere '' : A Complete English Translation of Noli Me Tángere from the Spanish of Dr. José Rizal ( 1956 ) by Senator Camilo Osías. The Lost Eden ( 1961 ) by Leon Ma. Guerrero. Noli Me Tángere ( 1997 ) by Maria Soledad Locsin. Noli Me Tángere ( 2006 ) by Harold Augenbraum. Published by Penguin Classics. Noli Me Tángere : A Shortened Version in Modern English Translated with an Introduction and Notes ( 2016 ) by Nicholas Tamblyn. Tagalog Noli Me Tángere ( also titled Huwag Akong Salangin Nino Man / Nobody Dare Touch Me ) ( 1906 ) by Dr. Pascual H. Poblete. Available freely via Project Gutenberg. Noli Me Tángere ( 1997 ) by Virgilio Almario. Noli Me Tángere ( 1999 ) by Ofelia Jamilosa - Silapan, Tagalog translation of the English translation by León Ma. Guerrero. Other languages Au Pays des Moines ( In the Land of Monks ) ( 1899, French ) by Henri Lucas and Ramon Sempau. Available freely via Project Gutenberg. N'y touchez pas ! ( Do n't touch it ! ) ( 1980, French ) Translation by Jovita Ventura Castro, Collection UNESCO, Connaissance de l'Orient, Gallimard, Paris. Noli me tángere ( 1987, German ) by Annemarie del Cueto - Mörth. Published by Insel Verlag. Noli me tángere ( 2003, Italian ) by Vasco Caini. Published by Debatte editore, Livorno, Italy, ISBN 88 - 86705 - 26 - 3. Noli me Tángere : Filippijnsche roman ( Noli Me Tángere : Filipino Novel ) ( 1912, Dutch ) by Abraham Anthony Fokker, published by Soerabaijasch Handelsblad. Available freely via Project Gutenberg. Adaptations The Noli has been adapted for literature, theater, television, and film. 1915 : Noli Me Tángere, a silent film adaptation by Edward M. Gross. 1930 : Noli Me Tángere, another silent film adaptation, directed by José Nepomuceno under Malayan Movies. 1951 : National Artist for Cinema Gerardo de León directed a motion picture titled Sisa, starring Anita Linda in the role of the titular character. 1957 : Noli Me Tángere : The Opera, an opera in Filipino ( Tagalog ) composed by National Artist for Music Felipe Padilla de Leon with libretto by National Artist for Visual Arts Guillermo Tolentino. World premiere in 1957 at Far Eastern University Auditorium. Staged in 1974 at Cultural Center of the Philippines ( CCP ) Main Theater. Staged in 1987 by Fides Cuyugan - Asensio 's Music Theater Foundation at the CCP. Staged in 2011 ( Nov ) and 2012 ( July - Aug ) by Dulaang Unibersidad ng Pilipinas at Guerrero Theater, University of the Philippines. Staged in 2013, one night only, by Far Eastern University as part of its 85th anniversary at Far Eastern University Auditorium. Staged in 2014, produced by J&S Productions at Newport Performing Arts Theater, Resorts World Manila. Staged in 2017, produced by J&S Productions at Tanghalang Nicanor Abelardo, CCP. International stagings : In 1988, Music Theater Foundation 's 1987 production was toured in the USA with reduced performers in 1988 in Chicago, Detroit, St. Louis and Los Angeles. The first documented staging by a local group in the USA was in 2012, produced by KGB Productions and staged by da Corneto Opera Company at Harris Theater for Music and Dance, Chicago, performed in Filipino with English supertitles. Staged in 2013 in New York, produced by Edwin Josue at the Sylvia and Danny Kaye Playhouse, Hunter College. Staged in 2014 in Washington, DC, produced by Edwin Josue at Eisenhower Theater, Kennedy Center. Staged in 2016 in Richmond, Virginia, produced by Capitol Opera Richmond at Henrico Theatre. To be staged in June 2017 in Boston, produced by KGB Productions and staged by Opera Brittenica, venue TBA. 1961 : Noli Me Tángere, a faithful film adaptation of the novel, was directed by Gerardo de León for Bayanihan - Arriva Productions, featuring Eddie del Mar in the role of Crisóstomo Ibarra. Released for the birth centenary of José Rizal, the motion picture was awarded the Best Picture in the 10th FAMAS Awards. 1979 : Kanser ( Noli Me Tangere ), play in Filipino ( Tagalog ) written by Jomar Fleras. World premiere in 1979 at Cultural Center of the Philippines by theater group Bulwagang Gantimpala. It has been staged annually by Gantimpala Theater ( the group 's new name ) since 1989. In 2015, it was adapted into a sung - through musical by Gantimpala Theater with music composed by Joed Balsamo. 1992 : Noli Me Tángere, a 13 - episode TV series by Eddie S. Romero. This adaptation features Joel Torre in the role of Crisóstomo Ibarra, Chin Chin Gutierrez as María Clara, and Tetchie Agbayani as Sisa. 1995 : Noli Me Tángere, a Filipino ( Tagalog ) musical adaptation of the novel staged by theater company Tanghalang Pilipino with libretto ( book and lyrics ) by National Artist for Literature Bienvenido Lumbera and music by Ryan Cayabyab. It premiered in 1995 at the Cultural Center of the Philippines, directed by Nonon Padilla. It went on to tour Japan. It starred John Arcilla and Audie Gemora alternating as Crisóstomo Ibarra, Monique Wilson as María Clara, and Regine Velasquez as Sisa. Bernardo Bernardo and Bodjie Pascua alternated as Padre Damaso, and Nanette Inventor and Sheila Francisco as Dona Victorina. It was restaged in 2005, directed by Paul Morales, and in 2011, directed by Audie Gemora. In 2014, it was staged in Los Angeles, directed by Olga Natividad. Several excerpts from Noli Me Tángere were dramatized in the 1998 film José Rizal, with Joel Torre as Crisóstomo Ibarra and Monique Wilson as María Clara. 1998 : Sisa, a remake of the 1951 film of the same name. Written and directed by Mario O'Hara. 2005 : Noli Me Tángere 2, a modern literary adaptation of the novel written by Roger Olivares. 2008 -- 2009 : Noli at Fili : Dekada 2000, a stage adaptation of Noli Me Tángere and El Filibusterismo by the Philippine Educational Theater Association, set in the present day, in the fictional town of Maypajo in the province of San Lorenzo. Written by Nicanor G. Tiongson and directed by Soxie Topacio. In popular culture A series of streets in the Sampaloc area of Manila are named after the characters Ibarra, Sisa and Basilio. A street in Makati city is called Ibarra Street between Matanzas and Guernica streets A restaurant serving Filipino cuisine at Greenbelt in Makati is called Restaurante Pia y Damaso, after María Clara 's biological parents. A restaurant chain called Crisostomo features dishes from Filipino history and culture such as `` Atcharra ni Ibarra ''. Its sister restaurant is called Elías. See also El filibusterismo Mga Ibong Mandaragit References Jump up ^ Jose, Ricardo ( 1998 ). KASAYSAYAN The Story of The Filipino People ( Reform and Revolution ). Philippines : Asia Publishing Company Limited. p. 83. ISBN 962 - 258 - 230 - 3. Jump up ^ `` Father Dámaso Explains ''. Web.archive.org. 2009 - 10 - 27. Archived from the original on October 27, 2009. Retrieved 2014 - 07 - 09. Jump up ^ `` Noli Me Tángere ''. Jose Rizal University. Retrieved 2008 - 10 - 22. ^ Jump up to : Ubalde, Mark J. ( 2007 - 08 - 22 ). `` Rizal 's Noli hits major Aussie book shelves ''. GMA News. Retrieved 2008 - 10 - 22. Jump up ^ Republic Act 1425 : An Act to Include in the Curricula of All Public and Private Schools, Colleges and Universities Course on the Life, Works, and Writings of Jose Rizal, Particularly His Novels Noli Me Tangere and El Filibusterismo, Authorizing the Printing and Distribution Thereof, and for Other Purposes. Jump up ^ Derbyshire, Charles ( 1912 ). `` II : Crisostomo Ibarra ''. The Social Cancer. New York : World Book Company. Retrieved 14 July 2010. ^ Jump up to : Derbyshire, Charles ( 1912 ). `` VI : Capitan Tiago ''. The Social Cancer. New York : World Book Company. Retrieved 14 July 2010. ^ Jump up to : Derbyshire, Charles ( 1912 ). `` LXII : Padre Damaso Explains ''. The Social Cancer. New York : World Book Company. Retrieved 14 July 2010. ^ Jump up to : Derbyshire, Charles ( 1912 ). `` Epilogue ''. The Social Cancer. New York : World Book Company. Retrieved 14 July 2010. ^ Jump up to : Derbyshire, Charles ( 1912 ). `` I : A Social Gathering ''. The Social Cancer. New York : World Book Company. Retrieved 14 July 2010. Jump up ^ Derbyshire, Charles ( 1912 ). `` LX : Maria Clara Weds ''. The Social Cancer. New York : World Book Company. Retrieved 14 July 2010. Jump up ^ Derbyshire, Charles ( 1912 ). `` XXII : Fishing ''. The Social Cancer. New York : World Book Company. Retrieved 14 July 2010. Jump up ^ Derbyshire, Charles ( 1912 ). `` XXIV : In the Wood ''. The Social Cancer. New York : World Book Company. Retrieved 14 July 2010. Jump up ^ Derbyshire, Charles ( 1912 ). `` L : Elias ''. The Social Cancer. New York : World Book Company. Retrieved 14 July 2010. Jump up ^ In Chapter 25, Filosofo Tacio insisted to Ibarra that he can not understand hieroglyphs or Coptic. Instead, he writes using an invented form of alphabet that is based on Tagalog language. Derbyshire, Charles ( 1912 ). `` XXV : In the House of the Sage ''. The Social Cancer. New York : World Book Company. Retrieved 15 July 2010. Jump up ^ Derbyshire, Charles ( 1912 ). `` XXV : In the House of the Sage ''. The Social Cancer. New York : World Book Company. Retrieved 15 July 2010. ^ Jump up to : Derbyshire, Charles ( 1912 ). `` XLVII : The Espadañas ''. The Social Cancer. New York : World Book Company. Retrieved 14 July 2010. Jump up ^ `` Friars and Filipinos ''. Project Gutenberg. Retrieved 17 October 2010. Jump up ^ `` The Social Cancer : A Complete English Version of Noli Me Tangere by José Rizal - Free Ebook ''. Gutenberg.org. 2004 - 10 - 01. Retrieved 2016 - 12 - 02. Jump up ^ `` Noli me tangere : a complete English translation of Noli me tangere from the Spanish of Dr. Jose Rizal / by Camilo Osias ''. National Library of Australia. Retrieved 17 October 2010. Jump up ^ `` The lost Eden ( Noli me tangere ) A completely new translation for the contemporary reader by Leon Ma. Guerrero. Foreword by James A. Michener ''. National Library of Australia. Retrieved 17 October 2010. Jump up ^ `` Noli Me Tangere ''. Google Books. Retrieved 17 October 2010. Jump up ^ `` Noli Me Tangere ''. Google Books. Retrieved 17 October 2010. Jump up ^ `` Noli Me Tángere : A Shortened Version in Modern English Translated with an Introduction and Notes by Nicholas Tamblyn ''. amazon.com. Retrieved 5 December 2016. Jump up ^ `` Noli Me Tangere / Huag Acong Salangin Nino Man : Pascual Poblete Filipino translation by Rizal, Jose ''. Filipiniana.net. Retrieved 17 October 2010. Jump up ^ `` Noli Me Tangere ''. Archived from the original on September 7, 2010. Retrieved 17 October 2010. Jump up ^ `` Au Pays des Moines ''. Project Gutenberg. Retrieved 17 October 2010. Jump up ^ `` Noli me Tangere : Filippijnsche roman ''. Project Gutenberg. Retrieved 17 October 2010. Jump up ^ `` Critic After Dark : Ambitious failures ( part 2 ) ''. Noel Vera. Retrieved 2010 - 11 - 03. Jump up ^ Vail Kabristante, George ( September 25, 2008 ). `` Jose Nepomuceno : The Father of R.P. Movies ''. pelikulaatbp.blogspot.com. from Jingle Extra Hot Movie Entertainment Magazine, no. 13, May 4, 1981. Retrieved 21 February 2017. Jump up ^ `` On the FEU stage ''. Jump up ^ `` The Odyssey of De Leon 's ' Noli Me Tangere ' From Manila to USA and Back ''. Jump up ^ `` Dulaang UP 's ' Noli ' opera opens Nov. 21 by Walter Ang ''. Ang, Walter. `` Dulaang UP 's ' Noli ' opera opens Nov. 21 ''. Jump up ^ `` ' Noli Me Tangere : The Opera ' restaging opens Dulaang UP 's 37th seaon ''. Jump up ^ `` De Leon 's `` Noli Me Tangere '' at FEU `` ''. January 22, 2013. Retrieved February 21, 2017. Jump up ^ `` J&S Productions About Us Page ''. Jump up ^ Tariman, Pablo A. `` The Odyssey of De Leon 's ' Noli me Tangere ' From Manila to USA and Back ''. Jump up ^ `` Karrel G. Bernardo Productions produces Noli Me Tangere the Opera ''. Jump up ^ Schweitzer, Viven ( October 8, 2013 ). `` Filipino Opera, Informed by Oppression -- ' Noli Me Tangere, ' at the Kaye Playhouse ''. Retrieved February 21, 2017. Jump up ^ `` ' Noli Me Tangere ' Filipino opera will tell moving tale at Kennedy Center ''. Jump up ^ Farrell, Tony ( September 24, 2016 ). `` Capitol Opera Richmond tackles `` Noli Me Tangere '' in Tagalog ``. Retrieved February 21, 2017. Jump up ^ `` Opera Brittenica website ''. Jump up ^ `` Views From The Pamang -- 196 : Eddie Del Mar, Kapampangan ' Rizal ' of the Silver Screen ''. Retrieved 2010 - 11 - 03. Jump up ^ `` Noli me Tangere ( 1961 ) ''. Internet Movie Database. Retrieved 2009 - 11 - 03. Jump up ^ gibbs cadiz ( 2012 - 08 - 22 ). `` GIBBS CADIZ : Gantimpala Theater 's Kanser ( Noli Me Tangere ) returns ''. Gibbscadiz.blogspot.in. Retrieved 2016 - 12 - 02. Jump up ^ `` Words of Walter : Gantimpala Theater Foundation is looking for a new home ''. Wordsofwalter.blogspot.in. 2014 - 10 - 25. Retrieved 2016 - 12 - 02. Jump up ^ `` After 35 years, ' Kanser ' -- Gantimpala 's ' Noli ' adaptation -- now a musical ''. Jump up ^ `` Noli me Tangere musical ''. Ang, Walter. `` Cayabyab - Lumbera 's ' Noli ' musical to debut in Los Angeles by Walter Ang. Retrieved 2014 - 08 - 17. Jump up ^ `` Sisa ( 1999 ) ''. Internet Movie Database. Retrieved 2009 - 11 - 13. ^ Jump up to : `` At Last After 118 yrs... A sequel to Jose Rizal 's classic ''. Roger Olivares. Retrieved 2009 - 11 - 13. Jump up ^ `` Experience Theater. Experience PETA. ''. Philippine Educational Theater Association. Archived from the original on July 15, 2011. Retrieved 2011 - 02 - 12. Jump up ^ `` Restaurante Pia Y Damaso ''. Facebook. Retrieved 2014 - 07 - 09. External links Find more aboutNoli Me Tángere ( novel ) at Wikipedia 's sister projects Media from Commons Texts from Wikisource Textbooks from Wikibooks Data from Wikidata Original text in Spanish ( complete novel ) Book notes / Summary in Tagalog ( Noli Me Tangere ) Book notes / Summary in English ( The Social Cancer ) Complete English version ( The Social Cancer ) Full Text English translation Complete text : HTML, images, OCR ( in Spanish ) Charles Derbyshire English translation Pascual Poblete Tagalog translation Noli Me Tangere public domain audiobook at LibriVox Noli Me Tangere : Deciphered in Filipino Rizal 's Little Odyssey Noli Me Tangere 13 - episode television series from the Cultural Center of the Philippines ¡ Caiñgat Cayo ! Fan Language, an article by Ambeth R. Ocampo regarding romantic practices and sensual undertones which can be found in the unabridged version of Noli Me Tangere, from his Looking Back column on the pages of the Philippine Daily Inquirer on February 2, 2005, page 13, news.google.com Opere di José Rizal, versione italiana di Vasco Caini Philippine Revolution Battles People Events Prelude Novales Revolt Palmero Conspiracy Gomburza Concurrent Cry of Pugad Lawin Bonifacio Plan Katagalugan ( Bonifacio ) Imus Assembly Tejeros Convention Republic of Biak - na - Bato Elections Pact Spanish -- American War Declaration of Independence Malolos Congress República Filipina Negros Revolution Republic of Negros Republic of Zamboanga Epilogue Treaty of Paris Philippine -- American War Katagalugan ( Sacay ) Moro Rebellion Philippine Autonomy Act of 1916 Commonwealth of the Philippines Treaty of Manila Organizations American Anti-Imperialist League Aglipayan Church Katipunan La Liga Filipina Magdalo faction Magdiwang faction Philippine Constabulary Philippine Revolutionary Army Pulajanes Propaganda Movement Documents El filibusterismo Kartilya ng Katipunan La Solidaridad Malolos Constitution Mi último adiós Noli Me Tángere Symbols Flags of the Philippine Revolution Flag of the Philippines Lupang Hinirang Spoliarium Retrieved from `` https://en.wikipedia.org/w/index.php?title= Noli_Me_Tángere_ ( novel ) &oldid = 802941270 '' Categories : 1887 novels Philippine Revolution Spanish - language novels Historical novels Novels by José Rizal Debut novels Novels set in the Philippines Spanish Empire in fiction Hidden categories : All articles with unsourced statements Articles with unsourced statements from August 2017 Articles with Spanish - language external links Articles with LibriVox links Talk Contents About Wikipedia Languages Bikol Central Cebuano Chavacano de Zamboanga Deutsch Español Français Italiano Latina മലയാളം Nederlands Tagalog ไทย Winaray Edit links This page was last edited on 29 September 2017, at 13 : 10. 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Question: what made the author wrote this novel noli me tangere
Answer: to expose the inequities of the Spanish Catholic priests and the ruling government