Physical Graffiti - wikipedia Physical Graffiti Physical Graffiti Studio album by Led Zeppelin Released 24 February 1975 ( 1975 - 02 - 24 ) Recorded July and December 1970, January -- March 1971, May 1972, January -- February 1974 at multiple locations Genre Rock Length 82 : 59 Label Swan Song Producer Jimmy Page Led Zeppelin chronology Houses of the Holy ( 1973 ) Physical Graffiti ( 1975 ) Presence ( 1976 ) Singles from Physical Graffiti `` Trampled Under Foot / Black Country Woman '' Released : 2 April 1975 Physical Graffiti is the sixth studio album by the English rock band Led Zeppelin. It was released as a double album on 24 February 1975 by the group 's new record label, Swan Song Records. The band wrote and recorded eight new songs for the album in early 1974 at Headley Grange, a country house in Hampshire, which gave them ample time to improvise arrangements and experiment with recording. The total playing time covered three sides of an LP, so they decided to expand it into a double by including previously unreleased tracks from the sessions for the earlier albums Led Zeppelin III, Led Zeppelin IV and Houses of the Holy. The album covered a range of styles including hard rock, progressive rock, rock ' n ' roll and folk. The album was then mixed over summer 1974 and planned for an end - of year release. It was delayed because of the sleeve, which was designed by Peter Corriston and featured a theme around a tenement block in Manhattan, New York. Physical Graffiti was commercially and critically successful upon its release and debuted at number one on album charts in both the US and the UK. It was promoted by a successful US tour and a five - night residency at Earl 's Court, London, and has since been viewed as one of the group 's strongest albums and the artistic peak of their career. The album has been reissued on CD several times, including an expansive 40th anniversary edition in 2015. Physical Graffiti was later certified 16 × platinum in the United States by the Recording Industry Association of America ( RIAA ) in 2006, signifying shipments of over eight million copies. Contents 1 Recording 2 Songs 2.1 Side one 2.2 Side two 2.3 Side three 2.4 Side four 2.5 Unreleased material 3 Artwork and packaging 4 Release and critical reception 4.1 Accolades 5 Reissues 6 Track listing 6.1 Standard edition 6.2 Deluxe edition bonus disc 7 Personnel 8 Charts 9 Certifications 10 See also 11 References Recording The first attempt by Led Zeppelin to record songs for Physical Graffiti took place in November 1973 at Headley Grange in Hampshire, England, where they had previously recorded their untitled fourth album. The recording equipment consisted of Ronnie Lane 's Mobile Studio. Guitarist and producer Jimmy Page and drummer John Bonham recorded an instrumental which was later reworked as `` Kashmir '' during this visit. However, these sessions came to a halt quickly and the studio time was turned over to Bad Company, who used it to record songs for their eponymous debut album. The press reported that bassist / keyboardist John Paul Jones was ill and unable to record. However, he became disillusioned with the group and fed up with touring, and told manager Peter Grant he was considering quitting. Grant asked him to reconsider and take the rest of the year off to recuperate. The group reconvened at Headley Grange in January and February 1974, where they recorded eight tracks engineered by Ron Nevison. Lead singer Robert Plant later referred to these eight tracks as `` the belters '', including `` off - the - wall stuff that turned out really nice ''. As with previous sessions at Headley Grange, the informal atmosphere allowed the group to improvise and develop material while recording. Sometimes the group would rehearse or record a track several times, discuss what went wrong or what could be improved and then realised they had worked out an alternative arrangement for it which was better. Bonham was a driving force at the sessions, regularly suggesting ideas or the best ways that a complicated arrangement could be played successfully. This led to him getting a lead songwriting credit on several tracks. The eight songs extended beyond the length of a conventional album, spanning three sides of an LP, so the group decided to create a double album, adding material they had recorded for previous albums but never issued. This included various jam sessions such as `` Boogie With Stu '' which Page thought would be unsuitable as a track on a single album. Additional overdubs were laid down and the final mixing of the album was performed in July 1974 by Keith Harwood at Olympic Studios, London. The title `` Physical Graffiti '' was coined by Page to illustrate the whole physical and written energy that had gone into producing the set. Songs Bron - Yr - Aur cottage was the birthplace of `` The Rover '', `` Bron - Yr - Aur '', and `` Down by the Seaside ''. The album spanned several years of recording and covered a range of musical styles, including hard rock ( `` Custard Pie '', `` The Rover '', `` The Wanton Song '', `` Sick Again '', `` Houses of the Holy '' ), eastern - influenced orchestral rock ( `` Kashmir '' ), progressive rock ( `` In the Light '' ), driving funk ( `` Trampled Under Foot '' ), acoustic rock and roll ( `` Boogie with Stu '', `` Black Country Woman '' ), love ballad ( `` Ten Years Gone '' ), blues rock ( `` In My Time of Dying '' ), soft rock ( `` Down by the Seaside '' ), country rock romp ( `` Night Flight '' ), and acoustic guitar instrumental ( `` Bron - Yr - Aur '' ). Several tracks from the album became live staples at Led Zeppelin concerts. In particular, `` In My Time of Dying '', `` Trampled Under Foot '', `` Kashmir '', `` Ten Years Gone '', `` Black Country Woman '', and `` Sick Again '' became regular components of the band 's live concert set lists following the release of the album. Side one `` Custard Pie '' was recorded at Headley Grange in early 1974. The first take was played at a faster tempo than the finished version, with various improvised vocals. After a basic run - through, the group then discussed possibilities for rearranging it. Page played the guitar solo through an ARP synthesiser, while Jones overdubbed a Hohner Clavinet part and Plant played harmonica. `` The Rover '' was written in 1970 at Bron - Yr - Aur, a cottage near Machynlleth, Wales. It was first recorded at Headley Grange in May 1970 as an acoustic number for Led Zeppelin III. It was reworked as an electric number in 1972 for Houses of the Holy, which formed the basis for the backing track. Page subsequently added guitar overdubs in 1974 with Keith Harwood engineering. `` In My Time of Dying '' is based on a traditional song that Bob Dylan recorded on his debut album in 1962. The track was recorded live, with Page later adding further slide guitar overdubs. The arranging and structuring was led by Bonham, who worked out where the various stop / start sections in the track should be, and how the group would know where to come back in. The very end of the song features his off - mic cough, causing the rest of the group to break down at that point. Bonham subsequently shouted `` That 's got to be the one, has n't it ? '', feeling it was the best take. It was left on the album to show fans that Led Zeppelin were a working band that took care in their recordings. Side two `` Houses of the Holy '' was recorded as the title track for the album of the same name in June 1972 at Electric Lady Studios with Eddie Kramer engineering. It was left off that album because of its similarity to other tracks such as `` Dancing Days '', which were felt to be better. Unlike some of the other older material on Physical Graffiti, it required no further overdubbing or remixing. `` Trampled Under Foot '' developed from a jam session driven by Jones at the Clavinet. The song went through several arrangement changes before arriving at the version heard on the album, with the group rehearsing various different ideas and arguing about the overall style. Bonham decided the track was too `` souly '' and rearranged it into a funk style, suggesting that Page should play a guitar riff throughout in place of chords. The lyrics are a series of double entendres around driving and cars. The song quickly became a popular live piece that was played at every live show from 1975 onwards, and was later revived by Plant for his solo tours. It was released as a single in the US on 2 April ( with `` Black Country Woman '' as the B - side ) and was a top 40 hit. `` Kashmir '' was an idea from Page and Bonham, and was first attempted as an instrumental demo in late 1973. Plant wrote the lyrics while on holiday in Morocco. Jones played Mellotron on the track, and arranged strings and brass parts that were played by session musicians. The song was one of the most critically acclaimed on the album, and was played at every gig from 1975 onwards. Page and Plant played it on their 1994 tour, and it was reworked in 1998 by Sean `` Puffy '' Combs for his single `` Come With Me '' which featured Page on guitar. Side three `` In the Light '' was recorded at Headley Grange in early 1974. It was initially called `` In the Morning '' and went through several rehearsals and takes to work out a basic structure. A drone / chant introduction was later added to the piece. `` Bron - Yr - Aur '' was a solo acoustic piece by Page, named after the cottage where he had composed and arranged much of Led Zeppelin III with Plant. It was recorded at Island Studios in mid-1970. The track was later used as background music in the group 's film The Song Remains the Same. `` Down by the Seaside '' was originally written as an acoustic track at Bron - Yr - Aur in 1970, and was influenced by Neil Young. It was reworked as an electric track during sessions for the fourth album the following year. Page and Bonham led the arranging, changing tempo from the slow to fast section and then back again. `` Ten Years Gone '' was mostly composed by Plant about an old love affair, and was combined with an instrumental piece from Page, featuring overdubbed electric and acoustic guitar parts. When the track was performed live, Jones played a triple - neck guitar featuring mandolin, six - and twelve - string guitars, in order to try to reproduce the various guitar overdubs on the studio recording. Side four Some older material for Physical Graffiti was recorded at Stargroves. `` Night Flight '' was recorded at Headley Grange in 1971 for the fourth album. Jones plays Hammond organ on the track, and Page plays guitar through a Leslie speaker. Plant wrote the lyrics after reading a news headline entitled `` Nuclear Damage Test Threat '' and wondered why there seemed to be little peace and love in the world. `` The Wanton Song '' was built around a Page guitar riff. Unlike some of the other tracks recorded at the 1974 Headley Grange sessions, it was straightforward to arrange, with the group building the song around the riffs. `` Boogie with Stu '' was a jam session with Rolling Stones pianist Ian Stewart based around the Ritchie Valens song `` Ooh My Head ''. It was recorded in 1971 at Headley Grange during the same session that produced `` Rock and Roll '' for the fourth album. `` Black Country Woman '' was recorded in the garden at Stargroves in 1972 for Houses of the Holy, as part of the group 's desire to work in `` off the wall '' locations outside a traditional studio environment. The track was nearly abandoned when an aeroplane cruised overhead, but it was left on the final recording for effect. `` Sick Again '' was written by Page and Plant about the 1973 tour and their experience with meeting groupies. The track was driven by Bonham 's drumming and Page 's guitar riffs. The arrangement had been worked out before recording, and was straightforward to put down on tape. Unreleased material As Physical Graffiti collected various out - takes from earlier albums, little was left over from the recording sessions that was not eventually released. An early arrangement of `` Custard Pie '', different from the final version, was reworked as `` Hots on For Nowhere '' on the following album, Presence. A number of other outtakes from earlier album sessions that had not been put on Physical Graffiti were later included on the 1982 album Coda. Artwork and packaging 96 and 98 East 8th Street / St. Mark 's Place ( Manhattan ) The album was originally released with a die - cut sleeve design depicting a New York City tenement block, through whose windows various cultural icons could be interchangeably viewed. The album designer, Peter Corriston, was looking for a building that was symmetrical with interesting details, that was not obstructed by other objects and would fit the square album cover. He subsequently came up with the rest of the cover based on people moving in and out of the tenement, with various sleeves that could be placed under the main cover and filling the windows with various pieces of information. The two five - storey buildings photographed for the album cover are located at 96 and 98 St. Mark 's Place in New York City. The original photograph underwent a number of tweaks to arrive at the final image. The fifth floor of the building had to be cropped out to fit the square album cover format. Eschewing the usual gatefold design in favour of a special die - cut cover, the original album jacket included four covers made up of two inners ( for each disc ), a middle insert cover and an outer cover. The middle insert cover is white and details all the album track listings and recording information. The outer cover has die - cut windows on the building, so when the middle cover is wrapped around the inner covers and slid into the outer cover, the title of the album is shown on the front cover, spelling out the name `` Physical Graffiti ''. Images in the windows touched upon a set of American icons and a range of Hollywood ephemera. Pictures of W.C. Fields and Buzz Aldrin alternated with the snapshots of Led Zeppelin. Photographs of Lee Harvey Oswald, Marcel Duchamp and Pope Leo XIII are also featured. Per the liner notes, package concept and design was by AGI / Mike Doud ( London ) and Peter Corriston ( New York ). Photography was by Elliot Erwitt, B.P. Fallen, and Roy Harper. `` Tinting Extraordinaire : '' Maurice Tate, and window illustration by Dave Heffernan. In 1976 the album was nominated for a Grammy Award in the category of best album package. Release and critical reception Professional ratings Review scores Source Rating AllMusic Christgau 's Record Guide B+ The Daily Telegraph Encyclopedia of Popular Music MusicHound Rock 4.5 / 5 Q The Rolling Stone Album Guide The Village Voice Physical Graffiti was Led Zeppelin 's first release on their own Swan Song Records label, which had been launched in May 1974. Until this point, all of Led Zeppelin 's albums had been released on Atlantic Records, who would distribute Swan Song. The album was first announced to the press on 6 November with a planned release date of 29 November and an accompanying US tour ( the band 's tenth ) starting in January. Delays in the production of the album 's sleeve design prevented its release prior to the commencement of the tour. It was finally released on 24 February 1975. Led Zeppelin touring the US shortly before the release of Physical Graffiti The album was a commercial and critical success, having built up a huge advance order following the delayed release date, and when eventually issued it reached No. 1 in the UK charts. In the US, it debuted at No. 3 on Billboard 's Pop Albums chart, rising to No. 1 the following week and staying there for six weeks. Physical Graffiti has since proven to be one of the most popular releases by the group, shipping 8 million copies in the United States. It was the first album to go platinum on advance orders alone. Shortly after its release, all previous Led Zeppelin albums simultaneously re-entered the top - 200 album chart. The group debuted several songs from Physical Graffiti live for the first time at a warm - up gig in Rotterdam, Netherlands on 11 January, a week before the US tour, which lasted until 27 March. The tour was also successful, and was followed up by a series of shows at Earl 's Court, London. Tickets for the shows sold out within four hours, described by promoter Mel Bush as `` unprecedented demand in the history of rock music '', so a further two dates were added. The shows attracted rave reviews, and critics noted the band enjoyed playing the new material on Physical Graffiti more than the older songs. NME 's Nick Kent reviewed the album three months before it was released. He speculated it could be the group 's best work to date, saying `` the album 's tonal density is absolutely the toughest, most downright brutal I 've heard all year ''. In March 1975, Billboard magazine 's reviewer wrote : `` ( Physical Graffiti ) is a tour de force through a number of musical styles, from straight rock to blues to folky acoustic to orchestral sounds. '' Similarly, Jim Miller stated in Rolling Stone that the double album was `` the band 's Tommy, Beggar 's Banquet and Sgt. Pepper rolled into one : Physical Graffiti is Led Zeppelin 's bid for artistic respectability ''. Village Voice critic Robert Christgau was less impressed, writing that except for side two, the material often wanders into `` wide tracks, misconceived opi, and so forth '', and `` after a while Robert Plant begins to grate ''. Plant later felt that Physical Graffiti represented the band at its creative peak, and has since said that it is his favourite Led Zeppelin album. Page has also said the album was a `` high - water mark '' for the group, and the creative energy from jamming and gradually working out song structures together led to some strong material. Reviewing the album for BBC Music in 2007, Chris Jones described it as `` a towering monument to the glory of Zeppelin in their high - flying heyday ''. Accolades Publication Country Accolade Year Rank Grammy Award US `` Grammy Award for Best Recording Package '' 1976 Nominee Rolling Stone US `` The 500 Greatest Albums of All Time '' 2003 70 Pitchfork US `` Top 100 Albums of the 1970s '' 95 AllMusic US `` Top Digital Albums '' 2012 20 AllMusic US `` Top Pop Catalog '' 2012 AllMusic US `` Billboard 200 '' 2012 43 Classic Rock UK `` 100 Greatest Rock Album Ever '' 5 Mojo UK `` The 100 Greatest Albums Ever Made '' 47 Q UK `` 100 Greatest Albums Ever '' 2003 41 Record Collector UK `` Classic Albums from 21 Genres for the 21st century '' 2005 * Robert Dimery US 1001 Albums You Must Hear Before You Die 2005 * Q UK `` 100 Best Albums Ever '' 2006 57 Classic Rock UK `` 100 Greatest British Rock Album Ever '' 2006 7 Rock and Roll Hall of Fame US `` The Definitive 200 : Top 200 Albums of All - Time '' 2007 93 Guitar World US `` Reader 's Poll : 100 Greatest Guitar Albums '' 2006 9 ( * ) designates unordered lists. Reissues Professional ratings Aggregate scores Source Rating Metacritic 97 / 100 Review scores Source Rating Consequence of Sound A -- The Guardian Pitchfork 10 / 10 Uncut 8 / 10 Physical Graffiti was first issued on CD in 1987. However, it was done without input from the band, used second and third - generation master tapes, and accidentally edited off the studio banter at the end of `` In My Time of Dying ''. Page was unhappy with the lack of care over the CDs and decided he would produce new versions himself. He booked a week in May 1990 with engineer George Marino to remaster the entire back catalogue. `` Houses of the Holy '', `` Tramped Under Foot '' and `` Kashmir '' appeared on the 1990 compilation Remasters, while the whole album was reissued on CD in 1994. An extended remastered version of Physical Graffiti was reissued on 23 February 2015, almost exactly forty years after the original album was released. The reissue comes in six formats : a standard two - CD edition, a deluxe three - CD edition, a standard two - LP version, a deluxe three - LP version, a super deluxe three - CD plus three - LP version with a hardback book, and as high resolution 96k / 24 - bit digital downloads. The deluxe and super deluxe editions feature bonus material containing alternative takes and arrangements of songs. The reissue was released with an altered colour version of the original album 's artwork as its bonus disc 's cover. Track listing Standard edition All tracks written by Jimmy Page and Robert Plant, except where noted. Side one No. Title Date and location Length 1. `` Custard Pie '' January -- February 1974, Headley Grange, Hampshire 4 : 13 2. `` The Rover '' May 1972, Stargroves ( Houses of the Holy outtake ) 5 : 36 3. `` In My Time of Dying '' ( John Bonham, John Paul Jones, Page, and Plant ) January -- February 1974, Headley Grange 11 : 04 Side two No. Title Date recorded Length 4. `` Houses of the Holy '' May 1972, Olympic Studios, London ( Houses of the Holy outtake ) 4 : 01 5. `` Trampled Under Foot '' ( Jones, Page, and Plant ) January -- February 1974, Headley Grange 5 : 35 6. `` Kashmir '' ( Bonham, Page, and Plant ) January -- February 1974, Headley Grange 8 : 37 Side three No. Title Date recorded Length 7. `` In the Light '' ( Jones, Page, and Plant ) January -- February 1974, Headley Grange 8 : 44 8. `` Bron - Yr - Aur '' ( Page ) July 1970, Island Studios, London ( Led Zeppelin III outtake ) 2 : 06 9. `` Down by the Seaside '' February 1971, Island Studios, London ( Led Zeppelin IV outtake ) 5 : 14 10. `` Ten Years Gone '' January -- February 1974, Headley Grange 6 : 31 Side four No. Title Date recorded Length 11. `` Night Flight '' ( Jones, Page, and Plant ) January 1971, Headley Grange ( Led Zeppelin IV outtake ) 3 : 36 12. `` The Wanton Song '' January -- February 1974, Headley Grange 4 : 06 13. `` Boogie with Stu '' ( Bonham, Jones, Page, Plant, Ian Stewart, Mrs Valens ) January 1971, Headley Grange ( Led Zeppelin IV outtake ) 3 : 51 14. `` Black Country Woman '' May 1972, Stargroves ( Houses of the Holy outtake ) 4 : 24 15. `` Sick Again '' January -- February 1974, Headley Grange 4 : 43 Deluxe edition bonus disc Reissued track listing No. Title Writer ( s ) Length 1. `` Brandy & Coke '' ( `` Trampled Under Foot '' ) ( Initial / Rough Mix ) Jones Page Plant 5 : 38 2. `` Sick Again '' ( Early Version ) Page Plant 2 : 20 3. `` In My Time of Dying '' ( Initial / Rough Mix ) Bonham Jones Page Plant 10 : 45 4. `` Houses of the Holy '' ( Rough Mix with Overdubs ) Page Plant 3 : 51 5. `` Everybody Makes It Through '' ( `` In the Light '' ) ( Early Version / In Transit ) Jones Page Plant 6 : 29 6. `` Boogie with Stu '' ( Sunset Sound Mix ) Bonham Jones Page Plant Stewart Valens 3 : 36 7. `` Driving Through Kashmir '' ( `` Kashmir '' ) ( Rough Orchestra Mix ) Bonham Page Plant 8 : 33 Total length : 41 : 29 Personnel Led Zeppelin John Bonham -- drums, percussion John Paul Jones -- bass guitar, keyboards, mandolin, acoustic guitar, string and brass arrangements Jimmy Page -- electric, acoustic, lap steel and slide guitars, production Robert Plant -- lead vocals, harmonica Extra musicians Ian Stewart -- piano on `` Boogie with Stu '' Engineers George Chkiantz -- engineering at Olympic ( 1972 ) Keith Harwood -- engineering at Olympic ( 1974 ) Andy Johns -- engineering at Island ( 1970 & 1971 ) and Headley Grange ( 1971 ) Eddie Kramer -- engineering at Stargroves ( 1972 ) Ron Nevison -- engineering at Headley Grange ( 1974 ) Artwork Peter Corriston -- artwork, design, cover design Mike Doud -- artwork, design, cover design Elliot Erwitt -- photography B.P. Fallon -- photography Roy Harper -- photography Dave Heffernan -- illustrations Others Peter Grant -- executive producer George Marino and Jimmy Page -- remastered CD release Charts Chart ( 1975 ) Peak position Austrian Albums Chart Canadian RPM Albums Chart Danish Albums Chart 10 French Albums Chart Italian Albums Chart 17 Japanese Albums Chart 13 New Zealand Top 50 Albums Chart Norwegian Albums Chart Spanish Albums Chart UK Albums Chart US Billboard 200 Albums Chart Chart ( 2015 ) Peak position Australian Albums Chart 13 Austrian Albums Chart 7 Danish Albums Chart 31 French Albums Chart 23 German Albums Chart New Zealand Albums Chart 6 Norwegian Albums Chart 12 Swiss Albums Chart 8 US Billboard 200 Albums Chart 11 Singles Year Single Chart Position `` Trampled Under Foot '' Billboard Hot 100 38 Certifications Region Certification Certified units / Sales Argentina ( CAPIF ) Gold 30,000 France ( SNEP ) Gold 288,900 Germany ( BVMI ) Gold 250,000 United Kingdom ( BPI ) 2 × Platinum 600,000 United States ( RIAA ) 16 × Platinum 8,000,000 sales figures based on certification alone shipments figures based on certification alone See also List of best - selling albums in the United States References Notes Jump up ^ Jones later joked that he had considered becoming the choirmaster at Winchester Cathedral had he left Led Zeppelin in 1973. Jump up ^ The original sleeve features the credit `` Guitar lost by Nevison, salvaged by the grace of Harwood '' and refers to the various recording sessions for the track. Jump up ^ The track is co-credited to `` Mrs. Valens '', a reference to Ritchie 's mother. The credit came about after the band had heard she never received any royalties from her son 's hits. Jump up ^ The running times listed for `` Kashmir '' and `` Ten Years Gone '' on original LP pressings, and some compact disc versions, of the album were significantly in error ; `` Kashmir '' was listed at 9 : 41, `` Ten Years Gone '' at 6 : 55. Jump up ^ Some cassette and 8 - track versions of the album place `` Bron - Yr - Aur '' immediately after `` Kashmir '' Citations Jump up ^ Lewis 1990, pp. 21, 55. Jump up ^ Lewis 1990, pp. 17, 89. Jump up ^ `` Cameron Crowe interview Led Zeppelin ''. 18 March 1975. Archived from the original on 24 October 2007. Retrieved 16 September 2018. Jump up ^ Reiff, Corbin ( 18 March 2016 ). `` 20 Things You Did n't Know John Paul Jones Did ''. Rolling Stone. Retrieved 5 July 2018. Jump up ^ Lewis 1990, p. 17. Jump up ^ Lewis 1990, pp. 17 -- 18. Jump up ^ Lewis 1990, p. 18. ^ Jump up to : Lewis 1990, p. 21. Jump up ^ Schulps, Dave ( October 1977 ). `` Interview with Jimmy Page ''. Trouser Press. ^ Jump up to : Lewis 1990, p. 55. Jump up ^ Lewis 1990, pp. 54 -- 56. Jump up ^ Review at Allmusic Jump up ^ `` Physical Graffiti ''. Rolling Stone. 27 March 1975. Archived from the original on 6 March 2010. ^ Jump up to : Lewis 1990, pp. 55 -- 56. Jump up ^ Lewis 2010, p. 114. Jump up ^ Lewis 1990, p. 19. Jump up ^ Lewis 1990, p. 22, 55. Jump up ^ Williamson 2007, p. 234. Jump up ^ Lewis 1990, pp. 21 -- 22. ^ Jump up to : Lewis 1990, p. 95. Jump up ^ Lewis 2010, p. 342. Jump up ^ Curry, Mark ( 2009 ). Dancing with the Devil : How Puff Burned the Bad Boys of Hip - hop. NewMark Books. p. 101. ISBN 978 - 0 - 615 - 27650 - 2. Jump up ^ Lewis 1990, pp. 21, 56. ^ Jump up to : Lewis 1990, p. 56. Jump up ^ Lewis 2010, p. 85. Jump up ^ Williamson 2007, p. 179. Jump up ^ Lewis 1990, p. 57. Jump up ^ Lewis 1990, p. 62. ^ Jump up to : Lewis 2012, p. 67. ^ Jump up to : Boland Jr., Ed ( 8 September 2002 ). `` F.Y.I. '' The New York Times. Retrieved 15 March 2008. Jump up ^ Zeppelin, Led ( 1975 ). Physical Graffiti ( CD booklet liner notes ). Jimmy Page, producer and George Marino, sound engineer. New York City, New York : Swan Song. p. 7. 2 - 200. Jump up ^ Larkin, Colin. The Encyclopedia of Popular Music. 5. MUZE. p. 141. ISBN 978 - 0 - 195 - 31373 - 4. Jump up ^ Erlewine, Stephen Thomas. `` Led Zeppelin Physical Graffiti ''. AllMusic. Retrieved 20 May 2015. ^ Jump up to : Christgau, Robert ( 1981 ). `` Led Zeppelin : Physical Graffiti ''. Christgau 's Record Guide : Rock Albums of the Seventies. Ticknor & Fields. ISBN 0899190251. Retrieved 22 April 2017. Jump up ^ McCormick, Neil ( 23 April 2014 ). `` Led Zeppelin 's albums ranked from worst to best ''. The Daily Telegraph. Retrieved 8 December 2014. Jump up ^ Larkin, Colin ( 2006 ). The Encyclopedia of Popular Music. 5 ( 4th ed. ). MUZE. p. 141. ISBN 0195313739. Jump up ^ Graff, Gary ; Durchholz, Daniel ( eds ) ( 1999 ). MusicHound Rock : The Essential Album Guide. Farmington Hills, MI : Visible Ink Press. p. 662. ISBN 1 - 57859 - 061 - 2. CS1 maint : Extra text : authors list ( link ) Jump up ^ `` Led Zeppelin Physical Graffiti '', Q, November 2000, p. 106. Jump up ^ `` Led Zeppelin : Album Guide ''. rollingstone.com. Archived from the original on 1 March 2014. Retrieved 8 December 2014. Jump up ^ Christgau, Robert ( 12 May 1975 ). `` Christgau 's Consumer Guide ''. The Village Voice. Retrieved 22 April 2017. ^ Jump up to : Lewis 1990, p. 89. Jump up ^ Welch 1994, p. 73. Jump up ^ Lewis 1990, pp. 54, 94 -- 95. ^ Jump up to : `` American album certifications -- Led Zeppelin -- Physical Graffiti ''. Recording Industry Association of America. If necessary, click Advanced, then click Format, then select Album, then click SEARCH. Jump up ^ `` Record Collector : Physical Graffiti -- an album under review ''. Record Collector. Retrieved 12 February 2009. Jump up ^ Ruhlmann, William ( 2004 ). Breaking Records : 100 Years of Hits ( 1st ed. ). London : Routledge Falmer. p. 165. ISBN 0 - 415 - 94305 - 1. ^ Jump up to : Lewis 1990, p. 90. Jump up ^ Welch 1994, pp. 77 -- 78. Jump up ^ Williamson 2007, p. 180. Jump up ^ Fishel, Jim ( March 1975 ). `` Review : Physical Graffiti ''. Billboard. 29 : 89. Jump up ^ Jim Miller ( 27 March 1975 ). `` Rolling Stone Review ''. Rolling Stone. Retrieved 1 January 2012. Jump up ^ Jones, Allan ( May 2008 ). `` Robert Plant : ' We did what we set out to do... '' ``. Uncut : 38 -- 43. Jump up ^ Williamson, Nigel ( May 2005 ). `` Forget the Myths ''. Uncut : 72. Jump up ^ Jones, Chris ( 2007 ). `` Led Zeppelin Physical Graffiti Review ''. BBC Music. Retrieved 20 May 2015. Jump up ^ `` Grammy Award for Best Album Package ( AGI ) -- 28 February 1976 ''. Grammy. Retrieved 10 February 2009. Jump up ^ `` The Rolling Stone 500 Greatest Albums of All Time ''. Jump up ^ `` Top 100 Albums of the 1970s ''. Jump up ^ `` Top Digital Albums ''. Jump up ^ `` Top Pop Catalog ''. Jump up ^ `` The Billboard 200 ''. Jump up ^ `` Classic Rock -- 100 Greatest Rock Album Ever -- December 2001 ''. Classic Rock. Retrieved 10 February 2009. Jump up ^ `` The 100 Greatest Albums Ever Made -- January 1996 ''. Mojo. Retrieved 10 February 2009. Jump up ^ `` 100 Greatest Albums Ever -- January 2003 ''. Q. Retrieved 10 February 2009. Jump up ^ `` Classic Albums from 21 Genres for the 21st century : Seventies : From Singer - Songwriter Angst to Glam and the Disco Age -- January 2005 ''. Record Collector. Retrieved 10 February 2009. Jump up ^ Dimery, Robert -- 1001 Albums You Must Hear Before You Die ; page 856 Jump up ^ `` Best Albums Ever -- February 2006 ''. Q. Retrieved 10 February 2009. Jump up ^ `` Classic Rock -- 100 Greatest British Rock Album Ever -- April 2006 ''. Classic Rock. Retrieved 10 February 2009. Jump up ^ `` The Definitive 200 : Top 200 Albums of All - Time ''. Rock and Roll Hall of Fame ( USA ). Archived from the original on 1 August 2008. Retrieved 10 February 2009. Jump up ^ `` 100 Greatest Guitar Albums ''. Guitar World. October 2006. A copy can be found at `` Guitar World 's 100 Greatest Guitar Albums Of All Time -- Rate Your Music ''. rateyourmusic.com. Retrieved 12 October 2011. Jump up ^ `` Reviews for Physical Graffiti ( Remastered ) by Led Zeppelin ''. Metacritic. Retrieved 9 May 2015. Jump up ^ Hadusek, Jon ( 20 February 2015 ). `` Led Zeppelin -- Physical Graffiti ( Reissue ) ''. Consequence of Sound. Retrieved 16 October 2018. Jump up ^ Hunn, Michael ( 19 February 2015 ). `` Led Zeppelin : Physical Graffiti remastered review ''. The Guardian. Retrieved 16 October 2018. Jump up ^ Richardson, Mark ( 24 February 2015 ). `` Led Zeppelin : Led Zeppelin IV / Houses of the Holy / Physical Graffiti ''. Pitchfork Media. Retrieved 20 May 2015. Jump up ^ Mueller, Andrew ( March 2015 ). `` Led Zeppelin -- Physical Graffiti ''. Uncut. p. 95. Retrieved 25 March 2015. Jump up ^ Lewis 1990, pp. 85, 95. ^ Jump up to : Physical Graffiti ( Media notes ). Swan Song. 1994. 7567 - 92442 - 2. Jump up ^ Bennett, Ross ( 12 January 2014 ). `` Led Zeppelin Mark Physical Graffiti 's 40th With Reissue ''. Mojo. Archived from the original on 15 January 2015. Retrieved 14 January 2015. Jump up ^ Physical Graffiti ( Media notes ). Swan Song. 1975. SSK89400. Jump up ^ Physical Graffiti ( Media notes ). Swan Song. 1975. TP2 200. Jump up ^ Physical Graffiti ( Media notes ). Swan Song. 1975. SK 489400. Jump up ^ `` Top 75 Albums -- 15 April 1975 ''. austriancharts.at. Retrieved 19 January 2009. Jump up ^ `` Top Albums / CDs -- Volume 23, No. 7, April 12, 1975 ''. RPM. Retrieved 19 January 2009. Jump up ^ `` Top 20 / 30, March 17, 1975 ''. Retrieved 30 March 2016. Jump up ^ `` Top 100 Albums -- 1975 ''. infodisc.fr. Archived from the original on 11 July 2013. Retrieved 19 January 2009. Jump up ^ `` Top 100 Albums -- 1975 ''. Hit Parade Italia. Retrieved 14 April 2014. Jump up ^ `` Top 100 Albums -- 20 February 1975 ''. Oricon. Retrieved 19 January 2009. Jump up ^ Scapolo, Dean ( 2007 ). `` Top 50 Albums -- April 1975 ''. The Complete New Zealand Music Charts ( 1st ed. ). Wellington : Transpress. ISBN 978 - 1 - 877443 - 00 - 8. Jump up ^ `` Top 20 Albums -- 13 April 1975 ''. norwegiancharts.com. Retrieved 19 January 2009. Jump up ^ `` Top 100 Albums -- 9 August 1975 ''. PROMUSICAE. Retrieved 19 January 2009. Jump up ^ `` Top 100 Albums -- 15 March 1975 ''. chartstats.com. Retrieved 19 January 2009. Jump up ^ `` The Billboard 200 -- 22 March 1975 ''. Billboard. Retrieved 19 January 2009. Jump up ^ `` ARIA AUstralian Top 50 Albums ''. Australian Recording Industry Association. 9 March 2015. Archived from the original on 2 April 2015. Retrieved 6 March 2015. Jump up ^ `` Austrian Albums Chart -- 6 March 2015 ''. Hung Medien. Retrieved 5 March 2015. Jump up ^ `` Danish Albums Chart -- 6 March 2015 ''. Hung Medien. Retrieved 7 March 2015. Jump up ^ `` French Albums Chart -- 6 March 2015 ''. Hung Medien. Retrieved 11 March 2015. Jump up ^ `` German Albums Chart -- 6 March 2015 ''. Officialcharts.de. Retrieved 5 March 2015. Jump up ^ `` NZ Top 40 Albums Chart ''. Recorded Music NZ. 9 March 2015. Retrieved 6 March 2015. Jump up ^ `` Norwegian Albums Chart -- 6 March 2015 ''. Hung Medien. Retrieved 7 March 2015. Jump up ^ `` Swiss Albums Chart -- 1 March 2015 ''. Hung Medien. Retrieved 5 March 2015. Jump up ^ `` The Billboard 200 -- 14 March 2015 ''. Billboard. Retrieved 5 March 2015. Jump up ^ `` Argentinian album certifications -- Led Zeppelin -- Physical Graffiti ''. Argentine Chamber of Phonograms and Videograms Producers. Jump up ^ `` French album certifications -- Led Zeppelin -- Physical Graffiti '' ( in French ). Syndicat National de l'Édition Phonographique. Jump up ^ `` Les Albums Or ''. infodisc.fr. SNEP. Archived from the original on 18 October 2011. Retrieved 31 August 2011. Jump up ^ `` Gold - / Platin - Datenbank ( Led Zeppelin ; ' Physical Graffiti ' ) '' ( in German ). Bundesverband Musikindustrie. Jump up ^ `` British album certifications -- Led Zeppelin -- Physical Graffiti ''. British Phonographic Industry. Select albums in the Format field. Select Platinum in the Certification field. Type Physical Graffiti in the `` Search BPI Awards '' field and then press Enter. Sources Lewis, Dave ( 1990 ). Led Zeppelin : A Celebration. Omnibus Press. ISBN 978 - 0 - 711 - 92416 - 1. Lewis, Dave ( 2010 ). Led Zeppelin : The ' Tight But Loose ' Files. Omnibus Press. ISBN 978 - 0 - 857 - 12220 - 9. Lewis, Dave ( 2012 ). Led Zeppelin : From a Whisper to a Scream ; The Complete Guide to the Music of Led Zeppelin. Omnibus Press. ISBN 978 - 1 - 78038 - 547 - 1. Williamson, Nigel ( 2007 ). The Rough Guide to Led Zeppelin. Rough Guides. ISBN 978 - 1 - 848 - 36226 - 0. Welch, Chris ( 1994 ). Led Zeppelin. Orion Books. ISBN 1 - 85797 - 930 - 3. Led Zeppelin songs Led Zeppelin `` Good Times Bad Times '' `` Babe I 'm Gonna Leave You '' `` You Shook Me '' `` Dazed and Confused '' `` Black Mountain Side '' `` Communication Breakdown '' `` I Ca n't Quit You Baby '' `` How Many More Times '' Led Zeppelin II `` Whole Lotta Love '' `` What Is and What Should Never Be '' `` The Lemon Song '' `` Thank You '' `` Heartbreaker '' `` Living Loving Maid ( She 's Just a Woman ) '' `` Ramble On '' `` Moby Dick '' `` Bring It On Home '' Led Zeppelin III `` Immigrant Song '' `` Celebration Day '' `` Since I 've Been Loving You '' `` Gallows Pole '' `` Tangerine '' `` That 's the Way '' `` Bron - Y - Aur Stomp '' Untitled ( Led Zeppelin IV ) `` Black Dog '' `` Rock and Roll '' `` The Battle of Evermore '' `` Stairway to Heaven '' `` Misty Mountain Hop '' `` Four Sticks '' `` Going to California '' `` When the Levee Breaks '' Houses of the Holy `` The Song Remains the Same '' `` The Rain Song '' `` Over the Hills and Far Away '' `` Dancing Days '' `` D'yer Mak'er '' `` No Quarter '' `` The Ocean '' Physical Graffiti `` The Rover '' `` In My Time of Dying '' `` Houses of the Holy '' `` Trampled Under Foot '' `` Kashmir '' `` In the Light '' `` Ten Years Gone '' `` The Wanton Song '' `` Sick Again '' Presence `` Achilles Last Stand '' `` Nobody 's Fault but Mine '' `` Candy Store Rock '' In Through the Out Door `` In the Evening '' `` Fool in the Rain '' `` Carouselambra '' `` All My Love '' Coda `` We 're Gonna Groove '' `` I Ca n't Quit You Baby `` Bonzo 's Montreux '' `` Wearing and Tearing '' Compilation and live albums `` Hey, Hey, What Can I Do '' `` Travelling Riverside Blues '' `` White Summer '' `` The Girl I Love She Got Long Black Wavy Hair '' `` Somethin ' Else '' Led Zeppelin John Bonham John Paul Jones Jimmy Page Robert Plant Studio albums Led Zeppelin Led Zeppelin II Led Zeppelin III Led Zeppelin IV Houses of the Holy Physical Graffiti Presence In Through the Out Door Live albums The Song Remains the Same BBC Sessions How the West Was Won Celebration Day Compilations Coda BBC Sessions The Best of Led Zeppelin Mothership Led Zeppelin Deluxe Edition Boxed sets Led Zeppelin Remasters Boxed Set 2 The Complete Studio Recordings Definitive Collection Films The Song Remains the Same Led Zeppelin DVD Celebration Day Tours Scandinavia 1968 U.K. 1968 North America 1968 -- 1969 U.K. & Scandinavia 1969 North America Spring 1969 U.K. Summer 1969 North America Summer 1969 Europe Autumn 1969 North America Autumn 1969 U.K. 1970 Europe 1970 North America Spring 1970 Iceland, Bath & Germany 1970 North America Summer 1970 U.K. Spring 1971 Europe 1971 North America 1971 Japan 1971 U.K. Winter 1971 Australasia 1972 North America 1972 Japan 1972 U.K. 1972 -- 1973 Europe 1973 North America 1973 North America 1975 Earls Court 1975 North America 1977 Knebworth 1979 Over Europe 1980 Reunions Live Aid ( 1985 ) Atlantic Records 40th Anniversary ( 1988 ) Ahmet Ertegun Tribute Concert ( 2007 ) Lists Discography Songs Awards and nominations Bootlegs Cover versions by others Led Zeppelin songs written or inspired by others Related Articles Swan Song Records Atlantic Records Three Week Hero `` Beck 's Bolero '' Bron - Yr - Aur The Starship Caesar 's Chariot Planned tour -- The 1980s, Part One Covers and tributes That ' 70s Show ( season 5 ) Bands The Yardbirds Band of Joy XYZ The Honeydrippers The Firm Coverdale Page Page and Plant Jimmy Page and the Black Crowes Them Crooked Vultures Books Hammer of the Gods : The Led Zeppelin Saga Stairway to Heaven : Led Zeppelin Uncensored When Giants Walked the Earth People Jason Bonham Peter Grant Richard Cole Book Portal Retrieved from `` https://en.wikipedia.org/w/index.php?title=Physical_Graffiti&oldid=866460997 '' Categories : 1975 albums Albums produced by Jimmy Page Albums recorded at Electric Lady Studios Led Zeppelin albums Swan Song Records albums Albums with cover art by Peter Corriston Hidden categories : CS1 maint : Extra text : authors list CS1 French - language sources ( fr ) CS1 German - language sources ( de ) Good articles Articles with hAudio microformats Track listings with input errors Certification Table Entry usages for Argentina Certification Table Entry usages for France Certification Table Entry usages for Germany Certification Table Entry usages for United Kingdom Certification Table Entry usages for United States Use dmy dates from July 2018 Use British English from January 2012 Talk Contents About Wikipedia Български Català Čeština Deutsch Ελληνικά Español فارسی Français Gaeilge Galego 한국어 Հայերեն Íslenska Italiano עברית ქართული Kurdî Latina Latviešu Magyar Македонски Nederlands 日本 語 Norsk Norsk nynorsk Polski Português Română Русский Simple English Slovenčina Slovenščina Suomi Svenska Українська 中文 27 more Edit links This page was last edited on 30 October 2018, at 13 : 41 ( UTC ). Text is available under the Creative Commons Attribution - ShareAlike License ; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia ® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization. About Wikipedia

Question: where was the physical graffiti album cover shot
Answer: 96 and 98 St. Mark's Place in New York City