Impressionism in Music - wikipedia Impressionism in Music Periods and eras of Western classical music Early Medieval c. 500 -- 1400 Renaissance c. 1400 -- 1600 Common practice Baroque c. 1600 -- 1750 Classical c. 1730 -- 1820 Romantic c. 1780 -- 1910 Impressionist c. 1875 -- 1925 Modern and contemporary Modern High modern c. 1890 -- 1975 20th century ( 1900 -- 2000 ) Contemporary Postmodern c. 1975 -- present 21st century ( 2000 -- present ) Impressionism in music was a movement among various composers in Western classical music ( mainly during the late 19th and early 20th centuries ) whose music focuses on suggestion and atmosphere, `` conveying the moods and emotions aroused by the subject rather than a detailed tone ‐ picture ''. `` Impressionism '' is a philosophical and aesthetic term borrowed from late 19th century French painting after Monet 's Impression, Sunrise. Composers were labeled impressionists by analogy to the impressionist painters who use starkly contrasting colors, effect of light on an object, blurry foreground and background, flattening perspective, etc. to make the observer focus his attention on the overall impression. The most prominent in musical impressionism is the use of `` color '', or in musical term, timbre, which can be achieved through orchestration, harmonic usage, texture, etc. Other elements of music impressionism also involve new chord combinations, ambiguous tonality, extended harmonies, use of modes and exotic scales, parallel motions, extra-musicality, and evocative titles such as Reflets dans l'eau ( Reflections on the water, 1905 ), Brouillards ( Mists, 1913 ) etc. Contents 1 History 2 See also 3 References 4 Further reading History Claude Debussy and Maurice Ravel are two leading figures in impressionism, though Debussy rejected this label ( he mentioned in his letter that `` imbeciles call ' impressionism ', a term employed with the utmost inaccuracy '' ) and Ravel displayed discomfort with it, at one point claiming that it could not be adequately applied to music at all. Debussy 's impressionist works typically `` evoke a mood, feeling, atmosphere, or scene '' by creating musical images through characteristic motifs, harmony, exotic scales ( e.g., whole - tone and pentatonic scales ), instrumental timbre, large unresolved chords ( e.g., 9ths, 11ths, 13ths ), parallel motion, ambiguous tonality, extreme chromaticism, heavy use of the piano pedals, and other elements. Some impressionist composers, Debussy and Ravel in particular, are also labeled as symbolist composers. One trait shared with both aesthetic trends is `` a sense of detached observation : rather than expressing deeply felt emotion or telling a story, '' as in symbolist poetry, the normal syntax is usually disrupted and individual images that carry the work 's meaning are evoked. Some of the key forerunners of and influences on the impressionist style include Modest Mussorgsky, Emmanuel Chabrier, Edvard Grieg, Gabriel Fauré, Henri Duparc, and Ernest Chausson. Elements of impressionism can also be traced back to works by Frédéric Chopin, Franz Liszt, and Richard Wagner. Ernest Fanelli was claimed to have innovated the style in the early 1880s, though his works were unperformed before 1912. The performance of his works in that year led to claims that he was the father of musical Impressionism. Ravel wrote, `` this impressionism is certainly very different from that of present - day composers... Mr. Fanelli 's impressionism derives more directly from Berlioz. '' He added that Fanelli 's alleged priority does not in any way diminish the achievements of later composers : `` the investigations of the young Fanelli could not have diminished those of his colleagues... It is peculiar that these investigations suddenly assume importance because their embryo is discovered in a work written 30 years ago. '' Other composers linked to impressionism include Leoš Janáček, Isaac Albéniz, Frederick Delius, Paul Dukas, Erik Satie, Enrique Granados, Alexander Scriabin, Manuel de Falla, John Alden Carpenter, Joaquín Turina, Ottorino Respighi, Charles Tomlinson Griffes, and Federico Mompou. The Finnish composer Jean Sibelius is also associated with impressionism, and his The Swan of Tuonela ( 1893 ) predates Debussy 's Prélude à l'après - midi d'un faune ( regarded as a seminal work of musical impressionism ) by a year. The American composer Howard Hanson also borrowed from both Sibelius and impressionism generally in works such as his Second Symphony. In addition to its enduring influence on the work of later composers in the classical tradition, such as Alan Hovhaness, György Ligeti, and Toru Takemitsu, impressionism has also exerted a notable influence on certain jazz musicians, especially Bix Beiderbecke, Duke Ellington, Claude Thornhill, Dave Brubeck, Gil Evans, Bill Evans, Herbie Hancock, Frank Kimbrough, and others. See also History of music References Jump up ^ Michael Kennedy, `` Impressionism '', The Oxford Dictionary of Music, second edition, revised, Joyce Bourne, associate editor ( Oxford and New York : Oxford University Press, 2006 ). ISBN 9780198614593. ^ Jump up to : J. Peter Burkholder, Donald Jay Grout and Claude V. Palisca, A History of Western Music, eighth edition ( New York : W.W. Norton & Company, 2010 ). ISBN 9780393932805. Jump up ^ Nolan Gasser, `` Impressionism ''. Classical Archives. Accessed 9 November 2011. Jump up ^ Maurice Ravel, A Ravel Reader : Correspondence, Articles, Interviews, compiled and edited by Arbie Orenstein ( New York : Columbia University Press, 1990 ) : p. 421. ISBN 9780231049627. Unaltered paperback reprint ( Mineola, New York : Dover Publications, 2003 ), ISBN 9780486430782. Jump up ^ François Lesure and Roger Nichols, Debussy Letters ( Harvard University Press, 1987 ). ISBN 9780674194298 Jump up ^ `` Impressionism, Music '', ( accessed 30 December 2016 ). Jump up ^ Maurice Ravel, A Ravel Reader : Correspondence, Articles, Interviews, compiled and edited by Arbie Orenstein ( New York : Columbia University Press, 1990 ) : pp. 349 -- 42. ISBN 9780231049627. Unaltered paperback reprint ( Mineola, New York : Dover Publications, 2003 ), ISBN 9780486430782. Jump up ^ `` Impressionism, in Music '', The Columbia Encyclopedia, sixth edition ( New York : Columbia University Press, 2007 ) ( Archive copy from 3 April 2009, accessed 25 December 2012 ). Jump up ^ Richard Trombley, `` Impressionism in Music '', Encyclopedia of Music in the 20th Century, edited by Lol Henderson and Lee Stacey ( London and Chicago : Fitzroy Dearborn, 1999 ). ISBN 9781579580797 ; ISBN 9781135929466. Further reading Fulcher, Jane. Debussy and His World. Princeton : Princeton University Press, 2001. ISBN 978 - 0691090429. Machlis, Joseph, and Kristine Forney. The Enjoyment of Music, seventh edition. New York : W.W. Norton & Company, 1995. ISBN 0 - 393 - 96643 - 7. Palmer, Christopher. Impressionism in Music. London : Hutchinson ; New York : Charles Scribner 's Sons, 1973. Pasler, Jann. `` Impressionism ''. The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London : Macmillan Publishers, 2001. Thompson, Oscar. Debussy, Man and Artist. New York : Dodd, Mead & company, 1937. Impressionism Originators Frédéric Bazille Eugène Boudin Gustave Caillebotte Mary Cassatt Paul Cézanne Edgar Degas Armand Guillaumin Édouard Manet Claude Monet Berthe Morisot Camille Pissarro Pierre - Auguste Renoir Alfred Sisley Patrons Gustave Caillebotte Henry O. Havemeyer Ernest Hoschedé Dealers Paul Durand - Ruel Georges Petit Ambroise Vollard American artists William Merritt Chase Frederick Carl Frieseke Childe Hassam Willard Metcalf Lilla Cabot Perry Theodore Robinson John Henry Twachtman J. Alden Weir Canadian artists Henri Beau William Blair Bruce William Brymner Marc - Aurèle de Foy Suzor - Coté Maurice Galbraith Cullen Helen Galloway McNicoll James Wilson Morrice Robert Wakeham Pilot Other artists Marie Bracquemond Giovanni Battista Ciolina Lovis Corinth Antoine Guillemet Nazmi Ziya Güran Max Liebermann Laura Muntz Lyall Konstantin Korovin Henry Moret Francisco Oller Władysław Podkowiński John Peter Russell Valentin Serov Max Slevogt Joaquín Sorolla Philip Wilson Steer Eliseu Visconti Other media Music Literature French Impressionist Cinema See also American Impressionism The Ten California Impressionism Pennsylvania Impressionism Canadian Impressionism Heidelberg School Amsterdam Impressionism Decorative Impressionism Post-Impressionism Related The Impressionists ( 2006 drama ) Impressionist music People Claude Debussy John Ireland Gabriel Pierné Maurice Ravel Techniques Bitonal chords Parallel chords Pentatonic scales Unprepared modulation Whole tone scale Compositions Cydalise et le Chèvre - pied Jeux d'eau L'isle joyeuse La mer Nocturnes Prélude à l'après - midi d'un faune Préludes ( Debussy ) Other Modernism ( music ) Romantic music Musical modernism Genres and techniques Abstractionism Athematicism Atonality Dissonant counterpoint Dada Experimental music Expressionism Futurism Impressionism Microtonal music Modality Modes of limited transposition Neoclassicism Neotonality New Objectivity Noise music Pandiatonicism Polyrhythm Polytonality Process music Quartal and quintal harmony Serialism Surrealism Sound collage Sound mass Tone cluster Tropes Twelve - tone technique Related topics Postmodern music See also : ( ( Modernist composers ) ) Retrieved from `` https://en.wikipedia.org/w/index.php?title=Impressionism_in_music&oldid=798895226 '' Categories : Impressionist music Hidden categories : Wikipedia articles needing page number citations from November 2014 All articles with failed verification Articles with failed verification from December 2016 All articles with unsourced statements Articles with unsourced statements from December 2016 Talk Contents About Wikipedia Alemannisch Català Čeština Deutsch Eesti Español Esperanto Français Galego 한국어 Italiano עברית Latina Македонски Nederlands 日本 語 Norsk Polski Português Русский Shqip Simple English Slovenščina Српски / srpski Svenska ไทย 中文 Edit links This page was last edited on 4 September 2017, at 12 : 36. 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Question: who was the leading composer of impressionist music
Answer: Claude Debussy and Maurice Ravel