Light as a feather, stiff as a board - wikipedia Light as a feather, stiff as a board Light as a feather, stiff as a board, sometimes known as pig in a blanket, stiff as a board, is a game played by children at slumber parties. The phrase has also become established in popular culture as a reference to a levitation trick, and has been referred to in various media accounts. In performing magic this effect is known as abnormal lift. Contents 1 Description 2 Explanations of the trick 3 History 4 Footnotes 5 Sources Description One participant lies flat on the floor, and then the others space themselves around him or her, each placing one or two fingertips underneath the participant 's limbs. The person closest to the head commonly begins by saying, `` She 's looking ill, '' which is repeated several times, and followed by, `` she 's looking worse, '' which is also repeated several times. The general direction of the call - and - repeat describes how the prone person is looking worse and worse, followed by saying `` she is dying, '' and, finally, `` she is dead ''. Variations of the spoken part of the game occur -- In a common, modern version, the person being lifted is told a story about his / her death and asked to imagine it happening to him / her. It serves the dual - purpose of `` freaking out '' the participants and convincing the participants that it will now be easier to lift this person than before. All versions of the game end with the phrase `` light as a feather, stiff as a board '' chanted by the entire group, ( save for the prone person, who pretends to be dead ) as they attempt to lift their companion 's body using only their fingertips. Some versions omit the story entirely and only the `` light as a feather... '' chant is used. Allegedly, after these repetitions, the person being lifted will seem lighter or even entirely weightless. Another variation of the game takes place with one person seated in a chair. Four volunteers agree to stand around the sitter, two on the sitter 's left side and the other two on his / her right. Each of the four places two fingers under each corner of the chair 's seat and the four together will attempt to lift the chair and sitter, which generally fails. The volunteers will then perform some small ritual, usually involving rubbing their hands together or circling the chair in various direction ( counter-clockwise, walking backwards, etc. ) After this ritual, the volunteers hold their hands over the sitter 's head to `` transfer '' energy into the sitter, which will presumably make him / her weightless. The lifters then retry lifting the sitter the same way as before. Also it can be that the lifters lift the person sitting in the chair ; doing the rest of the ritual as so but holding at the four main points of the body ( Under the knees on each side and under the shoulders. ) Explanations of the trick In many strange versions, each of the ( in the example ) five people sitting around the other person uses only one or two of his or her fingers on each hand to do the weight lifting. It is particularly easy to lift a heavy weight when it is evenly distributed amongst a group of four people. The phenomenon of the weight seeming less on the second try around or after some sort of ritual is due to increased focus and the lifters being more in sync with one another. One explanation for such reports is that the participants are tricking their minds ( by way of chanting ) into believing that the person being lifted is `` light as a feather. '' The body still reacts to the command from the brain, but the mind perceives it differently. Five people can easily lift one person when those five people are tricking their minds into thinking that the person is light in weight. Another reason for the apparent success of the levitation is the `` self - fulfilling prophecy '' concept. The lifters `` know '' a human being is too heavy to lift with a fingertip, so subconsciously, they may not exert enough effort on the first attempt. After the `` ritual, '' the participants may believe that the body is now supposed to move, or that the ritual itself has given them power, and therefore they exert enough effort to raise the participant off the ground. History The oldest known account of levitation play comes from the diary of Samuel Pepys ( 1633 - 1703 ), a British naval administrator. Pepys 's account of levitation play comes from a conversation with a friend of his, Mr. Brisband, who claimed to have seen four little girls playing light as a feather, stiff as a board in Bourdeaux, France. Pepys 's account of Mr. Brisband 's experience reads : He saw four little girls, very young ones, all kneeling, each of them, upon one knee ; and one begun the first line, whispering in the ear of the next, and the second to the third, and the third to the fourth, and she to the first. Then the first begun the second line, and so round quite through, and putting each one finger only to a boy that lay flat upon his back on the ground, as if he was dead ; at the end of the words, they did with their four fingers raise this boy high as they could reach, and he ( Mr. Brisband ) being there, and wondering at it, as also being afeared to see it, for they would have had him to have bore a part in saying the words, in the roome of one of the little girles that was so young that they could hardly make her learn to repeat the words, did, for feare there might be some sleight used in it by the boy, or that the boy might be light, call the cook of the house, a very lusty fellow, as Sir G. Carteret 's cook, who is very big, and they did raise him in just the same manner. Pepys also spoke of the chant that accompanied this performance. Voici un corps mort Raide comme un bâton, Froid comme le marbre Léger comme un esprit, Lève - toi au nom de Jésus - Christ ! ( Here is a dead body Stiff as a stick, Cold as marble Light as a spirit, Lift yourself, in the name of Jesus Christ ! ) The next recording of the game being played comes from The Magician 's Own Book ( 1857 ). This account differs from that of Pepys, as it is a direct account of the game being played. Also, this account focuses on a different version of the game than the version played by the girls in Samuel Pepys ' account. In this account, the heaviest man at a party in Venice, Italy, sits in a chair, and is unable to be lifted by six other persons, initially. However, after coordinated hand - clapping and synchronized inhalations and exhalations, the man in the chair is able to be lifted on the forefingers of the six lifters. In modern times, the game has been shown in pop culture mediums such as YouTube video and in the 1996 film The Craft, which follows the story of four young girls as they familiarize themselves with witchcraft and various arcane experiments -- one of which is light as a feather, stiff as a board. In the movie, the girls are seen performing the version of the game described in Samuel Pepys ' diary, which involves one participant lying down, while the others kneel around her. The girls chant `` Light as a feather, stiff as a board, '' several times before lifting the prone participant into the air. In the movie, this scene involves special effects, which has the affect of the prone participant levitating above the hands of the lifters. The phenomenon has been observed into modern times, often being described as a form of spiritualism or seance and considered anathema by some religious groups. It is widely considered a simple spooky party game along the lines of Bloody Mary and the telling of ghost stories. Footnotes Jump up ^ While not scientifically valid, and giving unproven explanations of the event, various pages are mentioned to demonstrate that the spell itself is known, and citation here does not imply that the sources are reliable to demonstrate anything beyond the fact that some people play this game. Party Levitation from Conversation for Exploration : A Talk Show hosted by Laura Lee Description of the trick at Castle of Spirits Jerry W. Decker ( 1998 - 01 - 08 ). Gestalts and the Production of Anomalous Phenomena. KeelyNet. Jump up ^ Numen, David ( 2010 ). `` The Abnormal Lift and other abnormalities ''. Lybrary.com. Retrieved 2016 - 03 - 16. Jump up ^ `` Lift that finger ''. ABC Science. 2008 - 05 - 27. Jump up ^ Pepys, Samuel, Le Gallienne, Richard ed., The Diary of Samuel Pepys New York, The Modern Library, 2003. Jump up ^ Arnold, George. ( 1862 ). The Magician 's Own Handbook or The Whole Art of Conjuring. New York : Dick Fitzgerald. Jump up ^ ( ZombieSlayerz11 ). ( 2012, October 28 ). Light as a feather, stiff as a board ( actually works ). ( Video File ). Retrieved from : https://www.youtube.com/watch?v=IqtUl44ZcBk Jump up ^ ( sicknasty244 ). ( 2011, May 10 ). Light as a feather stiff as a board trick. ( Video file ). Retrieved from : https://www.youtube.com/watch?v=wznkUyXvb2s Sources In depth explanation of levitation including tricks from Answers.com Halloween is good clean fun October 30, 1998 Weekender Lexington Herald - Leader ( KY ) article for purchase link Pajama game : Despite dramatic changes in culture and technology, girls ' sleepovers have remained basically the same for generations by MaryEllen Fillo Hartford Courant Aug. 30, 2005 article for purchase link Samuel Pepys ' diary highlights the experience during the London plague of 1665 as well as the Great Fire in 1666 Levitation Revisited by Elizabeth Tucker explains the origins of the game and discusses some of its occult history. The Magician 's Own Book contains an entry on page 341 - 42 which describes an account of the game being played at a Venetian party. The Craft ( 1996 ) Light as a feather, Stiff as a board scene. Video example 1 Video example 2 Retrieved from `` https://en.wikipedia.org/w/index.php?title=Light_as_a_feather,_stiff_as_a_board&oldid=798925914 '' Categories : Party games Children 's games Hidden categories : All accuracy disputes Articles with disputed statements from November 2008 Talk Contents About Wikipedia Add links This page was last edited on 4 September 2017, at 16 : 31. About Wikipedia

Question: where did light as a feather stiff as a board come from
Answer: diary of Samuel Pepys