The Great Gig in the Sky - wikipedia The Great Gig in the Sky `` The Great Gig in the Sky '' Song by Pink Floyd from the album The Dark Side of the Moon Published World Copyrights Ltd Released 1 March 1973 Recorded September 1972 -- January 1973 Genre Progressive rock Length 4 : 36 Label Harvest Songwriter ( s ) Richard Wright, Clare Torry Producer ( s ) Pink Floyd Echoes : The Best of Pink Floyd track listing 26 tracks Disc one `` Astronomy Domine '' `` See Emily Play '' `` The Happiest Days of Our Lives '' `` Another Brick in the Wall ( Part 2 ) '' `` Echoes '' `` Hey You '' `` Marooned '' `` The Great Gig in the Sky '' `` Set the Controls for the Heart of the Sun '' `` Money '' `` Keep Talking '' `` Sheep '' `` Sorrow '' Disc two `` Shine On You Crazy Diamond ( Parts I -- VII ) '' `` Time '' `` The Fletcher Memorial Home '' `` Comfortably Numb '' `` When the Tigers Broke Free '' `` One of These Days '' `` Us and Them '' `` Learning to Fly '' `` Arnold Layne '' `` Wish You Were Here '' `` Jugband Blues '' `` High Hopes '' `` Bike '' Audio sample file help `` The Great Gig in the Sky '' is the fifth track on The Dark Side of the Moon, the 1973 album by the English progressive rock band Pink Floyd. The song features music by Richard Wright and non-lexical vocals by Clare Torry. Contents 1 Composition 2 Clare Torry 's vocals 3 Quotes from those involved 4 Lawsuit 5 Spoken parts 6 Reception 7 Live performances 8 Commercial re-use 9 Use in films 10 Cover versions 11 Personnel 12 References 13 External links Composition Fender ' Duo 1000 ' double - neck steel guitar ( 1962 ), purchased in Seattle in October 1970 by David Gilmour, and used on ' Great Gig in the Sky ' ; displayed at the Pink Floyd : Their Mortal Remains exhibition The song began life as a Richard Wright chord progression, known variously as `` The Mortality Sequence '' or `` The Religion Song ''. During 1972 it was performed live as a simple organ instrumental, accompanied by spoken - word samples from the Bible and snippets of speeches by Malcolm Muggeridge, a British writer known for his conservative religious views. When the band came to record Dark Side in 1973, the lead instrument had been switched to a piano. Various sound effects were tried over the track, including recordings of NASA astronauts communicating on space missions, but none were satisfactory. Finally, a couple of weeks before the album was due to be finished, the band thought of having a female singer `` wail '' over the music. Clare Torry 's vocals As the band began casting around for a singer, album engineer Alan Parsons suggested Clare Torry, a 25 - year - old songwriter and session vocalist. Parsons had previously worked with Torry, and had liked her voice on a compilation album of covers. An accountant from Abbey Road Studios called Dennis contacted Torry and tried to arrange a session for the same evening, but she was initially unenthusiastic. Torry was not a particular fan of Pink Floyd, and she had various other commitments, including, she later admitted, tickets to see Chuck Berry that evening. Eventually, however, a session was scheduled for the following Sunday. The band played the instrumental track for Torry and asked her to improvise a vocal. At first, Torry struggled to define what the band wanted, but then she was inspired to pretend that she herself was an instrument. She performed two complete takes, the second one more emotional than the first. David Gilmour asked for a third take, but halfway through Torry stopped, feeling she was getting repetitive and had already done the best she could. The final album track was assembled from all three takes. The members of the band were deeply impressed by Torry 's performance, but were so reserved in their outward response that she left under the impression that her vocals would never make the final cut. She only became aware they were used when she saw the album at a local record store, spotted her name in the credits and purchased it. Quotes from those involved Richard Wright : Great Gig in the Sky ? It was just me playing in the studio, playing some chords, and probably Dave or Roger saying `` Hmm... that sounds nice. Maybe we could use that for this part of the album. '' And then, me going away and trying to develop it. So then I wrote the music for that, and then there was a middle bit, with Clare Torry singing, that fantastic voice. We wanted something for that bit, and she came in and sang on it. Roger Waters : It was something that Rick had already written. It 's a great chord sequence. `` The Great Gig in the Sky '' and the piano part on `` Us and Them, '' in my view, are the best things that Rick did -- they 're both really beautiful. And Alan ( Parsons ) suggested Clare Torry. I 've no idea whose idea it was to have someone wailing on it. Clare came into the studio one day, and we said, `` There 's no lyrics. It 's about dying -- have a bit of a sing on that, girl. '' I think she only did one take. And we all said, `` Wow, that 's that done. Here 's your sixty quid. '' Alan Parsons : She ( Torry ) had done a covers album ; I can remember that she did a version of `` Light My Fire. '' I just thought she had a great voice. When the situation came up, they started head - scratching, saying, `` Who are we going to get to sing on this ? '' I said, `` I 've got an idea -- I know this girl. '' She came, and in a couple of hours it was all done. She had to be told not to sing any words : when she first started, she was doing `` Oh yeah baby '' and all that kind of stuff, so she had to be restrained on that. But there was no real direction -- she just had to feel it. David Gilmour : Clare Torry did n't really look the part. She was Alan Parsons ' idea. We wanted to put a girl on there, screaming orgasmically. Alan had worked with her previously, so we gave her try. And she was fantastic. We had to encourage her a little bit. We gave her some dynamic hints : `` Maybe you 'd like to do this piece quietly, and this piece louder. '' She did maybe half a dozen takes, and then afterwards we compiled the final performance out of all the bits. It was n't done in one single take. Clare Torry : I went in, put the headphones on, and started going ' Ooh - aah, baby, baby -- yeah, yeah, yeah. ' They said, ' No, no -- we do n't want that. If we wanted that we 'd have got Doris Troy. ' They said, ' Try some longer notes ', so I started doing that a bit. And all this time, I was getting more familiar with the backing track. (... ) That was when I thought, ' Maybe I should just pretend I 'm an instrument. ' So I said, ' Start the track again. ' One of my most enduring memories is that there was a lovely can ( i.e headphone ) balance. Alan Parsons got a lovely sound on my voice : echoey, but not too echoey. When I closed my eyes -- which I always did -- it was just all - enveloping ; a lovely vocal sound, which for a singer, is always inspirational. Chris Thomas, who was brought in to assist Alan Parsons in mixing the album mentions that they were actually in mixdown at the time. On the DVD Classic Albums : Pink Floyd -- The Making of The Dark Side of the Moon, various members mention that they had this song and were n't quite sure what to do with it. Wright further mentions that when she finished, she was apologetic about her performance even though those present were amazed at her improvisation. Lawsuit In 2004, Torry sued Pink Floyd and EMI for songwriting royalties, on the basis that her contribution to `` Great Gig in the Sky '' constituted co-authorship with Richard Wright. Originally, she had been paid the standard Sunday flat studio rate of £ 30 ( equivalent to £ 400 in 2016 ). In 2005, prior to a hearing in the High Court, an out - of - court settlement was reached. Although the terms of the settlement were not disclosed, all pressings after 2005 list the composition to Richard Wright and Clare Torry. Spoken parts On Classic Albums : Pink Floyd -- The Making of The Dark Side of the Moon, it is pointed out that during the recording of the album, in which death and life had been a consistent theme, the members of the band went around asking questions and recording responses by the folks working inside Abbey Road. Among the questions, they were asked `` Are you afraid of dying ? '' The responses of doorman Gerry O'Driscoll and the wife of their road Manager Peter Watts were used, as well as other spoken parts throughout the album ( `` I 've always been mad '' `` That geezer was cruisin ' for a bruisin '' ) ( At 0 : 38 ) And I am not frightened of dying. Any time will do, I do n't mind. Why should I be frightened of dying ? There 's no reason for it -- you 've got to go sometime. -- Gerry O'Driscoll, Abbey Road Studios janitorial `` browncoat '' ( At 3 : 33, faintly ) I never said I was frightened of dying. -- Patricia ' Puddie ' Watts, wife of road manager Peter Watts Reception In a contemporary review for The Dark Side of the Moon, Lloyd Grossman of Rolling Stone described `` The Great Gig in the Sky '' as a track ( Pink Floyd ) could have `` shortened or dispensed ''. Live performances An early incarnation of the song, titled `` The Mortality Sequence '' and lacking the vocals later contributed by Clare Torry, was performed by Pink Floyd throughout 1972. In its final version, `` The Great Gig in the Sky '' was performed live from 1973 -- 1975, and from 1987 -- 1994. During the band 's 1974 -- 1975 tour, David Gilmour played both pedal steel guitar and the Hammond organ, allowing Richard Wright to concentrate solely on piano ( his keyboards were arranged where he could n't play both ). Gilmour 's pedal steel for `` Great Gig '' was located accordingly beside Wright 's Hammond. Starting in 1987, additional touring keyboardist Jon Carin took over the Hammond parts. Up to three singers performed the vocals, each taking different parts of the song. On the 1974 -- 75 tour, vocal duties were handled by Venetta Fields and Carlena Williams, both former members of The Blackberries. On the Delicate Sound of Thunder video, the vocals are shared by Rachel Fury, Durga McBroom and Margret Taylor. Clare Torry returned for the Knebworth ' 90 concert. The 1994 live album P U L S E features a version sung by Sam Brown, Durga McBroom and Claudia Fontaine. When the Floyd 's manager, Steve O'Rourke, died in 2003, Gilmour, Wright, and Mason played `` Fat Old Sun '' and `` The Great Gig in the Sky '' at O'Rourke's funeral. Commercial re-use A short clip of the song was used in a 1974 TV advertisement for Dole bananas. A re-recorded version was used as the backing music in a UK television advertisement for the analgesic Nurofen in 1990. The band was not involved in this version, but Clare Torry again did the vocal with Neil Conti on drums and Lati Kronlund on bass. ' Rick wrote that music. He remade it for them. It 's down to the writer. If my name had been on that track too it would n't have happened. I would n't do it. But that 's Rick 's business. I did n't approve of it, but I have no control over it. ' -- David Gilmour, Use in films The Clare Torry section was used in Good Morning, Night, an Italian movie about the 1978 Aldo Moro kidnapping and assassination. Cover versions On the Easy Star All - Stars ' Dub Side of the Moon album, there are two different dub music versions of the track, `` The Great Gig in the Sky '' ( Track 4 ) and `` Great Dub in the Sky '' ( Track 11 ). The London Philharmonic Orchestra performs an instrumental version, arranged by Jaz Coleman and conducted by Peter Scholes, on the 1995 album Us and Them : Symphonic Pink Floyd. Phish does a live cover on track 6 of disc 3 of Live Phish Vol. 7. Seattle local band The Squirrels did a full - length parody `` tribute '' of The Dark Side of the Moon in 1999 entitled The Not - So - Bright Side of the Moon. Their version of `` Great Gig '' has vocalist Baby Cheevers singing after guitarist Joey Kline says `` Sorry, the girl did n't show up ! '' On the 2009 Flaming Lips remake of Dark Side, Peaches performs Clare Torry 's vocals and Henry Rollins recreates the interview samples. The progressive metal band Dream Theater performs this song in their `` Official Bootlegs : Covers '' series, with Theresa Thomason taking over vocal duties. The Bluecoats Drum and Bugle Corps, from Canton, Ohio, played an arrangement of the song with multiple trumpets performing the vocal part for their Drum Corps International world championship winning 2016 show `` Down Side Up. '' The Australian Pink Floyd Show performed the song with Ola Bieńkowska doing a near - exact replica of the vocal. Personnel Richard Wright -- piano, Hammond organ David Gilmour -- pedal steel guitar Roger Waters -- bass Nick Mason -- drums with : Clare Torry -- vocals References Footnotes Jump up ^ Some CD pressings merge `` Speak to Me '' and `` Breathe ''. Citations ^ Jump up to : Povey 2007, Discography : The Dark Side of the Moon : ``... all pressings after 2005 bear the credit Richard Wright / Clare Torry. '' Jump up ^ Harris 2006, p. 142 ; Mabbett 1995 ; Blake 2008, pp. 198. See also Nerpil, Hannah ( 19 September 2008 ). `` Richard Wright 's Greatest Hits : 10 Pink Floyd Classics ''. The Times Online. London. Retrieved 26 May 2010. Jump up ^ Most of the material in this paragraph is compiled from Blake 2008, pp. 198 -- 199 ; Harris 2006, pp. 141 -- 144 ; Mason 2005, pp. 174. Jump up ^ Blake 2008, pp. 198 Jump up ^ Harris 2006, p. 143 Jump up ^ Torry, Clare. `` Pink Floyd Clare Torry `` The Great Gig in the Sky '' interview '' ( Interview ). 5 : 48. I was convinced it would never see the light of day because they had n't commented. They had n't said `` great '', `` awful '', nothing ! I honestly thought they did n't like it. And I did n't give it much thought because I never thought anybody would hear it. Jump up ^ Torry, Clare. `` Pink Floyd Clare Torry `` The Great Gig in the Sky '' interview '' ( Interview ). 6 : 44. There used to be a record shop in King 's Road (... ) near where I lived, and there in the window was this now - familiar cover, `` Pink Floyd new album '', so I thought `` oh I wonder if that 's what I did '', see I had no idea. And so I walked in and opened the album. (... ) I do n't think it had a title when I did the singing, it was just called `` scat '' or something, and there it was `` Great Gig in the Sky '', vocals Clare Torry, so I thought `` oh I 'll have to buy that ''. Jump up ^ Kendall, Charlie ( 1984 ). `` Shades of Pink -- The Definitive Pink Floyd Profile ''. The Source Radio Show. Archived from the original on 11 September 2012. Retrieved 26 July 2011. Jump up ^ `` ' Dark Side ' at 30 : Roger Waters ''. Rolling Stone. March 12, 2003. Archived from the original on 14 October 2009. Retrieved 18 February 2009. Jump up ^ `` ' Dark Side ' at 30 : Alan Parsons ''. Rolling Stone. March 12, 2003. Archived from the original on 14 June 2009. Retrieved 18 February 2009. Jump up ^ `` ' Dark Side ' at 30 : David Gilmour ''. Rolling Stone. March 12, 2003. Archived from the original on 14 October 2009. Retrieved 18 February 2009. Jump up ^ Harris, John ( October 2005 ). `` Clare Torry - Brain Damage exclusive ''. Brain Damage. Retrieved 18 February 2009. Jump up ^ Nick Wright interview, Classic Albums : Pink Floyd -- The Making of The Dark Side of the Moon Jump up ^ UK Retail Price Index inflation figures are based on data from Clark, Gregory ( 2017 ). `` The Annual RPI and Average Earnings for Britain, 1209 to Present ( New Series ) ''. MeasuringWorth. Retrieved November 6, 2017. Jump up ^ `` Seventies Singer ''. 2005. Retrieved 23 January 2009. A female vocalist may have become the first British artist to win an out - of - court settlement for a piece of music recorded over 30 years ago. Clare Torry was paid £ 30 to perform on Pink Floyd 's 1973 album ' Dark Side of the Moon ' and was given a written credit at the time. Yet the session singer, who contributed to the track The Great Gig in the Sky, has taken her claim to the High Court where she has won a half - share on copyright ownership on the song performed. Although most details of the case are secret, the Daily Telegraph has reported the singer secured a cash payment with Pink Floyd and their label, EMI. Jump up ^ Harris 2006, pp. 135 ^ Jump up to : Sutcliffe, Phil ; Henderson, Peter ( March 1998 ). `` The True Story of Dark Side of the Moon ''. Mojo ( 52 ). Retrieved from `` Archived copy ''. Archived from the original on 11 June 2011. Retrieved 17 August 2011. on 23 December 2010. There is confusion in this article over who `` Puddie '' or `` Puddy '' Watts is. For clarification see Harris 2006 or David Gilmour 's response to the Mojo article, retrieved from http://pinkfloyd.1accesshost.com/artic/letter.htm Jump up ^ Grossman, Lloyd ( 24 May 1973 ). `` Pink Floyd : Dark Side of the Moon ''. Rolling Stone. Rolling Stone. Retrieved 30 September 2017. Jump up ^ Mason 2005 Jump up ^ Manning, Toby ( 2006 ). `` Which One 's Pink ? ''. The Rough Guide to Pink Floyd ( 1st ed. ). London : Rough Guides. p. 147. ISBN 1 - 84353 - 575 - 0. Jump up ^ `` Dole Bananas Commercial ''. Retrieved 26 January 2012. Jump up ^ `` Echoes FAQ ''. Retrieved 29 August 2006. Jump up ^ Phil Sutcliffe ( July 1995 ). `` The 30 Year Technicolor Dream ''. Mojo Magazine. Archived from the original on 11 July 2011. Retrieved 23 July 2011. Bibliography Blake, Mark ( 2008 ). Comfortably Numb -- The Inside Story of Pink Floyd. Da Capo. ISBN 0 - 306 - 81752 - 7. Harris, John ( 2006 ). The Dark Side of the Moon ( third ed. ). Harper Perennial. ISBN 978 - 0 - 00 - 779090 - 6. Mabbett, Andy ( 1995 ). The Complete Guide to the Music of Pink Floyd. London : Omnibus. ISBN 0 - 7119 - 4301 - X. Mason, Nick ( 2005 ). Philip Dodd, ed. Inside Out : A Personal History of Pink Floyd ( Paperback ed. ). Phoenix. ISBN 0 - 7538 - 1906 - 6. Povey, Glenn ( 2007 ). Echoes. Mind Head Publishing. ISBN 0 - 9554624 - 0 - 1. External links Lyrics of this song at MetroLyrics The Dark Side of the Moon Songs Side one `` Speak to Me '' `` Breathe '' `` On the Run '' `` Time '' `` The Great Gig in the Sky '' Side two `` Money '' `` Us and Them '' `` Any Colour You Like '' `` Brain Damage '' `` Eclipse '' Related articles Dark Side of the Moon Tour The Dark Side of the Moon Live Dark Side of the Rainbow Darkside Tribute albums Dub Side of the Moon Dubber Side of the Moon The Flaming Lips and Stardeath and White Dwarfs Doing The Dark Side of the Moon From the Dark Side of the Moon Return to the Dark Side of the Moon Us and Them : Symphonic Pink Floyd Retrieved from `` https://en.wikipedia.org/w/index.php?title=The_Great_Gig_in_the_Sky&oldid=839658198 '' Categories : 1973 songs Pink Floyd songs The Flaming Lips songs Peaches ( musician ) songs Rock instrumentals Songs about death Songs written by Richard Wright ( musician ) Song recordings produced by David Gilmour Song recordings produced by Roger Waters Song recordings produced by Richard Wright ( musician ) Song recordings produced by Nick Mason Hidden categories : Wikipedia articles needing page number citations from December 2013 Use British English from June 2012 Use dmy dates from June 2012 Music infoboxes with deprecated parameters Articles with hAudio microformats Talk Contents About Wikipedia Català Čeština Deutsch Español فارسی Français Italiano ქართული Nederlands Norsk nynorsk Polski Português Русский Slovenčina Suomi Tiếng Việt 7 more Edit links This page was last edited on 4 May 2018, at 20 : 48 ( UTC ). 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Question: who wrote the great gig in the sky
Answer: Richard Wright