Hook ( film ) - wikipedia Hook ( film ) Hook Theatrical release poster by Drew Struzan Directed by Steven Spielberg Produced by Kathleen Kennedy Frank Marshall Gerald R. Molen Screenplay by Jim V. Hart Malia Scotch Marmo Story by Jim V. Hart Nick Castle Based on Peter and Wendy by J.M. Barrie Starring Dustin Hoffman Robin Williams Julia Roberts Bob Hoskins Maggie Smith Amber Scott Charlie Korsmo Music by John Williams Cinematography Dean Cundey Edited by Michael Kahn Production company Amblin Entertainment Distributed by TriStar Pictures Release date December 11, 1991 ( 1991 - 12 - 11 ) Running time 141 minutes Country United States Language English Budget $70 million Box office $300.9 million Hook is a 1991 American fantasy adventure film directed by Steven Spielberg and written by James V. Hart and Malia Scotch Marmo. It stars Robin Williams as Peter Banning / Peter Pan, Dustin Hoffman as Captain Hook, Julia Roberts as Tinker Bell, Bob Hoskins as Smee, Maggie Smith as Wendy, Caroline Goodall as Moira Banning, and Charlie Korsmo as Jack Banning. It acts as a sequel to J.M. Barrie 's 1911 novel Peter and Wendy focusing on an adult Peter Pan who has forgotten all about his childhood. In his new life, he is known as Peter Banning, a successful but unimaginative and workaholic corporate lawyer with a wife ( Wendy 's granddaughter ) and two children. However, when Captain Hook, the enemy of his past, kidnaps his children, he returns to Neverland in order to save them. Along the journey he reclaims the memories of his past and becomes a better person. Spielberg began developing the film in the early 1980s with Walt Disney Productions and Paramount Pictures, which would have followed the story line seen in the 1924 silent film and 1953 animated film. It entered pre-production in 1985, but Spielberg abandoned the project. James V. Hart developed the script with director Nick Castle and TriStar Pictures before Spielberg decided to direct in 1989. It was shot almost entirely on sound stages at Sony Pictures Studios in Culver City, California. It received mixed reviews from critics, and while it was a commercial success, its box office take was lower than expected. It was nominated in five categories at the 64th Academy Awards. It also spawned merchandise, including video games, action figures, and comic book adaptations. Contents 1 Plot 2 Cast 3 Production 3.1 Inspiration 3.2 Pre-production 3.3 Filming 4 Soundtrack 5 Video games 6 Reception 6.1 Box office 6.2 Critical response 7 References 8 Bibliography 9 External links Plot Peter Banning is a successful corporate lawyer living in San Francisco. As a workaholic, he spends little time with his wife, Moira, and children, 12 - year - old Jack and 7 - year - old Maggie, and even misses Jack 's Little League Baseball game, which is straining his relationships with them. They fly to London to visit Moira 's grandmother, Wendy Darling. Wendy is ostensibly the true creator of the Peter Pan stories, with J.M. Barrie, her childhood neighbor, merely having transcribed the tales. During their stay, Peter angrily yells at the children while their playing disturbs his important call, leading to an audacious argument with Moira, who throws his cellphone out of the window. Peter, Moira and Wendy go out to a charity dinner honoring Wendy 's long life of charitable service to orphans. Upon their return, they discover the house has been ransacked and the children have been abducted. A cryptic ransom note, signed Captain James Hook, has been pinned to the playroom door with a dagger. Wendy confesses to Peter that the stories of Peter Pan are true and that Peter himself is Pan, having lost all of his childhood memories when he fell in love with Moira. In disbelief, he gets drunk up in the playroom, but Tinker Bell appears and takes him to Neverland to rescue his children from Hook. Hook and his pirates confront Peter but become depressed when they realize he does not remember his former life and identity. Tinker Bell makes a deal with Hook that Peter will regain his memories in three days for a climactic battle. He is reacquainted with the Mermaids and meets the new generation of Lost Boys, led by Rufio, who refuses to believe that he is the real Peter Pan. They help him train, and in the process he regains his imagination and lost youth. One of them, Thud Butt, gives him marbles that were left behind by Tootles, who is now an old man living with Wendy. Elsewhere, Smee talks Hook into manipulating Jack and Maggie into loving him to break Peter 's will. While Maggie refuses to be taken in, Jack comes to view Hook as a father figure. Hook arranges a makeshift baseball game for Jack, which Peter watches as Hook treats Jack like his own son. Horrified, Peter runs off and tries to fly, but is led to the old treehouse of the Lost Boys by his own shadow. Tinker Bell helps him remember his childhood and how he fell in love with Moira, and he realizes his happy thought is being a father. He flies up into the sky, returning as Peter Pan, and Rufio surrenders his sword and leadership back to him. The child - minded Peter returns to Tinker Bell who grows human - sized and kisses him, confessing her unrequited love to him and reminding him of his reason for being in Neverland. On the third day, he and the Lost Boys attack the pirates as promised, leading to a lengthy battle. He rescues Maggie and promises to be a better father to both her and Jack. Rufio fights a duel with Hook but is mortally wounded and dies in Peter 's arms. Peter and Hook duel, leading to Peter 's victory. Refusing to leave honorably, Hook attacks Peter one last time, but the stuffed crocodile, whom Hook once feared, springs to life and his mouth falls on top of him, eating Hook. Peter gives his sword to Thud Butt, promoting him the new leader of the Lost Boys, and leaves Neverland for good. He awakens in Kensington Gardens, meeting a sweeper who bears a strong resemblance to Smee and bidding farewell to a tearful Tinker Bell. He climbs up the drain pipe of Wendy 's house, reuniting and reconciling with his family and returning Tootles ' marbles to him. Tootles discovers the bag contains pixie dust, and he flies out the window to return to Neverland. Wendy wonders if Peter 's adventures are over, but he replies, `` To live would be an awfully big adventure '' as we see Tootles fly off before the screen fades. Cast See also : Characters of Peter Pan Robin Williams as Peter Banning / Peter Pan Ryan Francis as teenage Peter Pan Max Hoffman as young Peter Pan Matthew Van Ginkel as baby Peter Pan Dustin Hoffman as Captain James Hook Julia Roberts as Tinker Bell Lisa Wilhoit as Tinker Bell in a flashback in which Peter is a baby Bob Hoskins as Mr. Smee Charlie Korsmo as Jack Banning Amber Scott as Maggie Banning Maggie Smith as Wendy Darling Gwyneth Paltrow as young Wendy Darling Caroline Goodall as Moira Banning Laurel Cronin as Liza, Wendy 's maid Phil Collins as Inspector Good, the British police detective Arthur Malet as the older Tootles Isaiah Robinson as Pockets Jasen Fisher as Ace Dante Basco as Rufio Raushan Hammond as Thud Butt James Madio as Do n't Ask Thomas Tulak as Too Small Alex Zuckerman as Latchboy Ahmad Stoner as No Nap Kelly Rowan as Peter Pan 's mother David Crosby as Tickles, a member of Hook 's pirate crew Tony Burton and Nick Tate as Bill Jukes and Noodler, members of Hook 's pirate crew who serve as his security entourage Glenn Close as Gutless, a male pirate who is punished by Hook Jimmy Buffett ( uncredited ) as the pirate who attempts to steal Peter 's shoes George Lucas and Carrie Fisher ( both uncredited ) as the kissing couple on the bridge who are sprinkled with pixie dust as Tinker Bell carries Peter to Neverland Production Inspiration Spielberg found close personal connection to the Peter Pan story from his own childhood. The troubled relationship between Peter and Jack in the sequel echoed Spielberg 's relationship with his own father. Previous Spielberg films that explored a dysfunctional father - son relationship included E.T. the Extra-Terrestrial and Indiana Jones and the Last Crusade. Peter 's `` quest for success '' paralleled Spielberg starting out as a film director and transforming into a Hollywood business magnate. `` I think a lot of people today are losing their imagination because they are work - driven. They are so self - involved with work and success and arriving at the next plateau that children and family almost become incidental. I have even experienced it myself when I have been on a very tough shoot and I 've not seen my kids except on weekends. They ask for my time and I ca n't give it to them because I 'm working. '' Like Peter at the beginning of the film, Spielberg has a fear of flying. He feels that Peter 's `` enduring quality '' in the storyline is simply to fly. `` Anytime anything flies, whether it 's Superman, Batman, or E.T., it 's got to be a tip of the hat to Peter Pan, '' Spielberg reflected in a 1992 interview. `` Peter Pan was the first time I saw anybody fly. Before I saw Superman, before I saw Batman, and of course before I saw any superheroes, my first memory of anybody flying is in Peter Pan. '' Pre-production J.M. Barrie considered writing a story in which Peter Pan grew up ; his 1920 notes for the latest stage revival of Peter Pan included possible titles for another play : The Man Who Could n't Grow Up or The Old Age of Peter Pan. The genesis of the film started when Spielberg 's mother often read him Peter and Wendy as a bedtime story. He explained in 1985, `` When I was eleven years old I actually directed the story during a school production. I have always felt like Peter Pan. I still feel like Peter Pan. It has been very hard for me to grow up, I 'm a victim of the Peter Pan syndrome. '' In the early 1980s, Spielberg began to develop a film with Walt Disney Pictures that would have closely followed the storyline of the 1924 silent film and 1953 animated film. He also considered directing it as a musical with Michael Jackson in the lead. Jackson expressed interest in the part, but was not interested in Spielberg 's vision of an adult Peter Pan who had forgotten about his past. The project was taken to Paramount Pictures, where James V. Hart wrote the first script with Dustin Hoffman already cast as Captain Hook. It entered pre-production in 1985 for filming to begin at sound stages in England. Elliot Scott had been hired as production designer. With the birth of his first son, Max, in 1985, Spielberg decided to drop out. `` I decided not to make Peter Pan when I had my first child, '' Spielberg commented. `` I did n't want to go to London and have seven kids on wires in front of blue screens. I wanted to be home as a dad. '' Around this time, he considered directing Big, which carried similar motifs and themes with it. In 1987, he `` permanently abandoned '' it, feeling he expressed his childhood and adult themes in Empire of the Sun. Meanwhile, Paramount and Hart moved forward on production with Nick Castle as director. Hart began to work on a new storyline when his son, Jake, showed his family a drawing. `` We asked Jake what it was and he said it was a crocodile eating Captain Hook, but that the crocodile really did n't eat him, he got away, '' Hart reflected. `` As it happens, I had been trying to crack Peter Pan for years, but I did n't just want to do a remake. So I went, ' Wow. Hook is not dead. The crocodile is. We 've all been fooled '. In 1986 our family was having dinner and Jake said, ' Daddy, did Peter Pan ever grow up ? ' My immediate response was, ' No, of course not '. And Jake said, ' But what if he did ? ' I realized that Peter did grow up, just like all of us baby boomers who are now in our forties. I patterned him after several of my friends on Wall Street, where the pirates wear three - piece suits and ride in limos. '' Filming By 1989, Ian Rathbone changed the title to Hook, and took it from Paramount to TriStar Pictures, headed by Mike Medavoy, who was Spielberg 's first talent agent. Robin Williams signed on, but he and Hoffman had creative differences with Castle. Medavoy saw the film as a vehicle for Spielberg and Castle was dismissed, but paid a $500,000 settlement. Dodi Fayed, who owned certain rights to make a Peter Pan film, sold his interest to TriStar in exchange for an executive producer credit. Spielberg briefly worked together with Hart to rewrite the script before hiring Malia Scotch Marmo to rewrite Captain Hook 's dialog and Carrie Fisher for Tinker Bell 's. The Writers Guild of America gave Hart and Marmo screenplay credit, while Hart and Castle were credited with the story. Fisher went uncredited. Filming began on February 19, 1991, occupying nine sound stages at Sony Pictures Studios in Culver City, California. Stage 30 housed the Neverland Lost Boys playground, while Stage 10 supplied Captain Hook 's ship cabin. Hidden hydraulics were installed to rock the setpiece to simulate a swaying ship, but the filmmakers found the movement distracted the dialogue, so the idea was dropped. Stage 27 housed the full - sized Jolly Roger and the surrounding Pirate Wharf. Industrial Light & Magic provided the visual effects sequences. This marked the beginning of Tony Swatton 's career, as he was asked to make weaponry for the film. It was financed by Amblin Entertainment and TriStar Pictures, with TriStar distributing it. Spielberg brought on John Napier as a `` visual consultant '', having been impressed with his work on Cats. The original production budget was set at $48 million, but ended up between $60 -- 80 million. The primary reason for the increased budget was the shooting schedule, which ran 40 days over its original 76 - day schedule. Spielberg explained, `` It was all my fault. I began to work at a slower pace than I usually do. '' Spielberg 's on - set relationship with Julia Roberts was troubled, and he later admitted in an interview with 60 Minutes, `` It was an unfortunate time for us to work together. '' In a 1999 Vanity Fair interview, Roberts said that Spielberg 's comments `` really hurt my feelings. '' She `` could n't believe this person that I knew and trusted was actually hesitating to come to my defense... it was the first time that I felt I had a turncoat in my midst. '' Soundtrack This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. ( October 2014 ) Hook : Original Motion Picture Soundtrack Film score by John Williams Released November 26, 1991 ( 1991 - 11 - 26 ) ( original ) March 27, 2012 ( 2012 - 03 - 27 ) ( reissue ) Length 75 : 18 ( original ) 140 : 34 ( reissue ) Label Epic Records ( original ) La - La Land Records ( reissue ) John Williams chronology Home Alone String Module Error : Match not foundString Module Error : Match not found Hook JFK String Module Error : Match not foundString Module Error : Match not found The film score was composed and conducted by John Williams. He was brought in at an early stage when Spielberg was considering making the film as a musical. Accordingly, he wrote around eight songs for the project at this stage. The idea was later abandoned. Most of his song ideas were incorporated into the instrumental score, though two songs survive as songs in the finished film : `` We Do n't Wanna Grow Up '' and `` When You 're Alone '', both with lyrics by Leslie Bricusse. The original 1991 issue was released by Epic Records. In 2012, a limited edition of the soundtrack, called Hook : Expanded Original Motion Picture Soundtrack, was released by La - La Land Records and Sony Music. It contains almost the complete score with alternates and unused material. It also contains liner notes that explain the film 's production and score recording. Commercial songs from film, but not on soundtrack `` Pick'em Up '' -- Music by John Williams and lyrics by Leslie Bricusse `` Take Me Out to the Ball Game '' -- Written by Jack Norworth and Albert Von Tilzer Video games Main article : Hook ( video game ) A video game based on the film and bearing the same name was released for the Super Nintendo Entertainment System in 1991. The game was released for additional game consoles in 1992. Reception Box Office Spielberg, Williams, and Hoffman did not take salaries for the film. Their deal called for them to split 40 % of TriStar Pictures ' gross revenues. They were to receive $20 million from the first $50 million in gross theatrical film rentals, with TriStar keeping the next $70 million in rentals before the three resumed receiving their percentage. The film was released in North America on December 11, 1991, earning $13,522,535 in its opening weekend. It went on to gross $119,654,823 in North America and $181,200,000 in foreign countries, accumulating a worldwide total of $300,854,823. It is the sixth - highest - grossing `` pirate - themed '' film, behind all five films in the Pirates of the Caribbean film series. In North America totals, it was the sixth - highest - grossing film in 1991, and fourth - highest - grossing worldwide. It ended up making a profit of $50 million for the studio, yet it was still declared a financial disappointment, having been overshadowed by the release of Disney 's Beauty and the Beast and a decline in box - office receipts compared to the previous years. Critical response Steven Spielberg later admitted in interviews that he was n't very fond of Hook. Review aggregator Rotten Tomatoes reports that 29 % of critics have given the film a positive review, based on 41 reviews, certifying it `` Rotten '', with an average rating of 4.4 / 10. The site 's consensus states : `` The look of Hook is lively indeed but Steven Spielberg directs on autopilot here, giving in too quickly to his sentimental, syrupy qualities. '' On Metacritic, the film has a 52 out of 100 rating, based on 19 critics, indicating `` mixed or average reviews ''. Roger Ebert of the Chicago Sun - Times stated that `` The sad thing about the screenplay for Hook is that it 's so correctly titled : This whole construction is really nothing more than a hook on which to hang a new version of the Peter Pan story. No effort is made to involve Peter 's magic in the changed world he now inhabits, and little thought has been given to Captain Hook 's extraordinary persistence in wanting to revisit the events of the past. The failure in Hook was its inability to re-imagine the material, to find something new, fresh or urgent to do with the Peter Pan myth. Lacking that, Spielberg should simply have remade the original story, straight, for the ' 90s generation. '' Peter Travers of Rolling Stone magazine felt it would `` only appeal to the baby boomer generation '' and highly criticized the sword - fighting choreography. Vincent Canby of The New York Times felt the story structure was not well balanced, feeling Spielberg depended too much on art direction. Hal Hinson of The Washington Post was one of few who gave it a positive review. Hinson elaborated on crucial themes of children, adulthood, and loss of innocence. However, he observed that Spielberg `` was stuck too much in a theme park world ''. Perry Seibert of allmovie gave the film his very low star rating, and described it as the worst film in Steven Spielberg 's Career. The film was nominated for five categories at the 64th Academy Awards. This included Best Production Design ( Norman Garwood, Garrett Lewis ) ( lost to Bugsy ), Best Costume Design ( lost to Bugsy ), Best Visual Effects ( lost to Terminator 2 : Judgment Day ), Best Makeup ( lost to Terminator 2 : Judgment Day ) and Best Original Song ( `` When You 're Alone '', lost to Beauty and the Beast ). It lost the Saturn Award for Best Fantasy Film to Aladdin, in which Williams co-starred, while cinematographer Dean Cundey was nominated for his work by the American Society of Cinematographers. Hoffman was nominated for the Golden Globe Award for Best Actor -- Motion Picture Musical or Comedy ( lost to Williams for The Fisher King ). John Williams was given a Grammy Award nomination for Best Score Soundtrack for Visual Media ; Julia Roberts received a Golden Raspberry Award nomination for Worst Supporting Actress ( lost to Sean Young as the dead twin in A Kiss Before Dying ). In 2011, Spielberg told Entertainment Weekly : `` There are parts of Hook I love. I 'm really proud of my work right up through Peter being hauled off in the parachute out the window, heading for Neverland. I 'm a little less proud of the Neverland sequences, because I 'm uncomfortable with that highly stylized world that today, of course, I would probably have done with live - action character work inside a completely digital set. But we did n't have the technology to do it then, and my imagination only went as far as building physical sets and trying to paint trees blue and red. '' Spielberg gave a more blunt assessment in a 2013 interview on Kermode & Mayo 's Film Review Show : `` I wan na see Hook again because I so do n't like that movie, and I 'm hoping someday I 'll see it again and perhaps like some of it. '' In 2018, Spielberg told Empire Magazine, `` I felt like a fish out of water making Hook... I did n't have confidence in the script. I had confidence in the first act and I had confidence in the epilogue. I did n't have confidence in the body of it. '' He added `` I did n't quite know what I was doing and I tried to paint over my insecurity with production value, '' admitting `` the more insecure I felt about it, the bigger and more colorful the sets became. '' References Jump up ^ `` HOOK ( U ) ''. British Board of Film Classification. January 17, 1992. Retrieved January 9, 2016. ^ Jump up to : Joseph McBride ( 1997 ). Steven Spielberg : A Biography. New York City : Faber and Faber. p. 411. ISBN 0 - 571 - 19177 - 0. Jump up ^ `` Hook ''. TCM database. Turner Classic Movies. Retrieved February 28, 2016. Jump up ^ Phil Collins. Not Dead Yet. London, England : Century Books. p. 270 / 2. ISBN 978 - 1 - 780 - 89513 - 0. Jump up ^ McBride, p. 413. ^ Jump up to : Ana Maria Bahiana ( March 1992 ). `` Hook '', Cinema Papers, pp. 67 -- 69. Jump up ^ Andrew Birkin ( 2003 ). J.M. Barrie and the Lost Boys. New Haven, Connecticut : Yale University Press. ISBN 978 - 0 - 300 - 09822 - 8. Jump up ^ McBride, p. 42 -- 43 ^ Jump up to : McBride, p. 409. Jump up ^ `` Michael Jackson Was Steven Spielberg 's First Choice To Play Peter Pan In ' Hook ' ''. Starpulse.com. Retrieved 2017 - 03 - 23. Jump up ^ Myra Forsberg ( 1988 - 01 - 10 ). `` Spielberg at 40 : The Man and the Child ''. The New York Times. access - date = requires url = ( help ) ^ Jump up to : McBride, p. 410. Jump up ^ Medavoy, Mike and Young, Josh ( 2002 ). You 're Only as Good as Your Next One : 100 Great Films, 100 Good Films, and 100 for Which I Should Be Shot ( p. 230 ). New York City : Atria Books ^ Jump up to : DVD production notes ^ Jump up to : McBride, p. 412. Jump up ^ Desta, Yohana. `` 15 On - Set Beefs That Will Go Down in Hollywood History ''. Retrieved March 27, 2018. Jump up ^ `` HOOK 2CD Set Includes ' Over 65 minutes of Music Previously Unreleased ' ''. JWFan. Retrieved May 21, 2012. Jump up ^ `` Hook - John Williams ''. AllMusic. Retrieved August 26, 2010. Jump up ^ Marriott, Scott Alan. `` Hook -- Overview ( SNES ) ''. AllGame. Archived from the original on November 15, 2014. Retrieved August 25, 2017. Jump up ^ `` Hook ''. Box Office Mojo. Retrieved 2008 - 09 - 19. Jump up ^ `` Pirate Movies ''. Box Office Mojo. Retrieved 2011 - 06 - 03. Jump up ^ `` 1991 Domestic Totals ''. Box Office Mojo. Retrieved 2008 - 09 - 19. Jump up ^ `` 1991 Worldwide Grosses ''. Box Office Mojo. Retrieved 2008 - 09 - 19. Jump up ^ Dretzka, Gary. `` Medavoy 's Method. '' Chicago Tribune ( December 8, 1996 ). Jump up ^ Medavoy, Mike and Young, Josh ( 2002 ). You 're Only as Good as Your Next One : 100 Great Films, 100 Good Films, and 100 for Which I Should Be Shot ( p. 234 - 235 ). New York City : Atria Books Jump up ^ `` Hook ''. Rotten Tomatoes. Flixster. Retrieved 2011 - 07 - 12. Jump up ^ `` Hook reviews ''. Metacritic. CBS Interactive. Retrieved 2016 - 01 - 09. Jump up ^ `` Hook ''. Roger Ebert.com. 1991 - 12 - 11. Retrieved 2008 - 09 - 19. Jump up ^ Peter Travers ( 1991 - 12 - 11 ). `` Hook ''. Rolling Stone. Retrieved 2008 - 09 - 19. Jump up ^ Vincent Canby ( 1991 - 12 - 11 ). `` Hook ''. The New York Times. access - date = requires url = ( help ) Jump up ^ Hal Hinson ( 1991 - 12 - 11 ). `` Hook ''. The Washington Post. access - date = requires url = ( help ) Jump up ^ `` Hook ''. Academy of Motion Picture Arts and Sciences. Retrieved 2008 - 09 - 20. Jump up ^ `` Past Saturn Awards ''. Saturn Awards.com. Archived from the original on February 10, 2005. Retrieved September 20, 2008. Jump up ^ `` 7th Annual Awards ''. American Society of Cinematographers. Archived from the original on November 9, 2006. Retrieved 2008 - 09 - 20. Jump up ^ `` 49th Golden Globe Awards ''. Internet Movie Database. Retrieved 2008 - 09 - 20. Jump up ^ `` Grammy Awards of 1991 ''. Internet Movie Database. Retrieved 2008 - 09 - 20. Jump up ^ `` Twelfth Annual RAZZIE Awards ''. Golden Raspberry Award. Retrieved 2008 - 10 - 15. Jump up ^ Breznican, Anthony ( December 2, 2011 ), `` Steven Spielberg : The EW Interview '', Entertainment Weekly. Jump up ^ `` Steven Spielberg interviewed by Kermode and Mayo ''. Youtube.com. 26 January 2013. Jump up ^ `` Why Steven Spielberg Was Unhappy With Hook ''. Retrieved March 27, 2018. Bibliography Terry Brooks ( December 17, 1991 ). Hook ( Hardcover ). novelization of the film. Ballantine Books. ISBN 0 - 449 - 90707 - 4. Charles L.P. Silet ( 2002 ). The Films of Steven Spielberg. Scarecrow Press. ISBN 0 - 8108 - 4182 - 7. External links Wikiquote has quotations related to : Hook Children 's literature portal Hook on IMDb Hook at the TCM Movie Database Hook at Box Office Mojo Hook at Rotten Tomatoes Hook at Metacritic Sony Imagesoft 's Hook at MobyGames Ocean 's Hook at MobyGames J.M. Barrie 's Peter Pan Characters and setting Main Peter Pan Wendy Darling Captain Hook Mr. Smee Tinker Bell Tiger Lily Other Neverland Lost Boys Pixie Hollow Cast members Literary adaptations Official books / plays The Little White Bird Peter Pan in Kensington Gardens Peter and Wendy ( play, book ) Peter Pan in Scarlet Starcatchers books Peter and the Starcatchers Peter and the Shadow Thieves Peter and the Secret of Rundoon Peter and the Sword of Mercy The Bridge to Never Land Never Land Books Film adaptations Peter Pan films Peter Pan ( 1924 ) Peter Pan ( 1953 ) Peter Pan ( 1988 ) Hook Return to Never Land Neverland Peter Pan ( 2003 ) Pan Tinker Bell films Tinker Bell Tinker Bell and the Lost Treasure Tinker Bell and the Great Fairy Rescue Pixie Hollow Games Secret of the Wings Pixie Hollow Bake Off The Pirate Fairy Tinker Bell and the Legend of the NeverBeast Adaptations Television 1976 musical The Adventures of Peter Pan Peter Pan & the Pirates Jake and the Never Land Pirates Once Upon a Time Neverland Peter Pan Live ! Peter and Wendy Stage 1950 musical 1954 musical Peter Pan : A Musical Adventure Peter and the Starcatcher Peter Pan 360 Peter and Alice Finding Neverland ( musical ) Wendy & Peter Pan Peter Pan Goes Wrong Disney 's Peter Pan Jr. Video games Peter Pan and the Pirates Peter Pan : Adventures in Never Land Kingdom Hearts Hook Prose The Child Thief Graphic novels Peter Pank Lost Girls Marvel Fairy Tales Music Albums The Wendy Trilogy Faith, Trust, and Pixie Dust `` Lost Boy '' ( Ruth B song ) Somewhere in Neverland `` Peter Pan '' ( Kelsea Ballerini song ) Attractions Disney on Ice Fantasmic ! Peter Pan 's Flight ( ride ) Pixie Hollow Allusions Never Never Land Biographies The Lost Boys Finding Neverland Related Llewelyn Davies boys Peter Pan syndrome / Wendy dilemma Peter Pan copyright Disney franchise Peter Pan statue Steven Spielberg Filmography Awards and nominations Films directed Firelight ( 1964 ) Slipstream ( 1967 ) Amblin ' ( 1968 ) Night Gallery ( `` Eyes '' segment, 1969 ) L.A. 2017 ( 1971 ) Duel ( 1971 ) Something Evil ( 1972 ) Savage ( 1973 ) The Sugarland Express ( 1974, also wrote ) Jaws ( 1975 ) Close Encounters of the Third Kind ( 1977, also wrote ) 1941 ( 1979 ) Raiders of the Lost Ark ( 1981 ) E.T. the Extra-Terrestrial ( 1982 ) Twilight Zone : The Movie ( `` Kick the Can '' segment, 1983 ) Indiana Jones and the Temple of Doom ( 1984 ) The Color Purple ( 1985 ) Empire of the Sun ( 1987 ) Indiana Jones and the Last Crusade ( 1989 ) Always ( 1989 ) Hook ( 1991 ) Jurassic Park ( 1993 ) Schindler 's List ( 1993 ) The Lost World : Jurassic Park ( 1997 ) Amistad ( 1997 ) Saving Private Ryan ( 1998 ) A.I. Artificial Intelligence ( 2001, also wrote ) Minority Report ( 2002 ) Catch Me If You Can ( 2002 ) The Terminal ( 2004 ) War of the Worlds ( 2005 ) Munich ( 2005 ) Indiana Jones and the Kingdom of the Crystal Skull ( 2008 ) The Adventures of Tintin ( 2011 ) War Horse ( 2011 ) Lincoln ( 2012 ) Bridge of Spies ( 2015 ) The BFG ( 2016 ) The Post ( 2017 ) Ready Player One ( 2018 ) Films written Ace Eli and Rodger of the Skies ( 1973 ) Poltergeist ( 1982, also produced ) The Goonies ( 1985 ) Films produced An American Tail : Fievel Goes West ( 1991 ) Memoirs of a Geisha ( 2005 ) Flags of Our Fathers ( 2006 ) Letters from Iwo Jima ( 2006 ) Super 8 ( 2011 ) The Hundred - Foot Journey ( 2014 ) Television Amazing Stories ( 1985 -- 87 ) High Incident ( 1996 -- 97 ) Invasion America ( 1998 ) See also Steven Spielberg bibliography Amblin Partners Amblin Entertainment Amblin Television DreamWorks Television Amblimation DreamWorks USC Shoah Foundation Institute for Visual History and Education Films produced by Gerald R. Molen Hook ( 1991 ) Schindler 's List ( 1993 ) Jurassic Park ( 1993 ) The Lost World : Jurassic Park ( 1997 ) The Other Side of Heaven ( 2001 ) Minority Report ( 2002 ) The Legend of Johnny Lingo ( 2003 ) 2016 : Obama 's America ( 2012 ) America : Imagine the World Without Her ( 2014 ) Hillary 's America : The Secret History of the Democratic Party ( 2016 ) Retrieved from `` https://en.wikipedia.org/w/index.php?title=Hook_(film)&oldid=842590613 '' Categories : 1991 films English - language films Peter Pan films American films 1990s adventure films 1990s comedy films 1990s fantasy films American children 's adventure films American adventure comedy films American fantasy adventure films American fantasy - comedy films Films scored by John Williams Films about lawyers Films directed by Steven Spielberg Films produced by Kathleen Kennedy Films produced by Frank Marshall Films set in London Films set in San Francisco Films set on airplanes Films shot in California Films shot in London Films shot in Los Angeles Mermaids in film Pirate films Amblin Entertainment films TriStar Pictures films Films produced by Gerald R. 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Question: who plays captain hook in hook the movie
Answer: Dustin Hoffman