Music of Thailand - wikipedia Music of Thailand The music of Thailand reflects its geographic position at the intersection of China and India, and reflects trade routes that have historically included Persia, Africa, Greece and Rome. Thai musical instruments are varied and reflect ancient influence from far afield - including the klong thap and khim ( Persian origin ), the jakhe ( Indian origin ), the klong jin ( Chinese origin ), and the klong kaek ( Indonesian origin ). Though Thailand was never colonized by colonial powers, pop music and other forms of modern Asian, European and American music have become extremely influential. The two most popular styles of traditional Thai music are luk thung and mor lam ; the latter in particular has close affinities with the music of Laos. Aside from the Thai, ethnic minorities such as the Lao, Lawa, Hmong, Akha, Khmer, Lisu, Karen and Lahu peoples have retained traditional musical forms. Contents 1 Traditional and folk music 1.1 Classical music 1.2 Piphat 1.3 Khruang sai 1.4 Mahori 1.5 Luk thung 1.6 Mor Lam 1.7 Kantrum 2 Musical instruments 3 Arrival of Western music 3.1 Phleng phra racha nipon 3.2 Pop and rock 3.3 Phleng phuea chiwit 3.4 String 3.5 Heavy Metal 4 Indie 5 See also 6 Sources 7 Further reading 8 External links Traditional and folk music Classical music Siamese theater group which performed in Berlin, Germany in 1900. `` Kham Hom '' ( `` Sweet Words '' ) Wax cylinder recording of `` Kham Hom '', or `` Sweet Words '', performed by the theater group above. Problems playing this file ? See media help. `` Sansoen Phra Barami '' ( `` Royal Anthem '' ) Wax cylinder recording of `` Sansoen Phra Barami '', the Thai Royal Anthem, performed by the theater group above. Problems playing this file ? See media help. Thai classical music scale The seven - note scale of Thai classical music played on the ranat ek Problems playing this file ? See media help. Thai classical music is synonymous with those stylized court ensembles and repertoires that emerged in its present form within the royal centers of Central Thailand some 800 years ago. These ensembles, while being influenced by older practices and repertoires from India, are today uniquely Thai expressions. While the three primary classical ensembles, the Piphat, Khrueang sai and Mahori differ in significant ways, they all share a basic instrumentation and theoretical approach. Each employ the small ching hand cymbals and the krap wooden sticks to mark the primary beat reference. Thai classical music has a wide influence on the musical tradition of the neighboring countries. The traditional music of Myanmar was strongly influenced by the Thai music repertoire, called Yodaya ( ယိုးဒယား ), which were brought over from the Ayutthaya Kingdom. As Siam expanded its political and cultural influence to Laos and Cambodia during the early Rattanakosin period, its musical model was quickly absorbed by the Cambodia and Lao courts. As Frédéric Maurel explains : `` From the close of the eighteenth century and through the nineteenth century, a number of Khmer pages, classical women dancers, and musicians studied with Thai ajarn ( masters or teachers ) in Cambodia. The presence of this Thai elite in Cambodia contributed to the development of strong Thai cultural influence among the Khmer upper classes. Moreover, some members of the Khmer royal family went to the Thai court and developed close relations with well - educated Thai nobility, as well as several court poets. Such cultural links were so powerful that, in some fields, one might use the term ' Siamization ' in referring to the processes of cultural absorption at the Khmer court at that time. '' Several kinds of small drums ( klong ) are employed in these ensembles to outline the basic rhythmic structure ( natab ) that is punctuated at the end by the striking of a suspended gong ( mong ). Seen in its most basic formulation, the classical Thai orchestras have a very strong influence on the Cambodian ( Khmer ) pinpeat and mahori ensembles, and structurally similar to other orchestras found within the widespread Southeast Asian gong - chime musical culture, such as the large gamelan of Bali and Java, which most likely have their common roots in the diffusion of Vietnamese Dong - Son bronze drums beginning in the first century. Traditional Thai classical repertoire is anonymous, handed down through an oral tradition of performance in which the names of composers ( if, indeed, pieces were historically created by single authors ) are not known. However, since the beginning of the modern Bangkok period, composers ' names have been known and, since around the turn of the century, many major composers have recorded their works in notation. Musicians, however, imagine these compositions and notations as generic forms which are realized in full in idiosyncratic variations and improvisations in the context of performance. Piphat Main article : Piphat The most common and iconic Thai classical music that symbolizes the dancing of the Thailand 's legendary dragons, a midsized orchestra including two xylophones ( ranat ), an oboe ( pi ), barrel drums ( klong ) and two circular sets of tuned horizontal gong - chimes ( khong wong lek and khong wong yai ). Piphat can be performed in either a loud outdoor style using hard mallets ( Piphat mai khaeng ; ปี่พาทย์ ไม้แข็ง ) or in an indoor style using padded hammers ( Piphat mai nuam ; ปี่พาทย์ ไม้นวม ). There are several types of piphat ensembles ranging in size and orchestration, each kind typically being associated with specific ceremonial purposes. The highly decorated piphat ensemble that features the ornately carved and painted semicircular vertical gong - chime is traditionally associated with the funeral and cremation ceremonies of the Mon ethnic group. Different versions of the piphat ensemble are employed to accompany specific forms of traditional Thai drama such as the large shadow puppet theater ( nang yai ) and the khon dance drama. Khruang sai Schoolgirls and boys playing khrueang sai in front of a temple Main article : Khruang sai The khruang sai orchestra combines some of the percussion of wind instruments of the piphat with an expanded string section including the saw duang ( a high - pitched two - string bowed lute ), the lower pitched saw u ( bowed lute ) and the three - string chakee ( a plucked zither ). In addition to these instruments are the khlui ( vertical fipple flute ) in several sizes and ranges, a goblet drum ( thon - rammana ) and, occasionally, a small hammered Chinese dulcimer ( khim ). The khrueang sai ensemble is primarily used for instrumental indoor performances and for accompanying the Thai hoon grabok ( stick - puppet theater ), a genre deeply influenced by Chinese puppetry styles. Accordingly, the addition of Chinese - sounding string instruments in the khrueang sai ensemble is imagined, by the Thai, to be a reference to the probable Chinese origins of this theater form. Mahori Main article : Mahori The third major Thai classical ensemble is the Mahori, traditionally played by women in the courts of both Central Thailand and Cambodia. Historically the ensemble included smaller instruments more appropriate, it was thought, to the build of female performers. Today the ensemble employs regular sized instruments -- a combination of instruments from both the Khrueang sai and Piphat ensembles but excluding the loud and rather shrill oboe pi. The ensemble, which is performed in three sizes -- small, medium and large -- includes the three - string saw sam sai fiddle, a delicate - sounding, middle - range bowed lute with silk strings. Within the context of the Mahori ensemble, the so sam sai accompanies the vocalist, which plays a more prominent role in this ensemble than in any other classical Thai orchestra. While Thai classical music was somewhat discouraged as being unmodern and backward looking during Thailand 's aggressively nationalistic modernization policies of mid-20th century, the classical arts have benefited recently from increased governmental sponsorship and funding as well as popular interest as expressed in such films as Homrong : The Overture ( 2003 ), a popular fictionalized biography of a famous traditional xylophone ( ranat ek ) performer. A Thai orchestra in 1900 Luk thung Main article : Luk thung Luk thung, or Thai country music, developed in the mid-20th century to reflect daily trials and tribulations of rural Thais. Pongsri Woranut and Suraphol Sombatcharoen were the genre 's first big stars, incorporating influences from, Asia. Many of the most popular artists have come from the central city of Suphanburi, including megastar Pumpuang Duangjan, who pioneered electronic luk thung. The late 90 's saw a commercial resurgence of Luk Thung, and the modern electrified, pop - influenced version of the genre remains the country 's most popular music form. Mor lam Main article : Mor lam Mor lam is the dominant folk music of Thailand 's north - eastern Isan region, which has a mainly Lao population. It has much in common with luk thung, such as its focus on the life of the rural poor. It is characterized by rapid - fire, rhythmic vocals and a funk feel to the percussion. The lead singer, also called a mor lam, is most often accompanied by the khaen, also known as khene. There are about fifteen regional variations of mor lam, plus modern versions such as mor lam sing. Some conservatives have criticized these as the commercialization of traditional cultures. See also : Music of Laos Kantrum The people of Isan are also known for kantrum, which is much less famous than mor lam. Kantrum is played by Khmer living near the border with Cambodia. It is a swift and very traditional dance music. In its purest form, cho - kantrum, singers, percussion and tro ( a type of fiddle ) dominate the sound. A more modern form using electric instrumentation arose in the mid-1980s. Later in the decade, Darkie became the genre 's biggest star, and he crossed into mainstream markets in the later 1990s. Musical instruments Main article : Traditional Thai musical instruments Examples of traditional instruments A music teacher in Mae On, near Chiang Mai, playing a sueng. A group of musicians playing traditional Ranat. A Khong wong lek being played. Small Thon - rammana hand - drum. Khaen player in a sarong and pakama. A Thai orchestra or Traditional Thai musical ensembles in 1900 Thai traditional musical ensembles at Wat Kungtapao Local Museum Arrival of Western music King Bhumibol Adulyadej and his son future king Vajiralongkorn playing saxophone While the composer Luang Pradit Phairau ( 1881 -- 1954 ) used localized forms of cipher ( number ) notation, other composers such as Montri Tramote ( 1908 -- 1995 ) used standard western staff notation. Several members of the Thai royal family have been deeply involved in composition, including King Prajadhipok ( Rama VII, 1883 -- 1941 ) and King Bhumibol Adulyadej ( 1927 -- 2016 ), whose compositions have been more often for jazz bands than classical Thai ensembles. Classical Thai music is polyphonic and follows similar conventions to American Folk and Dixieland Music. Each instrument improvises within accepted idioms around basic lines of harmony or melody called paths. Rhythmically and metrically Thai music is steady in tempo, regular in pulse, divisive, in simple duple meter, without swing, with little syncopation ( p. 3, 39 ), and with the emphasis on the final beat of a measure or group of pulses and phrase ( p. 41 ), as opposed to the first as in European - influenced music. The Thai scale includes seven tempered notes, instead of a mixture of tones and semitones. Five of seven pitches are used as the principal pitches in any mode, introducing nonequidistant intervals. Play ( help info ) Phleng Phra racha nipon Main article : Phleng phra racha nipon By the 1940s - 1970s King Bhumibol Adulyadej wrote a total of 48 composition, Apart from the songs, influenced by jazz. It was during this time that he decided to specialize in wind instruments, especially the saxophone and clarinet. By the time Bhumibol turned 18, he started to compose his own music with the first being Candlelight Blues. He continued to compose even during his reign following his coronation in 1946. Bhumibol performed with Preservation Hall Jazz Band, Benny Goodman, Stan Getz, Lionel Hampton, and Benny Carter. Throughout his life, Bhumibol wrote a total of 49 compositions. Much of it is jazz swing but he also composed marches, waltzes, and Thai patriotic songs. His most popular compositions were Candlelight Blues, Love at Sundown, and Falling Rain which were all composed in 1946. Bhumibol 's musical influences included Louis Armstrong, Sidney Bechet, Benny Carter, and Johnny Hodges. Bhumibol also performed with his band at Thai universities, composing anthems for the universities of Chulalongkorn, Thammasat, and Kasetsart. Pop and rock See also : Thai rock By the 1930s, however, Western classical music, showtunes, jazz and tango were popular. Soon, jazz grew to dominate Thai popular music, and Khru Eua Sunthornsanan soon set up the first Thai jazz band. The music he soon helped to invent along with influential band Suntharaporn was called pleng Thai sakorn, which incorporated Thai melodies with Western classical music. This music continued to evolve into luk grung, a romantic music that was popular with the upper - class. King Bhumibol is an accomplished jazz musician and composer. Phleng phuea chiwit Main article : Phleng phuea chiwit By the 1960s, Western rock was popular and Thai artists began imitating bands like Cliff Richard & the Shadows ; this music was called wong shadow, and it soon evolved into a form of Thai pop called string. Among the groups that emerged from this period was The Impossibles. The ' 70s also saw Rewat Buddhinan beginning to use the Thai language in rock music as well as the rise of protest songs called phleng phuea chiwit ( songs for life ). The earliest phleng phuea chiwit band was called Caravan, and they were at the forefront of a movement for democracy. In 1976, police and right wing activists attacked students at Thammasat University ; Caravan, along with other bands and activists, fled for the rural hills. There, Caravan continued playing music for local farmers, and wrote songs that would appear on their later albums. In the 1980s, phleng phuea chiwit re-entered the mainstream with a grant of amnesty to dissidents. Bands like Carabao became best - sellers and incorporated sternly nationalistic elements in their lyrics. By the 1990s, phleng phuea chiwit had largely fallen from the top of the Thai charts, though artists like Pongsit Kamphee continued to command a large audience. String Main article : String ( Thai pop ) String pop took over mainstream listeners in Thailand in the 90s, and bubblegum pop stars like Christina Aguilar, Bird Thongchai McIntyre and Asanee - Wasan became best - sellers. Simultaneously, Britpop influenced alternative rock artists like Modern Dog, Loso, Crub and Proud became popular in late 1990s. In 2006, famous Thai rock bands include Clash, Big Ass, Bodyslam and Silly Fools. The late 90 's saw pop overshadowed by the remarkable commercial resurgence of Luk Thung, but modern Luk Thung has also adopted some elements from the pop acts. Heavy Metal Heavy Metal music in Thailand was very popular in early 90s '. Many band in this era play Heavy Metal such like Hi - Rock, Stone Metal Fire, I - Scream, Uranium, Big Gun Indie A group of independent artists and records which produces music for non-commercial purpose also found in Thailand : Bakery Music ( now under Sony Music ) ( 1 ) ; Smallroom ( 2 ) ; FAT radio ( 3 ) ; City - Blue ( 4 ) ; Coolvoice ( 5 ) ; Dudesweet ( 6 ) ; Idea - radio ( 7 ) Panda Records ( 8 ) ; and SO : : ON Dry Flower ( 9 ). See also Wikimedia Commons has media related to Music of Thailand. Korphai ensemble Traditional Thai musical instruments BEC - TERO GMM Grammy RS Music Thai Elephant Orchestra Sources Jump up ^ Frédéric Maurel, A Khmer `` nirat '', ' Travel in France during the Paris World Exhibition of 1900 ' : influences from the Thai ?, South East Asia Research, Vol. 10, No. 1 ( March 2002 ), p. 100 url = https://www.jstor.org/stable/23749987?seq=1#page_scan_tab_contents Jump up ^ Morton, David ( 1980 ). `` The Music of Thailand '', Musics of Many Cultures, p. 70. May, Elizabeth, ed. ISBN 0 - 520 - 04778 - 8. ^ Jump up to : Cite error : The named reference Music was invoked but never defined ( see the help page ). ^ Jump up to : Tang, Alisa ( 2006 - 06 - 13 ). `` Thailand 's monarch is ruler, jazz musician ''. Washington Post. Associated Press. Retrieved 27 May 2014. ^ Jump up to : `` The Jazzy King ''. Bangkok Post. 10 January 2006. Retrieved 27 May 2014. Further reading Clewley, John. `` Songs for Living ''. 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla ( Ed. ), World Music, Vol. 2 : Latin & North America, Caribbean, India, Asia and Pacific, pp 241 -- 253. Rough Guides Ltd, Penguin Books. ISBN 1 - 85828 - 636 - 0 Morton, David ( 1976 ). The Traditional Music of Thailand. University of California Press. ISBN 0 - 520 - 01876 - 1. External links The traditional music of Thailand Traditional Thai musical instruments String Plucked Chakhe Krachappi Sueng Phin Phin pia Hai song Bowed Saw duang Saw u Saw sam sai Salo Struck Khim Wind Flutes Khlui Khlui lib Khlui phiang aw Khlui u Wot Oboes Pi Pi nai Pi nok Pi klang Pi chawa Pi mon Pi chanai Pi o Pi chum Pi so Free - reed pipes Khaen Percussion Drums Glong khaek Glong songna Glong yao Glong thad Thon rammana Taphon Glong thap ( Thap ) Glong Chatri Taphon Mon Glong Malayu Xylophones Pong lang Ranat Ranat ek Ranat thum Ranat ek lek Ranat thum lek Ranat kaeo Gongs Khong wong yai Khong wong lek Khong Mon Khong Mon wong yai Khong Mon wong lek Others Ching Chap Krap Mong Traditional Thai musical ensembles Piphat Piphat chatri Piphat mai khaeng Piphat mai khaeng khrueang ha Piphat mai khaeng khrueang khu Piphat mai khaeng khrueang yai Piphat mai nuam Piphat duekdamban Piphat mon Piphat mon khrueang ha Piphat mon khrueang ku Piphat mon khrueang yai Piphat nanghong Khrueang sai Khrueang sai wong lek Khrueang sai diao Khrueang sai khruang ku Khrueang sai prasom Khrueang sai pi chawa Mahori Mahori wong lek Mahori khrueang ku Mahori khrueang yai Lanna ( Northern Thai ) Salo - saw - seung ensemble Isan ( Northeast Thai ) Bong lang ensemble Isan mohori Traditional music for events involving the Royal Family of Thailand ( aka Prakom yumyam ) Traditional Band of the Royal Family of Thailand Piphat Band of the Royal Family Thailand articles History Prehistory Peopling Khun Borom Tai peoples Early history Initial states Sukhothai era Ayutthaya era Thonburi era Rattanakosin era Siamese Revolution Military period Democratic period Geography Cities and towns Climate Ecoregions Environmental issues Islands Mountains Protected areas Regions Rivers Volcanoes Wildlife World Heritage Sites Politics Constitution Monarchy ( list ) Elections Parliament Government Prime Minister ( list ) Cabinet Ministries Administrative divisions Foreign relations Human rights Judiciary Law Localism Military Police Political parties Economy Agriculture Banks central bank Baht ( currency ) Car industry Energy Stock Exchange Telecommunications Internet telephone numbers Tourism Transport Society Crime Demographics Education Ethnic groups Languages Health Religion Women LGBT Culture Architecture Art Birth Cinema Clothing Cuisine Dance Etiquette Folklore Literature Names Marriage Media television Music Thai people Prostitution Public holidays Sports Symbols anthem emblem flag Time lunar calendar solar calendar Video gaming Outline Index Portal Music of Asia Sovereign states Afghanistan Armenia Azerbaijan Bahrain Bangladesh Bhutan Brunei Cambodia China Cyprus East Timor ( Timor - Leste ) Egypt Georgia India Indonesia Iran Iraq Israel Japan Jordan Kazakhstan North Korea South Korea Kuwait Kyrgyzstan Laos Lebanon Malaysia Maldives Mongolia Myanmar Nepal Oman Pakistan Philippines Qatar Russia Saudi Arabia Singapore Sri Lanka Syria Tajikistan Thailand Turkey Turkmenistan United Arab Emirates Uzbekistan Vietnam Yemen States with limited recognition Abkhazia Artsakh Northern Cyprus Palestine South Ossetia Taiwan Dependencies and other territories British Indian Ocean Territory Christmas Island Cocos ( Keeling ) Islands Hong Kong Macau Retrieved from `` https://en.wikipedia.org/w/index.php?title=Music_of_Thailand&oldid=798398377 '' Categories : Thai music Hidden categories : Pages with reference errors Pages with broken reference names Articles with hAudio microformats Talk Contents About Wikipedia Languages Français 한국어 ไทย Tiếng Việt Edit links This page was last edited on 1 September 2017, at 17 : 59. 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Question: what are the 3 types of musical ensembles in thailand
Answer: Piphat