Georgia O'Keeffe - wikipedia Georgia O'Keeffe Georgia O'Keeffe Georgia O'Keeffe, 1918, photograph by Alfred Stieglitz Georgia Totto O'Keeffe ( 1887 - 11 - 15 ) November 15, 1887 Town of Sun Prairie, Wisconsin, U.S. March 6, 1986 ( 1986 - 03 - 06 ) ( aged 98 ) Santa Fe, New Mexico, U.S. Nationality American Education School of the Art Institute of Chicago Columbia University University of Virginia Art Students League of New York Known for Painting Movement American modernism Spouse ( s ) Alfred Stieglitz ( m. 1924 ; his death 1946 ) Awards National Medal of Arts ( 1985 ) Presidential Medal of Freedom ( 1977 ) The Edward MacDowell Medal in the Arts ( 1972 ) Georgia Totto O'Keeffe ( November 15, 1887 -- March 6, 1986 ) was an American artist. She was best known for her paintings of enlarged flowers, New York skyscrapers, and New Mexico landscapes. O'Keeffe has been recognized as the `` Mother of American modernism ''. In 1905, O'Keeffe began her serious formal art training at the School of the Art Institute of Chicago and then the Art Students League of New York, but she felt constrained by her lessons that focused on recreating or copying what was in nature. In 1908, unable to fund further education, she worked for two years as a commercial illustrator, and then spent seven years between 1911 and 1918 teaching in Virginia, Texas, and South Carolina. During that time, she studied art during the summers between 1912 and 1914 and was introduced to the principles and philosophies of Arthur Wesley Dow, who espoused created works of art based upon personal style, design, and interpretation of subjects, rather than trying to copy or represent them. This caused a major change in the way she felt about and approached art, as seen in the beginning stages of her watercolors from her studies at the University of Virginia and more dramatically in the charcoal drawings that she produced in 1915 that led to total abstraction. Alfred Stieglitz, an art dealer and photographer, held an exhibit of her works in 1916. Over the next couple of years, she taught and continued her studies at the Teachers College, Columbia University. She moved to New York in 1918 at Stieglitz 's request and began working seriously as an artist. They developed a professional relationship, he promoted and exhibited her works, and a personal relationship that led to their marriage in 1924. O'Keeffe created many forms of abstract art, including close - ups of flowers, such as the Red Canna paintings, that many found to represent women 's genitalia, although O'Keeffe consistently denied that intention. The reputation of the portrayal of women 's sexuality was also fueled by explicit and sensuous photographs that Stieglitz had taken and exhibited of O'Keeffe. O'Keeffe and Stieglitz lived together in New York until 1929, when O'Keeffe began spending part of the year in the Southwest, which served as inspiration for her paintings of New Mexico landscapes and images of animal skulls, such as Cow 's Skull : Red, White, and Blue and Ram 's Head White Hollyhock and Little Hills. After Stieglitz 's death, she lived permanently in New Mexico at Georgia O'Keeffe Home and Studio in Abiquiú, until the last years of her life when she lived in Santa Fe. In 2014, O'Keeffe's 1932 painting Jimson Weed sold for $44,405,000, more than three times the previous world auction record for any woman artist. The Georgia O'Keeffe Museum was established after her death in Santa Fe. Contents 1 Early life 2 Career 2.1 Education and early career 2.2 New York 2.3 Taos 2.4 New Mexico and New York 2.5 Abiquiú 2.6 Awards and honors 3 Personal life and death 4 Legacy 5 Publications 6 Popular culture 7 See also 8 References 9 Further reading 10 External links Early Life Georgia O'Keeffe was born on November 15, 1887, in a farmhouse located at 2405 Hwy T in the town of Sun Prairie, Wisconsin. Her parents, Francis Calyxtus O'Keeffe and Ida ( Totto ) O'Keeffe, were dairy farmers. Her father was of Irish descent. Her maternal grandfather George Victor Totto, for whom O'Keeffe was named, was a Hungarian count who came to the United States in 1848. O'Keeffe was the second of seven children. She attended Town Hall School in Sun Prairie. By age ten she had decided to become an artist, and she and her sister received art instruction from local watercolorist Sara Mann. O'Keeffe attended high school at Sacred Heart Academy in Madison, Wisconsin as a boarder between 1901 and 1902. In late 1902 the O'Keeffes moved from Wisconsin to the close - knit neighborhood of Peacock Hill in Williamsburg, Virginia. O'Keeffe stayed in Wisconsin with her aunt and attended Madison High School, then joined her family in Virginia in 1903. She completed high school as a boarder at Chatham Episcopal Institute in Virginia ( now Chatham Hall ) and was graduated in 1905. She was a member of the Kappa Delta sorority. When she taught and headed the art department at West Texas State Normal College, her youngest sibling, Claudia, lived with her at her mother 's request to watch over her as she studied at the school. In 1917 she visited her brother, Alexis, at a military camp in Texas before he shipped out for Europe during World War I. While there she created the painting, The Flag, which expressed her anxiety and depression about the war. Career Education and early career Further information : Early works of Georgia O'Keeffe Georgia O'Keeffe, Untitled, 1908, Art Students League of New York collection O'Keeffe studied and ranked at the top of her class at the School of the Art Institute of Chicago from 1905 to 1906, studying with John Vanderpoel. Due to typhoid fever, she had to take a year off from her education. In 1907, she attended the Art Students League in New York City, where she studied under William Merritt Chase, Kenyon Cox and F. Luis Mora. In 1908, she won the League 's William Merritt Chase still - life prize for her oil painting Dead Rabbit with Copper Pot. Her prize was a scholarship to attend the League 's outdoor summer school in Lake George, New York. While in the city, O'Keeffe visited galleries, such as 291, co-owned by her future husband, photographer Alfred Stieglitz. The gallery promoted the work of avant - garde artists from the United States and Europe and photographers. In 1908, O'Keeffe found out that she would not be able to finance her studies. Her father had gone bankrupt and her mother was seriously ill with tuberculosis. She also was not interested in creating a career as a painter based upon the mimetic tradition which had formed the basis of her art training. She took a job in Chicago as a commercial artist and worked there until 1910, when she returned to Virginia to recuperate from a case of the measles and later moved with her family to Charlottesville. She did not paint for four years, and said that the smell of turpentine made her ill. She began teaching art in 1911. One of her positions was her former school, Chatham Episcopal Institute in Virginia. Georgia O'Keeffe, Untitled, The Rotunda at University of Virginia, watercolor on paper, 11 7 / 8 x 9 ( 30.16 x 22.86 ), 1912 - 1914 She took a summer art class in 1912 at the University of Virginia from Alon Bement, who was a Columbia University Teachers College faculty member. Under Bement, she learned of innovative ideas of Arthur Wesley Dow, a colleague of her instructor. Dow 's approach was influenced by principles of Japanese art regarding design and composition. She began to experiment with abstract compositions and develop a personal style that veered away from realism. She took classes at the University of Virginia for two more summers. She also took a class in the spring of 1914 at Teachers College of Columbia University with Dow, who further influenced her thinking about the process of making art. Her studies at the University of Virginia, based upon Dow 's principles, were pivotal in O'Keeffe's development as an artist. Through her exploration and growth as an artist, she helped to establish the American modernism movement. In November 2016, the Georgia O'Keeffe Museum recognized the importance of her time in Charlottesville by dedicating an exhibition, using watercolors that she had created over three summers. It was entitled, O'Keeffe at the University of Virginia, 1912 - 1914. From 1912 to 1914, she taught art in the public schools in Amarillo in the Texas Panhandle. During the summers, she was a teaching assistant to Bement. Georgia O'Keeffe, Drawing XIII, 1915, Charcoal on paper, Metropolitan Museum of Art She taught at Columbia College, Columbia, South Carolina in late 1915, where she completed a series of highly innovative charcoal abstractions, based on her personal sensations. The Georgia O'Keeffe museum says that she was one of the first American artists to practice pure abstraction. O'Keeffe mailed the drawings to friend and former classmate at Teachers College, Anita Pollitzer, who took them to Alfred Stieglitz at his 291 gallery early in 1916. Stieglitz found them to be the `` purest, finest, sincerest things that had entered 291 in a long while '', and said that he would like to show them. In early 1916, O'Keeffe was in New York at Teachers College, Columbia University. In April that year, Stieglitz exhibited ten of her drawings at 291. Georgia O'Keeffe as a teaching assistant to Alon Bement at the University of Virginia in 1915 After further course work at Columbia in early 1916 and summer teaching for Bement, she was the chair of the art department beginning the fall of 1916 at the West Texas State Normal College, in Canyon. She began a series of watercolor paintings based upon the scenery and expansive views during her walks, including vibrant paintings she made of Palo Duro Canyon. O'Keeffe, who enjoyed sunrises and sunsets, developed a fondness for intense and nocturnal colors. Building upon a practice she began in South Carolina, O'Keeffe painted to express her most private sensations and feelings. Rather than sketching out a design before painting, she freely created designs. O'Keeffe continued to experiment until she believed she truly captured her feelings in the watercolor, Light Coming on the Plains No. I ( 1917 ). She `` captured a monumental landscape in this simple configuration, fusing blue and green pigments in almost indistinct tonal graduations that simulate the pulsating effect of light on the horizon of the Texas Panhandle, '' according to author Sharyn Rohlfsen Udall. New York Stieglitz, nearly a quarter century older than O'Keeffe, provided financial support and arranged for a residence and place for her to paint in New York in 1918. They developed a close personal relationship and he promoted her work. She came to know the many early American modernists who were part of Stieglitz 's circle of artists, including Charles Demuth, Arthur Dove, Marsden Hartley, John Marin, Paul Strand, and Edward Steichen. Strand 's photography, as well as that of Stieglitz and his many photographer friends, inspired O'Keeffe's work. Also around this time, O'Keeffe became sick during the 1918 flu pandemic, as did so many others. Blue and Green Music, 1921 O'Keeffe began creating simplified images of natural things, such as leaves, flowers, and rocks. Inspired by Precisionism, The Green Apple, completed in 1922, depicts her notion of simple, meaningful life. O'Keeffe said that year, `` it is only by selection, by elimination, and by emphasis that we get at the real meaning of things. '' Blue and Green Music expresses O'Keeffe's feelings about music through visual art, using bold and subtle colors. Georgia O'Keeffe, Inside Red Canna, 1919 O'Keeffe, most famous for her depiction of flowers, made about 200 flower paintings, which by the mid-1920s were large - scale depictions of flowers, as if seen through a magnifying lens, such as Oriental Poppies and several Red Canna paintings. She painted her first large - scale flower painting, Petunia, No. 2, in 1924 that was first exhibited in 1925. Making magnified depictions of objects imbued a sense of awe and emotional intensity. On November 20, 2014, O'Keeffe's Jimson Weed ( 1932 ) sold for $44,405,000, more than three times the previous world auction record for any female artist. Works such as Black Iris III ( 1926 ) evoke a veiled representation of female genitalia while also accurately depicting the center of an iris. O'Keeffe consistently denied the validity of Freudian interpretations of her art. After having moved into a 30th floor apartment in the Shelton Hotel in 1925, O'Keeffe began a series of paintings of the city skyscrapers and skyline. One of her most notable works, which demonstrates her skill at depicting the buildings in the Precisionist style, is the Radiator Building -- Night, New York. Other examples New York Street with Moon ( 1925 ), The Shelton with Sunspots, N.Y. ( 1926 ), and City Night ( 1926 ). She made a cityscape, East River from the Thirtieth Story of the Shelton Hotel in 1928, a dismal painting of her view of the East River and smoke - emitting factories in Queens. The next year she made her final New York City skyline and skyscraper paintings and traveled to New Mexico, which became a source of inspiration for her work. In 1924, Stieglitz arranged an simultaneous exhibit of O'Keeffe's works of arts and his photographs at Anderson Galleries and arranged for other major exhibits. The Brooklyn Museum held a retrospective of her work in 1927. In 1928, he announced to the press that six of her calla lily paintings sold to an anonymous buyer in France for US $25,000, but there is no evidence that this transaction occurred the way Stieglitz reported. However, due to the press, O'Keeffe's paintings sold at a higher price from that point forward. By the late twenties she was noted for her work as an American artist, particularly for the paintings of New York city skyscrapers and close - up paintings of flowers. Taos O'Keeffe traveled to New Mexico by 1929 with her friend Rebecca Strand and stayed in Taos at the home of Mabel Dodge Luhan, who provided the women with studios. O'Keeffe went on many pack trips, exploring the rugged mountains and deserts of the region that summer and later visited the nearby D.H. Lawrence Ranch, where she completed her now famous oil painting, The Lawrence Tree, currently owned by the Wadsworth Athenaeum in Hartford, Connecticut. O'Keeffe visited and painted the nearby historical San Francisco de Asis Mission Church at Ranchos de Taos. She made several paintings of the church, as had many artists, and her painting of a fragment of it silhouetted against the sky captured it from a unique perspective. New Mexico and New York Georgia O'Keeffe, Ram 's Head White Hollyhock and Little Hills, 1935, The Brooklyn Museum O'Keeffe then spent part of nearly every year working in New Mexico. She collected rocks and bones from the desert floor and made them and the distinctive architectural and landscape forms of the area subjects in her work. Known as a loner, O'Keeffe explored the land she loved often in her Ford Model A, which she purchased and learned to drive in 1929. She often talked about her fondness for Ghost Ranch and Northern New Mexico, as in 1943, when she explained : `` Such a beautiful, untouched lonely feeling place, such a fine part of what I call the ' Faraway '. It is a place I have painted before... even now I must do it again. '' Due to exhaustion and poor health, she did not work from late 1932 until about the mid-1930s. She was a popular and reputed artist. She received a number of commissions and her works were exhibited in New York and other places. In 1936, she completed what would become one of her most well - known paintings, Summer Days, in 1936. It depicted a desert scene with a deer skull with vibrant wildflowers. Resembling Ram 's Head with Hollyhock, it depicted the skull floating above the horizon. Pineapple Bud, 1939, oil on canvas In 1938, the advertising agency N.W. Ayer & Son approached O'Keeffe about creating two paintings for the Hawaiian Pineapple Company ( now Dole Food Company ) to use in their advertising. Other artists who produced paintings of Hawaii for the Hawaiian Pineapple Company 's advertising include Lloyd Sexton, Jr., Millard Sheets, Yasuo Kuniyoshi, Isamu Noguchi, and Miguel Covarrubias. The offer came at a critical time in O'Keeffe's life : she was 51, and her career seemed to be stalling ( critics were calling her focus on New Mexico limited, and branding her desert images `` a kind of mass production '' ). She arrived in Honolulu February 8, 1939 aboard the SS Lurline, and spent nine weeks in Oahu, Maui, Kauai, and the island of Hawaii. By far the most productive and vivid period was on Maui, where she was given complete freedom to explore and paint. She painted flowers, landscapes, and traditional Hawaiian fishhooks. Back in New York, O'Keeffe completed a series of 20 sensual, verdant paintings. However, she did not paint the requested pineapple until the Hawaiian Pineapple Company sent a plant to her New York studio. O'Keeffe's `` White Place, '' the Plaza Blanca cliffs and badlands near Abiquiú During the 1940s O'Keeffe had two one - woman retrospectives, the first at the Art Institute of Chicago ( 1943 ). Her second was in 1946, when she was the first woman artist to have a retrospective at the Museum of Modern Art ( MoMA ) in Manhattan. Whitney Museum of American Art began an effort to create the first catalogue of her work in the mid-1940s. In the 1940s, O'Keeffe made an extensive series of paintings of what is called the `` Black Place '', about 150 miles west of her Ghost Ranch house. O'Keeffe said that the Black Place resembled `` a mile of elephants with gray hills and white sand at their feet. '' She made paintings of the `` White Place '', a white rock formation located near her Abiquiú house. Abiquiú External images Ladder to the Moon, Whitney Museum of American Art Sky Above the Clouds IV, 1965, oil on canvas, The Art Institute of Chicago. In 1946 she began making the architectural forms of her Abiquiú house -- patio wall and door -- subjects in her work. Another distinctive painting was Ladder to the Moon, 1958. O'Keeffe produced a series of cloudscape art, such as Sky above the Clouds in the mid-1960s that were inspired by her views from airplane windows. Worcester Art Museum held a retrospective of her work in 1960 and ten years later, the Whitney Museum of American Art mounted the Georgia O'Keeffe Retrospective Exhibition. In 1972, O'Keeffe lost much of her eyesight due to macular degeneration, leaving her with only peripheral vision. She stopped oil painting without assistance in 1972. In the 1970s, she made a series of works in watercolor. Her autobiography, Georgia O'Keeffe, published in 1976 was a best seller. Judy Chicago gave O'Keeffe a prominent place in her The Dinner Party ( 1979 ) in recognition of what many prominent feminist artists considered groundbreaking introduction of sensual and feminist imagery in her works of art. Although feminists celebrated O'Keeffe as the originator of `` female iconography '', O'Keeffe refused to join the feminist art movement or cooperate with any all - women projects. More particularly, she disliked being called a `` woman artist '', she wanted to be considered an `` artist ''. She continued working in pencil and charcoal until 1984. Awards and honors O'Keeffe was elected to the American Academy of Arts and Letters and in 1966 was elected a Fellow of the American Academy of Arts and Sciences. Among her awards and honors, O'Keeffe received the M. Carey Thomas Award at Bryn Mawr College in 1971 and two years later received an honorary degree from Harvard University. In 1977, President Gerald Ford presented O'Keeffe with the Presidential Medal of Freedom, the highest honor awarded to American civilians. In 1985, she was awarded the National Medal of Arts by President Ronald Reagan. In 1993, she was inducted into the National Women 's Hall of Fame. Personal Life and death In June 1918, O'Keeffe accepted Stieglitz 's invitation to move to New York and accept his financial support. Stieglitz, who was married, moved in with her in July. Alfred Stieglitz, Georgia O'Keeffe, platinum print, 1920 In February 1921, Stieglitz 's photographs of O'Keeffe were included in a retrospective exhibition at the Anderson Galleries. Stieglitz started photographing O'Keeffe when she visited him in New York City to see her 1917 exhibition, and continued taking photographs, many of which were in the nude. It created a public sensation. When he retired from photography in 1937, he had made more than 350 portraits of her. In 1978, she wrote about how distant from them she had become, `` When I look over the photographs Stieglitz took of me - some of them more than sixty years ago -- I wonder who that person is. It is as if in my one life I have lived many lives. '' In 1924, Stieglitz was divorced from his wife Emmeline, and he married O'Keeffe. For the rest of their lives together, their relationship was, `` a collusion... a system of deals and trade - offs, tacitly agreed to and carried out, for the most part, without the exchange of a word. Preferring avoidance to confrontation on most issues, O'Keeffe was the principal agent of collusion in their union, '' according to biographer Benita Eisler. My Shanty, Lake George, oil on canvas, 20 in × 27 1 / 8 inches, The Phillips Collection, Washington, D.C. They primarily lived in New York City, but spent their summers at his family home, Oaklawn, in Lake George in upstate New York. In 1928, Stieglitz had an affair with Dorothy Norman and she lost a project to create a mural for Radio City Music Hall. She was then hospitalized for depression. O'Keeffe began to spend the summers painting in New Mexico in 1929. She travelled by train with her friend Rebecca Strand to Taos, where Mabel Dodge Luhan moved them into her house and provided them with studios. In 1933, O'Keeffe was hospitalized for two months after having suffered a nervous breakdown, largely because she was heartbroken over Stieglitz 's continuing affair with Dorothy Norman. She did not paint again until January 1934. In early 1933 and 1934, O'Keeffe recuperated in Bermuda, and she returned to New Mexico in mid-1934. In August of that year, she visited Ghost Ranch, north of Abiquiú, for the first time and decided immediately to live there ; in 1940, she moved into a house on the ranch property. The varicolored cliffs of Ghost Ranch inspired some of her most famous landscapes. In 1977, O'Keeffe wrote : `` ( the ) cliffs over there are almost painted for you -- you think -- until you try to paint them. '' Among guests to visit her at the ranch over the years were Charles and Anne Lindbergh, singer - songwriter Joni Mitchell, poet Allen Ginsberg, and photographer Ansel Adams. She traveled and camped at `` Black Place '' often with her friend, Maria Chabot, and later with Eliot Porter. Cerro Pedernal, viewed from Ghost Ranch. This was a favorite subject for O'Keeffe, who once said, `` It 's my private mountain. It belongs to me. God told me if I painted it enough, I could have it '' In 1945, O'Keeffe bought a second house, an abandoned hacienda in Abiquiú, which she renovated into a home and studio. Shortly after O'Keeffe arrived for the summer in New Mexico in 1946, Stieglitz suffered a cerebral thrombosis. She immediately flew to New York to be with him. He died on July 13, 1946. She buried his ashes at Lake George. She spent the next three years mostly in New York settling his estate, and moved permanently to New Mexico in 1949, spending time at both Ghost Ranch and the Abiquiú house that she made into her studio. Todd Webb, a photographer she met in the 1940s, moved to New Mexico in 1961. He often made photographs of her, as did numerous other important American photographers, who consistently presented O'Keeffe as a `` loner, a severe figure and self - made person. '' While O'Keeffe was known to have a `` prickly personality '', Webb 's photographs portray her with a kind of `` quietness and calm '' suggesting a relaxed friendship, and revealing new contours of O'Keeffe's character. O'Keeffe enjoyed traveling to Europe, and then around the world, beginning in the 1950s. Several times she took rafting trips down the Colorado River, including a trip down the Glen Canyon, Utah, area in 1961 with Webb and photographer Eliot Porter. In 1973, she hired 27 - year - old Juan Hamilton, a potter, as a live - in assistant and then a caretaker. Hamilton taught O'Keeffe to work with clay and helped her write her autobiography. He worked for her for 13 years. O'Keeffe became increasingly frail in her late 90s. She moved to Santa Fe in 1984, where she died on March 6, 1986 at the age of 98. Her body was cremated and her ashes were scattered, as she wished, on the land around Ghost Ranch. Following O'Keeffe's death, her family contested her will because codicils made to it in the 1980s had left most of her $76 million estate to Hamilton. The case was ultimately settled out of court in July 1987. The case became famous as a precedent in estate planning. Legacy External video Life and Artwork of Georgia O'Keeffe, the Georgia O'Keeffe Museum ( 11 : 00 ), C - SPAN O'Keeffe was a legend beginning in the 1920s, known as much for her independent spirit and female role model, as for her dramatic and innovative works of art. Nancy and Jules Heller said, `` The most remarkable thing about O'Keefe was the audacity and uniqueness of her early work. '' At that time, even in Europe, there were few arts exploring abstraction. Even though her works may show elements of different modernist movements, such as Surrealism and Precisionism, her work is uniquely her own style. She received unprecedented acceptance as a woman artist from the fine art world due to her powerful graphic images and within a decade of moving to New York City, she was the highest paid American woman artist. She was known for a distinctive style in all aspects of her life. O'Keeffe was also known for her relationship with Stieglitz, in which she provided some insight in her autobiography. A substantial part of her estate 's assets were transferred to the Georgia O'Keeffe Foundation, a nonprofit. The Georgia O'Keeffe Museum opened in Santa Fe in 1997. The assets included a large body of her work, photographs, archival materials, and her Abiquiú house, library, and property. The Georgia O'Keeffe Home and Studio in Abiquiú was designated a National Historic Landmark in 1998 and is now owned by the Georgia O'Keeffe Museum. In 1996, the U.S. Postal Service issued a 32 cent stamp honoring O'Keeffe. In 2013, on the 100th anniversary of the Armory Show, the USPS issued a stamp featuring O'Keeffe's Black Mesa Landscape, New Mexico / Out Back of Marie 's II, 1930 as part of their Modern Art in America series. A fossilized species of archosaur was named Effigia okeeffeae ( `` O'Keeffe's Ghost '' ) in January 2006, `` in honor of Georgia O'Keeffe for her numerous paintings of the badlands at Ghost Ranch and her interest in the Coelophysis Quarry when it was discovered ''. Publications O'Keeffe, Georgia ( 1976 ). Georgia O'Keeffe. New York : Viking Press. ISBN 978 - 0 - 670 - 33710 - 1. O'Keeffe, Georgia ( 1988 ). Some Memories of Drawings. Albuquerque, NM : University of New Mexico Press. ISBN 978 - 0 - 8263 - 1113 - 9. Giboire, Clive, ed. ( 1990 ). Lovingly, Georgia : The Complete Correspondence of Georgia O'Keeffe & Anita Pollitzer. New York : Simon & Schuster. ISBN 978 - 0 - 671 - 69236 - 0. Greenough, Sarah, ed. ( 2011 ). My Faraway One : Selected Letters of Georgia O'Keeffe and Alfred Stieglitz. Volume One, 1915 - 1933 ( Annotated ed. ). New Haven, CT : Yale University Press. ISBN 978 - 0 - 300 - 16630 - 9. Buhler Lynes, Barbara ( 2012 ). Georgia O'Keeffe and Her Houses : Ghost Ranch and Abiquiu. Harry N. Abrams. ISBN 9781419703942. Popular culture In 1991, the PBS aired the American Playhouse production A Marriage : Georgia O'Keeffe and Alfred Stieglitz, starring Jane Alexander as O'Keeffe and Christopher Plummer as Alfred Stieglitz. Lifetime Television produced a biopic of Georgia O'Keeffe starring Joan Allen as O'Keeffe, Jeremy Irons as Alfred Stieglitz, Henry Simmons as Jean Toomer, Ed Begley Jr. as Stieglitz 's brother Lee, and Tyne Daly as Mabel Dodge Luhan. It premiered on September 19, 2009. See also Art portal Boyce -- Sneed Feud References ^ Jump up to : `` Life and Artwork of Georgia O'Keeffe ''. C - SPAN. January 9, 2013. Retrieved March 14, 2013. ^ Jump up to : Biography.com Editors ( August 26, 2016 ). `` Georgia O'Keeffe ''. Biography Channel. A&E Television Networks. Retrieved January 14, 2017. CS1 maint : Extra text : authors list ( link ) Jump up ^ `` Birth Record Details ''. Wisconsin Historical Society. Archived from the original on 2012 - 11 - 07. Retrieved 2009 - 07 - 23. Jump up ^ `` Birthplace of Georgia O'Keeffe ''. Sun Prairie, WI. Archived from the original on July 29, 2016. Jump up ^ Wisconsin Legislature. 2013 - 14 Wisconsin Statutes 2013 - 14 S. 84.1021 Georgia O'Keeffe Memorial Highway. Jump up ^ Robinson, Roxana ( 1999 ), Georgia O'Keeffe : A Life, UPNE, p. 6, ISBN 0 - 87451 - 906 - 3 ^ Jump up to : Nancy Hopkins Reily ( August 2007 ). Georgia O'keeffe, a Private Friendship : Walking the Sun Prairie Land. Sunstone Press. p. 54. ISBN 978 - 0 - 86534 - 451 - 8. ^ Jump up to : Roberts, Norma J., ed. ( 1988 ), The American Collections, Columbus Museum of Art, p. 76, ISBN 0 - 8109 - 1811 - 0 Jump up ^ Gerry Souter ( 12 January 2017 ). Georgia O'Keeffe. Parkstone International. pp. 34 -- 35. ISBN 978 - 5 - 457 - 46766 - 8. Jump up ^ Holland Cotter ( January 5, 2017 ). `` World War I -- The Quick. The Dead. The Artists ''. New York Times. Retrieved January 16, 2017. Jump up ^ Roxana Robinson ; Georgia O'Keeffe ( 1989 ). Georgia O'Keeffe : A Life. UPNE. pp. 191 -- 193. ISBN 978 - 0 - 87451 - 906 - 8. Jump up ^ Kathaleen Roberts ( November 20, 2016 ). `` Never - before - exhibited O'Keeffe paintings show shift to abstraction ''. Albuquerque Journal. Retrieved January 14, 2017. ^ Jump up to : Amon Carter Museum of Western Art ; Patricia A. Junker ; Will Gillham ( 2001 ). An American Collection : Works from the Amon Carter Museum. Hudson Hills. p. 184. ISBN 978 - 1 - 55595 - 198 - 6. ^ Jump up to : `` How UVA shaped Georgia O'Keeffe ''. University of Virginia. November 10, 2016. Retrieved January 14, 2017. Jump up ^ Zilczer, Judith ( 1999 ). `` ' Light Coming on the Plains : '' Georgia O'Keeffe's Sunrise Series ``. Artibus et Historiae. 20 ( 40 ) : 193 -- 194. JSTOR 1483675. ^ Jump up to : Eleanor Tufts ; National Museum of Women in the Arts ; International Exhibitions Foundation ( 1987 ). American women artists, 1830 - 1930. International Exhibitions Foundation for the National Museum of Women in the Arts. p. 81. ISBN 978 - 0 - 940979 - 01 - 7. Jump up ^ Zilczer, Judith ( 1999 ). `` ' Light Coming on the Plains : '' Georgia O'Keeffe's Sunrise Series ``. Artibus et Historiae. 20 ( 40 ) : 191 -- 208. JSTOR 1483675. ^ Jump up to : Sharyn Rohlfsen Udall ( 2000 ). Carr, O'Keeffe, Kahlo : Places of Their Own. Yale University Press. p. 114. ISBN 978 - 0 - 300 - 09186 - 1. Jump up ^ Michael Abatemarco ( April 29, 2016 ). `` Birth of the abstract : Georgia O'Keeffe in Amarillo ''. Santa Fe New Mexican. Retrieved January 18, 2017. Jump up ^ Roxana Robinson ( 1989 ). Georgia O'Keeffe : A Life. University Press of New England. p. 193. ISBN 0 - 87451 - 906 - 3. ^ Jump up to : Carol Kort ; Liz Sonneborn ( 2002 ). A to Z of American Women in the Visual Arts. New York : Facts on File. p. 170. ISBN 0 - 8160 - 4397 - 3. ^ Jump up to : Birmingham Museum of Art ( 2010 ). Birmingham Museum of Art : guide to the collection. Alabama : Birmingham Museum of Art. p. 144. ISBN 978 - 1 - 904832 - 77 - 5. Jump up ^ `` Blue and Green Music ''. Art Institute of Chicago. Retrieved January 18, 2017. ^ Jump up to : Kristy Puchko ( April 21, 2015 ). `` 15 Things You Should Know About Georgia O'Keeffe ''. Mental Floss. Retrieved January 14, 2017. Jump up ^ Liese Spencer ( December 31, 2015 ). `` From Georgia O'Keeffe to War and Peace : unmissable arts events in 2016 ''. The Guardian. Retrieved January 13, 2017. Jump up ^ Laura Cumming ( April 7, 2012 ). `` The 10 best flower paintings -- in pictures ''. The Guardian. Retrieved January 13, 2017. Jump up ^ Barbara Buhler Lynes ; Jonathan Weinberg ; Georgia O'Keeffe Museum ( 9 March 2011 ). Shared Intelligence : American Painting and the Photograph. Univ of California Press. p. 92. ISBN 978 - 0 - 520 - 26906 - 4. Jump up ^ `` Auction Results - American Art ''. Sotheby 's. November 20, 2014. Retrieved January 19, 2017. ^ Jump up to : Georgia O'Keeffe Place Setting, Brooklyn Museum, retrieved June 5, 2015. ^ Jump up to : `` Georgia O'Keeffe ( 1887 - 1986 ) : East River from the Thirtieth Story of the Shelton Hotel, 1928 ''. New Britain Museum of American Art. Retrieved January 17, 2017. ^ Jump up to : `` Important Art by Georgia O'Keeffe : Radiator Building -- Night, New York ''. The Art Story. Retrieved January 17, 2017. Jump up ^ `` Radiator Building -- Night, New York ''. Crystal Bridges Museum of American Art. Retrieved January 17, 2017. Jump up ^ `` Georgia O'Keeffe : New York Street with Moon, 1925 ''. Museo Thyssen - Bornemisz. Retrieved January 17, 2017. Jump up ^ `` The Shelton with Sunspots, N.Y., 1926 ''. Art Institute of Chicago. Retrieved January 17, 2017. ^ Jump up to : Robert Torchia ( September 29, 2016 ). `` O'Keeffe, Georgia - Biography ''. National Gallery of Art. Retrieved January 14, 2017. Jump up ^ Hunter Drohojowska - Philp ( November 17, 2005 ). Full Bloom : The Art and Life of Georgia O'Keeffe. W.W. Norton. p. 282. ISBN 978 - 0 - 393 - 32741 - 0. Jump up ^ Vivien Green Fryd ( 2003 ). Art and the Crisis of Marriage : Edward Hopper and Georgia O'Keeffe. University of Chicago Press. p. 164. ISBN 978 - 0 - 226 - 26654 - 1. ^ Jump up to : Maurer, Rachel. `` The D.H. Lawrence Ranch ''. University of New Mexico. Archived from the original on 25 June 2009. Retrieved 15 September 2009. Jump up ^ `` The Lawrence Tree ''. Wadsworth Athenaeum. Hartford, Connecticut. Retrieved January 18, 2017. Jump up ^ Eleanor Tufts ; National Museum of Women in the Arts ; International Exhibitions Foundation ( 1987 ). American women artists, 1830 - 1930. International Exhibitions Foundation for the National Museum of Women in the Arts. p. 83. ISBN 978 - 0 - 940979 - 01 - 7. ^ Jump up to : `` Rotating O'Keeffe exhibit ''. Fort Worth, Texas : National Cowgirl Museum and Hall of Fame. 2010. ^ Jump up to : `` Summer Days ''. Georgia O'Keeffe Museum. Retrieved January 18, 2017. Jump up ^ `` Summer Days ''. Whitney Museum of American Art. Retrieved January 18, 2017. Jump up ^ Saville, Jennifer ( 1990 ), Georgia O'Keeffe : Paintings of Hawai'i, Honolulu : Honolulu Academy of Arts, p. 13 Jump up ^ Jennings, Patricia & Maria Ausherman, Georgia O'Keeffe's Hawai'i, Koa Books, Kihei, Hawaii, 2011, p. 3 Jump up ^ Papanikolas, Theresa, Georgia O'Keeffe and Ansel Adams, The Hawai'I Pictures, Honolulu Museum of Art, 2013 Jump up ^ Severson, Don R. ( 2002 ), Finding Paradise : Island Art in Private Collections, University of Hawaii Press, p. 119 ^ Jump up to : Tony Perrottet ( November 30, 2012 ), O'Keeffe's Hawaii New York Times. Jump up ^ Severson, Don R. ( 2002 ), Finding Paradise : Island Art in Private Collections, University of Hawaii Press, p. 128 ^ Jump up to : Porter 's photograph, Eroded Clay and Rock Flakes, Black Place, New Mexico, July 20, 1953, on cartermuseum.org, in the Amon Carter Museum Eliot Porter Collection Retrieved 16 June 2010 Jump up ^ `` The White Place in Sun, 1943 ''. Art Institute of Chicago. Retrieved January 18, 2017. Jump up ^ Nancy Hopkins Reily ( September 2009 ). Georgia O'Keeffe, a Private Friendship : Walking the Abiquiu and Ghost Ranch land. Sunstone Press. pp. 152 -- 153. ISBN 978 - 0 - 86534 - 452 - 5. Jump up ^ Nancy Hopkins Reily ( September 2009 ). Georgia O'Keeffe, a Private Friendship : Walking the Abiquiu and Ghost Ranch land. Sunstone Press. p. 325. ISBN 978 - 0 - 86534 - 452 - 5. ^ Jump up to : `` Biography ''. Georgia O'Keeffe Museum. Archived from the original on November 15, 2012. Retrieved February 27, 2011. Jump up ^ Jack Salzman ( May 25, 1990 ). American Studies : An Annotated Bibliography 1984 - 1988. Cambridge University Press. p. 112. ISBN 978 - 0 - 521 - 36559 - 8. Jump up ^ `` Georgia O'Keeffe ''. Brooklyn Museum. Retrieved January 18, 2017. Jump up ^ `` Georgia O'Keeffe at Tate Modern Review ''. Design Curial. October 10, 2016. Retrieved January 18, 2017. Jump up ^ `` Georgia O'Keeffe ''. Education, Smithsonian American Art Museum. Retrieved January 20, 2017. Jump up ^ `` Book of Members, 1780 - 2010 : Chapter O '' ( PDF ). American Academy of Arts and Sciences. Retrieved 14 April 2011. Jump up ^ The National First Ladies Library ( November 16, 2010 ). Heroes of the Presidential Medal of Freedom ( PDF ). Canton Ohio. p. 3. Retrieved February 11, 2011. Georgia O'Keeffe ( 1887 -- 1986 )... Presidential Medal of Freedom received January 10, 1977 Jump up ^ John F. Matthews. `` O'Keeffe, Georgia Otto ''. Handbook of Texas Online. Retrieved January 17, 2016. Jump up ^ Brennan, Marcia ( 2002 ). Painting Gender, Constructing Theory : The Alfred Stieglitz Circle and American Formalist Aesthetics. MIT Press. ISBN 0262523361. Jump up ^ Lynes, Barbara ( 1989 ). O'Keeffe, Stieglitz and the Critics, 1916 - 1929. Ann Arbor, Michigan : UMI Research Press. pp. 55 -- 56. ISBN 0 - 8357 - 1930 - 8. Jump up ^ McKenna, Kristine ( 1991 - 06 - 02 ). `` The Young and the Restless : O'KEEFFE & STIEGLITZ : An American Romance, By Benita Eisler ( Doubleday : $29.50 ; 560 pp. ) ''. Los Angeles Times. ISSN 0458 - 3035. Retrieved 2017 - 04 - 15. Jump up ^ Hunter Drohojowska - Philp ( November 17, 2005 ). Full Bloom : The Art and Life of Georgia O'Keeffe. W.W. Norton. pp. 5 -- 6. ISBN 978 - 0 - 393 - 32741 - 0. Jump up ^ Jonathan Stewart ( June 28, 2014 ). Walking Away From The Land : Change At The Crest Of A Continent. Xlibris Corporation. p. 319. ISBN 978 - 1 - 4931 - 8090 - 5. Jump up ^ Abrams, Dennis. O'Keeffe, Georgia. 2009. Georgia O'Keeffe. Infobase Publishing, p. 97 Jump up ^ A similar remark is registered in `` Her Story and Her Work '' by Bill Long, 6 / 29 / 07. : `` I painted it often enough thinking that, if I did so, God would give it to me. '' ^ Jump up to : Victor J. Danilov ( September 26, 2013 ). Famous Americans : A Directory of Museums, Historic Sites, and Memorials. Scarecrow Press. p. 17. ISBN 978 - 0 - 8108 - 9186 - 9. Jump up ^ Dennis Abrams ; Georgia O'Keeffe ( 2009 ). Georgia O'Keeffe. Infobase Publishing. p. 100. ISBN 978 - 1 - 4381 - 2827 - 6. Jump up ^ Kilian, Michael ( August 1, 2002 ). `` Santa Fe exhibit paints a different picture of O'Keeffe ''. Chicago Tribune. Retrieved 2010 - 10 - 10... her place, through the eyes and lens of her close and longtime friend, photographer Todd Webb ( 1905 - 2000 ), who produced a glorious collection of photos of her and her surroundings at her Ghost Ranch and Abiquiú houses between 1955 and 1981. Jump up ^ Zimmer, William ( December 31, 2000 ). `` ART ; Exploring the Affinities Among Painting, Music and Dance ''. The New York Times. Retrieved 2010 - 10 - 10. O'Keeffe's prickly personality is legendary, but with Webb she displays the kind of quietness and calm she wanted to embody. Jump up ^ Asbury, Edith Evans ( March 7, 1986 ). `` Obituary : Georgia O ' Keeffe Dead at 98 ; Shaper of Modern Art in U.S. ''. The New York Times. Retrieved 2010 - 06 - 13. ^ Jump up to : Carol Kort ; Liz Sonneborn ( 2002 ). A to Z of American Women in the Visual Arts. New York : Facts on File. p. 171. ISBN 0 - 8160 - 4397 - 3. Jump up ^ `` Settlement Is Granted Over O'Keeffe Estate ''. The New York Times. Associated Press. July 2, 1987. Retrieved June 1, 2010. Jump up ^ Anne Dingus. `` Georgia O'Keeffe ''. Texas Monthly. Retrieved January 3, 2007. Jump up ^ Vaughn W. Henry ( May 10, 2004 ). `` Establishing a Value is Important ! ''. Planned Giving Design Center, LLC. Archived from the original on February 13, 2007. Retrieved January 3, 2007. Jump up ^ Jules Heller ; Nancy Heller ( 1995 ). North American Women Artists of the Twentieth Century : A Biographical Dictionary. Garland. p. 416. ISBN 978 - 0 - 8240 - 6049 - 7. Jump up ^ Hunter Drohojowska - Philp ( November 17, 2005 ). Full Bloom : The Art and Life of Georgia O'Keeffe. W.W. Norton. pp. 4 -- 5. ISBN 978 - 0 - 393 - 32741 - 0. Jump up ^ Lange, Alexandra, Jane Jacobs, Georgia O'Keeffe, and the Power of the Marimekko Dress, The New Yorker, June 23, 2017 Jump up ^ `` Stamp Series ''. United States Postal Service. Archived from the original on 2013 - 08 - 10. Retrieved Sep 2, 2013. Jump up ^ `` Modern Art in America 1913 - 1931, Forever ''. USPS. Retrieved 8 March 2015. Jump up ^ Sterling J Nesbitt1, and Mark A Norell ( May 7, 2006 ). `` Extreme convergence in the body plans of an early suchian ( Archosauria ) and ornithomimid dinosaurs ( Theropoda ) ''. Proc Biol Sci. The Royal Society. 273 ( 1590 ) : 1045 -- 1048. PMC 1560254. PMID 16600879. doi : 10.1098 / rspb. 2005.3426. Jump up ^ Susan King ( July 14, 1991 ). `` Focus : Georgia on Her Mind : Jane Alexander 's Fascination With Artist O'Keeffe Leads to PBS ' ' Playhouse ' ''. Los Angeles Times. Retrieved January 18, 2017. Jump up ^ `` Georgia O'Keeffe ''. Lifetime Television 's. Archived from the original on August 30, 2009. Jump up ^ Vincent Terrace ( September 3, 2010 ). The Year in Television, 2009 : A Catalog of New and Continuing Series, Miniseries, Specials and TV Movies. McFarland. p. 59. ISBN 978 - 0 - 7864 - 5644 - 4. Further reading Eldredge, Charles C. ( 1991 ). Georgia O'Keeffe. New York : Harry N. Abrams, Inc. ISBN 978 - 0 - 8109 - 3657 - 7. Haskell, Barbara, ed. ( 2009 ). Georgia O'Keeffe : Abstraction. Whitney Museum of American Art. New Haven, CT : Yale University Press. ISBN 978 - 0 - 300 - 14817 - 6. Hogrefe, Jeffrey ( 1994 ). O'Keeffe, The Life of an American Legend. New York : Bantam. ISBN 978 - 0 - 553 - 56545 - 4. Lisle, Laurie ( 1986 ). Portrait of an Artist. New York : Washington Square Press. ISBN 978 - 0 - 671 - 60040 - 2. Lynes, Barbara Buhler ( 1999 ). Georgia O'Keeffe : Catalogue Raisonné. Washington, D.C. : National Gallery of Art. ISBN 978 - 0 - 300 - 08176 - 3. Lynes, Barbara Buhler ; Poling - Kempes, Lesley ; Turner, Frederick W. ( 2004 ). Georgia O'Keeffe and New Mexico : A Sense of Place ( 3rd ed. ). Princeton, NJ : Princeton University Press. ISBN 978 - 0 - 691 - 11659 - 4. Lynes, Barbara Buhler ( 2007 ). Georgia O'Keeffe Museum Collections. Harry N. Abrams. ISBN 978 - 0 - 8109 - 0957 - 1. Lynes, Barbara Buhler ; Phillips, Sandra S. ( 2008 ). Georgia O'Keeffe and Ansel Adams : Natural Affinities. Little, Brown and Company. ISBN 978 - 0 - 316 - 11832 - 3. Lynes, Barbara Buhler ; Weinberg, Jonathan, eds. ( 2011 ). Shared Intelligence : American Painting and The Photograph. University of California Press. ISBN 978 - 0 - 520 - 26906 - 4. CS1 maint : Uses editors parameter ( link ) Lynes, Barbara Buhler ( 2012 ). Georgia O'Keeffe : Life & Work. Skira. ISBN 978 - 88 - 572 - 1232 - 6. Merrill, C.S. ( 2010 ). Weekends with O'Keeffe. Albuquerque, NM : University of New Mexico Press. ISBN 978 - 0 - 8263 - 4928 - 6. Messinger, Lisa Mintz ( 2001 ). Georgia O'Keeffe. London : Thames & Hudson. ISBN 0 - 500 - 20340 - 7. Montgomery, Elizabeth ( 1993 ). Georgia O'Keeffe. New York : Barnes & Noble. ISBN 978 - 0 - 88029 - 951 - 0. Orford, Emily - Jane Hills ( 2008 ). The Creative Spirit : Stories of 20th Century Artists. Ottawa : Baico Publishing. ISBN 978 - 1 - 897449 - 18 - 9. Patten, Christine Taylor ; Cardona - Hine, Alvaro ( 1992 ). Miss O'Keeffe. Albuquerque, NM : University of New Mexico Press. ISBN 978 - 0826313225. Peters, Sarah W. ( 1991 ). Becoming O'Keeffe. New York : Abbeville Press. ISBN 978 - 1 - 55859 - 362 - 6. External links Find more aboutGeorgia O'Keeffeat Wikipedia 's sister projects Media from Commons Quotations from Wikiquote Texts from Wikisource Georgia O'Keeffe Museum Collections Online Georgia O'Keeffe at the Museum of Modern Art Alfred Stieglitz / Georgia O'Keeffe Archive at the Beinecke Rare Book and Manuscript Library at Yale University Works by or about Georgia O'Keeffe in libraries ( WorldCat catalog ) Works by Georgia O'Keeffe at Open Library Georgia O'Keeffe, Archives of American Art, Smithsonian Institution Georgia O'Keeffe at Find a Grave Georgia O'Keeffe Works The Flag ( 1918 ) Red and Orange Streak ( 1919 ) Blue and Green Music ( 1919 -- 1921 ) A Storm ( 1922 ) My Shanty, Lake George ( 1922 ) Black Iris ( 1926 ) Oriental Poppies ( 1928 ) The Lawrence Tree ( 1929 ) Cow 's Skull : Red, White, and Blue ( 1931 ) Jimson Weed ( 1936 ) Groups of works Early works ( 1903 -- 1912 ) University of Virginia, 1912 - 1914 Charcoal drawings ( 1915 ) Flower paintings ( 1915 -- 1950s ) Red Canna paintings ( 1915 -- 1927 ) Blue series ( 1916 ) Palo Duro Canyon paintings ( 1916 -- 1918 ) Light Coming on the Plains ( 1917 ) New York skyscrapers paintings ( 1925 -- 1928 ) Family Alfred Stieglitz ( husband ) Katherine Stieglitz ( step - daughter ) Friends Maria Chabot Mabel Dodge Luhan Anita Pollitzer Eliot Porter Paul Strand Rebecca Strand Places Cerro Pedernal Georgia O'Keeffe Home and Studio Georgia O'Keeffe Museum Ghost Ranch § Georgia O'Keeffe Other Georgia O'Keeffe ( 2009 film ) Ghost Ranch ( composition ) Inductees to the National Women 's Hall of Fame 1970 -- 1979 1973 Jane Addams Marian Anderson Susan B. Anthony Clara Barton Mary McLeod Bethune Elizabeth Blackwell Pearl S. Buck Rachel Carson Mary Cassatt Emily Dickinson Amelia Earhart Alice Hamilton Helen Hayes Helen Keller Eleanor Roosevelt Florence Sabin Margaret Chase Smith Elizabeth Cady Stanton Helen Brooke Taussig Harriet Tubman 1976 Abigail Adams Margaret Mead Mildred `` Babe '' Didrikson Zaharias 1979 Dorothea Dix Juliette Gordon Low Alice Paul Elizabeth Bayley Seton 1980 -- 1989 1981 Margaret Sanger Sojourner Truth 1982 Carrie Chapman Catt Frances Perkins Belva Lockwood Lucretia Mott 1984 Mary `` Mother '' Harris Jones Bessie Smith 1986 Barbara McClintock Lucy Stone Harriet Beecher Stowe Gwendolyn Brooks Willa Cather Sally Ride Ida B. Wells - Barnett 1990 -- 1999 Margaret Bourke - White Barbara Jordan Billie Jean King Florence B. Seibert 1991 Gertrude Belle Elion Ethel Percy Andrus Antoinette Blackwell Emily Blackwell Shirley Chisholm Jacqueline Cochran Ruth Colvin Marian Wright Edelman Alice Evans Betty Friedan Ella Grasso Martha Wright Griffiths Fannie Lou Hamer Dorothy Height Dolores Huerta Mary Jacobi Mae Jemison Mary Lyon Mary Mahoney Wilma Mankiller Constance Baker Motley Georgia O'Keeffe Annie Oakley Rosa Parks Esther Peterson Jeannette Rankin Ellen Swallow Richards Elaine Roulet Katherine Siva Saubel Gloria Steinem Helen Stephens Lillian Wald Madam C.J. Walker Faye Wattleton Rosalyn S. Yalow Gloria Yerkovich Bella Abzug Ella Baker Myra Bradwell Annie Jump Cannon Jane Cunningham Croly Catherine East Geraldine Ferraro Charlotte Perkins Gilman Grace Hopper Helen LaKelly Hunt Zora Neale Hurston Anne Hutchinson Frances Wisebart Jacobs Susette La Flesche Louise McManus Maria Mitchell Antonia Novello Linda Richards Wilma Rudolph Betty Bone Schiess Muriel Siebert Nettie Stevens Oprah Winfrey Sarah Winnemucca Fanny Wright 1995 Virginia Apgar Ann Bancroft Amelia Bloomer Mary Breckinridge Eileen Collins Elizabeth Hanford Dole Anne Dallas Dudley Mary Baker Eddy Ella Fitzgerald Margaret Fuller Matilda Joslyn Gage Lillian Moller Gilbreth Nannerl O. Keohane Maggie Kuhn Sandra Day O'Connor Josephine St. Pierre Ruffin Patricia Schroeder Hannah Greenebaum Solomon Louisa May Alcott Charlotte Anne Bunch Frances Xavier Cabrini Mary A. Hallaren Oveta Culp Hobby Wilhelmina Cole Holladay Anne Morrow Lindbergh Maria Goeppert - Mayer Ernestine Louise Potowski Rose Maria Tallchief Edith Wharton 1998 Madeleine Albright Maya Angelou Nellie Bly Lydia Moss Bradley Mary Steichen Calderone Mary Ann Shadd Cary Joan Ganz Cooney Gerty Cori Sarah Grimké Julia Ward Howe Shirley Ann Jackson Shannon Lucid Katharine Dexter McCormick Rozanne L. Ridgway Edith Nourse Rogers Felice Schwartz Eunice Kennedy Shriver Beverly Sills Florence Wald Angelina Grimké Weld Chien - Shiung Wu 2000 -- 2009 2000 Faye Glenn Abdellah Emma Smith DeVoe Marjory Stoneman Douglas Mary Dyer Sylvia A. Earle Crystal Eastman Jeanne Holm Leontine T. Kelly Frances Oldham Kelsey Kate Mullany Janet Reno Anna Howard Shaw Sophia Smith Ida Tarbell Wilma L. Vaught Mary Edwards Walker Annie Dodge Wauneka Eudora Welty Frances E. Willard Dorothy H. Andersen Lucille Ball Rosalynn Carter Lydia Maria Child Bessie Coleman Dorothy Day Marian de Forest Althea Gibson Beatrice A. Hicks Barbara Holdridge Harriet Williams Russell Strong Emily Howell Warner Victoria Woodhull 2002 Paulina Kellogg Wright Davis Ruth Bader Ginsburg Katharine Graham Bertha Holt Mary Engle Pennington Mercy Otis Warren 2003 Linda G. Alvarado Donna de Varona Gertrude Ederle Martha Matilda Harper Patricia Roberts Harris Stephanie L. Kwolek Dorothea Lange Mildred Robbins Leet Patsy Takemoto Mink Sacagawea Anne Sullivan Sheila E. Widnall 2005 Florence Ellinwood Allen Ruth Fulton Benedict Betty Bumpers Hillary Clinton Rita Rossi Colwell Mother Marianne Cope Maya Y. Lin Patricia A. Locke Blanche Stuart Scott Mary Burnett Talbert 2007 Eleanor K. Baum Julia Child Martha Coffin Pelham Wright Swanee Hunt Winona LaDuke Elisabeth Kübler - Ross Judith L. Pipher Catherine Filene Shouse Henrietta Szold 2009 Louise Bourgeois Mildred Cohn Karen DeCrow Susan Kelly - Dreiss Allie B. Latimer Emma Lazarus Ruth Patrick Rebecca Talbot Perkins Susan Solomon Kate Stoneman 2010 -- 2019 2011 St. Katharine Drexel Dorothy Harrison Eustis Loretta C. Ford Abby Kelley Foster Helen Murray Free Billie Holiday Coretta Scott King Lilly Ledbetter Barbara A. Mikulski Donna E. Shalala Kathrine Switzer 2013 Betty Ford Ina May Gaskin Julie Krone Kate Millett Nancy Pelosi Mary Joseph Rogers Bernice Sandler Anna Schwartz Emma Willard 2015 Tenley Albright Nancy Brinker Martha Graham Marcia Greenberger Barbara Iglewski Jean Kilbourne Carlotta Walls LaNier Philippa Marrack Mary Harriman Rumsey Eleanor Smeal 2017 Matilda Cuomo Temple Grandin Lorraine Hansberry Victoria Jackson Sherry Lansing Claire Booth Luce Aimee Mullins Carol Mutter Janet Rowley Alice Waters VIAF : 32021794 LCCN : n79148946 ISNI : 0000 0001 0884 7829 GND : 118736140 SELIBR : 208150 SUDOC : 029129907 BNF : cb12081987q ( data ) ULAN : 500018666 NLA : 35090236 NDL : 00451597 NKC : jn20000701337 BNE : XX968648 RKD : 60382 IATH : w65h7dc3 Retrieved from `` https://en.wikipedia.org/w/index.php?title=Georgia_O%27Keeffe&oldid=801540429 '' Categories : Georgia O'Keeffe 1887 births 1986 deaths 20th - century American painters Abstract painters American people of Hungarian descent American people of Irish descent American women painters Artists from New York City Artists from Santa Fe, New Mexico Artists from Wisconsin Art Students League of New York alumni Teachers College, Columbia University alumni Fellows of the American Academy of Arts and Sciences Flower artists Hawaii artists Modern painters American watercolorists Obscenity controversies People from Amarillo, Texas People from Dane County, Wisconsin Precisionism Presidential Medal of Freedom recipients School of the Art Institute of Chicago alumni United States National Medal of Arts recipients University of Virginia alumni 20th - century women artists Students of William Merritt Chase Women watercolorists Cowgirl Hall of Fame inductees Hidden categories : CS1 maint : Extra text : authors list All articles with dead external links Articles with dead external links from January 2017 Articles with permanently dead external links Articles with hCards CS1 maint : Uses editors parameter Open Library ID different from Wikidata Articles with Open Library links Find a Grave template with ID same as Wikidata AC with 14 elements Wikipedia articles with VIAF identifiers Wikipedia articles with LCCN identifiers Wikipedia articles with ISNI identifiers Wikipedia articles with GND identifiers Wikipedia articles with SELIBR identifiers Wikipedia articles with BNF identifiers Wikipedia articles with ULAN identifiers Wikipedia articles with NLA identifiers Wikipedia articles with RKDartists identifiers Wikipedia articles with SNAC - ID identifiers Talk Contents About Wikipedia Wikiquote Aragonés Asturianu Bân - lâm - gú Беларуская Беларуская ( тарашкевіца ) ‎ Brezhoneg Català Чӑвашла Čeština Cymraeg Dansk Deutsch Ελληνικά Español Esperanto Euskara فارسی Français Frysk Galego 한국어 Հայերեն Hrvatski বিষ্ণুপ্রিয়া মণিপুরী Bahasa Indonesia IsiZulu Íslenska Italiano עברית ქართული Latina Lietuvių Magyar Malagasy മലയാളം मराठी Nederlands नेपाल भाषा 日本 語 Norsk Norsk nynorsk Polski Português Română Русский Scots Simple English Slovenčina Slovenščina Srpskohrvatski / српскохрватски Suomi Svenska Tagalog தமிழ் Українська Tiếng Việt Winaray 粵語 Žemaitėška 中文 Edit links This page was last edited on 20 September 2017, at 08 : 44. 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Question: who is famous for painting close up of flowers
Answer: Georgia Totto O'Keeffe