Recitatif - wikipedia Recitatif This article is about the short story. For the musical form, see recitative. This article includes a list of references, but its sources remain unclear because it has insufficient inline citations. Please help to improve this article by introducing more precise citations. ( April 2010 ) `` Recitatif '' Author Toni Morrison Country United States Language English Genre ( s ) Short story, fiction Published in Confirmation : An Anthology of African American Women Publication date `` Recitatif '' is Toni Morrison 's only published short story. It was first published in 1983 in Confirmation : An Anthology of African American Women, an anthology edited by Amiri Baraka and his wife Amina Baraka. Contents 1 About 2 Plot summary 2.1 First encounter 2.2 Second encounter 2.3 Third encounter 2.4 Fourth encounter 2.5 Fifth encounter 3 References 4 Further reading About `` Recitatif '' is the French form of recitative, a style of musical declamation that hovers between song and ordinary speech, particularly used for dialogic and narrative interludes during operas and oratories. An obsolete sense of the term was also `` the tone or rhythm peculiar to any language. '' Both of these definitions suggest the story 's episodic nature, how each of the story 's five sections happens in a register that is different from the respective ordinary lives of its two central characters, Roberta and Twyla. The story 's vignettes bring together the rhythms of two lives for five, short moments, all of them narrated in Twyla 's voice. The story is, then, in several ways, Twyla 's `` recitatif. '' `` Recitatif '' is a story in racial writing as the race of Twyla and Roberta are debatable. Though the characters are clearly separated by class, neither is affirmed as African American or Caucasian. Morrison has described the story as `` the removal of all racial codes from a narrative about two characters of different races for whom racial identity is crucial ''. Plot summary First encounter Twyla and Roberta first meet within the confines of a orphanage for children, St. Bonny 's ( named after St. Bonaventure ), because each has been taken away from her mother. Roberta 's mother is sick ; Twyla 's mother `` just likes to dance all night. '' We learn immediately that the girls look different from one another : one is black, one is white, although we are n't told which is which. Despite their initially hostile feelings, they are drawn together because of their similar circumstances. The two girls turn out to be `` more alike than unalike. '' They were both `` dumped '' there. They become allies against the `` big girls on the second floor '' ( whom they call `` gar - girls, '' a name they get from mishearing the word `` gargoyle '' ), as well as against the home 's `` real orphans, '' the children whose parents have died. They share a fascination with Maggie, the old, sandy - colored woman `` with legs like parentheses '' who works in the home 's kitchen and who ca n't speak. Twyla and Roberta are reminded of their differences on the Sunday that each of their mothers comes to visit and attend church with them. Twyla 's mother Mary is dressed inappropriately ; Roberta 's mother, wearing an enormous cross on her even more enormous chest. Mary offers her hand, but Roberta 's mother refuses to shake Mary 's hand and Mary begins cursing. Twyla experiences twin humiliations : her mother 's inappropriate behavior shames her, and she feels slighted by Roberta 's mother 's refusal. Second encounter Twyla and Roberta meet again eight years later during the 1960s, when Twyla is `` working behind the counter at the Howard Johnson 's on the Thruway '' and Roberta is sitting in a booth with, `` two guys smothered in head and facial hair. '' Roberta and her friends are on their way to the west coast to keep an appointment with Jimi Hendrix. The episode is brief but long enough for the two to show resentment towards each other. Third encounter The third time Twyla and Roberta meet is 12 years after they first met at St. Bonnys. They are both married and meet while shopping at the Food Emporium, a new gourmet grocery store. Twyla describes the encounter as a complete opposite of their last. They get along well and share memories of the past. Roberta is rich and Twyla is lower middle class. Twyla is married to a firefighter ; Roberta is married to an IBM executive. Fourth encounter The next time the two women meet, `` racial strife '' threatens Twyla 's town of Newburgh, NY in the form of busing. As she drives by the school, Twyla sees Roberta there, picketing the forced integration. Twyla is briefly threatened by the other protesters ; Roberta does n't come to her aid. Roberta 's parting remark unsettles Twyla : `` Maybe I am different now, Twyla. But you 're not. You 're the same little state kid who kicked a poor old black lady when she was down on the ground. You kicked a black lady and you have the nerve to call me a bigot. '' Twyla replies, `` Maggie was n't black. '' Either she does not remember that she was black, or she had never classified her sandy skin as black. Twyla decides to join the counter-picketing across the street from Roberta, where she spends a few days hoisting signs that respond directly to Roberta 's sign. Fifth encounter We meet Twyla and Roberta once more ; this time it is in a coffee shop on Christmas Eve, years later, probably in the early 1980s. Roberta wants to discuss what she last said about Maggie. The conversation is sympathetic but ends on an unresolved note. References Jump up ^ Amazon.com entry Jump up ^ Toni Morrison, Playing in the Dark : Whiteness and the Literary Imagination, Preface. Further reading Goldstein - Shirley, David. `` Race and Response : Toni Morrison 's ' Recitatif ' '', Short Story. 5.1 ( Spring 1997 ) : 77 - 86 ( journal article ) Goldstein - Shirley, David. `` Race / ( Gender ) : Toni Morrison 's ' Recitatif ' '', Journal of the Short Story in English. 27 ( 1996 Autumn ) : 83 - 95 ( journal article ) Rayson, Ann. `` Decoding for Race : Toni Morrison 's ' Recitatif ' and Being White, Teaching Black '', in Smith, Larry E. ( ed. and intro. ) and Rieder, John ( ed. ), Changing Representations of Minorities East and West, Honolulu, HI : College of Languages, Linguistics and Literature, University of Hawaii, with East - West Center, 1996 : 41 -- 46 ( book article ). hide Works by Toni Morrison Novels The Bluest Eye ( 1970 ) Sula ( 1973 ) Song of Solomon ( 1977 ) Tar Baby ( 1981 ) Beloved ( 1987 ) Jazz ( 1992 ) Paradise ( 1997 ) Love ( 2003 ) A Mercy ( 2008 ) Home ( 2012 ) God Help the Child ( 2015 ) Short stories `` Recitatif '' ( 1983 ) Plays Dreaming Emmett ( 1986 ) Desdemona ( 2011 ) Non-fiction The Black Book ( 1974 ) Playing in the Dark ( 1993 ) Remember : The Journey to School Integration ( 2004 ) Other Margaret Garner ( 2005 libretto ) Adaptations Beloved Retrieved from `` https://en.wikipedia.org/w/index.php?title=Recitatif&oldid=834158291 '' Categories : Short stories by Toni Morrison 1983 short stories Hidden categories : Articles lacking in - text citations from April 2010 All articles lacking in - text citations Articles containing French - language text Talk Contents About Wikipedia Add links This page was last edited on 4 April 2018, at 06 : 56 ( UTC ). 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Question: where do twyla and roberta meet up for the first time after twyla leaves the orphanage
Answer: the Howard Johnson's on the Thruway