Trompe - l'œil - wikipedia Trompe - l'œil This article is about the art technique. For the album by Malajube, see Trompe - l'oeil ( album ). For the Westworld episode, see Trompe L'Oeil ( Westworld ). Still life Violin and Music by William Michael Harnett Trompe - l'œil ( French for `` deceive the eye '', pronounced ( tʁɔ̃p lœj ) ) is an art technique that uses realistic imagery to create the optical illusion that the depicted objects exist in three dimensions. Forced perspective is a comparable illusion in architecture. Contents 1 History in painting 2 Perspective 3 Quadratura 4 In other art forms 5 Artists 6 Paintings 7 Murals 8 Sculptures 9 Architecture 10 Use in films 11 See also 12 Notes 13 External links History in painting Still life, Pompeii, c. AD 70 Trompe - l'œil painting by Evert Collier Escaping Criticism by Pere Borrell del Caso, 1874 Though the phrase, which can also be spelled without the hyphen and ligature in English as trompe l'oeil, originates in the Baroque period, when it refers to perspectival illusionism, trompe - l'œil dates much further back. It was ( and is ) often employed in murals. Instances from Greek and Roman times are known, for instance in Pompeii. A typical trompe - l'œil mural might depict a window, door, or hallway, intended to suggest a larger room. A version of an oft - told ancient Greek story concerns a contest between two renowned painters. Zeuxis ( born around 464 BC ) produced a still life painting so convincing that birds flew down to peck at the painted grapes. A rival, Parrhasius, asked Zeuxis to judge one of his paintings that was behind a pair of tattered curtains in his study. Parrhasius asked Zeuxis to pull back the curtains, but when Zeuxis tried, he could not, as the curtains were included in Parrhasius 's painting -- making Parrhasius the winner. Perspective With widespread fascination with perspective drawing in the Renaissance, Italian painters of the late Quattrocento such as Andrea Mantegna ( 1431 -- 1506 ) and Melozzo da Forlì ( 1438 -- 1494 ), began painting illusionistic ceiling paintings, generally in fresco, that employed perspective and techniques such as foreshortening to create the impression of greater space for the viewer below. This type of trompe l'œil illusionism as specifically applied to ceiling paintings is known as di sotto in sù, meaning `` from below, upward '' in Italian. The elements above the viewer are rendered as if viewed from true vanishing point perspective. Well - known examples are the Camera degli Sposi in Mantua and Antonio da Correggio 's ( 1489 -- 1534 ) Assumption of the Virgin in the Duomo of Parma. Similarly, Vittorio Carpaccio ( 1460 -- 1525 ) and Jacopo de ' Barbari ( c. 1440 -- before 1516 ) added small trompe - l'œil features to their paintings, playfully exploring the boundary between image and reality. For example, a fly might appear to be sitting on the painting 's frame, or a curtain might appear to partly conceal the painting, a piece of paper might appear to be attached to a board, or a person might appear to be climbing out of the painting altogether -- all in reference to the contest of Zeuxis and Parrhasius. In a 1964 seminar, the psychoanalyst and theorist Jacques Lacan ( 1901 -- 1981 ) observed that the myth of the two painters reveals an interesting aspect of human cognition. While animals are attracted to superficial appearances, humans are enticed by the idea of things that are hidden. Quadratura Perspective theories in the 17th century allowed a more fully integrated approach to architectural illusion, which when used by painters to `` open up '' the space of a wall or ceiling is known as quadratura. Examples include Pietro da Cortona 's Allegory of Divine Providence in the Palazzo Barberini and Andrea Pozzo 's Apotheosis of St Ignatius ( 4 ) on the ceiling of the Roman church of Sant'Ignazio. Fresco with trompe l'œil dome painted on low vaulting, Jesuit Church, Vienna, by Andrea Pozzo, 1703 The Mannerist and Baroque style interiors of Jesuit churches in the 16th and 17th century often included such trompe - l'œil ceiling paintings, which optically `` open '' the ceiling or dome to the heavens with a depiction of Jesus ', Mary 's, or a saint 's ascension or assumption. An example of a perfect architectural trompe - l'œil is the illusionistic dome in the Jesuit church, Vienna, by Andrea Pozzo, which is only slightly curved but gives the impression of true architecture. Trompe - l'œil paintings became very popular in Flemish and later in Dutch painting in the 17th century arising from the development of still life painting. The Flemish painter Cornelis Norbertus Gysbrechts created a chantourné painting showing an easel holding a painting. Chantourné literally means ' cutout ' and refers to a trompe l'œil representation designed to stand away from a wall. The Dutch painter Samuel Dirksz van Hoogstraten was a master of the trompe - l'œil and theorized on the role of art as the lifelike imitation of nature in his 1678 book, the Introduction to the Academy of Painting, or the Visible World ( Inleyding tot de hooge schoole der schilderkonst : anders de zichtbaere werelt, Rotterdam, 1678 ). A fanciful form of architectural trompe - l'œil, quodlibet, features realistically rendered paintings of such items as paper knives, playing cards, ribbons, and scissors, apparently accidentally left lying around. Trompe - l'œil can also be found painted on tables and other items of furniture, on which, for example, a deck of playing cards might appear to be sitting on the table. A particularly impressive example can be seen at Chatsworth House in Derbyshire, where one of the internal doors appears to have a violin and bow suspended from it, in a trompe l'œil painted around 1723 by Jan van der Vaardt. Another example can be found in the Painted Hall at the Old Royal Naval College, Greenwich, London. This Wren building was painted by Sir James Thornhill, the first British born painter to be knighted and is a classic example of the baroque style popular in the early 18th century. The American 19th - century still - life painter William Harnett specialized in trompe - l'œil. In the 20th century, from the 1960s on, the American Richard Haas and many others painted large trompe - l'œil murals on the sides of city buildings, and from beginning of the 1980s when German Artist Rainer Maria Latzke began to combine classical fresco art with contemporary content trompe - l'œil became increasingly popular for interior murals. The Spanish painter Salvador Dalí utilized the technique for a number of his paintings. In other art forms Trompe - l'œil, in the form of `` forced perspective '', has long been used in stage - theater set design, so as to create the illusion of a much deeper space than the actual stage. A famous early example is the Teatro Olimpico in Vicenza, with Vincenzo Scamozzi 's seven forced - perspective `` streets '' ( 1585 ), which appear to recede into the distance. Trompe - l'œil is employed in Donald O'Connor 's famous `` Running up the wall '' scene in the film Singin ' in the Rain ( 1954 ). During the finale of his `` Make ' em Laugh '' number he first runs up a real wall. Then he runs towards what appears to be a hallway, but when he runs up this as well we realize that it is a large trompe - l'œil mural. More recently, Roy Andersson has made use of similar techniques in his feature films. Matte painting is a variant of trompe - l'œil, and is used in film production with elements of a scene are painted on glass panels mounted in front of the camera. Fictional trompe - l'œil appears in many Looney Tunes, such as the Road Runner cartoons, where, for example, Wile E. Coyote paints a tunnel on a rock wall, and the Road Runner then races through the fake tunnel. This is usually followed by the coyote 's foolishly trying to run through the tunnel after the road runner, only to smash into the hard rock - face. This sight gag was employed in Who Framed Roger Rabbit. In Chicago 's Near North Side, Richard Haas used a 16 - story 1929 apartment hotel converted into a 1981 apartment building for trompe - l'œil murals in homage to Chicago school architecture. One of the building 's sides features the Chicago Board of Trade Building, intended as a reflection of the actual building two miles south. One of France 's most illusive trompe - l'œil artists is Jean Claude Adenin. He was born in Normandy in 1951, and worked in Paris and then the South of France where he perfected his craft, creating major installations for the worlds wealthiest and most famous clients including Tina Turner, Bono, the Rothschilds, Georges Patino, and the Cartier family. Eventually Jean Claude moved to the Island of Mustique, where he continued to paint for the CEO of Braniff Airlines Harding Lawrence at The Terraces. The hand - painted chapel on the property is a masterpiece, where he transformed a simple concrete building into a hand carved stone sanctuary as a backdrop for over a dozen murals which adorn the walls and ceiling. Several contemporary artists use chalk on pavement or sidewalk to create trompe - l'œil works, a technique called street painting or `` pavement art. '' These creations last only until they are washed away, and therefore they must be photographed to be preserved. Among the practitioners of this form are Julian Beever, Edgar Mueller, Leon Keer and Kurt Wenner. The Palazzo Salis of Tirano, Italy has over centuries and throughout the palace used trompe l'œil in place of more expensive real masonry, doors, staircases, balconies and draperies to create an illusion of sumptuousness and opulence. Trompe l'œil, in the form of `` illusion painting '', is also used in contemporary interior design, where illusionary wall paintings experienced a Renaissance since around 1980. Significant artists in this field are the German muralist Rainer Maria Latzke, who invented, in the 1990s, a new method of producing illusion paintings, frescography, and the English artist Graham Rust. Artists Trompe - l'œil Still - Life by Samuel Dirksz van Hoogstraten ( 1627 -- 1678 ) ; 1664 A Bachelor 's Drawer by John Haberle ( 1890 -- 94 ) 19th - century stained - glass window made for the Henry Gurdon Marquand 's mansion in New York. Old Masters Masaccio Petrus Christus Donato Bramante Andrea Mantegna Antonio da Correggio Luca Giordano Carlo Crivelli Cornelis Norbertus Gysbrechts Franciscus Gijsbrechts Charles Willson Peale Andrea Pozzo Vincenzo Scamozzi Giovanni Battista Tiepolo Samuel Dirksz van Hoogstraten 19th century and modern masters Henry Alexander Aaron Bohrod Salvador Dalí Walter Goodman John Haberle William Harnett Claude Raguet Hirst René Magritte John F. Peto Contemporary Ellen Altfest Martin Battersby Julian Beever Daniela Benedini Henri Bol Henri Cadiou Dan Colen Piero Fornasetti Ronald Francis Joanne Gair Frederic Gracia Richard Haas Jonty Hurwitz Lorena Kloosterboer Rainer Maria Latzke Attila Meszlenyi István Orosz ( Utisz ) Os Gêmeos, `` The Twins '' Jacques Poirier Susan Powers John Pugh Pierre - Marie Rudelle Graham Rust Barbara Stadtlander Robert Tynes Anthony Waichulis Kurt Wenner Tavar Zawacki Banksy Paintings Examples of trompe - l'œil paintings The Annunciation Diptych by Jan van Eyck, detail ( c. 1433 -- 1435 ). Portrait of a Carthusian by Petrus Christus ( 1446 ). Note the fly near the bottom. Jacopo de ' Barbari, 1504. The first still - life trompe l'œil since antiquity The Goldfinch ( 1654 ) by Carel Fabritius Cornelis Norbertus Gijsbrechts, 1670, The reverse of a framed painting. Church interior by Gerard Houckgeest ( c. 1654 ) Trompe l'œil by Henry Fuseli ( 1750 ) Char de la Ville ( Photographed 2006 ) - The `` sculpture '' is a flat cutout A painting of papers and tools held by straps Evert Collier ( 1699 ) Trompe l'œil in Jackie Kennedy dressing room by Pierre - Marie Rudelle ( 1970 ) Alacena, óleo de Antonio Pérez de Aguilar en 1769. Galería Nacional de Arte ( Washington ) Theodor Pištěk, Josef N., ( 1978 ), Art Library Project Murals Complete anamorphosis of the frontage of the Saint - Georges Theatre Oculus on the ceiling of the Spouses Chamber, castle of San Giorgio in Mantua, Italy, by Andrea Mantegna Painted windows, Rue de l'Épée / Zwaard, Brussels A trompe - l'œil of a pigeon on a window sill, façade mural, rue Emile Lepeu in the 11th arrondissement of Paris, France Mural in Schwetzingen, Germany ( the view `` through '' the wall at the end ) A trompe - l'œil in Lyon, France Bronze Statues trompe - l'œil in Mt. Pleasant, Utah Architectural wall and ceiling trompe - l'œil, Entrance to the library of Chateau Thal, by Rainer Maria Latzke Painted Trompe l'œil mosaic, floor in the Villa Paradou in Nice, France by Rainer Maria Latzke Los Angeles Plaza Historic District : mural off Alameda Street Conceptual Trompe - l'œil mural at California State University, Chico titled `` Academe '', featuring Doric columns and crumbling walls, by John Pugh Sculptures 19th - century marble bust with apparently transparent veil, Bankfield Museum, Halifax, West Yorkshire. The same bust seen in profile. The effect is consistent from all angles and from close up. A modern Trompe - l'œil mosaic fountain at Brighton, in the form of a carpet thrown over marble steps. Tomb of Rudolf Nureyev draped in a mosaic oriental carpet sculpture. Architecture Architectural trompe - l'œil in the Palazzo Spada, Rome, by Francesco Borromini The interior of the cathedral in Biella ( Italy ) is considered a masterpiece of trompe - l'œil The interior of Santa Maria presso San Satiro, Milan viewed from the nave The trompe l'œil choir at Santa Maria presso San Satiro, by Donato Bramante, viewed from the side Gallery painted in trompe - l'œil in the Château de Tanlay, France Detail of the forced perspective stage scenery of the Teatro Olimpico, as viewed through the porta reggia of the scaenae frons, Vicenza, northern Italy Use in films Singin ' in the Rain ( 1952 ) Willy Wonka & the Chocolate Factory ( 1971 ) Indiana Jones and the Last Crusade ( 1989 ) Where the Heart Is ( 1990 ) Millennium Actress ( 2001 ) Eternal Sunshine of the Spotless Mind ( 2004 ) Bewitched ( 2005 ) See also 2.5 D Marbling Faux painting Photorealism Anamorphosis Optical illusion Still life painting Notes Jump up ^ For example by the National Gallery of Art, Washington Jump up ^ ' Illusion, Delusion, Collusion, and Perceptual Paradox ', in : Michael Kubovy and Christopher Tyler, Psychology of Perspective and Renaissance Art Jump up ^ Susan Merriam, ' Seventeenth - century Flemish Garland Paintings : Still Life, Vision, and the Devotional Image ', Ashgate Publishing, Ltd., 2012 Jump up ^ Thijs Weststeijn, ' The Visible World : Samuel Van Hoogstraten 's Art Theory and the Legitimation of Painting in the Dutch Golden Age ', Amsterdam University Press, 2008 Jump up ^ Curl, James Stevens ( 2006 ). A Dictionary of Architecture and Landscape Architecture ( Paperback ) ( Second ed. ). Oxford University Press. pp. 880 pages. ISBN 0 - 19 - 860678 - 8. Jump up ^ van der Vaardt, Jan. `` Violin and bow hanging from door '' ( Painting ). Devonshire Collection. Chatsworth House UK : Bridgeman Art Library. Retrieved 15 April 2012. Jump up ^ Dali and Postmodernism, p. PA74, at Google Books Jump up ^ Bateman, Conor ( 11 June 2015 ). `` A Pigeon Sat on a Branch Reflecting on Existence -- An Interview with Cinematographer István Borbás ''. 4 : 3. Retrieved 22 July 2015. Jump up ^ `` The City as Artifact ''. Chicago Historical Society. Retrieved 2007 - 08 - 05. Jump up ^ `` Mural, Homage to the Chicago School, by Richard Haas, 1980 ''. Chicago Historical Society. Retrieved 2007 - 08 - 05. Jump up ^ `` King of Illusion - The magical art of trompe l'oeil master Jean Claude Adenin featuring a masterpiece in a chapel on Mustique '' in MACO Caribbean Living magazine, 21 February 2009 Accessed 7 November 2017 Jump up ^ Paull, J. ( 2015 ) Tirano 's Palace of Trompe L'Oeil : A Photographic Exhibition by John Paull SlideShare. Jump up ^ Gallery of works by Barbara Stadtlander, 1928 - 1987, showing a number of still life pictures, many echoing classic trompe - l'œil compositions at barbarastadtlander.com Accessed 14 October 2017 External links Deceptions and Illusions, National Gallery of Art exhibition on Trompe - l'œil paintings Trompe l'œil Tricks : Borges ' Baroque Illusionism, essay by Lois Parkinson Zamora comparing trompe - l'œil to the literature of Borges Custom trompe l'œil Paintings, Fresco Blog murals.trompe-l-oeil.info, More than 10 000 pictures and 1200 Outdoor murals of France and Europe Paris : Trompe - l'oeil, surréalisme urbain ?, Avenue George V. Text and photography by Catherine - Alice Palagret `` The Mechanics of the Art World, '' Vistas : Visual Culture in Spanish America, 1520 - 1820. Optical illusions ( list ) Illusions Afterimage Ambiguous image Ames room Barberpole Bezold Café wall Checker shadow Chubb Cornsweet Delboeuf Ebbinghaus Ehrenstein Flash lag Fraser spiral Gravity hill Grid Hering Impossible trident Jastrow Lilac chaser Mach bands McCollough Müller - Lyer Necker cube Orbison Penrose stairs triangle Peripheral drift Poggendorff Ponzo Rubin vase Sander Schroeder stairs Spinning Dancer Ternus Vertical -- horizontal White 's Wundt Zöllner Popular culture Op art Trompe - l'œil Ascending and Descending ( drawing ) Waterfall ( drawing ) Spectropia ( book ) Related Auditory illusions Tactile illusions Temporal illusion Visual arts Architecture Art Ceramics Craft Drawing Design Painting Photography Public art Sculpture Site - specific art Street art Computer art Filmmaking Printmaking List of artistic media NDL : 01196707 Retrieved from `` https://en.wikipedia.org/w/index.php?title=Trompe-l % 27œil&oldid = 824046126 '' Categories : Art genres Architectural elements Artistic techniques Painting techniques Optical illusions Decorative arts Composition in visual art Hidden categories : Pages using div col with deprecated parameters Talk Contents About Wikipedia Alemannisch Català Čeština Dansk Deutsch Español Euskara Français Galego Bahasa Indonesia Italiano Latina Limburgs Magyar Nederlands 日本 語 Norsk Norsk nynorsk Polski Português Română Русский Seeltersk Slovenščina Suomi Svenska Tagalog ไทย Türkçe Українська Tiếng Việt 中文 24 more Edit links This page was last edited on 5 February 2018, at 00 : 31. 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Question: what does the french phrase trompe l'oiel mean in a baroque building
Answer: deceive the eye