Paragraph 1: In 1935, Sadler concluded that the papers found in the sleeping patient's house were not a hoax, citing their "genuineness and insight", and arguing that the sleeping man was not a medium for the dead, but was used by living beings to communicate. Papers ceased appearing in the sleeping man's house in the 1930s; Sadler then took a clear role as leader of the discussion group. The forum discontinued their discussion meetings in 1942, and The Urantia Book was published in 1955; it purportedly contained information from the celestial beings who had spoken through the sleeping man. The Urantia Book presents itself as the fifth "epochal" revelation God has given to humanity, and states that its purpose is to help humanity evolve to a higher form of life. It has four sections. The first section covers the nature of God and the universe, the second describes the portions of the universe nearest to Earth and Lucifer's rebellion, the third details the history of Earth and human religions, and the fourth provides an account of Jesus's life and accompanying doctrines. Sadler maintained that the teachings of the book were "essentially Christian" and "entirely harmonious with ... known scientific facts". Although Sadler had left the Adventist church by the time The Urantia Book was published, its teachings are broadly consistent with some aspects of Adventist theology, such as soul sleep and annihilationism. Journalist Brook Wilensky-Lanford argues in her 2011 profile of the Urantia movement that Sadler's departure from the Adventist church gave him the desire to build a new religious movement, citing the emphasis that Sadler placed on the discussion of the Garden of Eden in The Urantia Book as evidence of his desire to start anew. Sadler hoped that the content of the revelation would convince people of its worth, and did not attempt to win supporters by emphasizing its author. Wilensky-Lanford argues that Sadler attempted to avoid placing an individual at the center of his beliefs owing to his disappointment in Ellen White; however, Gardner believes that Sadler placed his faith in Wilfred Kellogg as he had in White.

Paragraph 2: The one minister whose proposals may have helped Britain to recover quickly from the worst effects of the Great Depression was Oswald Mosley, a former member of the Conservative Party. Frustrated by the government's economic orthodoxy (a controversial policy upheld by the fiscally conservative Chancellor, Philip Snowden), Mosley submitted an ambitious set of proposals for dealing with the crisis to the Labour Cabinet in what became known as "Mosley's Memorandum". These included much greater use of credit to finance development through the public control of banking, rationalisation of industry under public ownership, British agricultural development, import restrictions and bulk purchase agreements with foreign (particularly Imperial) producers, protection of the home market by tariffs, and higher pensions and allowances to encourage earlier retirement from industry and to increase purchasing power. Although MacDonald was sympathetic to some of Mosley's proposals, they were rejected by Snowden and other members of the Cabinet, which led Mosley to resign in frustration in May 1930. The government continued to adhere to an orthodox economic course, as characterised by the controversial decision of the Minister of Labour Margaret Bondfield to push through Parliament an Anomalies Act, aimed at stamping out apparent "abuses" of the unemployment insurance system. This legislation limited the rights of short-time, casual and seasonal workers and of married women to claim unemployment benefit, which further damaged the reputation of the government amongst Labour supporters. Bondfield was caught between the financial orthodoxy of Snowden, the critics of cuts on Labour's backbenches and the baying for even more cuts on the Opposition benches, and in the end she ended up satisfying none of them.

Paragraph 3:  In the Avengers: Earth's Mightiest Heroes episode "459", this Captain Marvel has some aspects of the Ultimate version/Mahr-Vehl, like his full name and rank, powers, human alias, and even appearance. Here, he is portrayed as a blue-skinned Kree rather than his traditional appearance as a "Pink Kree," and uses the human alias "Philip Lawson." He does not have the Nega-Bands, but makes use of highly advanced shape-shifting Kree weaponry. He helps the Avengers save Earth from a Kree Sentry sent to purge it of human life so the Kree can use the planet in their war against the Skrulls. He is distrusted by the team, particularly the Wasp, due to him being a Kree, but nearly sacrifices himself to take the robot's bomb into space and save earth. Afterwards he leaves to plead with the Supreme Intelligence to spare Earth, though he warns that the Kree will try to take Earth again. As he returns in "Welcome to the Kree Empire", He is accommodated by superiors commander Yon-Rogg and the Kree Grand Accuser Ronan who had been tasked by the Supremor to judge whether Earth's citizens were fit to join the empire. They were soon met with resistance by S.W.O.R.D and its newest agent Ms. Marvel, an associate of Mar-Vell's from when he went by his Lawson identity; exposure from his Kree Navy battle gear had augmented her genetic structure giving Carol cosmic superpowers. Mar-Vell begged her and the rest of earths heroes as well as its people to surrender peacefully, only to be violently rebuked, this defiance sending Ronan and the rest of his soldiers on the warpath. In a desperate attempt to stop all hostilities at the U.N. site, Captain Marvel intercepts a blast exchange between Ms. Marvel and Ronan; begging one last time for Earth to surrender to the Kree in order to spare mankind the galactic emperium's wrath. After Ronan is defeated Marvel and the rest of the invading Kree forces are imprisoned within Prison 42, an extra-dimensional prison in the Negative Zone. He warns that the Kree Empire will now come in full force after having humiliated the planets would be conquerors, but Iron Man retorts that they'll be waiting. He is voiced by Roger Craig Smith.

Paragraph 4: Young and Giroux began making art together in 2002. Their practice combines sculptural works, film, and public art.  In the artists' own words, they describe their art practice as "the product of an ongoing conversation concerning the modernity of the mid-century, the production of space and the built environment."  As critic John Bentley Mays notes, the modernity that interests Young and Giroux is "popular and mass cultural, a phenomenon in which the most prized characteristic is mechanical functionality, not (as in the fine arts) clever or beautiful appearances." Manufactured components found in the contemporary world often comprise the material for Young and Giroux's art. For instance, an early sculpture by the duo called Access (2004) is made with galvanized steel ductwork, while Excel (2004) is composed of steel strut and fluorescent light fixtures. Later works like Andersson (2010) or The Terrorizers (2010) combine powder coated aluminum with milled IKEA furniture to create hybrid structures. While these sculptures' make reference to the way IKEA products embody "a convergence of modernist ideals and late capitalism," the artists also make clear that they take an interest in the manufactured world as a palette for the making of abstract works, consistent with the traditions of the plastic arts. Young and Giroux's film work focuses on the built environment. Every Building, or Site, that a Building Permit Has Been Issued for a New Building in Toronto in 2006 (2008) is a sequence of 8 – 10 second long static shots of 130 Toronto addresses, all of which meet the criteria of the title. In some ways, an informal sociological study, "constructed in nearly equal units" the film "is also a sculpture," as critic Peggy Gale points out. Young and Giroux's Infrastructure Canada (2010–12) takes a similar approach, filming large-scale public works—such as dams and bridges - at a range of locations across Canada. The end result is a portrait of the "material basis of the very idea of Canada". Young and Giroux have done a number of public art projects. Reticulated Gambol (2007-2008), located at the Lee Centre Park in Toronto, Ontario, creates a functioning jungle gym that reflects on the conventions of this typical urban form. Nearly 12 meters square in size, the work combines a series of cupolas with bridges to create a large unified structure that, in width and height, sits at the limits of what is possible within the city building codes regulating the climbing gym format. Giroux comments, "The playground equipment was a found language – we simply clarified the structure".

Paragraph 5: It turns out that Solomon's Grimoire is not missing, but instead was being used as a trap for Philippa.  Ayesha, the twins' grandmother (whom they do not know of until the end of the book), wished to kidnap Philippa so that she would be the next Blue Djinn, as Ayesha's life was rapidly expiring. Jockeying for her position was Mimi de Ghulle, a wicked djinn from the tribe of Ghul; however, she is having little success. John goes in search of Philippa, who is being held at the Blue Djinn's secret palace in Babylon. The twin's favorite uncle, Nimrod, also goes in search of an acceptable alternative to Philippa as the next Blue Djinn.  The book alternates between John's search for Philippa, told in third person narration, and Philippa's experiences, told in first person in the form of a diary.  Philippa discovers that the Blue Djinn's powers to be beyond good and evil come from the Garden of Eden's Tree of Logic.  Slowly Philippa loses her humanity as the Tree has greater and greater effects on her.  John, in his search, faces numerous obstacles in finding and reaching the palace. He is aided by two of his uncles, Alan and Neil, who were turned into dogs by his mother for attempting the murder of their brother, John and Philippa's father, Edward, for his fortune. In addition, John attains a copy of The Bellili Scrolls, a map to the palace, and of its underground locale, Iravotum. The book climaxes when John reaches the palace and manages to rescue Philippa. However, during their traversal of Iravotum, Alan and Neil attack a large bird, called the Rukkh, that was attacking the group, biting its legs. However, the dogs did not let go, and fell to the ground, killing them. It is later revealed that Layla's binding of the human Alan and Neil would last only as long as the physical bodies of the dogs they inhabit, leaving the human Alan and Neil alive.

Paragraph 6: Machen received a base salary of $432,808 and $285,000 in annual performance bonuses, with his total annual compensation equalling $751,000, the fourth largest salary in the country for a public university president in 2007.  He has been criticized for reducing funding to the College of Liberal Arts and Sciences by both faculty and other administrators.  However, in December 2008, Machen announced that he would give his yearly bonus of $285,000 back to the University of Florida with the stipulation that the money had to be used to help fund the Florida Opportunity Scholars Program.  When Machen was hired by the University of Florida in 2003, his contract stated he would be eligible, after five years, to receive either a one-year sabbatical (paid leave) or receive the $450,000 bonus in addition to his annual salary.  In January 2009, Machen chose to take $400,000 in four annual installments, but after receiving the first $100,000 installment in 2009, it was realized that the four-year payment plan would require Machen to pay federal income taxes on all four installments at the time of the first installment payment.  In March 2010, the Board of Trustees voted to pay the remaining three installments in a single lump sum so that Machen might avoid further negative tax consequences.  With the addition of the $300,000 lump-sum payment to his base salary and annual performance bonus, Machen's total compensation was approximately $1,050,000 in 2010.  Machen's contract ended in 2013.

Paragraph 7: The embodiment of the Gopher mascot came to life in 1952 when University of Minnesota assistant bandmaster Jerome Glass bought a fuzzy wool gopher suit with a papier-mâché head and asked one of the band members to climb into it.  "Goldy" Gopher (the first name seems to have appeared sometime in the 1960s) became a fixture within the University of Minnesota Marching Band and Pep Band, as each year a band member was chosen to don the suit for that season. Wherever these two bands performed, Goldy was there to glad-hand with the crowd, hug the little kids, torment the cheerleaders and generally add a friendly Minnesota flavor to the event.

Paragraph 8: Roger Ebert, in his review for the Chicago Sun-Times, wrote, "At the end of California Split we realize that Altman has made a lot more than a comedy about gambling; he's taken us into an American nightmare, and all the people we met along the way felt genuine and looked real." Lauding the film as "a great movie and [...] a great experience, too," he awarded it a full four stars. Vincent Canby in The New York Times called it "a fascinating and vivid movie, not quite comparable to any other movie that I can immediately think of." He praised the film for being "dense with fine, idiosyncratic detail, a lot of which is supplied by Mr. Gould and Mr. Segal as well as by members of the excellent supporting cast." He put it on his year-end unranked list of the best films of 1974. Gene Siskel liked most of the film and awarded three out of four stars, but disliked the ending for "events too pat and a moral that's banal." A review by Arthur D. Murphy in Variety reported that "the film is technically and physically handsome, all the more so for being mostly location work, but lacks a cohesive and reinforced sense of story direction. The stars have done better comedy before." Charles Champlin of the Los Angeles Times was negative, writing that "for the most part, 'California Split' seems one very long and very loud actors workshop improv, done in card parlors and casinos instead of on a bare stage. The garbled, stomped-on, incomprehensible dialogue which was annoying in the early stages of 'McCabe and Mrs. Miller' here seems so self-indulgently and needlessly overdone as to give a whole new dimension to the splitting headache." Gary Arnold of The Washington Post called it "a slight but cheerful and beguiling episodic comedy."

Paragraph 9: The play debuted on Sunday, January 6, 1935, at the Civic Repertory Theatre on 14th Street, as part of a benefit performance for New Theatre magazine. It premiered on Broadway at the Longacre Theatre on March 26, 1935, under the auspices of the Group Theatre, a New York City theatre company founded by Harold Clurman, Cheryl Crawford and Lee Strasberg, of which Odets was a member. The company was founded as a training ground for actors, and also to support new plays, especially those that expressed the social and political climate of the day. The play was requested by many theater and labor groups in numerous other cities around the United States. It premiered in London in 1936 at Unity Theatre, and was revived there most recently in 2013.

Paragraph 10: Towards the end of 2013, around the launch of Sony's next video game device, the home video game console the PlayStation 4, Sony began making comments in regard to the change in focus with the Vita. Yoshida stated that Sony would be releasing fewer first party games for the platform. Sony Computer Entertainment's Product Planning & Platform Software Innovation Director Don Mesa stated that the "economics simply don’t work with the traditional process". Sony addressed the "economics of Vita game development" issue with beginning on focusing on the fact that almost all PlayStation 4 games could be streamed and played through a Vita through Remote Play. Sony attempted to attach the device to the PS4 due to its extreme popularity; it took only a few weeks for the sales to surpass the sales of the Vita over the course of almost two years. In July 2014, Yoshida stated that the company would focus on it less as a dedicated handheld video game console, and more on its combination of uses, stating "it's not about individual Vita games any more. It's more about how Vita can have multiple uses – with PS4 Remote Play, PS3 games with PS Now, and the dedicated games. The whole ecosystem with PS4 at the center, the Vita's a part of that." Sony later announced that the Vita will have PlayStation VR integration in the form of a second screen as well. Open beta trials for PlayStation Now functionality on the PS Vita began on October 14, 2014 in North America. The PlayStation TV, released across late 2013 and 2014, also aimed to expand the system's userbase by allowing for Vita games to be played on a television like a home console, though the device was discontinued in the West by the end of 2015, and did not fare well in Japan's handheld-focused region either. In November 2014, SCEA president Shawn Layden suggested that the new approach was working on hardware level, stating that Vita sales had increased since the implementation of PS4 Remote Play, though he and another Sony representative did not give specific figures. Sony continued to make games for the device, though in smaller number than in past. The last major Sony-developed title, Freedom Wars, still found success, selling over 188,000 copies in its first week of release in Japan. The debut was the highest Sony game debut for the system, and the second highest, only to Namco Bandai's late 2013 release of God Eater 2 on the platform.

Paragraph 11: Ellen Price was born in Worcester in 1814. In 1836 she married Henry Wood, who worked in the banking and shipping trade in Dauphiné in the South of France, where they lived for 20 years. On the failure of Wood's business, the family (including four children) returned to England and settled in Upper Norwood near London, where Ellen Wood turned to writing. This supported the family. Henry Wood died in 1866. She wrote over 30 novels, many of which (especially East Lynne) enjoyed remarkable popularity. Among the best known are Danesbury House, Oswald Cray, Mrs. Halliburton's Troubles, The Channings, Lord Oakburn's Daughters and The Shadow of Ashlydyat. Her writing tone would be described as "conservative and Christian," occasionally expressing religious rhetoric.

Paragraph 12: Armed assault version of the Mi-8AMT, can carry the same range of weapons as the Mi-24 including unguided weapons and high-precision armaments, in particular, antitank guided 9M120 Ataka or 9M114 Shturm missiles. Fitted with a new large door on the right side (except the prototype), aramid fiber plates around the cockpit area and engines, and sometimes a loading ramp in place of the usual clamshell doors. The helicopter can carry up to 37 paratroopers, 12 wounded on stretchers or airlift up to 4 tons of cargo, engage in search-and-rescue and evacuation operations. The craft has two VK-2500 engines of enhanced capacity and a complex of defense means. The cockpit of the new helicopter is equipped with multifunctional indicators to display the map of the terrain and the latest navigational and piloting equipment which operates with GPS and GLONASS satellite navigation systems. The Russian air force received a first batch of 10 Mi-8AMTSh in December 2010, and a second batch in June 2011. Deliveries were continued in 2012 and 2013. Russian Defense Ministry signed a contract for 40 helicopters in August 2013. First 8 upgraded helicopters were delivered in 2014. In total, 40 helicopters were delivered in 2014. Long-term government contract to supply modernized Mi-8AMTSh was signed in Ulan-Ude in August 2013 and provides for the delivery of unique machines – the first production batch with improved resource performance including significant savings on maintenance during the life cycle of the helicopter. Mi-8AMTSh passed to the Defense Ministry obtains a larger capacity engines VK-2500 with an upgraded (reinforced) transmission that provide objective control of exploratory work, and make the use of the helicopter in the highlands and hot climates more efficient. 13 helicopters were delivered in 2015. 8 helicopters were delivered in the first half of 2016. More than 20 Mi-8AMTs and Mi-8AMTShs were delivered to the Russian Interior Ministry in recent years. Mi-8AMTSh-VA arctic version is also supplied to the Russian Air Force and Naval Aviation. The first batch of Mi-8AMTSh for 2017 was delivered in late May. A new delivery in June 2017. 13 more in early 2018. A new large delivery in June 2018. The last delivery held in December 2018. A new delivery of a special modification held in early 2019. New deliveries in November 2019 and April 2020. 10 Mi-8AMTSH-VN Special Ops helicopters are on order since summer 2019 and the first helicopters reportedly entered service as of late 2021. 2 helicopters were delivered and 6 modernized with the Vitebsk onboard defense system in July 2020.

Paragraph 13: Beet's best friend and partner, Beet met Kissu two years into his training, and was amazed with Kissu's abilities. Kissu is different from other Busters because he is a master of all five types of Divine Power, while most Busters only use one. He is also exceptionally intelligent and able to notice even the smallest details and find a solution to complicated problems in a matter of seconds. He is not confident with himself and is wary of living up to his dreams but he wants to be bolder like Beet. Therefore, one day Beet and Kissu decide to make goals they wish to achieve. Beet's goal is to end the Dark Century, while Kissu decides to be the world's greatest master of the Divine Attack. Though it was time for both to take different paths, Beet went on with his training, defeating all kinds of Vandels. Kissu, meanwhile, decided to join another Buster team which took him in. As they traveled, Kissu was always treated as a weakling by his peers, until one day, a powerful Vandel appeared and challenged them. Seeing that the Vandel was beyond their powers, the team told Kissu to distract the Vandel with his Divine Attack while the others prepared a devastating attack to eliminate it. Kissu accepted and attacked the Vandel with all he had, which was useless. When he turned back to give the signal of attack, his partners were escaping-Kissu was used as a sacrificial lamb. Shocked, Kissu stood there while the Vandel struck the team with his power, killing them. To his surprise, the Vandel spared him since he was brave enough to attack him. As his partners had attempted to escape, the Vandel granted them death instead. Devastated, Kissu started to ponder the nature of humans. He traveled without direction until he stopped at a Vandel ruin, admiring them and beginning think how noble Vandels truly were. That was when he met Grineed, who was amazed that a human was looking at Vandel ruins. Seeing this, he took advantage of Kissu and decided to take him as his henchman, placing on him a poisonous bracelet, the symbol of Grineed's influence over Kissu. Kissu stayed with Grineed and obeyed every order that was given him, until one day, the one person that had changed his life came back-Beet. Then, he became ambiguous as to which side to stick with: the Vandel's or Beet's? After Beet defeated Frausky, Grineed's henchman, they were attacked by Rozzgoat, another powerful Vandel under Grineed. During the battle, he stood between Rozzgoat and a weakened Beet. At this point he decided that he would never leave his friend and would fulfill his dreams alongside him.

Paragraph 14: Control theory stresses how weak bonds between the individuals and society free people to deviate or go against the norms, or the people who have weak ties would engage in crimes so they could benefit, or gain something that is to their own interest. This is where strong bonds make deviance more costly. Deviant acts appear attractive to individuals but social bonds stop most people from committing the acts. Deviance is a result of extensive exposure to certain social situations where individuals develop behaviors that attract them to avoid conforming to social norms. Social bonds are used in control theory to help individuals from pursuing these attractive deviations.

Paragraph 15:  Tomato Guy (voiced by Maurice LaMarche) - A character who appeared in every episode of the show. He would shout "Tomato" only to cause anybody in the area to panic. This was presumably inspired by the character Costa Dillon played in the original Attack of the Killer Tomatoes film, who simply says "Tomato" in a library and scares all of the patrons so much that they run out of the classroom screaming in fear. As an additional sidenote, Tomato Guy is usually used as a speaking extra in various episodes when he is not shouting "Tomato" (this feat was also performed by Costa Dillon, who portrayed several roles such as a reporter, police guard, representative of the Screen Actors' Guild and more in "Return of the Killer Tomatoes"). It was later revealed in the Season Two episode "Stemming The Tide" that he makes fun of tomatoes because as a kid, he was served cold tomato soup at a family get-together (his cousin, who turned off the stove, bore a significant resemblance to a young Putrid T. Gangreen, though it was never made clear if the two of them were actually related). In any case, the soup was alive and pestering Tomato Guy until he captured it by covering his soup bowl with a saucer. He then cooked it on his relatives' stove. In Season One he is seen as a customer at Finletter's Pizza. Tara as a waitress is asking him to please make up his mind for a topping, after all, he could not kill anyone. The man responds "OK, do you have tomato?", which sends Tara into shock and reminds her of her horrible creation. She is revived by Uncle Wilbur who reassures her that the police have arrested him (presumably for violating the tomato prohibition laws) and that he will not be in the pizza parlor again for some time. His voice and design resembles that of Woody Allen.

Paragraph 16: The Greek Liturgy of St. James follows in all its essential parts that of the Apostolic Constitutions. It has preparatory prayers to be said by the priest and deacon and a blessing of incense. Then begins the Mass of the Catechumens with the little Entrance. The deacon says a litany (’ekténeia), to each clause of which the people answer "Kyrie Eleison". The priest meanwhile silently recites a prayer, raising his voice only for the last words, when the litany has ended. The singers say the Trisagion, "Holy God, holy Strong One, holy Immortal One, have mercy on us." The practice of the priest saying one prayer silently while the people are occupied with something different is a later development. The Lessons follow, still in the older form, that is, long portions of both Testaments, then the prayers for the catechumens and their dismissal. Among the prayers for the catechumens occurs a reference to the cross (lift  the horn of the Christians by the power of the venerable and life-giving cross) which must have been written after St. Helen found it (c. 326) and which is one of the many reasons for connecting this liturgy with Jerusalem. When the catechumens are dismissed, the deacon tells the faithful to "know each other", that is to observe whether any stranger is still present. The great Entrance which begins the Mass of the Faithful is already an imposing ceremony. The incense is blessed, and the oblation is brought from the Prothesis to the altar while the people sing the Cherubikon, ending with three Alleluias. (The text is different from the Byzantine Cherubikon.) Meanwhile, the priest says another prayer silently. The creed is then said; apparently, at first, it was a shorter form like the Apostles' Creed. The Offertory prayers and the litany are much longer than those in the Apostolic Constitutions. There is as yet no reference to an Iconostasis (screen dividing the choir or place of the clergy). The beginning of the "Anaphora" (Preface) is shorter. The words of Institution and Anamimnesis are followed immediately by the Epiklesis; then comes the Supplication for various people. The deacon reads the "Diptychs" of the names of the people for whom they pray; then follows a list of Saints beginning with "our all-holy, immaculate and highly praised Lady Mary, Mother of God and ever-virgin." Here are inserted two hymns to Our Lady directed against the Nestorian heresy. The Lord's Prayer follows with an introduction and Embolismos. The Host is shown to the people with the same words as in the Apostolic Constitutions, and then broken, and part of it is put into the chalice while the priest says: "The mixing of the all-holy Body and the precious Blood of Our Lord and God and Saviour Jesus Christ." Before Communion Psalm xxxiii is said. The priest says a prayer before his Communion. The deacon communicates with the people. There is no such form as: "The Body of Christ"; he says only: "Approach in the fear of the Lord", and they answer, "Blessed is He who comes in the name of the Lord." What is left of the Blessed Sacrament is taken by the deacon to the Prothesis; the prayers of thanksgiving are longer than those of the Apostolic Constitutions.

Paragraph 17: In the early years of Maine's program, the rivalry was one-sided and had not yet truly formed, as Boston University dominated Maine on the ice, defeating them 13 consecutive times between 1982 and 1986, one of the worst losing streaks to a single opponent in Maine's history. Once legendary Black Bears coach Shawn Walsh took over the program, however, the tides started to turn, and Maine began to make up ground. One notable meeting between the teams occurred on February 19, 1993, at Alfond Arena in Orono, home of the Black Bears. Maine was in the midst of an unprecedentedly successful season, having entered that contest with a record of 30-0-2. Midway through the third period, Maine was leading by a score of 6-2, and it appeared they would cruise to another easy victory. However, the Terriers would rally, and manage to score four unanswered third period goals to tie the game at 6-6 and send it to overtime. In the overtime period, Terriers forward Mike Prendergast would get a breakaway from center ice and proceed to score the game-winning goal for the Terriers, giving them a stunning 7-6 victory and handing Maine their first loss of the season. Prendergast would say after the game, "My sister could have scored that goal" to taunt the Maine players and fans. However, this would end up as Maine's only loss the entire season, as they would not lose another game all season and win their first national title with a stunning 42-1-2 record, including defeating the Terriers twice more by a combined score of 11-3. Boston University would have their revenge, however, winning a national championship of their own in 1995, defeating Maine in the national title game 6-2. The on-ice rivalry between the schools was often overshadowed by the personal rivalry between the coaches, Walsh for Maine and BU's own legendary coach Jack Parker. Both men were impassioned and bombastic coaches, and as such drew the ire of each other and of opposing fans. While they often had choice words for each other during their coaching careers, Parker spoke kindly of Walsh during his cancer treatment and following his 2001 death. While some fans view Boston College and New Hampshire as BU and Maine's historical and primary rivals, respectively, fans from the heat of the rivalry in the 1990s and early 2000s may report that in their opinion, either Maine or BU is their schools true rival, not UNH or BC. Even after Walsh's 2001 death, the rivalry has remained heated and competitive, meeting in the Hockey East playoff tournament in 2002, 2004, 2009, 2010, and 2012, with Maine winning each matchup aside from 2009. The two teams also met in the NCAA National Tournament in 2002, with Maine emerging victorious. On January 24, 2004, the two teams combined for 268 penalty minutes in one game, a men's college hockey record that stands to this day, and stood as the all-levels, both genders record until 2013. The majority of the penalty minutes were accrued during a brawl at the end of the game, which was a 1-0 victory for Boston University. Even as Maine's team performance has declined in the latter part of the 2010s, games between the teams remain tense, chippy affairs, and simultaneous success for the teams would lead to a rejuvenation of the once-heated rivalry.

Paragraph 18: The Domesday Book of 1086 records it as Conendovre, and the Norman manor house is believed to have stood on the site now occupied by Church House, a short distance north west of the Church. It would also appear that there was a mill on the Cound Brook in the village which produced a good annual income. At the time of the Domesday census, Condover was held by Roger de Montgomerie, 1st Earl of Shrewsbury, who had been granted seven-eighths of Shropshire by his cousin William I in 1071. The revenues of the manor were later forfeited by Robert de Bellême, Earl Roger's next but one successor, and returned to Royal hands under Henry I. As with other royal manors, the affairs of Condover were managed by the local Shire reeve or sheriff, whose duty it was to keep the King's forest and manor well stocked and maintained.

Paragraph 19: Nearly six months later, on September 17, 2018, Feder reported that the MBC's board of directors was close to finalizing a deal to sell the museum's third and fourth floors to Fern Hill, a real estate development and investment firm. "Sources said the agreement will net $6 million, to be used to continue operating the museum and paying down debt – especially a $3.7 million mortgage held by Pepper Construction Co.," Feder wrote. The deal closed on March 1, 2019, with executive director Julian Jackson telling Feder, "When we open the next phase of the permanent museum, we plan on providing a state-of-the-art experience to all of our guest [sic], while delivering brand value to our sponsors and supporters." That same week the Chicago Tribune reported that the MBC was "negotiating with Cleveland’s Rock and Roll Hall of Fame to bring two special exhibitions here beginning in June," and that after the March 31 closing of "Saturday Night Live: The Experience," which had been held over for three months, the museum's second floor was "expected to be closed for at least April and May" as the MBC reduced its exhibition and event space "from 25,000 square feet to 12,500." On March 18, 2019, Robert Feder reported that Julian Jackson had resigned as the MBC's executive director after one year, having told the board of directors that he'd "accepted a new position with Freeman Exhibit Solutions in Schiller Park."

Paragraph 20: Historian Ishwari Prasad writes that different coins of different shapes and sizes were produced by his mints which lacked the artistic perfection of design and finish. In 1330, after his failed expedition to Deogiri, he issued token currency; that is coins of brass and copper were minted whose value was equal to that of gold and silver coins. Historian Ziauddin Barani felt that this step was taken by Tughluq as he wanted to annex all the inhabited areas of the world for which a treasury was required to pay the army. Barani had also written that the sultan's treasury had been exhausted by his action of giving rewards and gifts in gold. In the rural areas, officials like the muqaddams paid the revenue in brass and copper coins and also used the same coins to purchase arms and horses. As a result, the value of coins decreased, and, in the words of Satish Chandra, the coins became "as worthless as stones". This also disrupted trade and commerce. The token currency had inscriptions in Persian and Arabic marking the use of new coins instead of the royal seal and so the citizens could not distinguish between the official and the forged coins. Records show that the use of token currency had stopped by 1333 as Ibn Battuta who came to Delhi in 1334, wrote a journal which made no mention of this currency.

Paragraph 21: Dave DeBusschere and Jerry Lucas were selected before the draft as the 'Detroit Pistons' and 'Cincinnati Royals' territorial picks, respectively. Bill McGill from the University of Utah was selected first overall by the Chicago Zephyrs. Terry Dischinger from Purdue University, who went on to win the Rookie of the Year Award in his first season, was selected eight overall by the Chicago Zephyrs. Four players from this draft, DeBusschere, Lucas, seventh pick John Havlicek and twelfth pick Chet Walker, have been inducted to the Basketball Hall of Fame. They were also named in the 50 Greatest Players in NBA History list announced at the league's 50th anniversary in 1996. Lucas initially opted to sign for the Cleveland Pipers of the American Basketball League (ABL). However, the Pipers folded before the start of the season and Lucas opted to sit out a year to complete his education. He eventually entered the NBA and went on to win the Rookie of the Year Award in the 1963–64 season. Lucas' achievements include an NBA championship with the New York Knicks in 1973, 5 All-NBA Team selections and 7 All-Star Game selections. DeBusschere's achievements include 2 NBA championships with the Knicks in 1970 and 1973, 1 All-NBA Team selection, 8 All-Star Game selections and 6 All-Defensive Team selections. In the 1964–65 season, he was named as a player-coach for the Pistons, becoming the youngest head coach in the NBA at the age of 24. He coached the Pistons for almost three years before returning to a full-time player. He also had a brief professional baseball career with the Chicago White Sox. He played two seasons in the Major League Baseball in 1962 and 1963, and another season in the minor-league before he gave up his dual-sport career to focus on basketball. He is one of only 12 athletes who have played in both NBA and MLB. Havlicek spent all of his 16-year playing career with the Boston Celtics. His achievements include 8 NBA championships with the Celtics, 1 Finals MVP, 11 All-NBA Team selection, 13 All-Star Game selections and 8 All-Defensive Team selections. Walker, the 12th pick, won the NBA championship with the Philadelphia 76ers in 1967 and was selected to 7 All-Star Games.

Paragraph 22: Madero was perceived unable to achieve order and stability that the U.S. government and businesses required. Wilson made it clear that he wanted Madero replaced and a candidate more amendable to the U.S. installed in the presidency. General Bernardo Reyes also sought regime change. Both men were imprisoned by Madero, but not executed and went on to lead a coup d'etat with support of the U.S. Ambassador.  Given activist U.S. interventions in Latin American internal affairs for decades, it was not out of the question that the U.S. would  intervene in Mexico in this unsettled period. When that did not happen, the ambassador played a decisive role in undermining the  Mexican public's and international diplomatic corps' as well as business interests' perception of the Madero's regime's ability to keep order. From January 1913, a coup against Madero seemed inevitable, supported by the U.S.  The plot by Díaz and Reyes against Madero was sprung in February 1913 in a coup d'état during a period now known as the Ten Tragic Days (la decena trágica). which overthrew Madero. Wilson brought Félix Díaz and the head of the Mexican Federal Army, General Victoriano Huerta, who had ostensibly been a defender of the president but now in opposition to him. A signed agreement signed on 19 February, the Pact of the Embassy, laid out a power-sharing agreement between the two Mexican generals, with the explicit support of the U.S. ambassador. U.S. President William Howard Taft, who had appointed Wilson in 1909 as ambassador to Mexico, was a lame duck president, having lost the election to Woodrow Wilson. The new president would be inaugurated on March 4, 1913. In the final days of his presidency, President Madero,  at long last and too late realized the tenuousness of his hold on power. He appealed to President-elect Wilson to intervene on his behalf, but to no avail, since Wilson was not yet in office. Ambassador Wilson had secured the support of the foreign diplomatic corps in Mexico, especially the British, German, and French envoys, for the coup and lobbied for U.S. recognition of the new head of state, General Huerta.

Paragraph 23: As sheriff, Andy is the chief law enforcement officer in the county, yet most of his activity is in and around the town of Mayberry, and there is no evidence of a separate city police force. Both the town and the county are named Mayberry, so Andy is the chief law enforcement officer for both. These working conditions, plus his reliance on a single deputy (and no clerk or jailer) indicate that the county is very small in both size and population; however, in the episode Mountain Wedding, Andy and Barney get up at four o'clock in the morning to get an "early start" on their trip to the Darlings' cabin, which is described as being "up in the mountains". When they arrive, it is full daylight, so it could be inferred that Mayberry County is larger than originally thought and with mountainous areas, but sparsely populated. Andy and Barney both work the courthouse during daytime hours, and rotate shifts at night. The length of night duties is never specified; however, it appears the only time either spends all night at the courthouse is when a prisoner, other than regular inmate Otis Campbell, is incarcerated.  One confusing aspect of Andy's authority however, is his apparent subservience to the town mayor; a plot device which is utilized in several episodes throughout the course of the series - including Season 3's "The Cow Thief" - but which makes no sense in real life, since both are elected officials. Additionally, since Andy is elected countywide, while the mayor is a town official, his authority would actually - in most areas - exceed that of the mayor.  This apparent dichotomy is never addressed during the run of the show.

Paragraph 24: The company was founded by Noel C. Bloom as a direct opposite to an earlier company he founded, Caballero Home Video, which was a pioneering video distributor of hardcore adult fare. FHE released children's and family-oriented programming, most notably popular 1980s television cartoons, including The Transformers, G.I. Joe, Jem, ThunderCats, Inspector Gadget, Defenders of the Earth, Pound Puppies, the original Teenage Mutant Ninja Turtles animated series, Gumby, Clifford the Big Red Dog, The Care Bears, and Bucky O'Hare and the Toad Wars, and other non-animated shows like Baby Einstein and the Laurel and Hardy comedy series from the 1920s and 1930s by Hal Roach. FHE was one of the two distributors for most of the seasonal Rankin/Bass television specials aired on CBS, a relationship that began in 1989. The other distributor for this library was Vestron Video, a now-defunct company which would be ironically acquired by FHE's then-parent Live Entertainment in 1991. However, it would lose the home video rights to the Rankin/Bass library in 1998 to Sony Wonder and Golden Books Family Entertainment. The company also released several VHS releases of British kids' cartoons and animation in the US (i.e., Roobarb, Wil Cwac Cwac, James the Cat and Fireman Sam), as well as some Japanese anime, such as Robotech and The Adventures of Ultraman, plus the Australian Dot films. Their output was not strictly targeted at children and families; in the early '80s, several titles were released under the "World of Horror" label directly by FHE, including Journey into the Beyond and The Child (which was later rebranded as a Monterey Home Video release). Beginning in 1982, they also released Filmation's TV shows such as Lassie's Rescue Rangers, The Lone Ranger, Shazam!, Blackstar, and The New Adventures of Zorro, plus the only Filmation movie released at the time, Journey Back to Oz.

Paragraph 25: Hillman also had a hand in writing the album's opening track, "So You Want to Be a Rock 'n' Roll Star".  With its satirical and sarcastic lyrics, the song was an acerbic, but good-natured swipe at the success of manufactured pop bands like the Monkees.  However, Connors has stated that "So You Want to Be a Rock 'n' Roll Star" also suggests certain ironies due to pre-fabricated aspects of the Byrds' own origin, including drummer Michael Clarke having been initially recruited for his good looks, rather than for his musical ability.  As a result of this, music journalist David Fricke has said that some fans have mistaken "So You Want to Be a Rock 'n' Roll Star" for an autobiographical song.  Hillman's driving bassline and McGuinn's chiming twelve-string Rickenbacker guitar riff form the core of the song, with the production being rounded off by the sound of screaming teenage fans, which had been recorded at a Byrds' concert in Bournemouth during the band's 1965 English tour.  South African jazz musician Hugh Masekela contributed the trumpet solo featured in the song, which represented the first use of brass on a Byrds' recording.  Masekela and the Byrds would later perform "So You Want to Be a Rock 'n' Roll Star" together at the Monterey Pop Festival on June 17, 1967.

Paragraph 26: Lucien Febvre first used the phrase "histoire vue d'en bas et non d'en haut" (history seen from below and not from above) in 1932 when praising Albert Mathiez for seeking to tell the "histoire des masses et non de vedettes" (history of the masses and not of starlets). It was also used in the title of A. L. Morton's 1938 book, A People's History of England. Yet it was E. P. Thompson's essay History from Below in The Times Literary Supplement (1966) which brought the phrase to the forefront of historiography from the 1970s. It was popularized among non-historians by Howard Zinn's 1980 book, A People's History of the United States.

Paragraph 27: In addition to celebrity interviews the magazine also includes serious features on a range of subjects, which have included the plight of gay asylum seekers and the rise of the far Right in Eastern Europe, the US presidential election campaign as well as real life editorial such as male rape and body image issues. In May 2005, on the eve of the UK general election, the magazine interviewed Tony Blair for the cover. In April 2008, Attitude took then Mayor of London Boris Johnson to task about his comments that "if gay marriage was okay – and I was uncertain of that issue – then I saw no reason why a union should not therefore be consecrated between three men, as well as two men; or indeed three men and a dog", a claim Johnson tried to justify as loose talk on Newsnight or Question Time, until reminded of a passage in his own book as a direct source.Attitude frequently acquires exclusive interviews within the gay market. These exclusives include Daniel Radcliffe's only gay press interview, Madonna's first worldwide press interview for her Confessions on a Dance Floor album, Elton John and David Furnish's only print interview for their civil partnership in December 2005, Heath Ledger's only gay press interview, Take That's first print interview after re-forming, Kylie Minogue, who always gives Attitude her launch interviews and Robbie Williams's only cover story interview on the release of his Greatest Hits album. Will Young has only ever given gay press interviews to Attitude. In 2006, The Scissor Sisters gave their first print interview for their new album to the magazine with an exclusive five cover edition, each cover featuring a different member of the band. Take That also gave their first magazine interview to Attitude after reforming and also posed for a four cover special in early 2009.

Paragraph 28: Although the scenario of a shared name might appear to suggest competing interests (and indeed there was resistance to a full merger proposed in the 1990s), several instructors have taught music concurrently at both institutions, and some signs of a healthy partnership have been evident between musicians and programs at these two schools which have rather different emphases. According to the history explained in Norwegian on the Grieg Academy-UiB's official website, “towards the end of the 1980s, the conservatory faced major restructuring, and a government report recommended closer cooperation with the University of Bergen. In the autumn of 1995, Nina Grieg's 150th birthday and 90 years after Torgrim Castberg first opened the Music Academy, the Conservatoire was founded as an ‘institute’ at the University of Bergen, and ‘Grieg Academy’ was established as a ceiling (or umbrella ...) of all music education programs under both the University of Bergen and Bergen University College.” Also, according to a 1996 report from the website of University of Bergen, “The Grieg Academy is a partnership between the University and Bergen University College who has since earlier been offering a major in music education. This academic partnership rests on three pillars: music pedagogy at the former teachers college and applied/creative music and musicology at the University.” Due to both marketing strategies and inter-institutional politics, the Grieg Academy-UiB has in recent years increasingly taken a public stance implying that it is "the" Grieg Academy, yet for those who know this history it remains undeniably clear that "the Grieg Academy" has actually referred to multiple institutions, University of Bergen and Bergen University College, with some forms of collaboration. In recent years, the folk music school Ole Bull Academy in nearby Voss (named after renowned violin virtuoso Ole Bull), has also been to some extent brought under the Grieg Academy umbrella. The name Grieg may be traced to Norway's most famous composer Edvard Grieg, a native son of Bergen, and the tradition of naming music schools after famous composers is evident across Europe, including the Sibelius Academy, Liszt Academy, and Mozarteum.

Paragraph 29: NMC has a branch campus on Grand Traverse Bay that houses the Great Lakes Culinary Institute, Great Lakes Maritime Academy, Great Lakes Water Studies Institute and Hagerty Conference Center. Another branch campus near Cherry Capital Airport is home to NMC's aviation and automotive service technology programs, and offers training in manufacturing, construction, renewable energy and information technology. NMC also has an observatory (the Rogers Observatory) and an ACEN (Accreditation Commission for Education in Nursing) accredited nursing program that has a long-standing association with nearby Munson Medical Center. The campus is home to WNMC-FM, which began as a student organization in 1967, and is now a community radio station broadcasting at 90.7 FM.

Paragraph 30: Designed and constructed by the noted American shipbuilder, William H. Webb, the second Augusta was completed in 1853 at New York City and operated out of that port carrying passengers and freight for the New York and Savannah Steam Navigation Company on runs to Savannah, Georgia and New Orleans, Louisiana. Early in the Civil War, as the Union Navy was expanding its fleet for the Herculean task of blockading the Confederate coast, the Federal Government purchased the side-wheeler at New York on 1 August 1861. She was fitted out for naval service by the New York Navy Yard and commissioned there on 28 September 1861, Commander Enoch Greenleafe Parrott in command.

Question: The Mi-8AMT is an armed assault version of the Mi-8 helicopter that is capable of carrying a range of weapons, including anti-tank missiles. It is equipped with new features such as aramid fiber plates for protection, a large door on the right side, and advanced cockpit instruments for navigation. The Russian air force received multiple batches of these helicopters between 2010 and 2014. The helicopters have also been supplied to the Russian Interior Ministry and have an arctic version for the Air Force and Naval Aviation. Deliveries of the helicopters continued in subsequent years, with the last special modification delivered in early 2019. Furthermore, in July 2020, two Mi-8AMTSH-VN Special Ops helicopters were delivered, with six others being modernized with the Vitebsk onboard defense system.
Answer: Paragraph 12