Paragraph 1: The groups supporting Laurentius and Symmachus split the clergy, Senate and common people, leading to violent clashes between rival groups of supporters. It was clear that some form of arbitration was needed, and both groups proceeded to Ravenna to present their arguments to king Theoderic the Great of the Ostrogoths. Jeffrey Richards observes that "it is a remarkable state of affairs when an Arian king has, for whatever reason, to choose a Catholic pope." Theodoric reviewed the facts, and found that Symmachus fulfilled his criteria for being duly consecrated pope. The "Laurentian Fragment", a document written by partisans of Laurentius, asserts that Symmachus obtained the decision by paying bribes, while deacon Magnus Felix Ennodius of Milan later wrote that 400 solidi were distributed amongst influential personages, whom it would be indiscreet to name.

Paragraph 2: Until the beginning of the 1970s, Serbian rock bands released only 7-inch singles and extended plays. Korni Grupa was the first Serbian rock act to release a full-length album, in 1971, and one of the first bands to move towards progressive rock. Progressive rock dominated the Serbian rock scene during the 1970s, with a part of bands incorporating elements of traditional music into their sound. At this period, bands like YU Grupa, Pop Mašina and Smak achieved large mainstream popularity and massive album sales. The end of the 1970s featured the appearance of the prominent hard rock band Riblja Čorba, and the emergence of the closely associated punk rock and new wave scenes. Pekinška Patka was the first Serbian punk rock band to release an album, in 1980. The new wave bands Šarlo Akrobata, Električni Orgazam and Idoli, which appeared on the influential compilation album Paket aranžman in 1980, were followed by many new wave acts. Around 1982, new wave scene declined and many acts moved towards more commercial sound. During the 1980s, pop rock acts, such as Đorđe Balašević and Bajaga i Instruktori, dominated the mainstream scene, but various other rock genres also emerged, and the alternative rock scene, with the acts such as Ekatarina Velika, Disciplina Kičme, and Rambo Amadeus, started to develop and gain mainstream popularity.

Paragraph 3: In 1892, as a member of the Pacific Coast Women's Press Association, Keith scored a "journalistic triumph" for her comments published by the Illustrated American. This was preceded with a Fourth of July article published in the News Letter, in 1890, in which she stated: "It is treason to haul down the flag from the masthead; it is treason to degrade it in the estimation of a child." In February, 1891, she asked: "Shall the flag of our country be debased by bearing upon its fair surface an advertising device? If there be no law to prevent it, let us have one at once." In September, 1891, she delivered an address before the Pacific Coast Women's Press Association at Union Square Hall. The peroration was a patriotic outburst, calling upon Congress to protect the flag from the advertising "fiend". This was published in the Daily Report, of San Francisco, and in the New York Journalist, giving it a widespread circulation. This address also contained an exposition of "Di Vernon's" pet project, the organization of the "Order of the American Flag," a patriotic legion, among the children of America. At other times during the last few years which preceded this, Keith (as Di Vernon) made similar appeals to arouse the patriotic sentiment. So she was surprised, after picking up a copy of the Illustrated American in April 1892, to find a self-laudatory editorial, in which the paper congratulated itself that the crusade which it had inaugurated against the flag-advertising was about yield results. To claim the whole credit for that aroused Di Vernon's sense of justice. She wrote to the editor, asking the date of the "inauguration". Maurice Meyer Minton, Sr. replied in a courteous note, stating that the matter was brought up in editorials of vol. 9, page 530, dated February 6, 1892. Keith (Di Vernon) found all the dates of her patriotic articles, and in the News Letter of May 14, 1892, published a history of the whole matter, under the caption: “Honor the Flag". With characteristic directness, Di Vernon asked: "Don't you think that instead of taking the lead, you were rather late in dropping into line?" In March, 1894, she had the satisfaction of witnessing the official adoption of her patriotic idea. The San Francisco Board of Education passed a resolution that the last hour of the last Friday of each month should be given to patriotic exercises, including the salute of the flag. 

Paragraph 4: The polka dot also appears in popular music. "Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini" is a novelty song telling the story of a shy girl in a very revealing bathing suit who stays immersed in the ocean water to hide from view. It was written by Paul Vance and Lee Pockriss and first released in June 1960 by Brian Hyland.  Before that however, "Polka Dots and Moonbeams" was a popular song with music by Jimmy Van Heusen and lyrics by Johnny Burke, published in 1940. It was Frank Sinatra's first hit recorded with the Tommy Dorsey Orchestra. The song is one of the top 100 most-frequently recorded jazz standards with arrangements by Gil Evans and others and notable recordings by Lester Young, Sarah Vaughn and many others.

Paragraph 5: Déjacque moved to New York in 1854 where, marked by the defeat of 1848, he violently denounced societal injustices - in particular the exploitation and the miserable living conditions of the proletariat, calling for a social revolution. His reflections on individual existence in the industrial and capitalist world led him to develop an original theory of universality and to advocate an uncompromising anarchist policy. In 1855, he signed the inaugural manifesto of an International association, which brought together French socialists, German communists, English chartists and was considered a predecessor of the International Workingmen's Association. Whilst staying in New Orleans from 1856 to 1858, he wrote his famous anarchist utopia L'Humanisphère, Utopie anarchique, but could not find a publisher. Returning to New York he was able to serialise his book in his periodical Le Libertaire, Journal du Mouvement social. Published in 27 issues from 9 June 1858 to 4 February 1861, Le Libertaire was the first anarcho-communist journal published in America. This was the first anarchist journal to use the term "libertarian". An uncompromising anarchist, Joseph Déjacque rejected any system of political representation or delegation that would lead the individual to abdicate his will by letting another express himself in his place. A partisan of the most complete freedom which he called "individual sovereignty", Déjacque is also known to have called for gender equality, in response to the misogyny of Pierre-Joseph Proudhon.

Paragraph 6: The Century Theater chain was originally named Syufy Enterprises, for its founder Raymond Syufy, Senior, who built his first theater in Vallejo, California in 1941. The first Century theater was the Century 21 in San Jose, California, which opened November 24, 1964, adjacent to the Winchester Mystery House. The Century 21 theater was built to showcase Cinerama type movies (the left and right empty projection booths are still present), but in fact, it showed only 70mm movies. The screen was later replaced with a flat model, and has remained intact as a throwback to the domed Cinerama palaces of the 1960s. The "Century 21" name was a tactic used to convey to the viewing public a "futuristic image". This image is bolstered by the lobby's distinct modern "bubbled lights" and metallic gold accents. The large orange metal ornament on the top of the domed-theater was functional in addition to being decorative—theater employees rappelled from it when the dome's outer track-lighting needed to be maintained. The first film presented at the Century 21 was It's a Mad, Mad, Mad, Mad World in 70mm format.

Paragraph 7: The Super-Skrull returns as the Invincible Man after the Skrulls restored his powers to fight the Fantastic Four. He breaks out of his prison, travels to New York and kidnaps Johnny and Sue Storm's jailed father Franklin Storm. The Fantastic Four recognize his deception and return him in exchange for Storm. Storm dies when a bomb placed on him by the Skrull Warlord Morrat (in a final attempt to kill the Four) explodes, but he saves the Four. The Super-Skrull was among the villains summoned by Doctor Doom to attack Reed and Sue at their wedding, but Mister Fantastic used a machine to remove the villain's memories. Repeatedly sent back to Earth, he battles Thor, and Captain Marvel. The Super-Skrull is the Empire's agent on Earth during the Kree-Skrull War; he temporarily disbands the Avengers and kidnaps Mar-Vell, the Scarlet Witch and Quicksilver. With the war ending in a truce, the disgraced Super-Skrull sides with Thanos and (with Skragg) aids Thanos in his quest for the Cosmic Cube. The Super-Skrull, attempting to capture Rick Jones for Thanos, fights Mar-Vell and the Thing; Mar-Vell defeats him and Thanos. After a skirmish with Spider-Man, the Human Torch and Ms. Marvel, Kl'rt is trapped in the Van Allen radiation belt.

Paragraph 8: Boone Caudill is a young man who lives in Kentucky with his family as people are pushing further and further west in the Americas. (Boone is supposedly named after Daniel Boone, who is credited with finding Kentucky.) Boone's father is physically abusive to not only his mother, but also his brother and him. One night, his father begins to beat him after Boone had caused trouble in town, and Boone hits his father over the head with a stick from the wood pile. Knowing that his father is seriously injured, possibly even dead, he goes back to the house and steals his father's prize rifle. As a parting gift, his mother offers him a roast chicken they were going to have for supper. With that, Boone runs away.

Paragraph 9: For the first time, shutter information was displayed via an internal liquid crystal display (LCD) inside the viewfinder. Aperture information was relayed through Nikon's "ADR" (Aperture Direct Readout) which was a window at the top center of the viewfinder that got its information from a micro-prism that read small numbers at the top of the mounted lens, of which type 'AI' (Aperture Indexing) or 'AIS' (Aperture Indexing Shutter Priority) lenses had printed behind the normal aperture numbers. Though widely used today, LCDs were very hi-tech at the time. They proved somewhat difficult to see at night, so Nikon installed a button-operated light for use at night. The LCD is one of the few problem areas of the F3 design, since with age, LCDs lose contrast, blur, and become inoperative after a number of years. Fortunately, unlike modern autofocus cameras with LCD 'Command Center' panels, malfunction of the F3's LCD viewfinder display does not prevent full operation of the camera, since this is accomplished with manual dials and indicators. Many F3 cameras built in the 1980s were never used professionally, and therefore are still in perfect working order, including the LCD.  On early production models the autoexposure lock button, originally a simple push-in part, is often missing; Nikon later redesigned this part so it was securely attached from inside the body.  The later part can be fitted to early bodies but a partial stripdown is required.

Paragraph 10: The Royal Alexandra Hospital for Sick Children, "an important part of Brighton life and a well known local landmark", was officially opened on 21 July 1881 and was used until 22 June 2007, when a new children's hospital opened on the Royal Sussex County Hospital campus elsewhere in the city. Designed by Thomas Lainson, it was a three-storey Queen Anne-style building of red brick with terracotta dressings and mouldings, enlivened by Dutch gables, cupolas and a moulded cartouche. Extensions included a colonnade of balconies (later enclosed) by the Clayton & Black firm in 1906 and a Vernacular-style recessed wing of two storeys in 1927–28, partly tile-hung and with timber decoration to the gables. The first mention of its potential closure came in 2001, when the Government allocated £28 million towards new facilities at the Royal Sussex County Hospital on Eastern Road in Kemptown. By 2004, it seemed likely that the building would be demolished and the site redeveloped with luxury flats. Montpelier residents were unsuccessful in their attempt to get the former hospital listed by English Heritage, who stated that Lainson's original design had been altered so much that much of its character had been lost. Taylor Wimpey, a housebuilding company, bought the hospital in December 2006, but their proposals to clear the site and build a combined residential development and GP surgery were refused twice by the city council, in 2007 and 2008. In 2009 Taylor Wimpey appealed against the latest refusal to grant planning permission for 149 flats and a four-day public inquiry was held at Brighton Town Hall in May 2009. The local conservation group, the Montpelier and Clifton Hill Association, led the opposition to Taylor Wimpey's plans to demolish the hospital. The planning inspector, John Papworth, turned down Taylor Wimpey's appeal, praising the architectural quality of Thomas Lainson's main building. "I consider that the main block and particularly its southern façade and the southern end of the Dyke Road frontage contribute positively to the character and appearance of the conservation area,” said Papworth. In 2010 Taylor Wimpey abandoned its plans to clear the site and put forward a compromise plan, which kept the main Lainson building but demolished the later ancillary buildings on the site. This plan, which was supported by the Montpelier and Clifton Hill Association was approved by the council in 2011. Flats on the site went on sale (marketed as Royal Alexandra Quarter) in 2012. The iconic main hospital building, to be called the Lainson building, is currently being restored and converted to provide 20 flats.

Paragraph 11: The original Sanskrit name (ancient Vedic culture) for Guntur was Garthapuri. The 'Agasthyeswara Sivalayam' in the old city of Guntur is an ancient temple for Siva. It has inscriptions on two stones in 'Naga Lipi' (ancient script). It is said that Agastya built the temple in the last Treta Yuga around the Swayambhu Linga and hence the name. The 'Nagas' were said to have ruled the region. The place of Sitanagaram and the Guthikonda Caves can be traced (through Vedic Puranas) back to the traditional timescale Treta Yuga and Dvapara Yuga. Guntur District is home to the second oldest evidence of human habitation in India, in the form of Palaeolithic (old Stone Age) implements. Ancient history can be traced from the time of Sala kings who ruled during the 5th century BCE. The earliest reference to Guntur, a variant of Guntur, comes from the Idern plates of Ammaraja I (922–929 CE), the Vengi Chalukyan King. Guntur also appears in two inscriptions dated 1147 and 1158 CE. Since the beginning of Buddhist time, Guntur stood in the forefront in matters of culture, education and civilisation. Gautama Buddha preached at Dharanikota/Dhanyakatakam near Guntur and conducted Kalachakra ceremony, which takes its antiquity to 500 BCE. Taranatha, a Buddhist monk writes: "On the full moon of the month Chaitra in the year following his enlightenment, at the great stupa of Dhanyakataka, the Buddha emanated the mandala of "The Glorious Lunar Mansions" (Kalachakra). Buddhists established universities in ancient times at Dhanyakataka and Amaravathi. Scores of Buddhist stupas were excavated in the villages of Guntur district. Acharya Nagarjuna, an influential Buddhist philosopher taught at Nagarjunakonda and is said to have discovered Mica in 200 BCE. Chinese traveller and Buddhist monk Hiuen Tsang (Xuanzang) visited Amaravati in 640 C.E., stayed for sometime and studied 'Abhidhammapitakam'. He observed that there were many Viharas and some of them were deserted, which points out that Hinduism was gaining ground at that time. Xuanzang wrote a glorious account of the place, Viharas and monasteries that existed.

Paragraph 12: Volleyball is one of the sports that is played at the Summer Olympic Games in two disciplines: the traditional six-per-side indoor game, and the newer game of beach volleyball.  Indoor volleyball was added to the Olympic programme in 1957 at the 53rd session of the International Olympic Committee (IOC) in Sofia, Bulgaria, and the first competitions were held at the 1964 Summer Olympics in Tokyo. The Soviet Union won a medal in both the men's and women's competition at the first five Olympics that included volleyball, including the men's gold medal in Tokyo.  The Japanese women's team won the gold at the inaugural Olympic volleyball competition, and the silver at the following two Games. The Montreal Games of 1976 saw the Polish men win the nation's only gold medal in the sport, after the women had won bronze in 1964 and 1968.  At the 1980 Moscow Olympics, the hosts won gold in both competitions.  The Bulgarian team won their only two volleyball medals in Moscow, a silver and a bronze in the men's and women's tournament, respectively. The United States won its first medals in volleyball at the Los Angeles Games: a gold in the men's competition, and a silver in the women's.  The People's Republic of China won the gold medal in the women's competition in Los Angeles, their first time participating in an Olympic volleyball competition. The United States successfully defended their men's gold medal at the 1988 Summer Olympics in Seoul, and Peru won their only medal in volleyball, a silver in the women's competition. The Soviet Union won a silver medal in the men's competition and a gold in the women's at what would be their final Olympics. Following the 1990–91 breakup of the Soviet Union, 12 of the 15 newly independent countries competed together as the Unified Team in Barcelona.  In the women's competition, the Unified Team won the silver medal, and Cuba won their first of three consecutive gold medals. In the men's competition, Brazil won its first gold medal, and the Netherlands its first overall medal in the sport.

Paragraph 13: The second protective tariff of the 19th century, the Tariff of 1824 was the first in which the sectional interests of the North and the South truly came into conflict. The Tariff of 1816 eight years before had passed into law upon a wave of nationalism that followed the War of 1812. But by 1824, this nationalism was transforming into strong sectionalism.  Henry Clay advocated his three-point "American System", a philosophy that was responsible for the Tariff of 1816, the Second Bank of the United States, and a number of internal improvements. John C. Calhoun embodied the Southern position, having once favored Clay's tariffs and roads, but by 1824 was opposed to both. He saw the protective tariff as a device that benefited the North at the expense of the South, which relied on foreign manufactured goods and open foreign markets for its cotton. And a program of turnpikes built at federal expense, which Clay advocated, would burden the South with taxes without bringing it substantial benefits.

Paragraph 14: The Freeze were formed in 1976 by Gordon Sharp, David Clancy and Keith Grant, all pupils together at school in Linlithgow, West Lothian. Grangemouth based drummer George Falconer played with the band during 1977. Most notable gig during this period was a support slot for Dunfermline band The Skids. The set consisted of originals and covers of The Ramones and Brian Eno. At this time, "The Freeze" didn't fit in at all with the vogue "punk look and attitude" of the time, having an angry sound but more an affinity with  bands such as Television and Talking Heads. Clancy used several effects pedals on the guitar to add depth, volume and interest to his sound. On occasion, Sharp would use a knife on the guitar whilst Clancy played, creating a challenging but glorious noise. Sharp and Falconer shared a liking for synth music, even the guilty pleasure of Vangelis, which during the punk rock era was not on. At the early stages, The Freeze were showing an interest in sound beyond the mainstream of punk or rock. Falconer left to join Falkirk band "The Deft Jerks", but met Sharp several years later. Sharp had a dress on under a denim jacket, and wore thick make up; still not fitting in, doing their own thing. By 1977 and after linking up with drummer Graeme Radin, the band started gigging around Scotland (managed by Alastair Allison, their English teacher at Linlithgow Academy, who also contributed lyrics in the early years); they  often played support to many of the main punk and new wave bands of the day. Two self-financed 7 inches were released on the A1 label (Alastair Allison), 1979's In Colour EP followed by 1980's "Celebration/Crossover" single. Noticed by John Peel, they were to record two sessions at Maida Vale for his show. By 1982 the band had decided on a name change to Cindytalk and also subsequently moved to London. In 1983, Gordon Sharp joined central Scotland chums Cocteau Twins in the BBC studios to add vocals to their second Peel session. 1984 saw the release of the first and critically acclaimed Cindytalk album Camouflage Heart, as well as the release of It'll End in Tears by This Mortal Coil, on which Sharp provided vocals for three tracks, including indie chart-topper "Kangaroo" (which was also one of Peel's Festive 50's from 1984). Cindytalk have continued to release recordings over the years and are still active today.

Paragraph 15: Jermaine is fired from the surgery and when he plans to leave, Belle claims she is pregnant. Charity becomes suspicious of Belle and she finds out Belle is lying to keep Jermaine. Belle and Charity form a plan to pretend Belle has had a miscarriage. Belle begins talking to a friend from prison, Ellie (Ashlie Robinson), but she is one of Belle's visual hallucinations. Belle convinces Charity she is actually pregnant. Belle is asked by Joanie to be bridesmaid at her wedding to Zak, to which she agrees. Ellie manipulates Belle into pouring red wine on Joanie's dress and Lisa covers for her. Belle shows Jermaine a scan photo, which she took from Charity. Angie overhears Belle talking to Ellie and exposes her lies in front of her family. Belle has a breakdown in the café and is taken home by her parents. When the paramedics arrive, the family discover Belle has gone. The family search for Belle, who is living rough and tormented by Ellie. Lisa is angry with Zak when he fails to answer a phone call from Belle and she leaves a voicemail. A body is found by the police, who Lisa and Zak identify, but it's not Belle. Belle's sleeping bag is taken by three men, and out of desperation tries to steal a piece of toast from a customer's plate in a cafe. The cafe owner later tries to feed Belle, but she runs away when he talks to a police officer and she ends up collapsing from malnutrition and dehydration. Belle is taken to hospital and Lisa and Zak are informed, but when they visit, Belle lashes out at Lisa, thinking she will kill her. Belle is assessed and Zak, Lisa and Jermaine are told Belle is hearing more than one voice and Jermaine thinks Belle has schizophrenia. Zak and Lisa are informed that they want to send Belle to a unit in Surrey. Belle returns over six weeks later to visit her family for the day.

Paragraph 16: At this time the Royal Navy was patrolling the Irish Sea in anticipation of imminent war with Germany, and Figgis was tasked with taking a motor boat to Lambay Island to signal to the Asgard the all-clear. By his own account, he was unable to persuade the skipper of the pilot vessel to put to sea, as one of the worst storms in many years had been raging. Due to luck and the skill of the crews, the three over-laden yachts arrived at their destinations. Figgis, accompanied by Seán McGarry, watched Asgard helplessly from Howth pier until Erskine, with Molly at the helm, decided to take a calculated risk and sailed into the harbour. Against the odds, the conspiracy with Casement, Eoin MacNeill and Bulmer Hobson to buy rifles in Germany and land them safely in Ireland had succeeded. A large party of Volunteers, on their way to Dublin with rifles and ammunition was confronted by a detachment of the King's Own Scottish Borderers and Dublin Metropolitan Police. With their route blocked, Figgis and Thomas MacDonagh engaged the officers in an attempt to distract them. Figgis gave much of the credit for co-ordinating the quiet dispersal of the Volunteers with their contraband to "Commandant Kerrigan, a former soldier."

Paragraph 17: The district attorney's office shamelessly launch several accusations of paedophilia and dispute same-sex adoption, despite Marco informing the court's representative Miss Mills (Mindy Sterling) that such never happened and of his sole desire to live with them. Paul and Rudy refute the accusations and insist Marco has shown them both the real joy of what it means to be a parent and will raise him to be a good man. After having their home (Marco's living environment) positively evaluated, it appears they are set to receive custody, leading Rudy to contact him and insist he will be "home" shortly. Marco, delighted, prepares to leave and waits anxiously for them, however in a last minute reversal Judge Meyerson decides against returning him to their care, stating that the duo kissing in front of him and having Marco visit Fabios, despite only attending when closed and Rudy never dress-rehearsing in front of him, as inappropriate situations. Marco, distraught at not returning to his home, is soon moved into a state run foster center for children who have disabilities. Refusing to give up on their fight for custody, Paul seeks the help of lawyer Lonnie Washington (Don Franklin) to help over-turn the decision. A new judge, Richard Resnick (Alan Rachins), agrees to review the case and approves them to visit Marco only once before the hearing. Paul and Rudy are saddened to see that he has lost weight, not communicating as well as he used to and is possibly suffering from depression. Following Washington's adamance that he has developed a strong case that Fisher's ruling was not in the best interests of the child, potentially unlawful and merely homophobic, he is confident that they will soon be awarded full custody of Marco. The case is however immediately dismissed following Marianna, now out of prison, appearing in person to apply for reunification with Marco under legal guidance from the district attorney's office. Despite Marianna's clear hesitation, and Rudy emphatically alleging that she has most likely been persuaded or bribed by Wilson to take Marco back, has not contacted Marco for over a year and disputes how long she has been out for, she receives custody. Washington tells a mellowed Paul and Rudy that there is no way in "this day and age" that a mother would lose custody of her child to them and that any further attempts to gain custody were unlikely be heard in court. He advises them to wait until Marco is older and free from his mother's control before they can hope he will come and find them. 

Paragraph 18: Cooper's King of the Silver Screen tour in support of this album, featured a stage set designed as a giant TV, with its slit screen allowing Cooper and his dancers to jump into and out of it along to filmed choreographed sequences during songs, and had comedic mock commercials screened in between some songs. The tour only ran in the US and Canada, throughout the summers of 1977 and 1978, and for 1978 would be renamed the School’s Out for Summer tour. Filmed highlights from the opening night of the 1977 tour, capturing a very inebriated Cooper, were featured in the Alice Cooper and Friends TV special. The tour's Las Vegas concerts were recorded, resulting in the live album The Alice Cooper Show (1977). With the exception of “It’s Hot Tonight”, which was a regular part of setlists on the following Madhouse Rocks, the 2001 Brutal Planet and the 2008–2009 Psychodrama tours, and "Road Rats" which was a regular during the 1980 Flush the Fashion tour, nothing from Lace and Whiskey has been performed since the close of the School’s Out for Summer ‘78 tour. "Damned If You Do", "Ubangi Stomp", "(No More) Love at Your Convenience", "I Never Wrote Those Songs", and "My God" have never been played live by Cooper.

Paragraph 19: Ajit Singh remained rebellious even after gaining pardon from the Mughal Emperor and the governorship of Gujarat. Two major expeditions were sent against him, once under Sayyid Hussain Ali Khan and other under Iradatmand Khan. In 1721-22 Ajit Singh led an army and captured many parganas, he captured Mughal territory as far as Narnol and Mewat, which was 16 miles from the Mughal capital. In January 1723 he attacked the Mughal Governor of Ajmer and killed him, 25 Mughal officers were beheaded after the battle and their camp and baggage was looted. In November 1723 the Emperor sent a large army to Marwar which forced Ajit to surrender Ajmer and 13 parganas which he had recently occupied. Ajit Singh sent his son Abhai Singh with gifts and money to the Mughal Capital. Jai Singh II helped Ajit to get a pardon from the emperor. Abhai Singh while acting as an emissary noticed that his father was hated by the Mughal court and the Emperor, he also noticed that the Emperor and the Nazir were planning on annexing Jodhpur. Abhai Singh knew that his father would never personally submit to the Emperor and had delayed meeting the Emperor for a year. According to Jodhpur historians Abhai Singh felt that his father would lead to the ruin of his country and planned for his murder as "It is the Rajput practice to regard his patrimony as his mother, who is a nearer and dearer relative than the natural father". According to Jodhpur sources, the Jaipur raja had supported the assassination by securing the succession of Abhai Singh through the Mughal Emperor if the deed was done. However Persian sources indicate that it was Bakht Singh who assassinated Ajit Singh. Jadunath Sarkar believes that the Jodhpur court blamed the Jaipur raja because of their rivalry.

Paragraph 20: Mary Kay has different car incentive levels for its Consultants. Independent Beauty Consultants and Directors can earn the use of a silver Chevrolet Malibu or a cash compensation of $425 a month.  Independent Sales Directors can also earn a black Chevrolet Equinox, Chevrolet Traverse, Mini Cooper or $500 a month. Top performing Independent Sales Directors can choose between the pink Cadillac XT5 or XT6, or cash option of $900 a month. The specific qualifications for earning the car depend upon the country, and vehicle that is desired. If those qualifications are not met, then the Independent Beauty Consultant/Director has to pay for a portion of the lease of the car for that month. Meeting the qualifications entitles the Independent Beauty Consultant/Director to pay no monthly lease and 85% of the car insurance, or a pre-determined cash compensation award. In 2011, a solid black Ford Mustang was introduced as an incentive. In 2014, a black BMW was introduced in its place, although the pink Cadillac remains the top reward for those Independent Directors whose units purchase over $100,000 or more of MK products at wholesale cost in a year. Internationally, the cars available also vary depending on the regions and countries.

Paragraph 21: It is an open question who, if anyone, this verse is directed against. At the time the gospel was written the Christian communities had several opponents, who may be being targeted by the author of Matthew in this verse. Davies and Allison note several groups that scholars have proposed. There are several false prophets mentioned in the literature of the period such as Simon Magus and Bar Kokhba, but the text has no hint that it referring to one of these in particular. France notes that the wording refers to the prophets coming to you implies that these prophets are from outside the community of disciples. The Pharisees are the primary opponent of the righteous through the Gospel of Matthew, and this could be another attack on them. However, Matthew 7:22 seems to make clear that the false prophets are Christian, rather than Jewish. This also could rule out other Jewish sects active in this period such as the Essenes and Zealots. While in later years Christian groups such as the Gnostics would become prominent rivals to mainstream Christianity, Gnosticism was not yet a major concern at the time this Gospel was written. Scholars who see a rivalry between the Jewish Christianity of Mathew and the wider gospel of St. Paul have read this verse as an attack on Pauline Christianity. Schweizer supports the notion that the idea of false prophets is closely attached to eschatology, and that this passage refers to events expected to occur in the end times, not to any current rivals. False prophets were a frequent concern in the Old Testament, such as in Jeremiah. France believes that even without any current threats the history in the Old Testament would lead Jesus to be concerned about the dangers of false prophets. The figures in Matthew 7:21-22 are themselves surprised to be judged harshly, but the word inwardly makes clear that prophets in this verse are knowing deceivers of the faithful.

Paragraph 22: The various stories on the origin of the Rodi caste are contradictory and therefore far from certain. According to Mahavams Chronicle, Rodiyas were the 24,000 South Indian Dalits brought as prisoners of war from South India by King Gajabahu (114-136 A.D.) of Ceylon. To prevent escape they were re-settled in the rural hill country Kotmale area of the Central Highlands of Ceylon. This Rodiya (origin: Indian word Rowdy meaning unruly and destructive behaviour) community were considered as untouchables due to their grotesque religious practices stemming from their South Indian tribal religious beliefs which involves Cannibalism and Black magic Practices that were inhuman, unclean, heretical (Heresy) practices which were loathed in disgust by the Native Sinhalese Buddhists of Ceylon. Rodis have their own mythical stories about their origin (Princess Ratnavalli story) have been passed down orally by their generations. They were considered so untouchable that the Sinhalese royal law prescribed the punishment to banish worst offenders and convicts to the Rodiya community which was considered a worst punishment than the capital punishment, i.e. the daughter of King Parakramabahu named Ratnavalli (also known as Navaratna Valli) secretly conniving with a Rodiya caste butcher (who was supplying venison to the royal court) shared a taste for human flesh (Cannibalism). This was later found out by the king and enraged by her serious offense, the King banished her to the Rodiya community, offering her as the bride to that same butcher. Some of these stories are found in published documents as well. Rodis were considered to be purely a low caste group. According to Kandyan law, the worst punishment for high caste nobles was the exiling them to the Rodi caste. Robert Knox (sailor) and Hugh Nevill are two of the prominent writers who have mentioned the Rodi Caste in their writings. Although these folklore tales do not provide many facts about the origins of the Rodi, they trace a connection between the daughter of King Parakramabahu and a butcher. Even today they practice deciet, witchcraft, voodoo, blackmagic, human sacrifice and cannibalism.

Paragraph 23: An infinite regress is an infinite series of entities governed by a recursive principle that determines how each entity in the series depends on or is produced by its predecessor. In the epistemic regress, for example, a belief is justified because it is based on another belief that is justified. But this other belief is itself in need of one more justified belief for itself to be justified and so on. An infinite regress argument is an argument against a theory based on the fact that this theory leads to an infinite regress. For such an argument to be successful, it has to demonstrate not just that the theory in question entails an infinite regress but also that this regress is vicious. There are different ways in which a regress can be vicious. The most serious form of viciousness involves a contradiction in the form of metaphysical impossibility. Other forms occur when the infinite regress is responsible for the theory in question being implausible or for its failure to solve the problem it was formulated to solve. Traditionally, it was often assumed without much argument that each infinite regress is vicious but this assumption has been put into question in contemporary philosophy. While some philosophers have explicitly defended theories with infinite regresses, the more common strategy has been to reformulate the theory in question in a way that avoids the regress. One such strategy is foundationalism, which posits that there is a first element in the series from which all the other elements arise but which is not itself explained this way. Another way is coherentism, which is based on a holistic explanation that usually sees the entities in question not as a linear series but as an interconnected network. Infinite regress arguments have been made in various areas of philosophy. Famous examples include the cosmological argument, Bradley's regress and regress arguments in epistemology.

Paragraph 24: Upon release, Behindwoods gave the film 3.5 stars out of 5 and said, "It has the expected Venkat Prabhu elements, the crowd-pleasing supernatural factors treated in a slightly different way and of course, Suriya in all his glory." International Business Times also awarded the film 3.5 stars and said, "One thing obvious throughout the film is the effort taken by the director to make his movie watchable for audience  of all age groups. It has romance, some spooky elements, comedy, witty one-liners, action, songs and dance." Oneindia rated it 3 stars as well and wrote, "Thanks to Suriya's brilliant performance and Venkat Prabhu's intriguing story telling ability, Masss will surely be enjoyed by the masses albeit poor VFX hindering the quality of the movie." Indiaglitz gave 3 stars out of 5 too and stated, "Venkat Prabhu has been stereotyped as the director who loves party hard movies, a bit of adult humor and all that, but in Masss he has steered clear of those elements and has given a wholesome family entertainer with an interesting storyline." The Times of India also rated the film 3 out of 5 and added, "The film lacks the raciness of Biriyani or Mankatha, but there is enough inventiveness and joie de vivre to the scenes to keep us entertained."Sify rated 3.5 out of 5 and described Massu Engira Masilamani as "a no-holds-barred entertainer with all the essential ingredients." Rediff gave the film 3.5 stars on a scale of 5 and commented, "There is non-stop excitement, with all the characters in the film being on some kind of high, literally bursting with energy." Deccan Chronicle rated the film 3.5 out of 5 as well, saying that "the film drives up to an intersection where one sign says horror and another, entertainment, and firmly decides on the latter while paying just a passing reference to the former." The Economic Times also gave the film 3.5 stars and wrote, "The paranormal twist in Massu... is what keeps you interested but there are too many twists; some predictable and some good." Writing for The Hindu, Baradwaj Rangan stated, "The idea behind the supernaturally themed Massu is terrific, even it feels like a mashup of many spirit-driven films...the thing with Venkat Prabhu's films these days...(is)...they're all ideas and no follow-through...It's only in the last hour or so that Massu begins to score." Malini Mannath from The New Indian Express wrote, "Not very funny, not very scary, and not very original, Venkat Prabhu's attempt at crafting his first supernatural-comic-vendetta flick, turns out to be a disappointing and a boring affair...The director weaves in a hotchpotch of situations, the screenplay is sloppy and narration is jerky. The characters are one too many and the genuinely appreciative moments are few and far between."

Paragraph 25: The central issue at hand that had been judged in court was the conflict of interest between the investment banking and analysis departments of ten of the largest investment firms in the United States. The investment firms involved in the settlement had all engaged in actions and practices that had allowed the inappropriate influence of their research analysts by their investment bankers seeking lucrative fees. A typical violation addressed by the settlement was the case of CSFB and Salomon Smith Barney, which were alleged to have engaged in inappropriate spinning of "hot" initial public offerings (IPOs) and issued fraudulent research reports in violation of various sections within the Securities Exchange Act of 1934. Similarly, UBS Warburg and Piper Jaffray were alleged to have received payments for investment research without disclosing such payments in violation of the Securities Act of 1933.

Paragraph 26: The north-facing amphitheatre-shaped valley of Cwm Idwal with its dark cliffs has a unique flora, and some plants here are the most southerly remnants in Britain of the Arctic/Alpine flora. The Snowdon lily (Lloydia serotina) is found here, high on mountain ledges, the only place in Britain where it is found. Other Alpine species include the purple saxifrage (Saxifraga oppositifolia), tufted saxifrage (Saxifraga cespitosa), Alpine meadow rue (Thalictrum alpinum) and mountain sorrel (Oxyria digyna). Because of the scientific interest of this valley, sheep have been excluded from it to allow the native plants to flourish and it has been made into a national nature reserve. The lake itself is shallow and fringed with rushes, reeds and bottle sedge (Carex rostrata). Plants growing in the water or on the damp ground nearby include awlwort, pillwort, waterwort and spring quillwort (Isoetes echinospora). Other plants growing on damp shady ledges include the Welsh poppy (Meconopsis cambrica), the wood-rush (Lazula sylvatica), water avens (Geum rivale), wood anemone (Anemone nemorosa) and goldenrod (Solidago virgaurea). Animals that live here include badgers, foxes and polecats as well as buzzards (Buteo buteo), peregrine falcons (Falco peregrinus), choughs (Pyrrhocorax pyrrhocorax), skylarks (Alauda arvensis), black grouse (Tetrao tetrix) and red grouse (Lagopus lagopus).

Paragraph 27: Born in Blackfriars, Bert Hardy rose from humble working class origins in Southwark, London. The eldest of seven children, he left school at age 14 to work for a chemist who also processed photos. His first big sale came in 1936 when he photographed King George V and Queen Mary in a passing carriage during the Silver Jubilee celebrations, and sold 200 small prints of his best view of the King. His first assignment, at age 23, was to photograph Hungarian actor Sakall at the Mayfair Hotel. Hardy freelanced for The Bicycle magazine, and bought his first small-format 35 mm Leica. He signed on with the General Photographic Agency as a photographer, then founded his own freelance firm Criterion.

Paragraph 28: The release lever (L) holds the rack (M) up when the clock is not striking. On the shaft of the minute hand (not shown), which rotates once per hour, there is a projection. As the change of the hour approaches, this projection slowly lifts the release lever, allowing the rack to fall until its point rests on the snail (N). The amount the rack can fall, and thus the number of strikes, is determined by the position of the snail. Exactly on the hour the striking train (G, H, K) is released and begins to turn.  As it turns, the pins (G) repeatedly lift the hammer (F) and allow it to drop, ringing the gong (E). The gear ratios are arranged so that the gear wheel (H) makes one revolution each strike. A small pin (S) on this wheel engages the rack teeth, lifting the rack up by one tooth each turn. When the rack reaches the end of its teeth it stops the striking train from turning (using a mechanism not shown in the diagram, in such a way that gear (H) is held stationary with the pin (S) not engaging the rack, so that the rack is able to fall freely again on the next hour). So the number of strikes is equal to the number of teeth of the rack which are used, which depends on the position of the snail.

Paragraph 29: As a means of retaliation, the Republic of Korea Armed Forces assembled a team of 31 social outcasts including criminals on death row and life imprisonment, in a plot to kill Kim Il-sung. The team is designated 'Unit 684'. The recruits are taken to the island of Silmido for training. The mission is offered to the recruits as the only way to redeem themselves and show their loyalty to their country. If they succeed, they will win their freedom and a new life. With this goal in mind, they endure their training. The training is shown over several months, with the recruits enduring various forms of extremely vigorous training and regular physical punishment, including being branded. One recruit is killed after he falls from a ropes course.

Paragraph 30: The most commonly grown crop in NFT systems is lettuce. Popular varieties include ‘Ostinata’, ‘Flandria’, ‘Cherokee’, ‘Ruby Sky’, ‘Vulcan’, and ‘Rex’. According to Cornell University’s Controlled Environment Agriculture group, a 5-to-6-ounce head of lettuce can be produced in 35 days (from seed to harvest) with proper inputs and conditions (Mattson). These inputs and conditions include adequate light intensity, temperature, relative humidity, spacing, uniform water delivery, nutrient concentrations, oxygen delivery to root systems, pH, electrical conductivity, air circulation, among other factors. Seedlings, usually sown in rockwool cubes, are transplanted into NFT channels after the emergence of 3 to 4 true leaves. Categorized as a fast-growing crop, approximately 60% of the total leaf area and 70% of the dry biomass are generated in the last 20 days of production. Lettuce seedlings are placed in NFT channels 6 to 8 inches apart to provide enough room between crops for proper leaf development. Research has recommended to use channels for lettuce production no longer than 9 feet to minimize the difference in nutrient concentrations at the entrance and exit points of each channel (Al-Tawaha et al). Lettuce yield and productivity is heavily dependent on light intensity. Higher light intensities lead to quicker biomass gain however; the maximum recommended Daily Light Integral (DLI) for head lettuce is 17 mol·m-2·d-1. Higher intensities can lead to the physiological disorder of leaf tipburn and render crops unmarketable. Some lettuce cultivars are more sensitive tipburn and lower DLIs should be used. To prevent tipburn from taking place, provide crops with adequate air flow and circulation, decrease relative humidity, and decrease the temperature in your growing environment, and you may need to lower your DLI. For proper nutrient uptake, maintain a fertigation pH level of 5.4.-5.8 and an electrical conductivity level between 1.7 and 2.5. A systematic advantage of using the NFT system to grow crops is not needing to add dissolved oxygen to your water reservoir because the recirculating water becomes oxygenated Equally as critical as the delivery of oxygen to root systems is the introduction of carbon dioxide to the growing environment to promote photosynthesis. The largest jumps in yield figures are seen when carbon dioxide levels increase from 500 to 1,000 parts per million. Researchers recommend carbon dioxide enrichment of 1,000 to 1,200 parts per million. Harvested lettuce can be packaged in plastic clamshells at 40 degrees Fahrenheit with or without roots (Brechner). After harvest, all NFT channels should be properly sanitized and scrubbed to prevent the possibility of pathogen build up (Kaiser).

Question: The Royal Alexandra Hospital for Sick Children in Brighton was opened in 1881 and used until 2007. It was known for its Queen Anne-style architecture and was a significant part of the community. Plans to demolish the building and replace it with luxury flats were met with opposition from residents and a local conservation group. The planning inspector ruled in favor of preserving the main building, and a compromise plan was approved in 2011. The main hospital building is currently being restored and converted into flats.
Answer: Paragraph 10