Paragraph 1: As the shooting continued outside, nurses and medics entered the building.  An unidentified soldier secured the south double doors with his ACU belt and rushed to help the wounded. According to the responding nurses, there was so much blood covering the floor inside the building that they were unable to maintain balance, and had difficulty reaching the wounded to help them. In the area outside the building, Hasan continued to shoot at fleeing soldiers.  Herman Toro, Director of the Soldier Readiness Processing Site, arrived at this time.  Hasan had gone around the building and was out of sight, but still shooting. Toro and another site worker rushed to assist Lieutenant Colonel Juanita Warman, who was down on the ground north of the medical building.  They both took her by the arms and tried to carry her to safety when Hasan returned and aimed his red laser across Toro's chest, but did not fire.  Toro took cover behind an electrical box and saw civilian police Sergeant Mark Todd arrive and shout commands at Hasan to surrender. Todd said: "Then he turned and fired a couple of rounds at me. I didn't hear him say a word, he just turned and fired." The two exchanged shots, Hasan emptying his pistol in the process.  He stopped, turned, and reached into his pocket for a new magazine before being felled by five shots from Todd. Todd then ran over to Hasan, kicked the pistol out of his hand, and put handcuffs on him as he fell unconscious. LTC Tom Eberhart, Deputy Director of Human Resources, Fort Hood, arrived and entered the Medical Building to help.  He had to step over bodies to enter the building's north entrance. He assisted another soldier in performing CPR on one of the wounded soldiers at the building's waiting area.  Folding chairs were scattered all around.  He noticed a soldier outside the south doors of the building and went to help, removing the belt from the door.  The downed soldier was Staff Sergeant Alonzo Lunsford, a medical assistant from the building.  He had two wounds in the abdomen and a wound to the scalp. He was unconscious and LTC Eberhart went back into the building to retrieve a folding table.  Other soldiers assisted in getting SSG Lunsford onto the table and around the building to the triage area.

Paragraph 2: Sydney Opera House Grand Organbelieved to be the largest mechanical-action organ in the world. It boasts a grand 5 manuals and 131 speaking stops, 4 stops more than Sydney's other notably large organ, in Sydney Town Hall. It is  high,  wide, a total of  deep and weighs . The four largest pipes of the Prinzipal 32' hang on the rear wall and weigh an additional 6 tonnes. Its format, such as the stop and manual names, like most of his other constructions, are German in nature. Sharp was recommended to be the organ builder for this job by the English organist and organ consultant, Peter Hurford. Hurford's admiration for him had been won by the construction of the Knox Grammar School's organ on which Hurford had made a recording. Many people doubted that such a huge pipe organ, as proposed by Sharp, particularly one using mechanical key action, could be built by him – or anybody. Controversy raged throughout the construction years, until finally Sharp’s magnum opus was completed, at a cost of A$1.2 million, under the supervision of the NSW Department of Public Works, which was also responsible for supervising construction of the Sydney Opera House. The Department handed over the completed instrument to the Opera House Trust on 30 May 1979 and the opening recital was on 7 June 1979.

Paragraph 3: The task force commander received a set of detailed plans of the fort, and decided the attack should consist of a subterranean assault on a tunnel that connected the barracks held by US troops to the main barracks by way of the artillery batteries, with an attack on the surface to prevent the defenders from focusing their efforts on preventing the underground assault. The combined efforts of 1st Battalion, 10th Infantry and 3rd Battalion, 2nd Infantry, managed to retake most of the southern area of the fort, but lost two platoons, and the commander of B Company of the 1st Battalion, 10th Infantry was captured along with two forward observers. After this, no further meaningful gains were made on the surface. The subterranean attack continued although the attached French advisor who was the expert on the fort advised against it. An iron door blocked C Company, 10th Infantry's way into the three foot wide, seven foot high tunnel. After the engineers successfully blew a hole in it, it was discovered that the door was backed by more than 20 feel of scrap metal, concrete, and wrecked equipment, which had been stacked to the ceiling. Welding equipment was brought into the tunnel to cut away the debris, which was finally removed by the morning of 8 October, revealing another iron door which was believed to be the last barrier blocking the tunnel. The presence of fumes created by the constant welding and detonation of charges forced the besiegers to constantly evacuate the tunnel, and the use of ventilators and the construction of ventilation shafts proved ineffective. Due to the constant sound of digging on the German side of the tunnel, the Americans feared they would be counter-charged, and placed a 60-pound beehive charge against the door. Its detonation required the tunnel to be evacuated for two hours to allow the intense carbide fumes to subside as fumes wafted back into the barracks where the US wounded were being tended to, and men rushed to gulp air through rifle slits in the barracks above, with some even running into the open where artillery shells exploded all around. Finally, an engineer officer crawled back into the tunnel to discover only a small hole had been opened by the charge. Before more explosives could be brought in, the Germans opened fire along the tunnel, forcing the Americans to build a sandbag parapet with a machinegun mounted on it. On the surface, another futile attack was launched on the southern artillery batteries, but the bloodied attackers were still beaten back by swarms of German infantry emerging at night. Between October 3 and 8, 21 officers and 485 American troops were killed, wounded, or went missing.

Paragraph 4: State Road 9336 (SR 9336), also known in parts as the Ingraham Highway, Tower Road and West Palm Drive, is an  two- to four-lane road in Miami-Dade County, in the U.S. state of Florida. The route is the only signed four-digit state road in Florida. The route connects US 1, and the Homestead Extension of Florida's Turnpike by proxy, in Florida City with the Everglades National Park, acting as the park's primary mode of entry. The road continues on from its western terminus at the national park's entrance as Main Park Road for another , providing access to many of the park's facilities and the ghost town of Flamingo, in Monroe County, at its western end.

Paragraph 5: A wigwam, wickiup, wetu (Wampanoag), or wiigiwaam (Ojibwe,  in syllabics: ) is a semi-permanent domed dwelling formerly used by certain Native American tribes and First Nations people and still used for ceremonial events. The term wickiup  is generally used to refer to these kinds of dwellings in the Southwestern United States and Western United States and Northwest Alberta, Canada, while wigwam  is usually applied to these structures in the Northeastern United States as well as Ontario and Quebec in central Canada. The names can refer to many distinct types of Indigenous structures regardless of location or cultural group. The wigwam is not to be confused with the Native Plains tipi, which has a different construction, structure, and use.

Paragraph 6: In the English Civil War a Major Thomas Smallman of nearby Wilderhope Manor was a Royalist officer who was forced to flee from Cromwell's approaching troops after escaping from his manor. As he was carrying important dispatches, he was cornered on the Wenlock Edge. Rather than surrender, he galloped his horse off the edge falling some 200 feet. His horse was killed but the Major was saved by falling into an apple tree. He made his way on foot to Shrewsbury where he delivered the despatches. The area where he made the jump is known as Major's Leap and is said to be haunted by the Major and his horse.

Paragraph 7: Plagued with mediocrity in their first few seasons of existence, the Diplomats did not qualify for the playoffs until 1976, their third year in the league. The Diplomats were knocked out by the New York Cosmos in the first round. That season, the club played their home matches in Northern Virginia at W.T. Woodson High School, before going back to RFK Stadium in 1977. During the next three seasons, the Diplomats achieved more regular season success and reached the postseason every year from 1978 until 1980. Consequently, the club experienced a spike in average attendance, nearing 20,000 fans a game by the 1980 season, although a significant number of tickets were "comps" or "papered" by the teams' front office staff.

Paragraph 8: Gabry Ponte first started his career as a DJ at Bliss Corporation in 1993 and in late 1995 he started his own record label there known as Worldbus Records. The primary focus of the label was to remake current and past hit songs of other artists into modern dance tracks. Several of the label's artists became some of Bliss Corporation's biggest, Full Sex, Karmah, Funktastica, and Sangwara, which Gabry Ponte was directly involved in. After three years Worldbus Records became Piranha Records and Gabry Ponte, as part of a trio dubbed Eiffel 65, went on to create a song called "Blue (Da Ba Dee)", at that point a normal Bliss Corporation release under the label Skooby Records. The song became a hit in Italy and was the first from Bliss Corporation to be released outside of Europe, from there it became a worldwide hit. Eiffel 65 then produced an album called Europop which too became a large hit. Three albums, 11 singles, and seven years later, Eiffel 65 parted ways and Gabry Ponte stayed with Bliss Corporation to continue with his solo work, releasing a number of singles and staying active in Italy's music scene. Ponte has since rejoined Eiffel 65 as of June 2010.

Paragraph 9: In the second century of the Hijrah, a schism arose in the theological schools of Basra, over which Hasan al-Basri presided. A pupil, Wasil ibn Ata, who was expelled from the school because his answers were contrary to tradition, proclaimed himself leader of a new school, and systematized all the radical opinions of preceding sects, particularly those of the Kadarites. This new school or sect was called Mutazilites (from 'tazala, to separate oneself, to dissent).   The sect had three principal dogmas: (1) God is an absolute unity, and no attribute can be ascribed to Him. (2) Man is a free agent.   Because of these two principles the Mutazilites designate themselves the "AsḦab al-'Adl w'al TauḦid" (The Partisans of Justice and Unity). (3) All knowledge necessary for the salvation of man emanates from his reason; he could acquire knowledge before as well as after Revelation, by the sole light of reason—a fact which, therefore, makes knowledge obligatory upon all men and women, at all times, and in all places.

Paragraph 10: Some modern studies relate the historical particularities of the time such as the cultural and ideological landscape to the Korean artists’ motivation and inspiration, as the attention that was put into their artwork nurtured the popularization of these paintings. Those include the different viewpoints on how they became popular at the time, one viewpoint being the analysis of Korean genre paintings being a product of the past Koreans pride and confidence after they began treating their own culture as a legitimate heir to Chinas High Civilization (Park J.P., 2018). The disappearance of the late Confucian civilization and the fall of the Ming in mainland China under Manchu Qing, these events led to the late Joseon era artists to recapture and redefine the values of Joseon Koreas landscape and their society in these new paintings (Park J.P., 2018).  Another viewpoint would be an interpretive approach towards the escalating interest of learning at the time, which provided the Joseon era artists the motivation and inspiration needed to view the scenes of daily life in Korea and the changes in the social landscape from a new perspective, as Joseon artists put much time in their pursuit of academic practical studies, the people and their lives were a key factor in contributing to their artwork, as well as their determination to depict and observe the people they encountered around them.

Paragraph 11: On the other side of the mirror, the Doctor and Romana are reunited with Biroc in a stable, time-locked universe. A repentant Biroc explains they were the slave masters, travelling on the winds of time in order to ravage other planets and subjugate their populations as slaves until the Gundan revolt. The Doctor and Romana are returned to the null space, and are immediately captured by Rorvik. Rorvik's crew realise that the null space is shrinking as the distances between the gateway, the TARDIS, and slaver ship continue to decrease. Rorvik has ordered the crew to try to blast through the mirrors in gateway, believing it to be the way out, but the mirrors resist all attacks.  With the gateway and ship in visible distance of each other, Rorvik resorts to one last attempt to break the mirrors by using the exhaust of the ship's engines against them. While the Doctor warns that this action will be as doomed as the previous ones, Romana regroups with Lazlo and Adric, and together they free the remaining Tharils on the slaver ship. The TARDIS crew flee to the TARDIS as Rorvik initiates his plan—the blast from the engines is reflected by the mirrors back onto the ship, destroying it and its crew.

Paragraph 12: In 1918, Max Rothman (John Cusack), a Munich art dealer, is a World War I veteran who lost his right arm in the Third Battle of Ypres, effectively ending his career as a painter. He returns to Germany and opens a modern art gallery. He is married to Nina (Molly Parker), but also has a mistress, Liselore von Peltz (Leelee Sobieski). Through a chance encounter, Rothman is approached by a young Adolf Hitler (Noah Taylor), a war veteran as well, disgruntled over Germany's loss during the conflict and the country's humiliation by the signing of the Versailles Treaty. Hitler is also an aspiring painter, and wishes to have his artwork displayed.

Paragraph 13: Different opinions and questions started to surface over the magazine editors' negligence and choice of dress. There were also suspicions that the incident was a set-up to ruin Zhao's career. On 28 December 2001, during her performance at a concert, Zhao was attacked on stage by Fu Shenghua, a construction worker who later said his grandparents were killed during the Second Sino-Japanese War. Reflecting upon his actions, Fu told a Chinese magazine: "I know what I did isn't right. But I believe my cause is just... As a famous Chinese person, she should have been aware of such an important event in Chinese history." Later, a Chinese newspaper, Beijing Youth Daily published a special report after a two-month investigation and alleged that Fu had lied to the media, claiming that no one in his family had died during the war and that he was not a construction worker but instead had been unemployed for several years. The journalist noted that it was difficult to have conversations with Fu due to his alleged extremist views. More and more people started to believe that the incident was a set-up and the public views started becoming more sympathetic to Zhao. After this report was published, the hype surrounding the incident died down and the Chinese media seldom mentioned it again.

Paragraph 14: The 1921 land reform was the second great distribution of land in Romanian history, the largest measure of its kind in Eastern Europe in its day. On 23 March/5 April 1917, at the height of World War I, King Ferdinand promised there would be a substantial increase in the number of new property owners (as well as universal male suffrage). He undertook this commitment as a way of repaying the soldiers and their families for sacrifices made, but also sought to mobilise them to hold the front and avoid revolution–the announcement came just weeks after the February Revolution toppled Russia's tsar. The reform was preceded by a number of decisions adopted between 1917 and 1920. In order to give it a legal basis, the two chambers of Parliament decided to modify article 19 of the 1866 Constitution. The provision, which formerly declared "property of any nature" to be "sacred and inviolable" (and was adopted mainly to protect against new agrarian reform), had the following text added: "because of national necessity, the extension of rural peasant properties is advanced through the expropriation of arable lands, with the intent of selling them to the peasants". On 20 March 1920 the rural law for Bessarabia was adopted; followed by similar provisions for Muntenia, Oltenia, Moldavia, and Dobruja on 17 July 1921, and on 30 July 1921 for Transylvania, Banat, Crișana, Maramureș, and Bukovina. One law was passed for each region owing to their very different socioeconomic structures, relations and specific contexts. The PNR government of Alexandru Vaida-Voevod had a fully comprehensive land reform programme, but on 13 March 1920 the King dismissed this cabinet despite its backing by a substantial parliamentary majority, a clear sign that the Bucharest-based elite would try and govern the enlarged state by traditional methods; in 1922, Ion Mihalache of the PŢ (who as agriculture minister had drafted the first proposal) blasted the ensuing reform as a "kind of safety valve" whereby "the ruling class made only such concessions as were necessary to assure its own existence". As adopted, the reform was a Liberal-Conservative bargain, decided upon in private by Ion Brătianu and Take Ionescu, who persuaded the former to abandon his intention of expropriating the soil. Ultimately, all classes had come to see the futility and even danger of trying to preserve the old system. Many conservatives hoped efficiency and productivity would improve; liberals backed the measure on principle but also desired that agriculture served the needs of industry; and agrarianists dreamt of creating a peasant state on the basis of these changes. The threat of social upheaval from below and the need to maintain national solidarity in the face of irredentist neighbours also contributed to the enactment of reform.

Paragraph 15: When Feldman joined Captain Beefheart's Magic Band in 1976 as keyboardist and bassist, he was already an experienced musician. Like other members of the band, Feldman was expected to capture (on tape or notepad) Beefheart's musical ideas.  Once instrumental parts had been created, the band members had to play them exactly as composed: "I never had a problem with that. I felt like I was getting parts dictated to me from one of the best, especially when they were designed for me. You just feel like a model in a fashion show wearing a really nice dress, I guess."  During his time in the Magic Band, he was also given a nickname by Don, Black Jew Kitabu.  Feldman worked on the acclaimed trio of Beefheart albums in the late 1970s and early 1980s - Shiny Beast (Bat Chain Puller) (1978), Doc at the Radar Station (1980), and Ice Cream for Crow (1982).

Paragraph 16: Vaikom town is situated at the northwestern end of Kottayam district, close to Ernakulam district border. Vaikom is a lakeside town situated in the banks of the Vembanad lake similar to other lakeside towns like Kottayam and Changanassery. Its western borders are bound by the Vembanad lake. The Muvattupuzha river has its mouth near Vaikom where it empties into the Vembanad lake, many distributaries of the Muvattupuzha river pass through Vaikom.  It is also close to the tourism destination Kumarakom and the city of Kochi. Vaikom is 32 km from Ernakulam, 32 km from Kottayam via kumarakom, 33 km from Alappuzha and about  from Kochi International Airport.

Paragraph 17: West African populations were considerably mobile and interacted with one another throughout the population history of West Africa. Acheulean tool-using archaic humans may have dwelled throughout West Africa since at least between 780,000 BP and 126,000 BP (Middle Pleistocene). During the Pleistocene, Middle Stone Age peoples (e.g., Iwo Eleru people, possibly Aterians), who dwelled throughout West Africa between MIS 4 and MIS 2, were gradually replaced by incoming Late Stone Age peoples, who migrated into West Africa as an increase in humid conditions resulted in the subsequent expansion of the West African forest. West African hunter-gatherers occupied western Central Africa (e.g., Shum Laka) earlier than 32,000 BP, dwelled throughout coastal West Africa by 12,000 BP, migrated northward between 12,000 BP and 8000 BP as far as Mali, Burkina Faso, and Mauritania, and persisted as late as 1000 BP or some period of time after 1500 CE. During the Holocene, sedentary farming developed in West Africa among the ancestors of modern West Africans. The Iron industry, in both smelting and forging for tools and weapons, appeared in Sub-Saharan Africa by 1200 BCE, and by 400 BCE, contact had been made with the Mediterranean civilizations, and a regular trade included exporting gold, cotton, metal, and leather in exchange for copper, horses, salt, textiles, beads, and slaves. The Tichitt culture developed in 2200 BCE and lasted until around 200 BCE. The Nok culture developed in 1500 BCE and vanished under unknown circumstances around 500 CE. Serer people constructed the Senegambian stone circles between 3rd century BCE and 16th century CE. The Sahelian kingdoms were a series of kingdoms or empires that were built on the Sahel, the area of grasslands south of the Sahara.  They controlled the trade routes across the desert, and were also quite decentralised, with member cities having a great deal of autonomy. The Ghana Empire may have been established as early as the 3rd century CE. It was succeeded by the Sosso in 1230, the Mali Empire in the 13th century CE, and later by the Songhai and Sokoto Caliphate. There were also a number of forest empires and states in this time period.

Paragraph 18: During the Doctor's mental battle with Morbius, the mind-bending machine displays two images of Morbius, then images of the Doctor's four incarnations as of the serial's production. These are followed by images of eight previously-unseen faces, intended to represent incarnations preceding the First Doctor. The Doctor's previous faces are almost all portrayed by members of the Doctor Who crew who worked on this serial or the following serial, The Seeds of Doom: production unit manager George Gallaccio, script editor Robert Holmes, production assistant Graeme Harper, director Douglas Camfield, producer Philip Hinchcliffe, production assistant Christopher Baker (who is the exception as he has no credits on Doctor Who), writer Robert Banks Stewart, and director Christopher Barry. Hinchcliffe stated, "We tried to get famous actors for the faces of the Doctor. But because no one would volunteer, we had to use backroom boys. And it is true to say that I attempted to imply that William Hartnell was not the first Doctor". After a complaint that actors were not used, the BBC paid a sum of money to the acting union Equity's benevolent fund. In 2020 it was announced that the three surviving members of the line-up (Philip Hinchcliffe, George Gallaccio and Graeme Harper) had returned to reprise their roles as the Doctor for a feature-length web film entitled The Timeless Doctors produced by multimedia artist Stuart Humphryes.

Paragraph 19: For the first 2 years of her long service, Goff operated along the Atlantic coast, conducting battle practice and exercises in the yearly Caribbean fleet maneuvers as well as off the East Coast. In September 1922, the destroyer was detached from this duty and assigned to the Atlantic Fleet, European Waters. Departing Norfolk, Virginia, on 14 October 1922, she cruised primarily in the eastern Mediterranean, putting in at ports in Turkey, Bulgaria, Russia, Egypt, Palestine, Syria, Greece, and Romania. It was a period of great unrest in the Balkans and eastern Mediterranean: Greece and Turkey were at war, various powers were scrambling to consolidate after World War I and gain control over the now-defunct Ottoman empire, and Russia, although still wracked by the Russian Revolution and its aftermath, was seeking further territory and an outlet to the Mediterranean. The presence of American men-of-war amidst this tension assisted various relief agencies working to mitigate the damage from past and present wars as well as protect American lives, interests, and property. Refugees from the Greek and Turkish conflict were frequently evacuated and cared for by the American fleet, and Goff participated in this humanitarian service, particularly at Marsina, where from 18 to 20 July 1923 she supervised evacuation of hundreds of Turkish refugees.

Paragraph 20: The gatehouse, called Monnow Gate, which gives Monnow Bridge its now unique appearance, was added at the end of the 13th or start of the 14th centuries, twenty-five to thirty years after the bridge itself was built. The siting of the gatehouse mid-channel is relatively unusual; the archaeologist David Harrison notes the more common arrangement was for the gate to be situated on the roadway at one end of the bridge. In 1297, Edward I provided a murage grant in favour of Monmouth in response to a request from his nephew, Henry of Lancaster. A murage was a medieval tax, granted specifically to allow for the raising of funds to construct or repair town walls. The grant allowed the townspeople to build the town walls and gates, including the construction of the gatehouse. By 1315, work was incomplete or required repair, as the original authority was renewed on 1 June of that year. At that time, the bridge would have been much narrower than now, with all traffic passing beneath a single arch. The arch was protected by a portcullis, whose associated grooves are still visible. The prominent arched machicolations, defensive apertures through which stones or other material could be dropped on attackers, were added at an unknown date in the medieval period, possibly in the late 14th century.  The gate formed part of the town's defensive walls. The cartographer John Speed's map of 1610 shows walls only on the northern side of the town, which lies unprotected by either the Monnow or the Wye, but the archaeologist Ian Soulsby suggests it is "inconceivable" that Monnow Gate, and another gate shown by Speed leading out onto Chippenham Mead, stood alone.

Paragraph 21: Other topics in Mayer's research on trade include the role of networks for interregional trade, the impact of trade relations on the probability of war, product quality sorting in trade, the reaction of exports to exchange rate movements, market access and the relationship between market size, competition and exporters' product mix. In their research on the role of networks for trade between French regions, Mayer, Pierre-Philippe Combes and Miren Lafourcade find that domestic migrants and firm networks respectively double and quadruple bilateral trade flows, which in turn strongly diminishes estimates of the effects of transport costs and administrative borders on interregional trade. Studying the effect of trade on war, Mayer, Philippe Martin and Mathias Thoenig find that bilateral trade integration reduces the probability of war between these two countries, especially if they are neighbours, but that this effect is mitigated by multilateral trade openness, as having strong trade relations with many other countries reduces a country's economic dependency on a given country. In further research with Martin and Nicolas Berman, Mayer argues that exchange rate movements such as depreciations have only a weak impact on aggregate export volumes because the majority of exports concentrate among high productivity firms that tend to disproportionately absorb exchange rate movements through price markups rather than increases in export volumes. This claim also matches earlier research with Gianmarco Ottaviano on the internationalization of European firms, wherein he and Mayer note that a few high-performing enterprises tend to drive countries' international performance, implying that policy aimed at fostering economic integration should focus on increasing the number of international firms (rather than increasing the involvement of already internationalized firms) by improving firms' performance in terms of productivity and employment. In another study with Ottaviano, Mayer and Marc Melitz observe that French export firms tend to concentrate their export product mix on their best performing products the higher the competition in the export market, which bears important implications for firm productivity growth. In recent research on quality sorting and trade among French champagne exporters, Mayer, Head and Matthieu Crozet show that the probability of market entry, export values and firm-level prices monotonically increase in quality. Finally, together with José de Sousa and Soledad Zignago, Mayer has found that exporters in the Global South face 50% more difficulties in accessing developed markets than exporters in developed countries, though these difficulties have fallen by 95% between 1980 and 2006, with non-tariff barriers (and reductions therein) playing an important role.

Paragraph 22: During 1980, Orndorff started to split his time between the Alabama and the Mid-South territories, until he left the Alabama territory by the end of 1980 to focus entirely on the Mid-South territory. In Mid-South, Orndorff feuded with Ken Mantell over Mantell's propensity for cutting people's hair after a match. Orndorff got the better of Mantell and won the right to use the Freebird hair removal cream on Mantell. Orndorff earned a shot at the North American champion The Grappler but on the day of the match he overslept (storyline) and was incensed when his replacement Jake "The Snake" Roberts beat the Grappler for the title. Orndorff's reaction to Roberts's title win signaled a change in attitude; he turned heel as he demanded a title match against Roberts. While he lost the support of the fans, he won the North American title on July 4, 1981. Orndorff feuded with Ted DiBiase, JYD, Dusty Rhodes, and Dick Murdoch while holding on to the North American title. Orndorff lost the title to DiBiase on November 1, 1981, in a match at the Municipal Auditorium in New Orleans, Louisiana. Orndorff was unable to wrestle in the rematch due to car trouble, which meant that Orndorff's friend Bob Roop got the title shot and won the match. It was soon revealed that Roop had sabotaged Orndorff's car so he could get the title shot instead (storyline). Orndorff turned face to feud with Roop but found himself unable to regain the title after which he left the Mid-South Territory.

Paragraph 23: The ruling dynastic family of the Han dynasty was the Liu family, founded by Liu Bang, whose career ranged from being a minor official (sort of like a local sheriff during the rapid disintegration and chaos of the final years of the Qin dynasty) to being an outlaw and a rebel hiding out in the hills, to being the King of Chu during the Division of Qin into 18 states, or kingdoms. He was posthumously honored as Han High Founder or Han Great Ancestor (Gaozu) Emperor. Despite his folksy background, general lack of literacy, and what were considered generally vulgar ways, Liu Bang had a great regard for literature and learning. His patronage of literature and the arts, as well as his connections with the unique culture of Chu would set a precedent for the rest of the dynasty which he founded, and which managed to keep much of the political power in the hands of the Liu family: often this was implemented by allowing Liu family princes a great deal of autonomy in their local areas, thus encouraging the development of subsidiary royal courts, besides the main imperial court; and, in some cases, this encouraged princely patronage of literature and the arts, with some greater diversity and cross-fertilization of artistic genres and styles. Other important features of the Han era include the location of the capital in Chang'an during Western Han, and its move to Luoyang in Eastern Han, the extension of the Han empire into new regions, and contact with new peoples and cultures, a development which was extended by the further explorations by people such as Zhang Qian of the Silk Roads fame who in the 2nd century BC got as far as Bactria and Dayuan (Ferghana, in modern eastern Uzbekistan), and among other things brought back alfalfa and grapes to China. Also important in the history of the Han dynasty is the method of recording words, such as poems. Brushing characters with ink is archeologically attested to during the Han period, including on silk, hemp paper, and bamboo slips. The bamboo (or wood) slips were tied together carefully with delicate string cords. When these rotted and broke, the individual slips would become mixed up, and the text which was written upon them thus have often become scrambled. Methods such as stamping or marking on clay or engraving on stone were also used; and, though relatively durable required fairly elaborate craftsmanship to produce. Little poetry from the Han dynasty survives as originally recorded or published, instead most of the preserved poems exist as passed on to the future by the Six Dynasties poetry era anthologies.

Paragraph 24: Blanche was paid off in August 1798, and Hotham was appointed to the frigate  in early 1800. He operated in the Bay of Biscay, taking several prizes. Late on the evening of 12 September 1800 he captured a small Spanish vessel laden with stone, but while boarding her observed two French privateer ships, Brave and Bellone coming out of the Gironde. He was obliged to scuttle the Spaniard to make chase. The French attempted to evade him during the night, but Hotham anticipated their movements, and was still following the next day. Unfortunately he lost them the second night, having pursued them for 259 miles. However, on 20 September, he recaptured the English ship Monarch, of 645 tons, laden with timber, which had been taken by Bellone four days earlier. On 22 September, off Cordouan Lighthouse, he chased a French brig, and by 9.30 p.m., had come within musket-shot, when both vessels unexpectedly grounded near Noirmoutier. The brig was wrecked; but Immortalite refloated herself the next morning, suffering nothing more serious than the loss of an anchor, cable, and boat. On the morning of the next day, the 24th, he spotted the French letter of marque schooner Constance, carrying a cargo of coffee and sugar from Guadaloupe to Bordeaux, but the privateer lugger Cynthia from Guernsey, captured her before he could intervene. On 26 October 1800 Immortalite, in company with  and , captured the French privateer Diable à Quatre, of 16 guns and 150 men, and on the 29th a letter of marque schooner, sailing from Guadaloupe to Bourdeaux, with a cargo of coffee. Hotham was also present in Immortalite at the capture of the  on 27 January 1801. He then, on 14 April 1801, captured the French privateer brig Laure, of 14 guns and 78 men. She was 15 days out of St. Malo, and had captured a Portuguese vessel sailing Bristol to Lisbon, and had made 17 other captures in previous cruises. On 27 July, assisted by the presence of the frigate , he captured the Invention, an unusual privateer designed and commanded by M. Thibaut. She was  long, but only  wide, with four masts, and carried 24 guns on a flush deck, and a crew of 210. She had sailed from Bordeaux nine days before on her first cruise. Towards the close of the war in 1802, the Immortalite was blockading the port of Brest.

Paragraph 25: Inhalers are designed to deliver medication directly to the lungs through a person's own breathing. This may benefit a patient by providing medicines directly to areas of disease, allowing medication to take a greater effect on its intended target, and limit side effects of medications when administered locally. Inhalers are used in a variety of different medical conditions with diseases of the lungs and respiratory system being among the most common. Individuals with these diseases/conditions need medications designed to decrease airway inflammation and obstruction to allow for easier and comfortable breathing. Antibiotic medications have even been developed for inhalers to allow for direct delivery to areas of infection within the lungs. Two of the most common conditions that warrant inhaler therapy are asthma and chronic obstructive pulmonary disease.

Paragraph 26: A legal case was brought before the Council of the Indies involving two Chinese men in Seville, one a freeman, Esteban Cabrera, and the other a slave, Diego Indio, against Juan de Morales, Diego's owner. Diego called on Esteban to give evidence as a witness on his behalf. Diego recalled that he was taken as a slave by Francisco de Casteñeda from Mexico, to Nicaragua, then to Lima in Peru, then to Panama, and eventually to Spain via Lisbon, while he was still a boy. Esteban testified that he knew Diego as a boy in Limpoa (Liampó, the Portuguese name of Ningbo, a Chinese city in Zhejiang), which he claimed to be part of the Spanish colonial indies. This was a false claim since Liampo was not under Spanish rule, and it is speculated that Esteban and Diego lied about it in order to help Diego win his freedom, playing on the fact that the Spanish conducting the case were ignorant of Spain's Asian affairs. It worked in their favor and in July 1575 the Council issued a ruling siding with Diego. Juana de Castañeda also testified on behalf of Diego, claiming that she knew Diego in Lima and she also married Esteban during the ordeal. Juana was a native woman from Lima. Juana was around 40 years old when she testified on behalf of Diego in 1572. Another native woman from Panama, Isabel García also testified in favor of Diego, saying she knew him while he was in Panama. Esteban's will dated 15 March 1599 left his property to his daughter Francisca de Altamirana and her husband Miguel de la Cruz who was a tailor and probably Chinese like Esteban. A family of tailors was started by Esteban. Tristán de la China was taken as a slave by the Portuguese, while he was still a boy and in the 1520s was obtained by Cristobál de Haro in Lisbon, and taken to live in Seville and Valladolid. He was paid for his service as a translator on the 1525 Loaísa expedition, during which he was still an adolescent. The survivors, including Tristan, were shipwrecked for a decade until 1537 when they were returned to Lisbon by a Portuguese ship. Records from 7 May 1618 show that Hernando de los Ríos Coronel was permitted to bring from the Philippines to Spain two Chinese slaves, named Cosme and Juan de Terrenate, who was married to a woman named Manuela. Several Asians took advantage of laws requiring that the Spanish state pay for their return to their homeland after being trafficked to Spain illegally. A Chinese named Juan Castelindala Moreno petitioned to be sent home in 1632.

Paragraph 27: Yates left Curb after only the one single; he would later tell the blog Country Music News International that "nothing came" of its release. Despite this, he continued to write songs, record demos, and perform at songwriter showcases throughout Nashville. Among his successes as a songwriter was "From Good to Bad to Worse to Gone", a cut from Ricochet's self-titled debut album in 1996. In 1997, record producer Garth Fundis heard Yates perform at a Nashville club and chose to sign him to Almo Sounds, an independent label whose Nashville division he was president of at the time. The label released his debut album Billy Yates that same year; Yates co-wrote every song and co-produced with Fundis. "I Smell Smoke" was initially selected as the lead single, but due to a large number of stations playing "Flowers", the label began officially promoting that song as a single in May 1997. "Flowers" went on to reach number 36 on the Billboard Hot Country Songs charts in 1997. The song came about when co-writer Monty Criswell presented the idea to Yates during a songwriting session. It is about a man who expresses remorse after his wife dies in an automobile accident caused by him driving under the influence. Yates described the song as "special" and said that he was willing to record a song that "strikes a nerve". "Flowers" also received a music video, which was nominated by Billboard at their 1997 Music Video Awards in the category of Best New Country Artist. Writing for Country Standard Time, Joel Bernstein praised Yates' voice and Fundis' production, but thought that the album's ballads were better written than the up-tempo songs. Bob Cannon of Entertainment Weekly rated the album "C+", describing the song "Flowers" as "maudlin" and overall finding Yates' style imitative of Merle Haggard.

Paragraph 28: Julie is one of the twelve original characters conceived by the creator and then executive producer of Neighbours, Reg Watson. Casting director Jan Russ was tasked with finding the actors to play the original cast, with the majority chosen for their comedic skills. Vikki Blanche was cast as Julie when she was 18. She had graduated from the National Theatre drama school in November 1984 and was cast the following month. Blanche did not think she would win the role so soon after leaving school, so she "clowned around" at the audition. She stated "I always thought I would have to work my way up in this industry, so I didn't really take the audition very seriously. I had an idea for a character floating around in the back of my head, so I decided to combine it with what I'd been told about Julie – and went completely over the top!" Blanche began filming for the serial at the HSV-7 studios in Melbourne on 2 January 1985. She admitted that accepting the breakthrough role of Julie meant "a lot of thinking and decision-making" beforehand. She explained "People assume you just jump at a chance like that, but in a way it's a worry. I felt I was being thrown in at the deep end. I wasn't that thrilled at first. I've seen so many go into series, then I never saw them again." However, she expressed her hope that the role would be long-term, as she enjoyed her character and working with the show's cast and crew. Blanche also said that due to her workload, she had lost touch with her drama school friends and her social life was non-existent outside of those she worked with. She added "After playing a character all the week I just want to stop and catch up with myself at weekends." Blanche made her debut appearance in the show's first episode, broadcast on 18 March 1985.

Paragraph 29: He was promoted to lieutenant in 1919, and served on the destroyer , and various staff positions. After graduating from the 18th class of Naval War College in 1918 and his promotion to lieutenant commander in 1920, he served as a staff officer on the Imperial Japanese Navy General Staff, and also on the martial law headquarters for the Kantō region after the Great Kanto earthquake of 1923.  In 1924, Hosogaya was promoted to commander and became executive officer on the cruiser . In 1927–1928, he visited the United States and Europe, and in 1928 became executive officer on the battleship .

Paragraph 30:  Collecting Cartridges: The Price Guide for Classic Video Game Collectors () By Michael S. Richardson.  The Atari VCS (2600), 5200, 7800, Mattel Intellivision, Coleco Colecovision and Milton Bradley Microvision. Collecting Cartridges is much more than a book, for many it’s a passion – likely the closest thing to a time machine to our childhoods and a period of time where video game consoles were a completely new concept. It’s technology that demands a fascination, not just by those of us that lived it, but by future generations who wish to enjoy part of this very unique period of time. This guide is a work of love. It came about through the lack of any other detailed price guide that was really reflective of what classic video games, in similar conditions, were selling for. The information took years to compile, but became a personal resource being referenced regularly. There was no reason that if one person found it helpful, many others might as well. The layout of this guide is extremely simple to reference. It explains, through words and pictures, how to categorize any particular game title by its condition. The game titles are then broken down by console, publisher and name. Each title generally has multiple conditions reflective of what the same game would be bought and sold for. Most important is the fact that these prices are, in no way, arbitrary. The prices are an average of each title’s actual selling price. Formulas are used to fill in the value of each game under varying conditions. Great care has also been provided to reference the author(s) of each game. These designers were the proverbial ‘rock stars’ of the day. Part of the enjoyment of collecting is getting to know each programmer and their library of work. This guide contains an appendix which provides a very thorough cross reference. Along with historical information on each console and adding a few fond memories, this guide should be a part of any classic gamer’s library. “Don’t pay too much or accept too little. If you have anything to do with classic video game systems, you need this guide. This is the most accurate way of determining a game’s value.”  Published April 24, 2017.

Question: In this text, the Doctor and Romana find themselves in a time-locked universe where they are reunited with Biroc. Biroc reveals that they were once slave masters who traveled through time to conquer planets and enslave their inhabitants. The Doctor and Romana are then returned to the null space where they are captured by Rorvik. Rorvik's crew realizes that the null space is shrinking and attempts to blast through the mirrors in the gateway to escape. However, their attacks are unsuccessful. With the gateway and the ship now within visible distance of each other, Rorvik decides to use the ship's engines to break the mirrors. The Doctor warns against this, but Romana, Lazlo, and Adric work together to free the remaining Tharils on the ship. As Rorvik initiates his plan, the blast from the engines is reflected back onto the ship, causing its destruction.
Answer: Paragraph 11