Paragraph 1: As municipal seat, the town of Valle de Bravo has governing jurisdiction over the following communities: San Mateo Acatitlán, El Aguacate, Los Álamos, Calderones, La Candelaria, El Castellano, El Cerrillo (San José el Cerrillo), La Compañía (Cerro Colorado), Cerro Gordo, Colorines, Loma Bonita, La Compañía (Tres Espigas), Cuadrilla de Dolores, Rancho Espinos, El Fresno (El Fresno la Compañía), Godínez Tehuastepec, La Laguna, Loma de Chihuahua, Loma de Rodríguez, El Manzano, Mesa de Jaimes, Mesa de Dolores (Mesa de Dolores 2a. Secc.), Los Pelillos, Peña Blanca, Los Pozos (Pinar de Osorios), Santa María Pipioltepec (Pipioltepec), San José Potrerillos (Potrerillos), Rincón de Estradas, San Antonio, San Gabriel Ixtla, San Gaspar, San Juan Atezcapan, San Nicolás Tolentino, San Ramón, San Simón el Alto, Santa Magdalena Tiloxtoc, Santa Rosa, Santa Teresa Tiloxtoc, Los Saucos, Tenantongo, La Volanta, Casas Viejas, Mesa Rica (La Finca), Mesa de Palomas, Atesquelites (Tres Quelites), La Boquilla (Cerro el Cualtenco la Boquilla), El Durazno, La Mecedora, Escalerillas, Tehuastepec (San José Tehuastepec), Tierra Grande (La Loma), El Arco, Barrio de Guadalupe, Las Joyas, Mata Redonda (Paso Hondo), Mesa de Dolores 1a. Secc. (Mesa del Rayo), La Palma, Piedra del Molino, Rancho Avándaro Country Club, El Aguacate (El Aserradero), Agua Fría, La Huerta San Agustín, Tres Puentes, Colonia Rincón Villa del Valle, Colonia Valle Escondido, Monte Alto, Las Ahujas, El Trompillo, Gallinas Blancas, Barranca Fresca, Santo Tomás el Pedregal, Los Tizates, as well as about 40 unnamed settlements. The total 2005 population of the municipality was 52,902.

Paragraph 2: In early 1993, the House of Commons of Canada Standing Committee on External Affairs and International Trade presented a report stating, "By way of building the public and political constituency for the United Nations, the Committee recommends that Canada support the development of a United Nations Parliamentary Assembly." The Campaign for a Democratic United Nations (CAMDUN), the International Network for a United Nations Second Assembly (INFUSA), and the Global People's Assembly Movement (GPAM), began circulating UNPA proposals around 1995, and other organizations, such as One World Trust, began publishing analyses of how to proceed in the current political situation. On 8 February 2005, on the initiative of the Committee for a Democratic UN (today Democracy Without Borders), 108 Swiss Parliamentarians signed an open letter to the Secretary-General calling for the establishment of just such a body. On 14 May 2005, the Congress of the Liberal International issued a resolution stating that "the Liberal International calls on the member states of the United Nations to enter into deliberations on the establishment of a Parliamentary Assembly at the United Nations." On 9 June 2005, the European Parliament issued a resolution that contained an item stating that Europarl "calls for the establishment of a United Nations Parliamentary Assembly (UNPA) within the UN System, which would increase the democratic profile and internal democratic process of the organisation and allow world civil society to be directly associated in the decision-making process; states that the Parliamentary Assembly should be vested with genuine rights of information, participation and control, and should be able to adopt recommendations directed at the UN General Assembly; [...]" In 2006, Citizens for a United Nations People's Assembly circulated a petition to UN Secretary-General Kofi Annan to "convene a High Level Panel to determine the steps required for the establishment of a Peoples' Parliamentary Assembly within the United Nations Organization"

Paragraph 3: The film was storyboarded extensively by MacMahon in advance of the shoot along with detailed diagrams of the lighting designs. He explained; “I’d have an idea in advance of what the set-up might be musically so I painted out lighting design and storyboards in advance. Those were in a constant state of flux,” Producer Allison McGourty commented “It was like a theatrical production—Bernard designed different lighting for each session to give [each song] a different feel.” MacMahon said that he wanted the film to look like a painting “I wanted a rich color palette so it looks like a Velázquez painting,” he said, with the lighting falling off to heavy shadows in the corners of the picture to conceal the dolly tracks in the studio. MacMahon filmed principally on an Arri Alexa on a camera dolly. The decision to have the camera in a constant state of subtle motion was designed to give the film a musical rhythm and momentum. As the musicians in the film were forced to record their tracks in a single unaltered take, MacMahon decided the camera should do the same and choreographed complex single take moves to mirror the tempo of the music whilst landing on the musicians the moment their part came to the foreground. McGourty explained “he would rehearse with our house band before the performers arrived, and rehearse the camera crew with all the dolly moves so they would know when the lead vocalist would be singing; then it would go into a chorus, then the guitar or the banjo. There was a huge amount of preparation, because it was not just the music that had to be captured in one three-minute take—we had to capture the whole experience on film, and make it look natural, and do it smoothly enough that we didn’t interfere with the performers.” MacMahon said he took some of his inspiration from John J. Mescall's cinematography on James Whale productions like the Bride of Frankenstein. MacMahon wanted viewers to feel like they were standing in the studio watching the performance, so the camera never moved lower than a crouch or higher than someone standing on their tip toes, nor did the camera zoom in closer than a guest in the studio would stand. A test session was filmed with Frank Fairfield and The Americans to perfect the cinematic style of the film. In stark contrast to this policy was his use of extreme macro photography when the film discusses the recording system. Shot using macro lenses, the cinematography used in these sections was designed to take the viewer inside the inner workings of the 1920s Western Electric amplifier and microphone and the 1920s Scully cutting lathe, and to give the recording system a larger than life persona. Exterior shots of the dilapidated and nondescript studio building were occasionally employed with pedestrians walking by oblivious to the activities going on inside. MacMahon said this was to “remind people that behind every door there are a thousand stories.”

Paragraph 4: The Sundale Shopping Centre, which opened on 26 March 1969, was the first of its kind on the Gold Coast costing a record $7.5 million but closed in 1989 after the larger Australia Fair Shopping Centre opened nearby. It was located on  of prime real estate facing the Broadwater which was previously the site of the popular Southport Hotel which was originally constructed in 1876. As well as providing panoramic views of the Nerang River from the upper floor, it was home to Queensland's first Big W department store as well as a cinema, restaurants, 45 speciality stores and a 7,000-vehicle car park. It was proposed as a location for the building of the Gold Coast Convention Centre. Such a development would have rejuvenated the old administrative centre of the Gold Coast. However, it lost its bid to Broadbeach, in part because of a lack of tourist accommodation in Southport. The site hosted weekly markets throughout the 1990s for several years after its closure, until its eventual demolition in 2003, at which time a time capsule was buried where the popular mall once stood. The area is now home to the Meriton Brighton on Broadwater development, a mix of high and low-rise buildings together with trendy eateries and some retail outlets. In more recent years another a time capsule was discovered on the Sundale site which was buried when the mall was originally constructed. It was originally meant to be opened in the 2000s and was filled with notes and items which were meant to predict what the 21st century would be like. It is now located in the Gold Coast City Council Local Studies Library.

Paragraph 5: In early 1993, the House of Commons of Canada Standing Committee on External Affairs and International Trade presented a report stating, "By way of building the public and political constituency for the United Nations, the Committee recommends that Canada support the development of a United Nations Parliamentary Assembly." The Campaign for a Democratic United Nations (CAMDUN), the International Network for a United Nations Second Assembly (INFUSA), and the Global People's Assembly Movement (GPAM), began circulating UNPA proposals around 1995, and other organizations, such as One World Trust, began publishing analyses of how to proceed in the current political situation. On 8 February 2005, on the initiative of the Committee for a Democratic UN (today Democracy Without Borders), 108 Swiss Parliamentarians signed an open letter to the Secretary-General calling for the establishment of just such a body. On 14 May 2005, the Congress of the Liberal International issued a resolution stating that "the Liberal International calls on the member states of the United Nations to enter into deliberations on the establishment of a Parliamentary Assembly at the United Nations." On 9 June 2005, the European Parliament issued a resolution that contained an item stating that Europarl "calls for the establishment of a United Nations Parliamentary Assembly (UNPA) within the UN System, which would increase the democratic profile and internal democratic process of the organisation and allow world civil society to be directly associated in the decision-making process; states that the Parliamentary Assembly should be vested with genuine rights of information, participation and control, and should be able to adopt recommendations directed at the UN General Assembly; [...]" In 2006, Citizens for a United Nations People's Assembly circulated a petition to UN Secretary-General Kofi Annan to "convene a High Level Panel to determine the steps required for the establishment of a Peoples' Parliamentary Assembly within the United Nations Organization"

Paragraph 6: In early 1993, the House of Commons of Canada Standing Committee on External Affairs and International Trade presented a report stating, "By way of building the public and political constituency for the United Nations, the Committee recommends that Canada support the development of a United Nations Parliamentary Assembly." The Campaign for a Democratic United Nations (CAMDUN), the International Network for a United Nations Second Assembly (INFUSA), and the Global People's Assembly Movement (GPAM), began circulating UNPA proposals around 1995, and other organizations, such as One World Trust, began publishing analyses of how to proceed in the current political situation. On 8 February 2005, on the initiative of the Committee for a Democratic UN (today Democracy Without Borders), 108 Swiss Parliamentarians signed an open letter to the Secretary-General calling for the establishment of just such a body. On 14 May 2005, the Congress of the Liberal International issued a resolution stating that "the Liberal International calls on the member states of the United Nations to enter into deliberations on the establishment of a Parliamentary Assembly at the United Nations." On 9 June 2005, the European Parliament issued a resolution that contained an item stating that Europarl "calls for the establishment of a United Nations Parliamentary Assembly (UNPA) within the UN System, which would increase the democratic profile and internal democratic process of the organisation and allow world civil society to be directly associated in the decision-making process; states that the Parliamentary Assembly should be vested with genuine rights of information, participation and control, and should be able to adopt recommendations directed at the UN General Assembly; [...]" In 2006, Citizens for a United Nations People's Assembly circulated a petition to UN Secretary-General Kofi Annan to "convene a High Level Panel to determine the steps required for the establishment of a Peoples' Parliamentary Assembly within the United Nations Organization"

Paragraph 7: As municipal seat, the town of Valle de Bravo has governing jurisdiction over the following communities: San Mateo Acatitlán, El Aguacate, Los Álamos, Calderones, La Candelaria, El Castellano, El Cerrillo (San José el Cerrillo), La Compañía (Cerro Colorado), Cerro Gordo, Colorines, Loma Bonita, La Compañía (Tres Espigas), Cuadrilla de Dolores, Rancho Espinos, El Fresno (El Fresno la Compañía), Godínez Tehuastepec, La Laguna, Loma de Chihuahua, Loma de Rodríguez, El Manzano, Mesa de Jaimes, Mesa de Dolores (Mesa de Dolores 2a. Secc.), Los Pelillos, Peña Blanca, Los Pozos (Pinar de Osorios), Santa María Pipioltepec (Pipioltepec), San José Potrerillos (Potrerillos), Rincón de Estradas, San Antonio, San Gabriel Ixtla, San Gaspar, San Juan Atezcapan, San Nicolás Tolentino, San Ramón, San Simón el Alto, Santa Magdalena Tiloxtoc, Santa Rosa, Santa Teresa Tiloxtoc, Los Saucos, Tenantongo, La Volanta, Casas Viejas, Mesa Rica (La Finca), Mesa de Palomas, Atesquelites (Tres Quelites), La Boquilla (Cerro el Cualtenco la Boquilla), El Durazno, La Mecedora, Escalerillas, Tehuastepec (San José Tehuastepec), Tierra Grande (La Loma), El Arco, Barrio de Guadalupe, Las Joyas, Mata Redonda (Paso Hondo), Mesa de Dolores 1a. Secc. (Mesa del Rayo), La Palma, Piedra del Molino, Rancho Avándaro Country Club, El Aguacate (El Aserradero), Agua Fría, La Huerta San Agustín, Tres Puentes, Colonia Rincón Villa del Valle, Colonia Valle Escondido, Monte Alto, Las Ahujas, El Trompillo, Gallinas Blancas, Barranca Fresca, Santo Tomás el Pedregal, Los Tizates, as well as about 40 unnamed settlements. The total 2005 population of the municipality was 52,902.

Paragraph 8: In 1910 Tirto moved Medan Prijaji to Batavia and made it a daily. The first edition in this new format was published on 5 October 1910; by this time it had around 2,000 subscribers. He continued to write staunch criticisms of the Dutch colonial government and advertised the newspaper as an "organ for the subjugated people in the Dutch Easties" and  "a place for the native voices" . Before he made the newspaper daily, he was briefly exiled to Lampung for an article he wrote in Medan Prijaji. During this era, Tirto also founded, according to his letters, along with Samanhudi later on, Sarekat Dagang Islam (which later, under Tjokroaminoto, turned into SI or Sarekat Islam). Tirto used his house as an early headquarters for SDI and eventually became the organization's Secretary-advisor. He went on several trips across Java to promote the organization and in Solo he met Samanhudi and talked further about the organization. As time goes, he became more and more vocal about the importance of organization and boycott as a weapon for the weak against the oppressor (in this case the Dutch).  Criticism of the government and promotion of a nationalist ideology at the time was dangerous, and numerous writers had spent time in prison for expressing their disdain for colonialism. Tirto and Medan Prijaji were able to last until 1912, when the Dutch closed the paper; the last issue was printed on 3 January 1912, and Tirto was sent back to Bacan. One of the reasons he was sent to exile, was his article regarding Rembang's regent, in which he criticized the regent of being weak and manipulative and ultimately blaming him for Kartini's death. The fact that the governor general at the time, Idenburg, was at Rembang, mourning for the regent's death, probably made it worse for Tirto. Tirto was also falsely accused by the Dutch of having a big debt to the national bank at the time. After his newspaper was shut down by the Dutch, his name and reputation was damaged and never recovered until his untimely death. Tirto died in 1918, in the hotel he formerly owned, Hotel Medan Prijaji, which by then was already auctioned by Goenawan, Tirto's old friend. The irony is not a single newspaper, at the time, wrote about his death. Only Marco Kartodikromo, one of his employee at Medan Prijaji, whom later became a writer himself, wrote a little obituary about his mentor's death. Tirto was initially buried at Mangga Dua, but then, in 1973, his grave moved because the land was bought by a developer to build a mall there. Now, he is buried along with his family's and descendant's graveyard in Bogor.

Paragraph 9: The film was storyboarded extensively by MacMahon in advance of the shoot along with detailed diagrams of the lighting designs. He explained; “I’d have an idea in advance of what the set-up might be musically so I painted out lighting design and storyboards in advance. Those were in a constant state of flux,” Producer Allison McGourty commented “It was like a theatrical production—Bernard designed different lighting for each session to give [each song] a different feel.” MacMahon said that he wanted the film to look like a painting “I wanted a rich color palette so it looks like a Velázquez painting,” he said, with the lighting falling off to heavy shadows in the corners of the picture to conceal the dolly tracks in the studio. MacMahon filmed principally on an Arri Alexa on a camera dolly. The decision to have the camera in a constant state of subtle motion was designed to give the film a musical rhythm and momentum. As the musicians in the film were forced to record their tracks in a single unaltered take, MacMahon decided the camera should do the same and choreographed complex single take moves to mirror the tempo of the music whilst landing on the musicians the moment their part came to the foreground. McGourty explained “he would rehearse with our house band before the performers arrived, and rehearse the camera crew with all the dolly moves so they would know when the lead vocalist would be singing; then it would go into a chorus, then the guitar or the banjo. There was a huge amount of preparation, because it was not just the music that had to be captured in one three-minute take—we had to capture the whole experience on film, and make it look natural, and do it smoothly enough that we didn’t interfere with the performers.” MacMahon said he took some of his inspiration from John J. Mescall's cinematography on James Whale productions like the Bride of Frankenstein. MacMahon wanted viewers to feel like they were standing in the studio watching the performance, so the camera never moved lower than a crouch or higher than someone standing on their tip toes, nor did the camera zoom in closer than a guest in the studio would stand. A test session was filmed with Frank Fairfield and The Americans to perfect the cinematic style of the film. In stark contrast to this policy was his use of extreme macro photography when the film discusses the recording system. Shot using macro lenses, the cinematography used in these sections was designed to take the viewer inside the inner workings of the 1920s Western Electric amplifier and microphone and the 1920s Scully cutting lathe, and to give the recording system a larger than life persona. Exterior shots of the dilapidated and nondescript studio building were occasionally employed with pedestrians walking by oblivious to the activities going on inside. MacMahon said this was to “remind people that behind every door there are a thousand stories.”

Paragraph 10: On September 5, 1951, the Oklahoma Television Corporation—a consortium led by Griffin (who, along with sister Marjory Griffin Leake and brother-in-law James C. Leake, became the company's majority owners in July 1952, with a collective 92.7% controlling interest) and investors that included former Oklahoma Governor Roy J. Turner, company executive vice president Edgar T. Bell (who would later serve as channel 9's first general manager), and Video Independent Theatres president Henry Griffing (who acted as a trustee on behalf of the regional movie theater operator)—filed an application for a construction permit to build and license to operate a television station on VHF channel 9. On June 27, 1952, KOMA Inc., a licensee corporation of KOMA radio that was largely owned by Griffin and the Leakes, filed a separate application. The Oklahoma Television Corporation was eventually granted the license on July 22, 1953, after the company struck an agreement with KOMA Inc. days before to merge their bids, in exchange for KOMA purchasing 50% of the shares in the former that were owned by Oklahoma Television's original principal investors. (Under FCC procedure, the Commission's Broadcast Bureau board decided on license proposals filed by "survivor" applicants at the next scheduled meeting following the withdrawal of a competing bid.) Instead of using the KOMA calls assigned to the radio station, the Griffin group chose instead to request KWTV (for "World's Tallest Video") as the television station's call letters, in reference to the transmission tower being constructed behind its studio facility (which was also under construction at the time) on a plot of land on Northeast 74th Street and North Kelley Avenue that KOMA had purchased in 1950, with the intention of developing it for a television broadcast facility. (KOMA would vacate its facilities at the now-demolished Biltmore Hotel in downtown Oklahoma City once the Kelley Avenue building was completed.)

Paragraph 11: The film was storyboarded extensively by MacMahon in advance of the shoot along with detailed diagrams of the lighting designs. He explained; “I’d have an idea in advance of what the set-up might be musically so I painted out lighting design and storyboards in advance. Those were in a constant state of flux,” Producer Allison McGourty commented “It was like a theatrical production—Bernard designed different lighting for each session to give [each song] a different feel.” MacMahon said that he wanted the film to look like a painting “I wanted a rich color palette so it looks like a Velázquez painting,” he said, with the lighting falling off to heavy shadows in the corners of the picture to conceal the dolly tracks in the studio. MacMahon filmed principally on an Arri Alexa on a camera dolly. The decision to have the camera in a constant state of subtle motion was designed to give the film a musical rhythm and momentum. As the musicians in the film were forced to record their tracks in a single unaltered take, MacMahon decided the camera should do the same and choreographed complex single take moves to mirror the tempo of the music whilst landing on the musicians the moment their part came to the foreground. McGourty explained “he would rehearse with our house band before the performers arrived, and rehearse the camera crew with all the dolly moves so they would know when the lead vocalist would be singing; then it would go into a chorus, then the guitar or the banjo. There was a huge amount of preparation, because it was not just the music that had to be captured in one three-minute take—we had to capture the whole experience on film, and make it look natural, and do it smoothly enough that we didn’t interfere with the performers.” MacMahon said he took some of his inspiration from John J. Mescall's cinematography on James Whale productions like the Bride of Frankenstein. MacMahon wanted viewers to feel like they were standing in the studio watching the performance, so the camera never moved lower than a crouch or higher than someone standing on their tip toes, nor did the camera zoom in closer than a guest in the studio would stand. A test session was filmed with Frank Fairfield and The Americans to perfect the cinematic style of the film. In stark contrast to this policy was his use of extreme macro photography when the film discusses the recording system. Shot using macro lenses, the cinematography used in these sections was designed to take the viewer inside the inner workings of the 1920s Western Electric amplifier and microphone and the 1920s Scully cutting lathe, and to give the recording system a larger than life persona. Exterior shots of the dilapidated and nondescript studio building were occasionally employed with pedestrians walking by oblivious to the activities going on inside. MacMahon said this was to “remind people that behind every door there are a thousand stories.”

Paragraph 12: In 1910 Tirto moved Medan Prijaji to Batavia and made it a daily. The first edition in this new format was published on 5 October 1910; by this time it had around 2,000 subscribers. He continued to write staunch criticisms of the Dutch colonial government and advertised the newspaper as an "organ for the subjugated people in the Dutch Easties" and  "a place for the native voices" . Before he made the newspaper daily, he was briefly exiled to Lampung for an article he wrote in Medan Prijaji. During this era, Tirto also founded, according to his letters, along with Samanhudi later on, Sarekat Dagang Islam (which later, under Tjokroaminoto, turned into SI or Sarekat Islam). Tirto used his house as an early headquarters for SDI and eventually became the organization's Secretary-advisor. He went on several trips across Java to promote the organization and in Solo he met Samanhudi and talked further about the organization. As time goes, he became more and more vocal about the importance of organization and boycott as a weapon for the weak against the oppressor (in this case the Dutch).  Criticism of the government and promotion of a nationalist ideology at the time was dangerous, and numerous writers had spent time in prison for expressing their disdain for colonialism. Tirto and Medan Prijaji were able to last until 1912, when the Dutch closed the paper; the last issue was printed on 3 January 1912, and Tirto was sent back to Bacan. One of the reasons he was sent to exile, was his article regarding Rembang's regent, in which he criticized the regent of being weak and manipulative and ultimately blaming him for Kartini's death. The fact that the governor general at the time, Idenburg, was at Rembang, mourning for the regent's death, probably made it worse for Tirto. Tirto was also falsely accused by the Dutch of having a big debt to the national bank at the time. After his newspaper was shut down by the Dutch, his name and reputation was damaged and never recovered until his untimely death. Tirto died in 1918, in the hotel he formerly owned, Hotel Medan Prijaji, which by then was already auctioned by Goenawan, Tirto's old friend. The irony is not a single newspaper, at the time, wrote about his death. Only Marco Kartodikromo, one of his employee at Medan Prijaji, whom later became a writer himself, wrote a little obituary about his mentor's death. Tirto was initially buried at Mangga Dua, but then, in 1973, his grave moved because the land was bought by a developer to build a mall there. Now, he is buried along with his family's and descendant's graveyard in Bogor.

Paragraph 13: As municipal seat, the town of Valle de Bravo has governing jurisdiction over the following communities: San Mateo Acatitlán, El Aguacate, Los Álamos, Calderones, La Candelaria, El Castellano, El Cerrillo (San José el Cerrillo), La Compañía (Cerro Colorado), Cerro Gordo, Colorines, Loma Bonita, La Compañía (Tres Espigas), Cuadrilla de Dolores, Rancho Espinos, El Fresno (El Fresno la Compañía), Godínez Tehuastepec, La Laguna, Loma de Chihuahua, Loma de Rodríguez, El Manzano, Mesa de Jaimes, Mesa de Dolores (Mesa de Dolores 2a. Secc.), Los Pelillos, Peña Blanca, Los Pozos (Pinar de Osorios), Santa María Pipioltepec (Pipioltepec), San José Potrerillos (Potrerillos), Rincón de Estradas, San Antonio, San Gabriel Ixtla, San Gaspar, San Juan Atezcapan, San Nicolás Tolentino, San Ramón, San Simón el Alto, Santa Magdalena Tiloxtoc, Santa Rosa, Santa Teresa Tiloxtoc, Los Saucos, Tenantongo, La Volanta, Casas Viejas, Mesa Rica (La Finca), Mesa de Palomas, Atesquelites (Tres Quelites), La Boquilla (Cerro el Cualtenco la Boquilla), El Durazno, La Mecedora, Escalerillas, Tehuastepec (San José Tehuastepec), Tierra Grande (La Loma), El Arco, Barrio de Guadalupe, Las Joyas, Mata Redonda (Paso Hondo), Mesa de Dolores 1a. Secc. (Mesa del Rayo), La Palma, Piedra del Molino, Rancho Avándaro Country Club, El Aguacate (El Aserradero), Agua Fría, La Huerta San Agustín, Tres Puentes, Colonia Rincón Villa del Valle, Colonia Valle Escondido, Monte Alto, Las Ahujas, El Trompillo, Gallinas Blancas, Barranca Fresca, Santo Tomás el Pedregal, Los Tizates, as well as about 40 unnamed settlements. The total 2005 population of the municipality was 52,902.

Paragraph 14: In 1910 Tirto moved Medan Prijaji to Batavia and made it a daily. The first edition in this new format was published on 5 October 1910; by this time it had around 2,000 subscribers. He continued to write staunch criticisms of the Dutch colonial government and advertised the newspaper as an "organ for the subjugated people in the Dutch Easties" and  "a place for the native voices" . Before he made the newspaper daily, he was briefly exiled to Lampung for an article he wrote in Medan Prijaji. During this era, Tirto also founded, according to his letters, along with Samanhudi later on, Sarekat Dagang Islam (which later, under Tjokroaminoto, turned into SI or Sarekat Islam). Tirto used his house as an early headquarters for SDI and eventually became the organization's Secretary-advisor. He went on several trips across Java to promote the organization and in Solo he met Samanhudi and talked further about the organization. As time goes, he became more and more vocal about the importance of organization and boycott as a weapon for the weak against the oppressor (in this case the Dutch).  Criticism of the government and promotion of a nationalist ideology at the time was dangerous, and numerous writers had spent time in prison for expressing their disdain for colonialism. Tirto and Medan Prijaji were able to last until 1912, when the Dutch closed the paper; the last issue was printed on 3 January 1912, and Tirto was sent back to Bacan. One of the reasons he was sent to exile, was his article regarding Rembang's regent, in which he criticized the regent of being weak and manipulative and ultimately blaming him for Kartini's death. The fact that the governor general at the time, Idenburg, was at Rembang, mourning for the regent's death, probably made it worse for Tirto. Tirto was also falsely accused by the Dutch of having a big debt to the national bank at the time. After his newspaper was shut down by the Dutch, his name and reputation was damaged and never recovered until his untimely death. Tirto died in 1918, in the hotel he formerly owned, Hotel Medan Prijaji, which by then was already auctioned by Goenawan, Tirto's old friend. The irony is not a single newspaper, at the time, wrote about his death. Only Marco Kartodikromo, one of his employee at Medan Prijaji, whom later became a writer himself, wrote a little obituary about his mentor's death. Tirto was initially buried at Mangga Dua, but then, in 1973, his grave moved because the land was bought by a developer to build a mall there. Now, he is buried along with his family's and descendant's graveyard in Bogor.

Paragraph 15: In 1910 Tirto moved Medan Prijaji to Batavia and made it a daily. The first edition in this new format was published on 5 October 1910; by this time it had around 2,000 subscribers. He continued to write staunch criticisms of the Dutch colonial government and advertised the newspaper as an "organ for the subjugated people in the Dutch Easties" and  "a place for the native voices" . Before he made the newspaper daily, he was briefly exiled to Lampung for an article he wrote in Medan Prijaji. During this era, Tirto also founded, according to his letters, along with Samanhudi later on, Sarekat Dagang Islam (which later, under Tjokroaminoto, turned into SI or Sarekat Islam). Tirto used his house as an early headquarters for SDI and eventually became the organization's Secretary-advisor. He went on several trips across Java to promote the organization and in Solo he met Samanhudi and talked further about the organization. As time goes, he became more and more vocal about the importance of organization and boycott as a weapon for the weak against the oppressor (in this case the Dutch).  Criticism of the government and promotion of a nationalist ideology at the time was dangerous, and numerous writers had spent time in prison for expressing their disdain for colonialism. Tirto and Medan Prijaji were able to last until 1912, when the Dutch closed the paper; the last issue was printed on 3 January 1912, and Tirto was sent back to Bacan. One of the reasons he was sent to exile, was his article regarding Rembang's regent, in which he criticized the regent of being weak and manipulative and ultimately blaming him for Kartini's death. The fact that the governor general at the time, Idenburg, was at Rembang, mourning for the regent's death, probably made it worse for Tirto. Tirto was also falsely accused by the Dutch of having a big debt to the national bank at the time. After his newspaper was shut down by the Dutch, his name and reputation was damaged and never recovered until his untimely death. Tirto died in 1918, in the hotel he formerly owned, Hotel Medan Prijaji, which by then was already auctioned by Goenawan, Tirto's old friend. The irony is not a single newspaper, at the time, wrote about his death. Only Marco Kartodikromo, one of his employee at Medan Prijaji, whom later became a writer himself, wrote a little obituary about his mentor's death. Tirto was initially buried at Mangga Dua, but then, in 1973, his grave moved because the land was bought by a developer to build a mall there. Now, he is buried along with his family's and descendant's graveyard in Bogor.

Paragraph 16: The Sundale Shopping Centre, which opened on 26 March 1969, was the first of its kind on the Gold Coast costing a record $7.5 million but closed in 1989 after the larger Australia Fair Shopping Centre opened nearby. It was located on  of prime real estate facing the Broadwater which was previously the site of the popular Southport Hotel which was originally constructed in 1876. As well as providing panoramic views of the Nerang River from the upper floor, it was home to Queensland's first Big W department store as well as a cinema, restaurants, 45 speciality stores and a 7,000-vehicle car park. It was proposed as a location for the building of the Gold Coast Convention Centre. Such a development would have rejuvenated the old administrative centre of the Gold Coast. However, it lost its bid to Broadbeach, in part because of a lack of tourist accommodation in Southport. The site hosted weekly markets throughout the 1990s for several years after its closure, until its eventual demolition in 2003, at which time a time capsule was buried where the popular mall once stood. The area is now home to the Meriton Brighton on Broadwater development, a mix of high and low-rise buildings together with trendy eateries and some retail outlets. In more recent years another a time capsule was discovered on the Sundale site which was buried when the mall was originally constructed. It was originally meant to be opened in the 2000s and was filled with notes and items which were meant to predict what the 21st century would be like. It is now located in the Gold Coast City Council Local Studies Library.

Paragraph 17: In 1910 Tirto moved Medan Prijaji to Batavia and made it a daily. The first edition in this new format was published on 5 October 1910; by this time it had around 2,000 subscribers. He continued to write staunch criticisms of the Dutch colonial government and advertised the newspaper as an "organ for the subjugated people in the Dutch Easties" and  "a place for the native voices" . Before he made the newspaper daily, he was briefly exiled to Lampung for an article he wrote in Medan Prijaji. During this era, Tirto also founded, according to his letters, along with Samanhudi later on, Sarekat Dagang Islam (which later, under Tjokroaminoto, turned into SI or Sarekat Islam). Tirto used his house as an early headquarters for SDI and eventually became the organization's Secretary-advisor. He went on several trips across Java to promote the organization and in Solo he met Samanhudi and talked further about the organization. As time goes, he became more and more vocal about the importance of organization and boycott as a weapon for the weak against the oppressor (in this case the Dutch).  Criticism of the government and promotion of a nationalist ideology at the time was dangerous, and numerous writers had spent time in prison for expressing their disdain for colonialism. Tirto and Medan Prijaji were able to last until 1912, when the Dutch closed the paper; the last issue was printed on 3 January 1912, and Tirto was sent back to Bacan. One of the reasons he was sent to exile, was his article regarding Rembang's regent, in which he criticized the regent of being weak and manipulative and ultimately blaming him for Kartini's death. The fact that the governor general at the time, Idenburg, was at Rembang, mourning for the regent's death, probably made it worse for Tirto. Tirto was also falsely accused by the Dutch of having a big debt to the national bank at the time. After his newspaper was shut down by the Dutch, his name and reputation was damaged and never recovered until his untimely death. Tirto died in 1918, in the hotel he formerly owned, Hotel Medan Prijaji, which by then was already auctioned by Goenawan, Tirto's old friend. The irony is not a single newspaper, at the time, wrote about his death. Only Marco Kartodikromo, one of his employee at Medan Prijaji, whom later became a writer himself, wrote a little obituary about his mentor's death. Tirto was initially buried at Mangga Dua, but then, in 1973, his grave moved because the land was bought by a developer to build a mall there. Now, he is buried along with his family's and descendant's graveyard in Bogor.

Paragraph 18: The Chinese broadened the pressure upon the ROK II Corps on 12 June by attacking elements of the ROK 8th Division on the left flank of the ROK 5th Division. In the Capitol Hill sector,  northwest of Hill 973, which was defended by the 21st Regiment, the PVA used two companies initially, reinforced later with three more, and penetrated first the outposts and then the main line positions of the regiment. Two battalions of the ROK 10th Regiment moved up to counterattack early on the morning of 13 June, but were unable to restore the original line. Another PVA attack by an estimated two companies during the afternoon forced the abandonment of a company outpost and further withdrawal by the ROK forces. The next morning the Chinese continued the offensive, employing several companies to sustain pressure against the 21st Regiment. Although the ROK units fought off these drives, disaster struck on the evening of 14 June. First a reinforced battalion enveloped the 3rd Battalion of the 21st, causing it to break up into small groups fighting independently to regain UNC lines. Two PVA companies then hit the main line positions of the 1st Battalion and forced it to pull back. A third attack by a reinforced battalion succeeded in enveloping the 2nd Battalion. Assembling behind the lines, the remnants of the 21st managed to establish a new main line of resistance that was to prove short-lived. On the right flank of the ROK 5th Division, the ROK 20th Division of U.S. X Corps, guarding the sector known as Christmas Hill,  southeast of Hill 882, had also been subjected to attack. On 10 June two companies from the PVA 33rd Division captured a company outpost on the approaches to Hill 1220, part of the Christmas Hill area. The ROK 61st Regiment counterattacked, rewon, and then relost the outpost. Further action to regain the position was suspended as the gravity of the situation on the ROK 5th Division front increased. When the PVA showed that they intended to retain possession of Hills 973 and 882, which were located on the main ridge leading to Hill 1220 from the west, the X Corps commander, Lt. Gen. Isaac D. White, moved up the ROK 7th Infantry Division, the corps reserve, and placed it on the left flank of the ROK 20th Division. While the ROK 7th Division was advancing north, the 61st Regiment made several efforts to relieve some of the pressure on the ROK 5th Division. The Chinese reacted quickly and managed to blunt each attack.

Paragraph 19: As municipal seat, the town of Valle de Bravo has governing jurisdiction over the following communities: San Mateo Acatitlán, El Aguacate, Los Álamos, Calderones, La Candelaria, El Castellano, El Cerrillo (San José el Cerrillo), La Compañía (Cerro Colorado), Cerro Gordo, Colorines, Loma Bonita, La Compañía (Tres Espigas), Cuadrilla de Dolores, Rancho Espinos, El Fresno (El Fresno la Compañía), Godínez Tehuastepec, La Laguna, Loma de Chihuahua, Loma de Rodríguez, El Manzano, Mesa de Jaimes, Mesa de Dolores (Mesa de Dolores 2a. Secc.), Los Pelillos, Peña Blanca, Los Pozos (Pinar de Osorios), Santa María Pipioltepec (Pipioltepec), San José Potrerillos (Potrerillos), Rincón de Estradas, San Antonio, San Gabriel Ixtla, San Gaspar, San Juan Atezcapan, San Nicolás Tolentino, San Ramón, San Simón el Alto, Santa Magdalena Tiloxtoc, Santa Rosa, Santa Teresa Tiloxtoc, Los Saucos, Tenantongo, La Volanta, Casas Viejas, Mesa Rica (La Finca), Mesa de Palomas, Atesquelites (Tres Quelites), La Boquilla (Cerro el Cualtenco la Boquilla), El Durazno, La Mecedora, Escalerillas, Tehuastepec (San José Tehuastepec), Tierra Grande (La Loma), El Arco, Barrio de Guadalupe, Las Joyas, Mata Redonda (Paso Hondo), Mesa de Dolores 1a. Secc. (Mesa del Rayo), La Palma, Piedra del Molino, Rancho Avándaro Country Club, El Aguacate (El Aserradero), Agua Fría, La Huerta San Agustín, Tres Puentes, Colonia Rincón Villa del Valle, Colonia Valle Escondido, Monte Alto, Las Ahujas, El Trompillo, Gallinas Blancas, Barranca Fresca, Santo Tomás el Pedregal, Los Tizates, as well as about 40 unnamed settlements. The total 2005 population of the municipality was 52,902.

Paragraph 20: As municipal seat, the town of Valle de Bravo has governing jurisdiction over the following communities: San Mateo Acatitlán, El Aguacate, Los Álamos, Calderones, La Candelaria, El Castellano, El Cerrillo (San José el Cerrillo), La Compañía (Cerro Colorado), Cerro Gordo, Colorines, Loma Bonita, La Compañía (Tres Espigas), Cuadrilla de Dolores, Rancho Espinos, El Fresno (El Fresno la Compañía), Godínez Tehuastepec, La Laguna, Loma de Chihuahua, Loma de Rodríguez, El Manzano, Mesa de Jaimes, Mesa de Dolores (Mesa de Dolores 2a. Secc.), Los Pelillos, Peña Blanca, Los Pozos (Pinar de Osorios), Santa María Pipioltepec (Pipioltepec), San José Potrerillos (Potrerillos), Rincón de Estradas, San Antonio, San Gabriel Ixtla, San Gaspar, San Juan Atezcapan, San Nicolás Tolentino, San Ramón, San Simón el Alto, Santa Magdalena Tiloxtoc, Santa Rosa, Santa Teresa Tiloxtoc, Los Saucos, Tenantongo, La Volanta, Casas Viejas, Mesa Rica (La Finca), Mesa de Palomas, Atesquelites (Tres Quelites), La Boquilla (Cerro el Cualtenco la Boquilla), El Durazno, La Mecedora, Escalerillas, Tehuastepec (San José Tehuastepec), Tierra Grande (La Loma), El Arco, Barrio de Guadalupe, Las Joyas, Mata Redonda (Paso Hondo), Mesa de Dolores 1a. Secc. (Mesa del Rayo), La Palma, Piedra del Molino, Rancho Avándaro Country Club, El Aguacate (El Aserradero), Agua Fría, La Huerta San Agustín, Tres Puentes, Colonia Rincón Villa del Valle, Colonia Valle Escondido, Monte Alto, Las Ahujas, El Trompillo, Gallinas Blancas, Barranca Fresca, Santo Tomás el Pedregal, Los Tizates, as well as about 40 unnamed settlements. The total 2005 population of the municipality was 52,902.

Paragraph 21: As municipal seat, the town of Valle de Bravo has governing jurisdiction over the following communities: San Mateo Acatitlán, El Aguacate, Los Álamos, Calderones, La Candelaria, El Castellano, El Cerrillo (San José el Cerrillo), La Compañía (Cerro Colorado), Cerro Gordo, Colorines, Loma Bonita, La Compañía (Tres Espigas), Cuadrilla de Dolores, Rancho Espinos, El Fresno (El Fresno la Compañía), Godínez Tehuastepec, La Laguna, Loma de Chihuahua, Loma de Rodríguez, El Manzano, Mesa de Jaimes, Mesa de Dolores (Mesa de Dolores 2a. Secc.), Los Pelillos, Peña Blanca, Los Pozos (Pinar de Osorios), Santa María Pipioltepec (Pipioltepec), San José Potrerillos (Potrerillos), Rincón de Estradas, San Antonio, San Gabriel Ixtla, San Gaspar, San Juan Atezcapan, San Nicolás Tolentino, San Ramón, San Simón el Alto, Santa Magdalena Tiloxtoc, Santa Rosa, Santa Teresa Tiloxtoc, Los Saucos, Tenantongo, La Volanta, Casas Viejas, Mesa Rica (La Finca), Mesa de Palomas, Atesquelites (Tres Quelites), La Boquilla (Cerro el Cualtenco la Boquilla), El Durazno, La Mecedora, Escalerillas, Tehuastepec (San José Tehuastepec), Tierra Grande (La Loma), El Arco, Barrio de Guadalupe, Las Joyas, Mata Redonda (Paso Hondo), Mesa de Dolores 1a. Secc. (Mesa del Rayo), La Palma, Piedra del Molino, Rancho Avándaro Country Club, El Aguacate (El Aserradero), Agua Fría, La Huerta San Agustín, Tres Puentes, Colonia Rincón Villa del Valle, Colonia Valle Escondido, Monte Alto, Las Ahujas, El Trompillo, Gallinas Blancas, Barranca Fresca, Santo Tomás el Pedregal, Los Tizates, as well as about 40 unnamed settlements. The total 2005 population of the municipality was 52,902.

Answer: 7