Paragraph 1: As the new millennium started, Örebro SK was believed to yet again challenge for the top of Allsvenskan after signing inter alia head coach Mats Jingblad from IFK Göteborg and former top scorer Niklas Skoog in 2000 and after beating IF Elfsborg in August, taking the club to a third place in the table, many believed they were on the right track.  However, due to a mixture of good and bad results the club finished 10th. At the end of the season, talented home grown artist Mats Rubarth left the club for AIK. The 2001 season was only marginally better with an eighth place, although the club scored the second highest number of goals in the league, after Halmstads BK, entire 48 goals, but the club also conceded 44 balls. In particular, much needed victories ended up in draws after conceding late goals in most games. The club also lost top scorer Skoog to Malmö FF during the summer break. The 2002 on ended with seventh spot despite the lack of previous years goalscoring. After the season Eyravallen went through renovation as the natural turf was replaced by artificial turf and new stands were built. Another inventory of the club was also waived farewell as keeper Anders Karlsson retired after nearly 20 years with the club.

Paragraph 2: According to the DSM-V, acute stress disorder requires the exposure to actual or threatened death, serious injury, or sexual violation by either directly experiencing it, witnesses it in person, learning it occurred to a close family or friend, or experience repeated exposure to aversive details of a traumatic event.  In addition to the initial exposure, individuals may also present with a variety of different symptoms that fall within several clusters including intrusion, negative mood, dissociation, avoidance of distressing memories and emotional arousal. Intrusion symptoms include recurring and distressing dreams, flashbacks, or memories related to the traumatic event and related somatic symptoms. Negative mood refers to ones inability to experience positive emotions such as happiness or satisfaction. Dissociative symptoms include a sense of numbing or detachment from emotional reactions, a sense of physical detachment, decreased awareness of one's surroundings, the perception that one's environment is unreal or dreamlike, and the inability to recall critical aspects of the traumatic event (dissociative amnesia). Emotional arousal symptoms include sleep disturbances, hypervigilance, difficulties with concentration, more common startle response, and irritability. Symptom presentation must last for at least three consecutive days after trauma exposure to be classified as acute stress disorder. If symptoms persist past one month, the diagnosis of PTSD should be assessed for. The presenting symptoms must also cause significant impairment in multiple domains of one's life to be diagnosed.

Paragraph 3: As the new millennium started, Örebro SK was believed to yet again challenge for the top of Allsvenskan after signing inter alia head coach Mats Jingblad from IFK Göteborg and former top scorer Niklas Skoog in 2000 and after beating IF Elfsborg in August, taking the club to a third place in the table, many believed they were on the right track.  However, due to a mixture of good and bad results the club finished 10th. At the end of the season, talented home grown artist Mats Rubarth left the club for AIK. The 2001 season was only marginally better with an eighth place, although the club scored the second highest number of goals in the league, after Halmstads BK, entire 48 goals, but the club also conceded 44 balls. In particular, much needed victories ended up in draws after conceding late goals in most games. The club also lost top scorer Skoog to Malmö FF during the summer break. The 2002 on ended with seventh spot despite the lack of previous years goalscoring. After the season Eyravallen went through renovation as the natural turf was replaced by artificial turf and new stands were built. Another inventory of the club was also waived farewell as keeper Anders Karlsson retired after nearly 20 years with the club.

Paragraph 4: Stone delivered his rebuttal argument on the afternoon of September 26. He began by dismissing one of Schwartz's tactics in his closing argument: the illustration of the circumstantial evidence as not being definitive proof of his client's guilt and of simply accusing him due to similar fact evidence regarding the Trotter and Wells incident. Stone then stated that the prosecution's case was constructed from both physical and circumstantial evidence—all collectively illustrating Schaefer's guilt. Referring to those who had testified, he began by defending the testimony of Lucille Place; emphasizing the crucial role in her accurate recording of Schaefer's license plate to ultimately linking him to the murders before inferring to the testimony of numerous individuals who had also testified, substantiating her identification of Schaefer and his vehicle. Stone also hearkened toward the positive identification of Jessup's purse by her mother, sister, and friend, who had each positively identified the item as belonging to Jessup, before inferring the defense witnesses who had also identified the item had lied to protect Schaefer, stating: "How many of them picked it up, looked at it? The first thing they [all] did was say, 'Yes, I recognize it. He brought it back from Morocco in 1970.'" He then referenced the testimony of Schaefer's own wife, who had stated to the court she had been given the item by her husband as a gift in November 1972, and had never seen the item prior. 

Paragraph 5: The architectural composition of Christ Church demonstrates Hawksmoor's usual abruptness: the very plain rectangular box of the nave is surmounted at its western end by a broad tower of three stages topped by a steeple more Gothic than classical. The magnificent porch with its semi-circular pediment and Tuscan columns is attached bluntly to the western end: it may indeed be a late addition to the design intended to add further support to the tower. Like those of Hawksmoor's other London churches and many of Wren's, the central space of the nave is organised around two axes, the shorter originally emphasised by two entrances of which only that to the south remains. It has a richly decorated flat ceiling and is lit by a clerestory. The aisles are roofed with elliptical barrel-vaults carried on raised Composite order columns (cf. Wren's St James's, Piccadilly), and the same order is used for the screens across the eastern and western ends. The Venetian window at the east may show the growing influence of the revival of Palladian architecture, or it may be a rhyme with the arched pediment of the entrance portico, repeated in the wide main stage of the tower. The east window is a double window, one inside, one outside, the effect now obscured by the Victorian stained glass window between the two.

Paragraph 6: A benzodiazepine dependence occurs in approximately one third of patients who take benzodiazepines for longer than 4 weeks, which is characterised by a withdrawal syndrome upon dose reduction. When used for seizure control, tolerance may manifest itself with an increased rate of seizures as well an increased risk of withdrawal seizures. In humans, tolerance to the anticonvulsant effects of clorazepate occurs frequently with regular use. Due to the development of tolerance, benzodiazepines are, in general, not considered appropriate for the long-term management of epilepsy; increasing the dose may result only in the developing of tolerance to the higher dose combined with worsened adverse effects. Cross-tolerance occurs between benzodiazepines, meaning that, if individuals are tolerant to one benzodiazepine, they will display a tolerance to equivalent doses of other benzodiazepines. Withdrawal symptoms from benzodiazepines include a worsening of pre-existing symptoms as well as the appearance of new symptoms that were not pre-existing. The withdrawal symptoms may range from mild anxiety and insomnia to severe withdrawal symptoms such as seizures and psychosis. Withdrawal symptoms can be difficult in some cases to differentiate between pre-existing symptoms and withdrawal symptoms. Use of high doses, long-term use and abrupt or over-rapid withdrawal increases increase the severity of withdrawal syndrome. However, tolerance to the active metabolite of clorazepate may occur more slowly than with other benzodiazepines. Regular use of benzodiazepines causes the development of dependence characterised by tolerance to the therapeutic effects of benzodiazepines and the development of the benzodiazepine withdrawal syndrome including symptoms such as anxiety, apprehension, tremor, insomnia, nausea, and vomiting upon cessation of benzodiazepine use. Withdrawal from benzodiazepines should be gradual as abrupt withdrawal from high doses of benzodiazepines may cause confusion, toxic psychosis, convulsions, or a condition resembling delirium tremens. Abrupt withdrawal from lower doses may cause depression, nervousness, rebound insomnia, irritability, sweating, and diarrhea.

Paragraph 7: The station has four tracks on the same level, two of the tracks on each side of the station, and two as a pair in the center, leaving space for two wide platforms. The two central tracks are used by M1 while the outermost tracks are used by M4, leaving one platform to be used for northbound trains and one for southbound trains. Each platform has very long and thick wall-like columns, spanning for three quarters of the station, allowing access between the M1 and M4 sections through 6 points. This was done to easier conceal the work being done on the M4 side while passengers were using the M1 side. The design of the two sides, although part of the same station and even the same platform, is quite different – the M1 side features white-grey marble walls and floors, with a grey travertine roof arranged as to form a square grid, lit by square white fluorescent neon lights built inside the grid while the M4 side features orange synthetic walls, black Azul Noce granite on the floors, and yellow neon lighting running in a continuous line along the station, above the tracks. The station is usually announced in trains at Gara de Nord, Grivița, and Crângași as "the place to switch between M1 and M4".

Paragraph 8: Psychosis originally lost his mask to Rey Misterio Sr. during a tour of Mexico, as he removed the mask and handed it to Mysterio Jr. while simultaneously covering his face with a towel. He also lost the mask to Billy Kidman on the September 27 episode of Nitro, revealing his face to the American audience. On occasion, he was also paired with Juventud Guerrera, and when the latter won the IWGP Junior Heavyweight Title, Guerrera was kayfabe injured and had Psychosis defend the title. In reality, Guerrera and Jerry Flynn were arrested on DUI charges; Psychosis immediately lost the belt to previous champion Jushin Thunder Liger. Neither Juventud Guerrera's championship win nor Psicosis' title defense was recognized by New Japan Pro-Wrestling until 2007. Psychosis had a second Cruiserweight title reign in WCW shortly after unmasking, when the previous champion Lenny Lane, who portrayed a flamboyant homosexual on television, got WCW in trouble with GLAAD. As a result, Lane was pulled from television and Psychosis was given the belt to defend. The WCW announcers claimed that he had won it at a house show. However, on his first televised appearance with the title, Psychosis lost it to Disco Inferno. This earned him the dubious distinction of having lost two titles he never won.

Paragraph 9: When Togo was 8 months old, he proved his worth as a sled dog. Seppala had been hired by a client to transport him quickly to a newly discovered gold claim which would be an overnight round trip for the team. Unable to spare extra time dealing with the young Togo's antics, Seppala tethered him inside the kennel with instructions left to not let him free until he and the team were well and gone. A short while after Seppala had left, Togo broke free of the tether and jumped the kennel fence, getting his paw caught in the process. A kennel handler noticed and cut the dog down from the fencing, but before he could grab him, Togo took off to follow the team's trail. He followed them through nightfall and slept, unnoticed, near the cabin where Seppala was spending the night. The next day, Seppala spotted him far off in the distance, and understood why his dogs had been so keyed up. Togo continued to make Seppala's work difficult on the return trip to the kennel, trying to play with the work dogs and leading them in "charges against reindeer", pulling them off the trail. Seppala had no choice but to put him in a harness to control him, and was surprised that Togo instantly settled down. As the run wore on, Seppala kept moving Togo up the line until, at the end of the day, he was sharing the lead position with the lead dog (named "Russky"). Togo had logged 75 miles on his first day in harness, which was unheard of for an inexperienced young sled dog, especially a puppy. Seppala called him an "infant prodigy", and later added that "I had found a natural-born leader, something I had tried for years to breed."

Paragraph 10: Postflight analysis of the back-to-back failures found that in each case, the missile had fallen victim to rough combustion in one booster engine, which destroyed the LOX injector head (the injector damage on 51D was more extensive than 48D) and started a thrust section fire. In both missiles, the rough combustion cutoff sensor in the B-1 engine failed to operate. On 48D, the rough combustion did not occur in that engine and the lack of RCC cutoff was not a problem (B-1 thrust was terminated instead by the turbopump overspeed sensor). The B-2 RCC sensor operated correctly and terminated thrust before liftoff could be achieved. On 51D, it resulted in the B-1 continuing to operate until the missile lifted, resulting in a destructive pad fallback. The exact reason for the rough combustion was unclear, although it had occurred over a dozen times in static firing tests of the MA-2 engines. However, it was noted that the separate exhaust duct for the gas generator vent pipe had been removed from both LC-11 and LC-13 after engineers decided that it was unnecessary and impeded removal and installation of protective covers on the pipe during ground testing. It could not be determined with certainty if the lack of an exhaust duct had anything to do with the failures, and in any case, camera coverage did not offer any evidence in support of this theory. Nonetheless, it was decided to put the exhaust duct back on the Atlas pads at CCAS in order to comply with the configuration of operational Atlas missile silos, and as a "just in case" measure. Adjustments to the insulation boots on both missile was also ruled out as a probable cause of the failures. Aside from re-installing the exhaust duct, camera coverage of the flame deflector pit at ignition would also be increased and greater efforts made to ensure that the booster engines were free of contaminants. An added backup accelerometer was added to the RCC sensors in case of a failure. Two launch facilities were now in need of repair. LC-13 was severely damaged by the fallback of 51D and would not be used again for six months, while damage to LC-11 was less extensive and repairs were completed in only two months. After restoration, LC-13 was converted for the Atlas E and would not host further D-series tests. Attention shifted to LC-12 where Atlas 56D flew over  with an instrumented nose cone, impacting the Indian Ocean.

Paragraph 11: The architectural composition of Christ Church demonstrates Hawksmoor's usual abruptness: the very plain rectangular box of the nave is surmounted at its western end by a broad tower of three stages topped by a steeple more Gothic than classical. The magnificent porch with its semi-circular pediment and Tuscan columns is attached bluntly to the western end: it may indeed be a late addition to the design intended to add further support to the tower. Like those of Hawksmoor's other London churches and many of Wren's, the central space of the nave is organised around two axes, the shorter originally emphasised by two entrances of which only that to the south remains. It has a richly decorated flat ceiling and is lit by a clerestory. The aisles are roofed with elliptical barrel-vaults carried on raised Composite order columns (cf. Wren's St James's, Piccadilly), and the same order is used for the screens across the eastern and western ends. The Venetian window at the east may show the growing influence of the revival of Palladian architecture, or it may be a rhyme with the arched pediment of the entrance portico, repeated in the wide main stage of the tower. The east window is a double window, one inside, one outside, the effect now obscured by the Victorian stained glass window between the two.

Paragraph 12: The architectural composition of Christ Church demonstrates Hawksmoor's usual abruptness: the very plain rectangular box of the nave is surmounted at its western end by a broad tower of three stages topped by a steeple more Gothic than classical. The magnificent porch with its semi-circular pediment and Tuscan columns is attached bluntly to the western end: it may indeed be a late addition to the design intended to add further support to the tower. Like those of Hawksmoor's other London churches and many of Wren's, the central space of the nave is organised around two axes, the shorter originally emphasised by two entrances of which only that to the south remains. It has a richly decorated flat ceiling and is lit by a clerestory. The aisles are roofed with elliptical barrel-vaults carried on raised Composite order columns (cf. Wren's St James's, Piccadilly), and the same order is used for the screens across the eastern and western ends. The Venetian window at the east may show the growing influence of the revival of Palladian architecture, or it may be a rhyme with the arched pediment of the entrance portico, repeated in the wide main stage of the tower. The east window is a double window, one inside, one outside, the effect now obscured by the Victorian stained glass window between the two.

Paragraph 13: Stone delivered his rebuttal argument on the afternoon of September 26. He began by dismissing one of Schwartz's tactics in his closing argument: the illustration of the circumstantial evidence as not being definitive proof of his client's guilt and of simply accusing him due to similar fact evidence regarding the Trotter and Wells incident. Stone then stated that the prosecution's case was constructed from both physical and circumstantial evidence—all collectively illustrating Schaefer's guilt. Referring to those who had testified, he began by defending the testimony of Lucille Place; emphasizing the crucial role in her accurate recording of Schaefer's license plate to ultimately linking him to the murders before inferring to the testimony of numerous individuals who had also testified, substantiating her identification of Schaefer and his vehicle. Stone also hearkened toward the positive identification of Jessup's purse by her mother, sister, and friend, who had each positively identified the item as belonging to Jessup, before inferring the defense witnesses who had also identified the item had lied to protect Schaefer, stating: "How many of them picked it up, looked at it? The first thing they [all] did was say, 'Yes, I recognize it. He brought it back from Morocco in 1970.'" He then referenced the testimony of Schaefer's own wife, who had stated to the court she had been given the item by her husband as a gift in November 1972, and had never seen the item prior. 

Paragraph 14: Baker switched guernsey numbers in the 2019/20 off-season, taking the number seven from departing forward Dan Butler as well as receiving a Richmond life membership for his part in the previous season's premiership. After initially being named by AFL Media as a candidate to fall out of the club's best 22, the mid-December retirement of fellow defender Alex Rance saw Baker increasingly likely to retain his spot in the Richmond backline. Despite this opportunity opening up, Baker instead spent the summer months training in the wing position opened up by the free agent departure of Brandon Ellis. He starred in that position during the pre-season series, including with a team-high 30 disposals in a practice match loss to . Baker recorded 16 disposals in a round 1 win over Carlton when the home and away season began, but under extraordinary conditions imposed on the league as a result of the rapid progression of the coronavirus pandemic into Australia. In what the league planned would be the first of a reduced 17-round season, the match was played without crowds in attendance due to public health prohibitions on large gatherings and with quarter lengths reduced by one fifth in order to reduce the physical load on players who would be expected to play multiple matches with short breaks in the second half of the year. Just three days later, the AFL Commission suspended the season for an indefinite period after multiple states enforced quarantine conditions on their borders that effectively ruled out the possibility of continuing the season as planned. Baker contributed 12 disposals when the season resumed in June after an 11-week hiatus, before missing round 3's match against  to attend a funeral in his home state of Western Australia. He returned for the club's round 4 loss to  and remained in the senior side through round 6, when it was relocated to the Gold Coast in response to a virus outbreak in Melbourne. He earned a career-first Brownlow Medal vote in round 6's win over , and contributed an equal game-high six intercepts in round 8's loss to , after which he ranked equal-second among all defenders in the league for fewest goals conceded to direct opponents so far that season (two). He contributed a best on ground performance in round 10, earning nine coaches association award votes for 580 metres gained and a then-career-high 26 disposals. Baker earned another two coaches votes for 16 disposals in round 13's Dreamtime in Darwin win over . At the end of the regular season, Baker earned selection to the 22under22 team, recognising the league's best young players. In addition, he was Richmond's nomination to the league Most Courageous player category at the AFL Players' Association awards. Baker kicked his only goal of the year in the opening match of the club's finals campaign, a qualifying final loss to the . He was among Richmond's best players in a semi-final win over  the following week, adding 19 disposals and an equal team-high six intercepts. Baker bested the latter of those stats in the preliminary final win over , recording eight intercept possessions to help his side through to another Grand Final. He became a two-time premiership player the following week, playing what AFL Media described as "an excellent game" with 14 disposals and four inside-50s in a 31-point victory over . After a season in which he played 20 of a possible 21 games and won another premiership medal, Baker also placed sixth in the club's best and fairest award.

Paragraph 15: The architectural composition of Christ Church demonstrates Hawksmoor's usual abruptness: the very plain rectangular box of the nave is surmounted at its western end by a broad tower of three stages topped by a steeple more Gothic than classical. The magnificent porch with its semi-circular pediment and Tuscan columns is attached bluntly to the western end: it may indeed be a late addition to the design intended to add further support to the tower. Like those of Hawksmoor's other London churches and many of Wren's, the central space of the nave is organised around two axes, the shorter originally emphasised by two entrances of which only that to the south remains. It has a richly decorated flat ceiling and is lit by a clerestory. The aisles are roofed with elliptical barrel-vaults carried on raised Composite order columns (cf. Wren's St James's, Piccadilly), and the same order is used for the screens across the eastern and western ends. The Venetian window at the east may show the growing influence of the revival of Palladian architecture, or it may be a rhyme with the arched pediment of the entrance portico, repeated in the wide main stage of the tower. The east window is a double window, one inside, one outside, the effect now obscured by the Victorian stained glass window between the two.

Paragraph 16: When Togo was 8 months old, he proved his worth as a sled dog. Seppala had been hired by a client to transport him quickly to a newly discovered gold claim which would be an overnight round trip for the team. Unable to spare extra time dealing with the young Togo's antics, Seppala tethered him inside the kennel with instructions left to not let him free until he and the team were well and gone. A short while after Seppala had left, Togo broke free of the tether and jumped the kennel fence, getting his paw caught in the process. A kennel handler noticed and cut the dog down from the fencing, but before he could grab him, Togo took off to follow the team's trail. He followed them through nightfall and slept, unnoticed, near the cabin where Seppala was spending the night. The next day, Seppala spotted him far off in the distance, and understood why his dogs had been so keyed up. Togo continued to make Seppala's work difficult on the return trip to the kennel, trying to play with the work dogs and leading them in "charges against reindeer", pulling them off the trail. Seppala had no choice but to put him in a harness to control him, and was surprised that Togo instantly settled down. As the run wore on, Seppala kept moving Togo up the line until, at the end of the day, he was sharing the lead position with the lead dog (named "Russky"). Togo had logged 75 miles on his first day in harness, which was unheard of for an inexperienced young sled dog, especially a puppy. Seppala called him an "infant prodigy", and later added that "I had found a natural-born leader, something I had tried for years to breed."

Paragraph 17: The station has four tracks on the same level, two of the tracks on each side of the station, and two as a pair in the center, leaving space for two wide platforms. The two central tracks are used by M1 while the outermost tracks are used by M4, leaving one platform to be used for northbound trains and one for southbound trains. Each platform has very long and thick wall-like columns, spanning for three quarters of the station, allowing access between the M1 and M4 sections through 6 points. This was done to easier conceal the work being done on the M4 side while passengers were using the M1 side. The design of the two sides, although part of the same station and even the same platform, is quite different – the M1 side features white-grey marble walls and floors, with a grey travertine roof arranged as to form a square grid, lit by square white fluorescent neon lights built inside the grid while the M4 side features orange synthetic walls, black Azul Noce granite on the floors, and yellow neon lighting running in a continuous line along the station, above the tracks. The station is usually announced in trains at Gara de Nord, Grivița, and Crângași as "the place to switch between M1 and M4".

Paragraph 18: Postflight analysis of the back-to-back failures found that in each case, the missile had fallen victim to rough combustion in one booster engine, which destroyed the LOX injector head (the injector damage on 51D was more extensive than 48D) and started a thrust section fire. In both missiles, the rough combustion cutoff sensor in the B-1 engine failed to operate. On 48D, the rough combustion did not occur in that engine and the lack of RCC cutoff was not a problem (B-1 thrust was terminated instead by the turbopump overspeed sensor). The B-2 RCC sensor operated correctly and terminated thrust before liftoff could be achieved. On 51D, it resulted in the B-1 continuing to operate until the missile lifted, resulting in a destructive pad fallback. The exact reason for the rough combustion was unclear, although it had occurred over a dozen times in static firing tests of the MA-2 engines. However, it was noted that the separate exhaust duct for the gas generator vent pipe had been removed from both LC-11 and LC-13 after engineers decided that it was unnecessary and impeded removal and installation of protective covers on the pipe during ground testing. It could not be determined with certainty if the lack of an exhaust duct had anything to do with the failures, and in any case, camera coverage did not offer any evidence in support of this theory. Nonetheless, it was decided to put the exhaust duct back on the Atlas pads at CCAS in order to comply with the configuration of operational Atlas missile silos, and as a "just in case" measure. Adjustments to the insulation boots on both missile was also ruled out as a probable cause of the failures. Aside from re-installing the exhaust duct, camera coverage of the flame deflector pit at ignition would also be increased and greater efforts made to ensure that the booster engines were free of contaminants. An added backup accelerometer was added to the RCC sensors in case of a failure. Two launch facilities were now in need of repair. LC-13 was severely damaged by the fallback of 51D and would not be used again for six months, while damage to LC-11 was less extensive and repairs were completed in only two months. After restoration, LC-13 was converted for the Atlas E and would not host further D-series tests. Attention shifted to LC-12 where Atlas 56D flew over  with an instrumented nose cone, impacting the Indian Ocean.

Paragraph 19: The architectural composition of Christ Church demonstrates Hawksmoor's usual abruptness: the very plain rectangular box of the nave is surmounted at its western end by a broad tower of three stages topped by a steeple more Gothic than classical. The magnificent porch with its semi-circular pediment and Tuscan columns is attached bluntly to the western end: it may indeed be a late addition to the design intended to add further support to the tower. Like those of Hawksmoor's other London churches and many of Wren's, the central space of the nave is organised around two axes, the shorter originally emphasised by two entrances of which only that to the south remains. It has a richly decorated flat ceiling and is lit by a clerestory. The aisles are roofed with elliptical barrel-vaults carried on raised Composite order columns (cf. Wren's St James's, Piccadilly), and the same order is used for the screens across the eastern and western ends. The Venetian window at the east may show the growing influence of the revival of Palladian architecture, or it may be a rhyme with the arched pediment of the entrance portico, repeated in the wide main stage of the tower. The east window is a double window, one inside, one outside, the effect now obscured by the Victorian stained glass window between the two.

Paragraph 20: Psychosis originally lost his mask to Rey Misterio Sr. during a tour of Mexico, as he removed the mask and handed it to Mysterio Jr. while simultaneously covering his face with a towel. He also lost the mask to Billy Kidman on the September 27 episode of Nitro, revealing his face to the American audience. On occasion, he was also paired with Juventud Guerrera, and when the latter won the IWGP Junior Heavyweight Title, Guerrera was kayfabe injured and had Psychosis defend the title. In reality, Guerrera and Jerry Flynn were arrested on DUI charges; Psychosis immediately lost the belt to previous champion Jushin Thunder Liger. Neither Juventud Guerrera's championship win nor Psicosis' title defense was recognized by New Japan Pro-Wrestling until 2007. Psychosis had a second Cruiserweight title reign in WCW shortly after unmasking, when the previous champion Lenny Lane, who portrayed a flamboyant homosexual on television, got WCW in trouble with GLAAD. As a result, Lane was pulled from television and Psychosis was given the belt to defend. The WCW announcers claimed that he had won it at a house show. However, on his first televised appearance with the title, Psychosis lost it to Disco Inferno. This earned him the dubious distinction of having lost two titles he never won.

Answer: 10