Paragraph 1: The second model referred to by the document ("model 2" in the ordering) was an improved method that combined servlet technology with JSP technology. The specific difference listed was that a servlet would intercept the request, place the content to render into a request attribute (typically represented by a JavaBean), then call a JSP to render the content in the desired output format. This model differed from the previous model in the fact that JSP technology was used as a pure template engine. All of the logic was separated out into a servlet, leaving the JSP with the sole responsibility of rendering the output for the content provided.

Paragraph 2: Liliana is the Croatian childhood friend of Erica and belongs to the organization  which is a mage/knight organization similar to, yet occasionally working but usually competing with, the Copper Black Cross. The organization serves the Campione Salvatore Doni, although her grandfather and some other members favor and support the Campione Sasha Dejanstahl Voban by preference. The Bronze Black Cross are referred to as blue berserkers. Liliana has been also been called the Sword Fairy and Blue Witch, although these seem to be more nicknames as she is rarely called either while Erica is called or calls herself Diavolo Rosso often. She possesses the sword Il Maestro, able to fight with great speed, excellent magic, and flying attacks similar to that of a falcon. When released, takes on its true appearance of a naginata, which releases spell melodies when swung that can disrupt the concentration of even the toughest of opponents, although since magic in nature it has limit, if any effect, on Campiones or gods. However, in naginata form the spell words of David are infused into it as well giving it the ability to harm gods. She is often compared to be on equal footing to Erica in both martial skills and combat, as well as known by people to be among the top of the current generation of Great Knights. However, due to her direct and upfront nature, she does not have the political acumen Erica possesses and is more gullible to Erica and Karen's pranks. She is also in love with Godou, but does her best to hide it from others. Usually covering up her desire to be in close proximity or help Godou with claims of merely serving her role as a knight or bodyguard. She is a silver-haired girl with a svelte body. Though she lacks the well-curved, voluptuous figure Erica possesses, her beauty is more along that of an ephemeral, delicate fairy. She is great at housework and cooking, is a descendant of witches, and has the hobby of writing embarrassing romantic novels. Her expertise over Erica is in flight magic, witchcraft, potions, communicating with plants and animals, and spells relating to water, earth, and sky. This allows her to make flying attacks similar to a sparrow, but with the ability to halt in midair, unaffected by gravity, before continuing her attack. This also gives her the ability to swim through water as easily as a fish, harvest herbs, cast hard spells and create difficult potions. She proved invaluable in not only opening a gate to the astral realm to rescue Godou and Erica, but the knowledge to create the potion required to be unaffected by the astral realm's environment. She can also summon and use the Bow of Jonathon, which is powerful enough to harm gods, such as Perseus. Although it appears she shoots four arrows at a time, only one is real, the others are illusions to increase the chances of the real arrow hitting.

Paragraph 3: Her singles have consistently ranked on dance and club charts nationally and internationally. These include Out of Nowhere, a collaboration with StoneBridge, which ranked in the top 30 most played songs on US dance radio in 2015, Your Love with Kid Kenobi and Justin Hunter which ranked No. 3 on the ARIA Club Charts for six consecutive weeks, ranked No. 2 on the Kiss FM Charts, and was played on Rage and Channel V; Get What You Give with Alex Kenji and Manuel De La Mare (Spinnin' Records) which ranked No. 17 on the Progressive house chart on Beatport; Promise Me which ranked No. 1 on Track It Down for over four weeks and in the Top 10 on Beatport; Like A Flame which was released in July 2015 with Todd Terry and was featured on in House Sessions in Ibiza; Teardrop with Sydney Blu which ranked No. 13 on DMC World Magazine's Buzz Chart, ranked in Top 40 on ITunes Dance Charts, and was featured on the album Relentless which ranked in the top 20 on Beatport and in the top 40 on the ITunes Dance Charts; I Need A Miracle which ranked No. 4 on Juno Downloads; Can You Feel Me (Universal Music) which ranked No. 5 on the Australian radio charts and was featured on Pump It: Volume 4 compilation which ranked No. 3 on the ARIA Charts; I Think I'm in Love in collaboration with the Futuristic Polar Bears (Universal Music); Champagne Nights with the Stafford Brothers which was released on Ministry of Sound; Would Not Change a Thing with Soul Conspiracy which ranked No. 1 on Radio Metro; Black Rain, written with American house producer Ron Carroll, for which Wilson produced the Naked Remix which then debuted on Cr2 Records; Stop The World with Ralph Good (Warner Music and Kontor Records) which ranked No. 3 on the EDM charts in Canada, ranked on Beatport's Top 100 House charts, and featured on the Berlin Fashion Week official compilation, and the Kontor House of House compilation; Where You Are which was released on Japan's Sushi Records and ranked No. 3 on the Beatport Charts; and I'll Give You The World with Quix which ranked No. 21 in Spotify's New Music Friday Cratediggers playlist and was featured on Apple Music Germany Dance: The A-List, Apple Music Germany Dance: Hot Tracks, iTunes Canada Dance: The A-List, Beatport Trap/Future Bass: Staff Picks, and Aoki's House Radio Show on Sirius XM BPM.

Paragraph 4: Her singles have consistently ranked on dance and club charts nationally and internationally. These include Out of Nowhere, a collaboration with StoneBridge, which ranked in the top 30 most played songs on US dance radio in 2015, Your Love with Kid Kenobi and Justin Hunter which ranked No. 3 on the ARIA Club Charts for six consecutive weeks, ranked No. 2 on the Kiss FM Charts, and was played on Rage and Channel V; Get What You Give with Alex Kenji and Manuel De La Mare (Spinnin' Records) which ranked No. 17 on the Progressive house chart on Beatport; Promise Me which ranked No. 1 on Track It Down for over four weeks and in the Top 10 on Beatport; Like A Flame which was released in July 2015 with Todd Terry and was featured on in House Sessions in Ibiza; Teardrop with Sydney Blu which ranked No. 13 on DMC World Magazine's Buzz Chart, ranked in Top 40 on ITunes Dance Charts, and was featured on the album Relentless which ranked in the top 20 on Beatport and in the top 40 on the ITunes Dance Charts; I Need A Miracle which ranked No. 4 on Juno Downloads; Can You Feel Me (Universal Music) which ranked No. 5 on the Australian radio charts and was featured on Pump It: Volume 4 compilation which ranked No. 3 on the ARIA Charts; I Think I'm in Love in collaboration with the Futuristic Polar Bears (Universal Music); Champagne Nights with the Stafford Brothers which was released on Ministry of Sound; Would Not Change a Thing with Soul Conspiracy which ranked No. 1 on Radio Metro; Black Rain, written with American house producer Ron Carroll, for which Wilson produced the Naked Remix which then debuted on Cr2 Records; Stop The World with Ralph Good (Warner Music and Kontor Records) which ranked No. 3 on the EDM charts in Canada, ranked on Beatport's Top 100 House charts, and featured on the Berlin Fashion Week official compilation, and the Kontor House of House compilation; Where You Are which was released on Japan's Sushi Records and ranked No. 3 on the Beatport Charts; and I'll Give You The World with Quix which ranked No. 21 in Spotify's New Music Friday Cratediggers playlist and was featured on Apple Music Germany Dance: The A-List, Apple Music Germany Dance: Hot Tracks, iTunes Canada Dance: The A-List, Beatport Trap/Future Bass: Staff Picks, and Aoki's House Radio Show on Sirius XM BPM.

Paragraph 5: The second model referred to by the document ("model 2" in the ordering) was an improved method that combined servlet technology with JSP technology. The specific difference listed was that a servlet would intercept the request, place the content to render into a request attribute (typically represented by a JavaBean), then call a JSP to render the content in the desired output format. This model differed from the previous model in the fact that JSP technology was used as a pure template engine. All of the logic was separated out into a servlet, leaving the JSP with the sole responsibility of rendering the output for the content provided.

Paragraph 6: Her singles have consistently ranked on dance and club charts nationally and internationally. These include Out of Nowhere, a collaboration with StoneBridge, which ranked in the top 30 most played songs on US dance radio in 2015, Your Love with Kid Kenobi and Justin Hunter which ranked No. 3 on the ARIA Club Charts for six consecutive weeks, ranked No. 2 on the Kiss FM Charts, and was played on Rage and Channel V; Get What You Give with Alex Kenji and Manuel De La Mare (Spinnin' Records) which ranked No. 17 on the Progressive house chart on Beatport; Promise Me which ranked No. 1 on Track It Down for over four weeks and in the Top 10 on Beatport; Like A Flame which was released in July 2015 with Todd Terry and was featured on in House Sessions in Ibiza; Teardrop with Sydney Blu which ranked No. 13 on DMC World Magazine's Buzz Chart, ranked in Top 40 on ITunes Dance Charts, and was featured on the album Relentless which ranked in the top 20 on Beatport and in the top 40 on the ITunes Dance Charts; I Need A Miracle which ranked No. 4 on Juno Downloads; Can You Feel Me (Universal Music) which ranked No. 5 on the Australian radio charts and was featured on Pump It: Volume 4 compilation which ranked No. 3 on the ARIA Charts; I Think I'm in Love in collaboration with the Futuristic Polar Bears (Universal Music); Champagne Nights with the Stafford Brothers which was released on Ministry of Sound; Would Not Change a Thing with Soul Conspiracy which ranked No. 1 on Radio Metro; Black Rain, written with American house producer Ron Carroll, for which Wilson produced the Naked Remix which then debuted on Cr2 Records; Stop The World with Ralph Good (Warner Music and Kontor Records) which ranked No. 3 on the EDM charts in Canada, ranked on Beatport's Top 100 House charts, and featured on the Berlin Fashion Week official compilation, and the Kontor House of House compilation; Where You Are which was released on Japan's Sushi Records and ranked No. 3 on the Beatport Charts; and I'll Give You The World with Quix which ranked No. 21 in Spotify's New Music Friday Cratediggers playlist and was featured on Apple Music Germany Dance: The A-List, Apple Music Germany Dance: Hot Tracks, iTunes Canada Dance: The A-List, Beatport Trap/Future Bass: Staff Picks, and Aoki's House Radio Show on Sirius XM BPM.

Paragraph 7: As recounted in his 1952 memoir Witness, Whittaker Chambers came to know Lore because they both reported to rezident Markin:  He described him as follows:     Lore was an old Bolshevik. He had been a Socialist before the Russian Revolution. In those pre-revolutionary days, he had been the friend of Trotsky, then a New York Socialist journalist. After the Revolution, Lore had managed an American speaking trip for Alexandra Kollontai, the author of Red Love, later the Soviet ambassador to Sweden.  Bukharin, in his New York days, had eaten and slept in the apartment on 55th Street in Brooklyn, where Lore, his outspokenly anti-Communist wife and three wholly American sons still lived.    He describes the Lore family with some detail:    I was introduced to Lillian Lore, Ludwig's remarkable wife, who in large part provided those meals, and, by some economic miracle, had kept that amazing household together during the long, lean years, had fed the endless procession of guests. "Die unvergessliche Lores-the unforgettable Lores," a German friend had called them ... I have seldom seen a happy family life so explicit in the characters of all who shared it...   I soon came to regard the Lores' house as a kind of second home.  For Ludwig I developed an almost filial feeling as of a younger for an older revolutionist.  The kindness of all the Lores to me was personal, and in spite of politics, for all the other members of the family, except Ludwig, were outspoken in their detestation of the Communist Party.     Chambers also describes a defector's fear of retribution from the Soviet Underground, which Lore and he shared:   I did not know that at the very time I was visiting him most frequently, Lore was under surveillance.  He was being watched, not by the American authorities, but by the Russian secret police...  I discovered that he was afraid to walk alone with me on the street at night and that he was terrified to get into an automobile alone with me. Then I knew that there was something seriously amiss. But I had been out of the Communist Party six or seven years, and Lore was dead, before I discovered that the old Bolshevik, in whom, as a younger man, I respected the older revolutionist, had denounced me (around 1941) to the F.B.I. I learned it not from the FBI, but from another security agency of the Government.  I respected Lore all the more for that act. My feeling for him and for all the Lores remained unchanged.

Paragraph 8: The second model referred to by the document ("model 2" in the ordering) was an improved method that combined servlet technology with JSP technology. The specific difference listed was that a servlet would intercept the request, place the content to render into a request attribute (typically represented by a JavaBean), then call a JSP to render the content in the desired output format. This model differed from the previous model in the fact that JSP technology was used as a pure template engine. All of the logic was separated out into a servlet, leaving the JSP with the sole responsibility of rendering the output for the content provided.

Paragraph 9: "I Can Fly" / "Diary of a Narcissist" / "From the Underworld" / "Sweet William" / "Paradise Lost" / "Come on, Believe Me" / "I Don't Want Our Loving to Die" / "Our Fairy Tale" / "Sunshine Cottage" / "Miss Jones" / "The Game" / "Beauty Queen" / "You've Got Me Hangin' from Your Lovin' Tree" / "I Don't Wanna Go to Sleep Again" / "Understand Me" / "Follow the Leader" / "Charlie Anderson" / "Bang!" / "Mother's Blue Eyed Angel" / "Laugh and Dance and Sing" / "Sugarloaf Mountain" / "Half of Me" / "Sweet William" / "I Don't Want Our Loving to Die" / "The Game" / "From the Underworld" / "On My Way Home" / "I Can Fly" / "Goodbye Groovy" / "Mixed Up Minds" / "Impressions of Oliver" / "Paradise Lost" / "Sad" / "Something Strange" / "On My Own" / "She Loves Me, She Loves Me Not" / "Fare Thee Well" / "Come on, Believe Me" / "Our Fairy Tale" / "You've Got Me Hangin' from Your Lovin' Tree" / "I Don't Wanna Go to Sleep Again" / "Goodbye Baby Goodbye" / "Here Comes the Fool" / "She Was Really Saying Something" / "It's Been a Long Time Baby" / "So Much in Love" / "This Boy's Always Been True"

Paragraph 10: The second model referred to by the document ("model 2" in the ordering) was an improved method that combined servlet technology with JSP technology. The specific difference listed was that a servlet would intercept the request, place the content to render into a request attribute (typically represented by a JavaBean), then call a JSP to render the content in the desired output format. This model differed from the previous model in the fact that JSP technology was used as a pure template engine. All of the logic was separated out into a servlet, leaving the JSP with the sole responsibility of rendering the output for the content provided.

Paragraph 11: The second model referred to by the document ("model 2" in the ordering) was an improved method that combined servlet technology with JSP technology. The specific difference listed was that a servlet would intercept the request, place the content to render into a request attribute (typically represented by a JavaBean), then call a JSP to render the content in the desired output format. This model differed from the previous model in the fact that JSP technology was used as a pure template engine. All of the logic was separated out into a servlet, leaving the JSP with the sole responsibility of rendering the output for the content provided.

Paragraph 12: As recounted in his 1952 memoir Witness, Whittaker Chambers came to know Lore because they both reported to rezident Markin:  He described him as follows:     Lore was an old Bolshevik. He had been a Socialist before the Russian Revolution. In those pre-revolutionary days, he had been the friend of Trotsky, then a New York Socialist journalist. After the Revolution, Lore had managed an American speaking trip for Alexandra Kollontai, the author of Red Love, later the Soviet ambassador to Sweden.  Bukharin, in his New York days, had eaten and slept in the apartment on 55th Street in Brooklyn, where Lore, his outspokenly anti-Communist wife and three wholly American sons still lived.    He describes the Lore family with some detail:    I was introduced to Lillian Lore, Ludwig's remarkable wife, who in large part provided those meals, and, by some economic miracle, had kept that amazing household together during the long, lean years, had fed the endless procession of guests. "Die unvergessliche Lores-the unforgettable Lores," a German friend had called them ... I have seldom seen a happy family life so explicit in the characters of all who shared it...   I soon came to regard the Lores' house as a kind of second home.  For Ludwig I developed an almost filial feeling as of a younger for an older revolutionist.  The kindness of all the Lores to me was personal, and in spite of politics, for all the other members of the family, except Ludwig, were outspoken in their detestation of the Communist Party.     Chambers also describes a defector's fear of retribution from the Soviet Underground, which Lore and he shared:   I did not know that at the very time I was visiting him most frequently, Lore was under surveillance.  He was being watched, not by the American authorities, but by the Russian secret police...  I discovered that he was afraid to walk alone with me on the street at night and that he was terrified to get into an automobile alone with me. Then I knew that there was something seriously amiss. But I had been out of the Communist Party six or seven years, and Lore was dead, before I discovered that the old Bolshevik, in whom, as a younger man, I respected the older revolutionist, had denounced me (around 1941) to the F.B.I. I learned it not from the FBI, but from another security agency of the Government.  I respected Lore all the more for that act. My feeling for him and for all the Lores remained unchanged.

Paragraph 13: As recounted in his 1952 memoir Witness, Whittaker Chambers came to know Lore because they both reported to rezident Markin:  He described him as follows:     Lore was an old Bolshevik. He had been a Socialist before the Russian Revolution. In those pre-revolutionary days, he had been the friend of Trotsky, then a New York Socialist journalist. After the Revolution, Lore had managed an American speaking trip for Alexandra Kollontai, the author of Red Love, later the Soviet ambassador to Sweden.  Bukharin, in his New York days, had eaten and slept in the apartment on 55th Street in Brooklyn, where Lore, his outspokenly anti-Communist wife and three wholly American sons still lived.    He describes the Lore family with some detail:    I was introduced to Lillian Lore, Ludwig's remarkable wife, who in large part provided those meals, and, by some economic miracle, had kept that amazing household together during the long, lean years, had fed the endless procession of guests. "Die unvergessliche Lores-the unforgettable Lores," a German friend had called them ... I have seldom seen a happy family life so explicit in the characters of all who shared it...   I soon came to regard the Lores' house as a kind of second home.  For Ludwig I developed an almost filial feeling as of a younger for an older revolutionist.  The kindness of all the Lores to me was personal, and in spite of politics, for all the other members of the family, except Ludwig, were outspoken in their detestation of the Communist Party.     Chambers also describes a defector's fear of retribution from the Soviet Underground, which Lore and he shared:   I did not know that at the very time I was visiting him most frequently, Lore was under surveillance.  He was being watched, not by the American authorities, but by the Russian secret police...  I discovered that he was afraid to walk alone with me on the street at night and that he was terrified to get into an automobile alone with me. Then I knew that there was something seriously amiss. But I had been out of the Communist Party six or seven years, and Lore was dead, before I discovered that the old Bolshevik, in whom, as a younger man, I respected the older revolutionist, had denounced me (around 1941) to the F.B.I. I learned it not from the FBI, but from another security agency of the Government.  I respected Lore all the more for that act. My feeling for him and for all the Lores remained unchanged.

Paragraph 14: As recounted in his 1952 memoir Witness, Whittaker Chambers came to know Lore because they both reported to rezident Markin:  He described him as follows:     Lore was an old Bolshevik. He had been a Socialist before the Russian Revolution. In those pre-revolutionary days, he had been the friend of Trotsky, then a New York Socialist journalist. After the Revolution, Lore had managed an American speaking trip for Alexandra Kollontai, the author of Red Love, later the Soviet ambassador to Sweden.  Bukharin, in his New York days, had eaten and slept in the apartment on 55th Street in Brooklyn, where Lore, his outspokenly anti-Communist wife and three wholly American sons still lived.    He describes the Lore family with some detail:    I was introduced to Lillian Lore, Ludwig's remarkable wife, who in large part provided those meals, and, by some economic miracle, had kept that amazing household together during the long, lean years, had fed the endless procession of guests. "Die unvergessliche Lores-the unforgettable Lores," a German friend had called them ... I have seldom seen a happy family life so explicit in the characters of all who shared it...   I soon came to regard the Lores' house as a kind of second home.  For Ludwig I developed an almost filial feeling as of a younger for an older revolutionist.  The kindness of all the Lores to me was personal, and in spite of politics, for all the other members of the family, except Ludwig, were outspoken in their detestation of the Communist Party.     Chambers also describes a defector's fear of retribution from the Soviet Underground, which Lore and he shared:   I did not know that at the very time I was visiting him most frequently, Lore was under surveillance.  He was being watched, not by the American authorities, but by the Russian secret police...  I discovered that he was afraid to walk alone with me on the street at night and that he was terrified to get into an automobile alone with me. Then I knew that there was something seriously amiss. But I had been out of the Communist Party six or seven years, and Lore was dead, before I discovered that the old Bolshevik, in whom, as a younger man, I respected the older revolutionist, had denounced me (around 1941) to the F.B.I. I learned it not from the FBI, but from another security agency of the Government.  I respected Lore all the more for that act. My feeling for him and for all the Lores remained unchanged.

Paragraph 15: "I Can Fly" / "Diary of a Narcissist" / "From the Underworld" / "Sweet William" / "Paradise Lost" / "Come on, Believe Me" / "I Don't Want Our Loving to Die" / "Our Fairy Tale" / "Sunshine Cottage" / "Miss Jones" / "The Game" / "Beauty Queen" / "You've Got Me Hangin' from Your Lovin' Tree" / "I Don't Wanna Go to Sleep Again" / "Understand Me" / "Follow the Leader" / "Charlie Anderson" / "Bang!" / "Mother's Blue Eyed Angel" / "Laugh and Dance and Sing" / "Sugarloaf Mountain" / "Half of Me" / "Sweet William" / "I Don't Want Our Loving to Die" / "The Game" / "From the Underworld" / "On My Way Home" / "I Can Fly" / "Goodbye Groovy" / "Mixed Up Minds" / "Impressions of Oliver" / "Paradise Lost" / "Sad" / "Something Strange" / "On My Own" / "She Loves Me, She Loves Me Not" / "Fare Thee Well" / "Come on, Believe Me" / "Our Fairy Tale" / "You've Got Me Hangin' from Your Lovin' Tree" / "I Don't Wanna Go to Sleep Again" / "Goodbye Baby Goodbye" / "Here Comes the Fool" / "She Was Really Saying Something" / "It's Been a Long Time Baby" / "So Much in Love" / "This Boy's Always Been True"

Paragraph 16: Her singles have consistently ranked on dance and club charts nationally and internationally. These include Out of Nowhere, a collaboration with StoneBridge, which ranked in the top 30 most played songs on US dance radio in 2015, Your Love with Kid Kenobi and Justin Hunter which ranked No. 3 on the ARIA Club Charts for six consecutive weeks, ranked No. 2 on the Kiss FM Charts, and was played on Rage and Channel V; Get What You Give with Alex Kenji and Manuel De La Mare (Spinnin' Records) which ranked No. 17 on the Progressive house chart on Beatport; Promise Me which ranked No. 1 on Track It Down for over four weeks and in the Top 10 on Beatport; Like A Flame which was released in July 2015 with Todd Terry and was featured on in House Sessions in Ibiza; Teardrop with Sydney Blu which ranked No. 13 on DMC World Magazine's Buzz Chart, ranked in Top 40 on ITunes Dance Charts, and was featured on the album Relentless which ranked in the top 20 on Beatport and in the top 40 on the ITunes Dance Charts; I Need A Miracle which ranked No. 4 on Juno Downloads; Can You Feel Me (Universal Music) which ranked No. 5 on the Australian radio charts and was featured on Pump It: Volume 4 compilation which ranked No. 3 on the ARIA Charts; I Think I'm in Love in collaboration with the Futuristic Polar Bears (Universal Music); Champagne Nights with the Stafford Brothers which was released on Ministry of Sound; Would Not Change a Thing with Soul Conspiracy which ranked No. 1 on Radio Metro; Black Rain, written with American house producer Ron Carroll, for which Wilson produced the Naked Remix which then debuted on Cr2 Records; Stop The World with Ralph Good (Warner Music and Kontor Records) which ranked No. 3 on the EDM charts in Canada, ranked on Beatport's Top 100 House charts, and featured on the Berlin Fashion Week official compilation, and the Kontor House of House compilation; Where You Are which was released on Japan's Sushi Records and ranked No. 3 on the Beatport Charts; and I'll Give You The World with Quix which ranked No. 21 in Spotify's New Music Friday Cratediggers playlist and was featured on Apple Music Germany Dance: The A-List, Apple Music Germany Dance: Hot Tracks, iTunes Canada Dance: The A-List, Beatport Trap/Future Bass: Staff Picks, and Aoki's House Radio Show on Sirius XM BPM.

Paragraph 17: Her singles have consistently ranked on dance and club charts nationally and internationally. These include Out of Nowhere, a collaboration with StoneBridge, which ranked in the top 30 most played songs on US dance radio in 2015, Your Love with Kid Kenobi and Justin Hunter which ranked No. 3 on the ARIA Club Charts for six consecutive weeks, ranked No. 2 on the Kiss FM Charts, and was played on Rage and Channel V; Get What You Give with Alex Kenji and Manuel De La Mare (Spinnin' Records) which ranked No. 17 on the Progressive house chart on Beatport; Promise Me which ranked No. 1 on Track It Down for over four weeks and in the Top 10 on Beatport; Like A Flame which was released in July 2015 with Todd Terry and was featured on in House Sessions in Ibiza; Teardrop with Sydney Blu which ranked No. 13 on DMC World Magazine's Buzz Chart, ranked in Top 40 on ITunes Dance Charts, and was featured on the album Relentless which ranked in the top 20 on Beatport and in the top 40 on the ITunes Dance Charts; I Need A Miracle which ranked No. 4 on Juno Downloads; Can You Feel Me (Universal Music) which ranked No. 5 on the Australian radio charts and was featured on Pump It: Volume 4 compilation which ranked No. 3 on the ARIA Charts; I Think I'm in Love in collaboration with the Futuristic Polar Bears (Universal Music); Champagne Nights with the Stafford Brothers which was released on Ministry of Sound; Would Not Change a Thing with Soul Conspiracy which ranked No. 1 on Radio Metro; Black Rain, written with American house producer Ron Carroll, for which Wilson produced the Naked Remix which then debuted on Cr2 Records; Stop The World with Ralph Good (Warner Music and Kontor Records) which ranked No. 3 on the EDM charts in Canada, ranked on Beatport's Top 100 House charts, and featured on the Berlin Fashion Week official compilation, and the Kontor House of House compilation; Where You Are which was released on Japan's Sushi Records and ranked No. 3 on the Beatport Charts; and I'll Give You The World with Quix which ranked No. 21 in Spotify's New Music Friday Cratediggers playlist and was featured on Apple Music Germany Dance: The A-List, Apple Music Germany Dance: Hot Tracks, iTunes Canada Dance: The A-List, Beatport Trap/Future Bass: Staff Picks, and Aoki's House Radio Show on Sirius XM BPM.

Paragraph 18: Liliana is the Croatian childhood friend of Erica and belongs to the organization  which is a mage/knight organization similar to, yet occasionally working but usually competing with, the Copper Black Cross. The organization serves the Campione Salvatore Doni, although her grandfather and some other members favor and support the Campione Sasha Dejanstahl Voban by preference. The Bronze Black Cross are referred to as blue berserkers. Liliana has been also been called the Sword Fairy and Blue Witch, although these seem to be more nicknames as she is rarely called either while Erica is called or calls herself Diavolo Rosso often. She possesses the sword Il Maestro, able to fight with great speed, excellent magic, and flying attacks similar to that of a falcon. When released, takes on its true appearance of a naginata, which releases spell melodies when swung that can disrupt the concentration of even the toughest of opponents, although since magic in nature it has limit, if any effect, on Campiones or gods. However, in naginata form the spell words of David are infused into it as well giving it the ability to harm gods. She is often compared to be on equal footing to Erica in both martial skills and combat, as well as known by people to be among the top of the current generation of Great Knights. However, due to her direct and upfront nature, she does not have the political acumen Erica possesses and is more gullible to Erica and Karen's pranks. She is also in love with Godou, but does her best to hide it from others. Usually covering up her desire to be in close proximity or help Godou with claims of merely serving her role as a knight or bodyguard. She is a silver-haired girl with a svelte body. Though she lacks the well-curved, voluptuous figure Erica possesses, her beauty is more along that of an ephemeral, delicate fairy. She is great at housework and cooking, is a descendant of witches, and has the hobby of writing embarrassing romantic novels. Her expertise over Erica is in flight magic, witchcraft, potions, communicating with plants and animals, and spells relating to water, earth, and sky. This allows her to make flying attacks similar to a sparrow, but with the ability to halt in midair, unaffected by gravity, before continuing her attack. This also gives her the ability to swim through water as easily as a fish, harvest herbs, cast hard spells and create difficult potions. She proved invaluable in not only opening a gate to the astral realm to rescue Godou and Erica, but the knowledge to create the potion required to be unaffected by the astral realm's environment. She can also summon and use the Bow of Jonathon, which is powerful enough to harm gods, such as Perseus. Although it appears she shoots four arrows at a time, only one is real, the others are illusions to increase the chances of the real arrow hitting.

Paragraph 19: "I Can Fly" / "Diary of a Narcissist" / "From the Underworld" / "Sweet William" / "Paradise Lost" / "Come on, Believe Me" / "I Don't Want Our Loving to Die" / "Our Fairy Tale" / "Sunshine Cottage" / "Miss Jones" / "The Game" / "Beauty Queen" / "You've Got Me Hangin' from Your Lovin' Tree" / "I Don't Wanna Go to Sleep Again" / "Understand Me" / "Follow the Leader" / "Charlie Anderson" / "Bang!" / "Mother's Blue Eyed Angel" / "Laugh and Dance and Sing" / "Sugarloaf Mountain" / "Half of Me" / "Sweet William" / "I Don't Want Our Loving to Die" / "The Game" / "From the Underworld" / "On My Way Home" / "I Can Fly" / "Goodbye Groovy" / "Mixed Up Minds" / "Impressions of Oliver" / "Paradise Lost" / "Sad" / "Something Strange" / "On My Own" / "She Loves Me, She Loves Me Not" / "Fare Thee Well" / "Come on, Believe Me" / "Our Fairy Tale" / "You've Got Me Hangin' from Your Lovin' Tree" / "I Don't Wanna Go to Sleep Again" / "Goodbye Baby Goodbye" / "Here Comes the Fool" / "She Was Really Saying Something" / "It's Been a Long Time Baby" / "So Much in Love" / "This Boy's Always Been True"

Paragraph 20: The second model referred to by the document ("model 2" in the ordering) was an improved method that combined servlet technology with JSP technology. The specific difference listed was that a servlet would intercept the request, place the content to render into a request attribute (typically represented by a JavaBean), then call a JSP to render the content in the desired output format. This model differed from the previous model in the fact that JSP technology was used as a pure template engine. All of the logic was separated out into a servlet, leaving the JSP with the sole responsibility of rendering the output for the content provided.

Paragraph 21: Her singles have consistently ranked on dance and club charts nationally and internationally. These include Out of Nowhere, a collaboration with StoneBridge, which ranked in the top 30 most played songs on US dance radio in 2015, Your Love with Kid Kenobi and Justin Hunter which ranked No. 3 on the ARIA Club Charts for six consecutive weeks, ranked No. 2 on the Kiss FM Charts, and was played on Rage and Channel V; Get What You Give with Alex Kenji and Manuel De La Mare (Spinnin' Records) which ranked No. 17 on the Progressive house chart on Beatport; Promise Me which ranked No. 1 on Track It Down for over four weeks and in the Top 10 on Beatport; Like A Flame which was released in July 2015 with Todd Terry and was featured on in House Sessions in Ibiza; Teardrop with Sydney Blu which ranked No. 13 on DMC World Magazine's Buzz Chart, ranked in Top 40 on ITunes Dance Charts, and was featured on the album Relentless which ranked in the top 20 on Beatport and in the top 40 on the ITunes Dance Charts; I Need A Miracle which ranked No. 4 on Juno Downloads; Can You Feel Me (Universal Music) which ranked No. 5 on the Australian radio charts and was featured on Pump It: Volume 4 compilation which ranked No. 3 on the ARIA Charts; I Think I'm in Love in collaboration with the Futuristic Polar Bears (Universal Music); Champagne Nights with the Stafford Brothers which was released on Ministry of Sound; Would Not Change a Thing with Soul Conspiracy which ranked No. 1 on Radio Metro; Black Rain, written with American house producer Ron Carroll, for which Wilson produced the Naked Remix which then debuted on Cr2 Records; Stop The World with Ralph Good (Warner Music and Kontor Records) which ranked No. 3 on the EDM charts in Canada, ranked on Beatport's Top 100 House charts, and featured on the Berlin Fashion Week official compilation, and the Kontor House of House compilation; Where You Are which was released on Japan's Sushi Records and ranked No. 3 on the Beatport Charts; and I'll Give You The World with Quix which ranked No. 21 in Spotify's New Music Friday Cratediggers playlist and was featured on Apple Music Germany Dance: The A-List, Apple Music Germany Dance: Hot Tracks, iTunes Canada Dance: The A-List, Beatport Trap/Future Bass: Staff Picks, and Aoki's House Radio Show on Sirius XM BPM.

Paragraph 22: The second model referred to by the document ("model 2" in the ordering) was an improved method that combined servlet technology with JSP technology. The specific difference listed was that a servlet would intercept the request, place the content to render into a request attribute (typically represented by a JavaBean), then call a JSP to render the content in the desired output format. This model differed from the previous model in the fact that JSP technology was used as a pure template engine. All of the logic was separated out into a servlet, leaving the JSP with the sole responsibility of rendering the output for the content provided.

Paragraph 23: Her singles have consistently ranked on dance and club charts nationally and internationally. These include Out of Nowhere, a collaboration with StoneBridge, which ranked in the top 30 most played songs on US dance radio in 2015, Your Love with Kid Kenobi and Justin Hunter which ranked No. 3 on the ARIA Club Charts for six consecutive weeks, ranked No. 2 on the Kiss FM Charts, and was played on Rage and Channel V; Get What You Give with Alex Kenji and Manuel De La Mare (Spinnin' Records) which ranked No. 17 on the Progressive house chart on Beatport; Promise Me which ranked No. 1 on Track It Down for over four weeks and in the Top 10 on Beatport; Like A Flame which was released in July 2015 with Todd Terry and was featured on in House Sessions in Ibiza; Teardrop with Sydney Blu which ranked No. 13 on DMC World Magazine's Buzz Chart, ranked in Top 40 on ITunes Dance Charts, and was featured on the album Relentless which ranked in the top 20 on Beatport and in the top 40 on the ITunes Dance Charts; I Need A Miracle which ranked No. 4 on Juno Downloads; Can You Feel Me (Universal Music) which ranked No. 5 on the Australian radio charts and was featured on Pump It: Volume 4 compilation which ranked No. 3 on the ARIA Charts; I Think I'm in Love in collaboration with the Futuristic Polar Bears (Universal Music); Champagne Nights with the Stafford Brothers which was released on Ministry of Sound; Would Not Change a Thing with Soul Conspiracy which ranked No. 1 on Radio Metro; Black Rain, written with American house producer Ron Carroll, for which Wilson produced the Naked Remix which then debuted on Cr2 Records; Stop The World with Ralph Good (Warner Music and Kontor Records) which ranked No. 3 on the EDM charts in Canada, ranked on Beatport's Top 100 House charts, and featured on the Berlin Fashion Week official compilation, and the Kontor House of House compilation; Where You Are which was released on Japan's Sushi Records and ranked No. 3 on the Beatport Charts; and I'll Give You The World with Quix which ranked No. 21 in Spotify's New Music Friday Cratediggers playlist and was featured on Apple Music Germany Dance: The A-List, Apple Music Germany Dance: Hot Tracks, iTunes Canada Dance: The A-List, Beatport Trap/Future Bass: Staff Picks, and Aoki's House Radio Show on Sirius XM BPM.

Paragraph 24: "I Can Fly" / "Diary of a Narcissist" / "From the Underworld" / "Sweet William" / "Paradise Lost" / "Come on, Believe Me" / "I Don't Want Our Loving to Die" / "Our Fairy Tale" / "Sunshine Cottage" / "Miss Jones" / "The Game" / "Beauty Queen" / "You've Got Me Hangin' from Your Lovin' Tree" / "I Don't Wanna Go to Sleep Again" / "Understand Me" / "Follow the Leader" / "Charlie Anderson" / "Bang!" / "Mother's Blue Eyed Angel" / "Laugh and Dance and Sing" / "Sugarloaf Mountain" / "Half of Me" / "Sweet William" / "I Don't Want Our Loving to Die" / "The Game" / "From the Underworld" / "On My Way Home" / "I Can Fly" / "Goodbye Groovy" / "Mixed Up Minds" / "Impressions of Oliver" / "Paradise Lost" / "Sad" / "Something Strange" / "On My Own" / "She Loves Me, She Loves Me Not" / "Fare Thee Well" / "Come on, Believe Me" / "Our Fairy Tale" / "You've Got Me Hangin' from Your Lovin' Tree" / "I Don't Wanna Go to Sleep Again" / "Goodbye Baby Goodbye" / "Here Comes the Fool" / "She Was Really Saying Something" / "It's Been a Long Time Baby" / "So Much in Love" / "This Boy's Always Been True"

Paragraph 25: The second model referred to by the document ("model 2" in the ordering) was an improved method that combined servlet technology with JSP technology. The specific difference listed was that a servlet would intercept the request, place the content to render into a request attribute (typically represented by a JavaBean), then call a JSP to render the content in the desired output format. This model differed from the previous model in the fact that JSP technology was used as a pure template engine. All of the logic was separated out into a servlet, leaving the JSP with the sole responsibility of rendering the output for the content provided.

Paragraph 26: As recounted in his 1952 memoir Witness, Whittaker Chambers came to know Lore because they both reported to rezident Markin:  He described him as follows:     Lore was an old Bolshevik. He had been a Socialist before the Russian Revolution. In those pre-revolutionary days, he had been the friend of Trotsky, then a New York Socialist journalist. After the Revolution, Lore had managed an American speaking trip for Alexandra Kollontai, the author of Red Love, later the Soviet ambassador to Sweden.  Bukharin, in his New York days, had eaten and slept in the apartment on 55th Street in Brooklyn, where Lore, his outspokenly anti-Communist wife and three wholly American sons still lived.    He describes the Lore family with some detail:    I was introduced to Lillian Lore, Ludwig's remarkable wife, who in large part provided those meals, and, by some economic miracle, had kept that amazing household together during the long, lean years, had fed the endless procession of guests. "Die unvergessliche Lores-the unforgettable Lores," a German friend had called them ... I have seldom seen a happy family life so explicit in the characters of all who shared it...   I soon came to regard the Lores' house as a kind of second home.  For Ludwig I developed an almost filial feeling as of a younger for an older revolutionist.  The kindness of all the Lores to me was personal, and in spite of politics, for all the other members of the family, except Ludwig, were outspoken in their detestation of the Communist Party.     Chambers also describes a defector's fear of retribution from the Soviet Underground, which Lore and he shared:   I did not know that at the very time I was visiting him most frequently, Lore was under surveillance.  He was being watched, not by the American authorities, but by the Russian secret police...  I discovered that he was afraid to walk alone with me on the street at night and that he was terrified to get into an automobile alone with me. Then I knew that there was something seriously amiss. But I had been out of the Communist Party six or seven years, and Lore was dead, before I discovered that the old Bolshevik, in whom, as a younger man, I respected the older revolutionist, had denounced me (around 1941) to the F.B.I. I learned it not from the FBI, but from another security agency of the Government.  I respected Lore all the more for that act. My feeling for him and for all the Lores remained unchanged.

Paragraph 27: The second model referred to by the document ("model 2" in the ordering) was an improved method that combined servlet technology with JSP technology. The specific difference listed was that a servlet would intercept the request, place the content to render into a request attribute (typically represented by a JavaBean), then call a JSP to render the content in the desired output format. This model differed from the previous model in the fact that JSP technology was used as a pure template engine. All of the logic was separated out into a servlet, leaving the JSP with the sole responsibility of rendering the output for the content provided.

Paragraph 28: Liliana is the Croatian childhood friend of Erica and belongs to the organization  which is a mage/knight organization similar to, yet occasionally working but usually competing with, the Copper Black Cross. The organization serves the Campione Salvatore Doni, although her grandfather and some other members favor and support the Campione Sasha Dejanstahl Voban by preference. The Bronze Black Cross are referred to as blue berserkers. Liliana has been also been called the Sword Fairy and Blue Witch, although these seem to be more nicknames as she is rarely called either while Erica is called or calls herself Diavolo Rosso often. She possesses the sword Il Maestro, able to fight with great speed, excellent magic, and flying attacks similar to that of a falcon. When released, takes on its true appearance of a naginata, which releases spell melodies when swung that can disrupt the concentration of even the toughest of opponents, although since magic in nature it has limit, if any effect, on Campiones or gods. However, in naginata form the spell words of David are infused into it as well giving it the ability to harm gods. She is often compared to be on equal footing to Erica in both martial skills and combat, as well as known by people to be among the top of the current generation of Great Knights. However, due to her direct and upfront nature, she does not have the political acumen Erica possesses and is more gullible to Erica and Karen's pranks. She is also in love with Godou, but does her best to hide it from others. Usually covering up her desire to be in close proximity or help Godou with claims of merely serving her role as a knight or bodyguard. She is a silver-haired girl with a svelte body. Though she lacks the well-curved, voluptuous figure Erica possesses, her beauty is more along that of an ephemeral, delicate fairy. She is great at housework and cooking, is a descendant of witches, and has the hobby of writing embarrassing romantic novels. Her expertise over Erica is in flight magic, witchcraft, potions, communicating with plants and animals, and spells relating to water, earth, and sky. This allows her to make flying attacks similar to a sparrow, but with the ability to halt in midair, unaffected by gravity, before continuing her attack. This also gives her the ability to swim through water as easily as a fish, harvest herbs, cast hard spells and create difficult potions. She proved invaluable in not only opening a gate to the astral realm to rescue Godou and Erica, but the knowledge to create the potion required to be unaffected by the astral realm's environment. She can also summon and use the Bow of Jonathon, which is powerful enough to harm gods, such as Perseus. Although it appears she shoots four arrows at a time, only one is real, the others are illusions to increase the chances of the real arrow hitting.

Paragraph 29: As recounted in his 1952 memoir Witness, Whittaker Chambers came to know Lore because they both reported to rezident Markin:  He described him as follows:     Lore was an old Bolshevik. He had been a Socialist before the Russian Revolution. In those pre-revolutionary days, he had been the friend of Trotsky, then a New York Socialist journalist. After the Revolution, Lore had managed an American speaking trip for Alexandra Kollontai, the author of Red Love, later the Soviet ambassador to Sweden.  Bukharin, in his New York days, had eaten and slept in the apartment on 55th Street in Brooklyn, where Lore, his outspokenly anti-Communist wife and three wholly American sons still lived.    He describes the Lore family with some detail:    I was introduced to Lillian Lore, Ludwig's remarkable wife, who in large part provided those meals, and, by some economic miracle, had kept that amazing household together during the long, lean years, had fed the endless procession of guests. "Die unvergessliche Lores-the unforgettable Lores," a German friend had called them ... I have seldom seen a happy family life so explicit in the characters of all who shared it...   I soon came to regard the Lores' house as a kind of second home.  For Ludwig I developed an almost filial feeling as of a younger for an older revolutionist.  The kindness of all the Lores to me was personal, and in spite of politics, for all the other members of the family, except Ludwig, were outspoken in their detestation of the Communist Party.     Chambers also describes a defector's fear of retribution from the Soviet Underground, which Lore and he shared:   I did not know that at the very time I was visiting him most frequently, Lore was under surveillance.  He was being watched, not by the American authorities, but by the Russian secret police...  I discovered that he was afraid to walk alone with me on the street at night and that he was terrified to get into an automobile alone with me. Then I knew that there was something seriously amiss. But I had been out of the Communist Party six or seven years, and Lore was dead, before I discovered that the old Bolshevik, in whom, as a younger man, I respected the older revolutionist, had denounced me (around 1941) to the F.B.I. I learned it not from the FBI, but from another security agency of the Government.  I respected Lore all the more for that act. My feeling for him and for all the Lores remained unchanged.

Paragraph 30: "I Can Fly" / "Diary of a Narcissist" / "From the Underworld" / "Sweet William" / "Paradise Lost" / "Come on, Believe Me" / "I Don't Want Our Loving to Die" / "Our Fairy Tale" / "Sunshine Cottage" / "Miss Jones" / "The Game" / "Beauty Queen" / "You've Got Me Hangin' from Your Lovin' Tree" / "I Don't Wanna Go to Sleep Again" / "Understand Me" / "Follow the Leader" / "Charlie Anderson" / "Bang!" / "Mother's Blue Eyed Angel" / "Laugh and Dance and Sing" / "Sugarloaf Mountain" / "Half of Me" / "Sweet William" / "I Don't Want Our Loving to Die" / "The Game" / "From the Underworld" / "On My Way Home" / "I Can Fly" / "Goodbye Groovy" / "Mixed Up Minds" / "Impressions of Oliver" / "Paradise Lost" / "Sad" / "Something Strange" / "On My Own" / "She Loves Me, She Loves Me Not" / "Fare Thee Well" / "Come on, Believe Me" / "Our Fairy Tale" / "You've Got Me Hangin' from Your Lovin' Tree" / "I Don't Wanna Go to Sleep Again" / "Goodbye Baby Goodbye" / "Here Comes the Fool" / "She Was Really Saying Something" / "It's Been a Long Time Baby" / "So Much in Love" / "This Boy's Always Been True"

Paragraph 31: As recounted in his 1952 memoir Witness, Whittaker Chambers came to know Lore because they both reported to rezident Markin:  He described him as follows:     Lore was an old Bolshevik. He had been a Socialist before the Russian Revolution. In those pre-revolutionary days, he had been the friend of Trotsky, then a New York Socialist journalist. After the Revolution, Lore had managed an American speaking trip for Alexandra Kollontai, the author of Red Love, later the Soviet ambassador to Sweden.  Bukharin, in his New York days, had eaten and slept in the apartment on 55th Street in Brooklyn, where Lore, his outspokenly anti-Communist wife and three wholly American sons still lived.    He describes the Lore family with some detail:    I was introduced to Lillian Lore, Ludwig's remarkable wife, who in large part provided those meals, and, by some economic miracle, had kept that amazing household together during the long, lean years, had fed the endless procession of guests. "Die unvergessliche Lores-the unforgettable Lores," a German friend had called them ... I have seldom seen a happy family life so explicit in the characters of all who shared it...   I soon came to regard the Lores' house as a kind of second home.  For Ludwig I developed an almost filial feeling as of a younger for an older revolutionist.  The kindness of all the Lores to me was personal, and in spite of politics, for all the other members of the family, except Ludwig, were outspoken in their detestation of the Communist Party.     Chambers also describes a defector's fear of retribution from the Soviet Underground, which Lore and he shared:   I did not know that at the very time I was visiting him most frequently, Lore was under surveillance.  He was being watched, not by the American authorities, but by the Russian secret police...  I discovered that he was afraid to walk alone with me on the street at night and that he was terrified to get into an automobile alone with me. Then I knew that there was something seriously amiss. But I had been out of the Communist Party six or seven years, and Lore was dead, before I discovered that the old Bolshevik, in whom, as a younger man, I respected the older revolutionist, had denounced me (around 1941) to the F.B.I. I learned it not from the FBI, but from another security agency of the Government.  I respected Lore all the more for that act. My feeling for him and for all the Lores remained unchanged.

Paragraph 32: As recounted in his 1952 memoir Witness, Whittaker Chambers came to know Lore because they both reported to rezident Markin:  He described him as follows:     Lore was an old Bolshevik. He had been a Socialist before the Russian Revolution. In those pre-revolutionary days, he had been the friend of Trotsky, then a New York Socialist journalist. After the Revolution, Lore had managed an American speaking trip for Alexandra Kollontai, the author of Red Love, later the Soviet ambassador to Sweden.  Bukharin, in his New York days, had eaten and slept in the apartment on 55th Street in Brooklyn, where Lore, his outspokenly anti-Communist wife and three wholly American sons still lived.    He describes the Lore family with some detail:    I was introduced to Lillian Lore, Ludwig's remarkable wife, who in large part provided those meals, and, by some economic miracle, had kept that amazing household together during the long, lean years, had fed the endless procession of guests. "Die unvergessliche Lores-the unforgettable Lores," a German friend had called them ... I have seldom seen a happy family life so explicit in the characters of all who shared it...   I soon came to regard the Lores' house as a kind of second home.  For Ludwig I developed an almost filial feeling as of a younger for an older revolutionist.  The kindness of all the Lores to me was personal, and in spite of politics, for all the other members of the family, except Ludwig, were outspoken in their detestation of the Communist Party.     Chambers also describes a defector's fear of retribution from the Soviet Underground, which Lore and he shared:   I did not know that at the very time I was visiting him most frequently, Lore was under surveillance.  He was being watched, not by the American authorities, but by the Russian secret police...  I discovered that he was afraid to walk alone with me on the street at night and that he was terrified to get into an automobile alone with me. Then I knew that there was something seriously amiss. But I had been out of the Communist Party six or seven years, and Lore was dead, before I discovered that the old Bolshevik, in whom, as a younger man, I respected the older revolutionist, had denounced me (around 1941) to the F.B.I. I learned it not from the FBI, but from another security agency of the Government.  I respected Lore all the more for that act. My feeling for him and for all the Lores remained unchanged.

Paragraph 33: "I Can Fly" / "Diary of a Narcissist" / "From the Underworld" / "Sweet William" / "Paradise Lost" / "Come on, Believe Me" / "I Don't Want Our Loving to Die" / "Our Fairy Tale" / "Sunshine Cottage" / "Miss Jones" / "The Game" / "Beauty Queen" / "You've Got Me Hangin' from Your Lovin' Tree" / "I Don't Wanna Go to Sleep Again" / "Understand Me" / "Follow the Leader" / "Charlie Anderson" / "Bang!" / "Mother's Blue Eyed Angel" / "Laugh and Dance and Sing" / "Sugarloaf Mountain" / "Half of Me" / "Sweet William" / "I Don't Want Our Loving to Die" / "The Game" / "From the Underworld" / "On My Way Home" / "I Can Fly" / "Goodbye Groovy" / "Mixed Up Minds" / "Impressions of Oliver" / "Paradise Lost" / "Sad" / "Something Strange" / "On My Own" / "She Loves Me, She Loves Me Not" / "Fare Thee Well" / "Come on, Believe Me" / "Our Fairy Tale" / "You've Got Me Hangin' from Your Lovin' Tree" / "I Don't Wanna Go to Sleep Again" / "Goodbye Baby Goodbye" / "Here Comes the Fool" / "She Was Really Saying Something" / "It's Been a Long Time Baby" / "So Much in Love" / "This Boy's Always Been True"

Paragraph 34: Liliana is the Croatian childhood friend of Erica and belongs to the organization  which is a mage/knight organization similar to, yet occasionally working but usually competing with, the Copper Black Cross. The organization serves the Campione Salvatore Doni, although her grandfather and some other members favor and support the Campione Sasha Dejanstahl Voban by preference. The Bronze Black Cross are referred to as blue berserkers. Liliana has been also been called the Sword Fairy and Blue Witch, although these seem to be more nicknames as she is rarely called either while Erica is called or calls herself Diavolo Rosso often. She possesses the sword Il Maestro, able to fight with great speed, excellent magic, and flying attacks similar to that of a falcon. When released, takes on its true appearance of a naginata, which releases spell melodies when swung that can disrupt the concentration of even the toughest of opponents, although since magic in nature it has limit, if any effect, on Campiones or gods. However, in naginata form the spell words of David are infused into it as well giving it the ability to harm gods. She is often compared to be on equal footing to Erica in both martial skills and combat, as well as known by people to be among the top of the current generation of Great Knights. However, due to her direct and upfront nature, she does not have the political acumen Erica possesses and is more gullible to Erica and Karen's pranks. She is also in love with Godou, but does her best to hide it from others. Usually covering up her desire to be in close proximity or help Godou with claims of merely serving her role as a knight or bodyguard. She is a silver-haired girl with a svelte body. Though she lacks the well-curved, voluptuous figure Erica possesses, her beauty is more along that of an ephemeral, delicate fairy. She is great at housework and cooking, is a descendant of witches, and has the hobby of writing embarrassing romantic novels. Her expertise over Erica is in flight magic, witchcraft, potions, communicating with plants and animals, and spells relating to water, earth, and sky. This allows her to make flying attacks similar to a sparrow, but with the ability to halt in midair, unaffected by gravity, before continuing her attack. This also gives her the ability to swim through water as easily as a fish, harvest herbs, cast hard spells and create difficult potions. She proved invaluable in not only opening a gate to the astral realm to rescue Godou and Erica, but the knowledge to create the potion required to be unaffected by the astral realm's environment. She can also summon and use the Bow of Jonathon, which is powerful enough to harm gods, such as Perseus. Although it appears she shoots four arrows at a time, only one is real, the others are illusions to increase the chances of the real arrow hitting.

Paragraph 35: Liliana is the Croatian childhood friend of Erica and belongs to the organization  which is a mage/knight organization similar to, yet occasionally working but usually competing with, the Copper Black Cross. The organization serves the Campione Salvatore Doni, although her grandfather and some other members favor and support the Campione Sasha Dejanstahl Voban by preference. The Bronze Black Cross are referred to as blue berserkers. Liliana has been also been called the Sword Fairy and Blue Witch, although these seem to be more nicknames as she is rarely called either while Erica is called or calls herself Diavolo Rosso often. She possesses the sword Il Maestro, able to fight with great speed, excellent magic, and flying attacks similar to that of a falcon. When released, takes on its true appearance of a naginata, which releases spell melodies when swung that can disrupt the concentration of even the toughest of opponents, although since magic in nature it has limit, if any effect, on Campiones or gods. However, in naginata form the spell words of David are infused into it as well giving it the ability to harm gods. She is often compared to be on equal footing to Erica in both martial skills and combat, as well as known by people to be among the top of the current generation of Great Knights. However, due to her direct and upfront nature, she does not have the political acumen Erica possesses and is more gullible to Erica and Karen's pranks. She is also in love with Godou, but does her best to hide it from others. Usually covering up her desire to be in close proximity or help Godou with claims of merely serving her role as a knight or bodyguard. She is a silver-haired girl with a svelte body. Though she lacks the well-curved, voluptuous figure Erica possesses, her beauty is more along that of an ephemeral, delicate fairy. She is great at housework and cooking, is a descendant of witches, and has the hobby of writing embarrassing romantic novels. Her expertise over Erica is in flight magic, witchcraft, potions, communicating with plants and animals, and spells relating to water, earth, and sky. This allows her to make flying attacks similar to a sparrow, but with the ability to halt in midair, unaffected by gravity, before continuing her attack. This also gives her the ability to swim through water as easily as a fish, harvest herbs, cast hard spells and create difficult potions. She proved invaluable in not only opening a gate to the astral realm to rescue Godou and Erica, but the knowledge to create the potion required to be unaffected by the astral realm's environment. She can also summon and use the Bow of Jonathon, which is powerful enough to harm gods, such as Perseus. Although it appears she shoots four arrows at a time, only one is real, the others are illusions to increase the chances of the real arrow hitting.

Paragraph 36: "I Can Fly" / "Diary of a Narcissist" / "From the Underworld" / "Sweet William" / "Paradise Lost" / "Come on, Believe Me" / "I Don't Want Our Loving to Die" / "Our Fairy Tale" / "Sunshine Cottage" / "Miss Jones" / "The Game" / "Beauty Queen" / "You've Got Me Hangin' from Your Lovin' Tree" / "I Don't Wanna Go to Sleep Again" / "Understand Me" / "Follow the Leader" / "Charlie Anderson" / "Bang!" / "Mother's Blue Eyed Angel" / "Laugh and Dance and Sing" / "Sugarloaf Mountain" / "Half of Me" / "Sweet William" / "I Don't Want Our Loving to Die" / "The Game" / "From the Underworld" / "On My Way Home" / "I Can Fly" / "Goodbye Groovy" / "Mixed Up Minds" / "Impressions of Oliver" / "Paradise Lost" / "Sad" / "Something Strange" / "On My Own" / "She Loves Me, She Loves Me Not" / "Fare Thee Well" / "Come on, Believe Me" / "Our Fairy Tale" / "You've Got Me Hangin' from Your Lovin' Tree" / "I Don't Wanna Go to Sleep Again" / "Goodbye Baby Goodbye" / "Here Comes the Fool" / "She Was Really Saying Something" / "It's Been a Long Time Baby" / "So Much in Love" / "This Boy's Always Been True"

Paragraph 37: "I Can Fly" / "Diary of a Narcissist" / "From the Underworld" / "Sweet William" / "Paradise Lost" / "Come on, Believe Me" / "I Don't Want Our Loving to Die" / "Our Fairy Tale" / "Sunshine Cottage" / "Miss Jones" / "The Game" / "Beauty Queen" / "You've Got Me Hangin' from Your Lovin' Tree" / "I Don't Wanna Go to Sleep Again" / "Understand Me" / "Follow the Leader" / "Charlie Anderson" / "Bang!" / "Mother's Blue Eyed Angel" / "Laugh and Dance and Sing" / "Sugarloaf Mountain" / "Half of Me" / "Sweet William" / "I Don't Want Our Loving to Die" / "The Game" / "From the Underworld" / "On My Way Home" / "I Can Fly" / "Goodbye Groovy" / "Mixed Up Minds" / "Impressions of Oliver" / "Paradise Lost" / "Sad" / "Something Strange" / "On My Own" / "She Loves Me, She Loves Me Not" / "Fare Thee Well" / "Come on, Believe Me" / "Our Fairy Tale" / "You've Got Me Hangin' from Your Lovin' Tree" / "I Don't Wanna Go to Sleep Again" / "Goodbye Baby Goodbye" / "Here Comes the Fool" / "She Was Really Saying Something" / "It's Been a Long Time Baby" / "So Much in Love" / "This Boy's Always Been True"

Paragraph 38: Her singles have consistently ranked on dance and club charts nationally and internationally. These include Out of Nowhere, a collaboration with StoneBridge, which ranked in the top 30 most played songs on US dance radio in 2015, Your Love with Kid Kenobi and Justin Hunter which ranked No. 3 on the ARIA Club Charts for six consecutive weeks, ranked No. 2 on the Kiss FM Charts, and was played on Rage and Channel V; Get What You Give with Alex Kenji and Manuel De La Mare (Spinnin' Records) which ranked No. 17 on the Progressive house chart on Beatport; Promise Me which ranked No. 1 on Track It Down for over four weeks and in the Top 10 on Beatport; Like A Flame which was released in July 2015 with Todd Terry and was featured on in House Sessions in Ibiza; Teardrop with Sydney Blu which ranked No. 13 on DMC World Magazine's Buzz Chart, ranked in Top 40 on ITunes Dance Charts, and was featured on the album Relentless which ranked in the top 20 on Beatport and in the top 40 on the ITunes Dance Charts; I Need A Miracle which ranked No. 4 on Juno Downloads; Can You Feel Me (Universal Music) which ranked No. 5 on the Australian radio charts and was featured on Pump It: Volume 4 compilation which ranked No. 3 on the ARIA Charts; I Think I'm in Love in collaboration with the Futuristic Polar Bears (Universal Music); Champagne Nights with the Stafford Brothers which was released on Ministry of Sound; Would Not Change a Thing with Soul Conspiracy which ranked No. 1 on Radio Metro; Black Rain, written with American house producer Ron Carroll, for which Wilson produced the Naked Remix which then debuted on Cr2 Records; Stop The World with Ralph Good (Warner Music and Kontor Records) which ranked No. 3 on the EDM charts in Canada, ranked on Beatport's Top 100 House charts, and featured on the Berlin Fashion Week official compilation, and the Kontor House of House compilation; Where You Are which was released on Japan's Sushi Records and ranked No. 3 on the Beatport Charts; and I'll Give You The World with Quix which ranked No. 21 in Spotify's New Music Friday Cratediggers playlist and was featured on Apple Music Germany Dance: The A-List, Apple Music Germany Dance: Hot Tracks, iTunes Canada Dance: The A-List, Beatport Trap/Future Bass: Staff Picks, and Aoki's House Radio Show on Sirius XM BPM.

Paragraph 39: The second model referred to by the document ("model 2" in the ordering) was an improved method that combined servlet technology with JSP technology. The specific difference listed was that a servlet would intercept the request, place the content to render into a request attribute (typically represented by a JavaBean), then call a JSP to render the content in the desired output format. This model differed from the previous model in the fact that JSP technology was used as a pure template engine. All of the logic was separated out into a servlet, leaving the JSP with the sole responsibility of rendering the output for the content provided.

Paragraph 40: "I Can Fly" / "Diary of a Narcissist" / "From the Underworld" / "Sweet William" / "Paradise Lost" / "Come on, Believe Me" / "I Don't Want Our Loving to Die" / "Our Fairy Tale" / "Sunshine Cottage" / "Miss Jones" / "The Game" / "Beauty Queen" / "You've Got Me Hangin' from Your Lovin' Tree" / "I Don't Wanna Go to Sleep Again" / "Understand Me" / "Follow the Leader" / "Charlie Anderson" / "Bang!" / "Mother's Blue Eyed Angel" / "Laugh and Dance and Sing" / "Sugarloaf Mountain" / "Half of Me" / "Sweet William" / "I Don't Want Our Loving to Die" / "The Game" / "From the Underworld" / "On My Way Home" / "I Can Fly" / "Goodbye Groovy" / "Mixed Up Minds" / "Impressions of Oliver" / "Paradise Lost" / "Sad" / "Something Strange" / "On My Own" / "She Loves Me, She Loves Me Not" / "Fare Thee Well" / "Come on, Believe Me" / "Our Fairy Tale" / "You've Got Me Hangin' from Your Lovin' Tree" / "I Don't Wanna Go to Sleep Again" / "Goodbye Baby Goodbye" / "Here Comes the Fool" / "She Was Really Saying Something" / "It's Been a Long Time Baby" / "So Much in Love" / "This Boy's Always Been True"

Paragraph 41: Liliana is the Croatian childhood friend of Erica and belongs to the organization  which is a mage/knight organization similar to, yet occasionally working but usually competing with, the Copper Black Cross. The organization serves the Campione Salvatore Doni, although her grandfather and some other members favor and support the Campione Sasha Dejanstahl Voban by preference. The Bronze Black Cross are referred to as blue berserkers. Liliana has been also been called the Sword Fairy and Blue Witch, although these seem to be more nicknames as she is rarely called either while Erica is called or calls herself Diavolo Rosso often. She possesses the sword Il Maestro, able to fight with great speed, excellent magic, and flying attacks similar to that of a falcon. When released, takes on its true appearance of a naginata, which releases spell melodies when swung that can disrupt the concentration of even the toughest of opponents, although since magic in nature it has limit, if any effect, on Campiones or gods. However, in naginata form the spell words of David are infused into it as well giving it the ability to harm gods. She is often compared to be on equal footing to Erica in both martial skills and combat, as well as known by people to be among the top of the current generation of Great Knights. However, due to her direct and upfront nature, she does not have the political acumen Erica possesses and is more gullible to Erica and Karen's pranks. She is also in love with Godou, but does her best to hide it from others. Usually covering up her desire to be in close proximity or help Godou with claims of merely serving her role as a knight or bodyguard. She is a silver-haired girl with a svelte body. Though she lacks the well-curved, voluptuous figure Erica possesses, her beauty is more along that of an ephemeral, delicate fairy. She is great at housework and cooking, is a descendant of witches, and has the hobby of writing embarrassing romantic novels. Her expertise over Erica is in flight magic, witchcraft, potions, communicating with plants and animals, and spells relating to water, earth, and sky. This allows her to make flying attacks similar to a sparrow, but with the ability to halt in midair, unaffected by gravity, before continuing her attack. This also gives her the ability to swim through water as easily as a fish, harvest herbs, cast hard spells and create difficult potions. She proved invaluable in not only opening a gate to the astral realm to rescue Godou and Erica, but the knowledge to create the potion required to be unaffected by the astral realm's environment. She can also summon and use the Bow of Jonathon, which is powerful enough to harm gods, such as Perseus. Although it appears she shoots four arrows at a time, only one is real, the others are illusions to increase the chances of the real arrow hitting.

Paragraph 42: "I Can Fly" / "Diary of a Narcissist" / "From the Underworld" / "Sweet William" / "Paradise Lost" / "Come on, Believe Me" / "I Don't Want Our Loving to Die" / "Our Fairy Tale" / "Sunshine Cottage" / "Miss Jones" / "The Game" / "Beauty Queen" / "You've Got Me Hangin' from Your Lovin' Tree" / "I Don't Wanna Go to Sleep Again" / "Understand Me" / "Follow the Leader" / "Charlie Anderson" / "Bang!" / "Mother's Blue Eyed Angel" / "Laugh and Dance and Sing" / "Sugarloaf Mountain" / "Half of Me" / "Sweet William" / "I Don't Want Our Loving to Die" / "The Game" / "From the Underworld" / "On My Way Home" / "I Can Fly" / "Goodbye Groovy" / "Mixed Up Minds" / "Impressions of Oliver" / "Paradise Lost" / "Sad" / "Something Strange" / "On My Own" / "She Loves Me, She Loves Me Not" / "Fare Thee Well" / "Come on, Believe Me" / "Our Fairy Tale" / "You've Got Me Hangin' from Your Lovin' Tree" / "I Don't Wanna Go to Sleep Again" / "Goodbye Baby Goodbye" / "Here Comes the Fool" / "She Was Really Saying Something" / "It's Been a Long Time Baby" / "So Much in Love" / "This Boy's Always Been True"

Answer: 5