Paragraph 1: Sabiha Kalolwala of The Indian Express wrote, "Rakesh Roshan has been smart enough to make a film which encompasses all the facets of acting — drama, action, romance, thrill, comedy and tragedy, all of them enacted pretty well by Hrithik Roshan." Of the soundtrack, he wrote, "There is not even one song which is not enjoyable." Anupama Chopra, reviewing the film for India Today wrote, "... Rakesh has taken the routine love-story, added a thriller twist and narrated it with style. KNPH isn't about path-breaking craft, it's about blockbuster presentation. Rakesh's sweat and money are apparent in every frame." She concluded writing, "What doesn't work is the tired villain track. Kher, one of Bollywood's finest, hams from frame 1. Perhaps the idea of playing disgruntled papa yet again was too tedious. His post-climax repenting is almost comical. The rest of the gang isn't much better. The plot is as stale as the performances." Kanchana Suggu of Rediff.com called the film a "great entertainer" and wrote, "One must say Rakesh Roshan knew what he was doing when he cast Hrithik as the lead. The boy is good. The ease and style with which he dances, emotes, fights, makes one forget this is his debut film. He’s had to essay two different characters, and he’s done justice to both." Also commending the performances of other actors, she wrote praises of other departments in that the "music is good, the songs are catchy, the cinematography is appealing, the direction is unobtrusive and the story is actually 'different'."

Paragraph 2: On June 2, 2010, Schneider signed a two-year, $1.8 million contract extension with the Vancouver Canucks. Assistant general manager Laurence Gilman asserted that the new deal should establish him as Luongo's backup and garner more exposure to potentially facilitate a trade to another NHL team. He made his first start of the 2010–11 season on October 18, 2010, against the Carolina Hurricanes. He stopped 32 shots in a 5–1 win, marking his first NHL victory since December 14, 2008. Later in the season, he recorded his first NHL shutout, stopping 26 shots in a 3–0 win against the Anaheim Ducks on March 6, 2011. Nearing the end of the regular season, the Canucks were leading the league in team GAA, putting Luongo and Schneider in contention for the William M. Jennings Trophy. However, with a week remaining in the regular season, Schneider was two appearances short of the 25-game minimum to qualify for the Jennings (had he not reached the requirement, Luongo would have been awarded the trophy by himself). While head coach Alain Vigneault initially dismissed the notion of playing Schneider for the sole purpose of sharing the award with Luongo, he sent Schneider in relief of Luongo with 28 seconds remaining in the third-last game of the season, a 2–0 loss to the Edmonton Oilers for Schneider's 24th appearance. Two games later – the Canucks' last contest of the regular season – Schneider was given the start against the Calgary Flames. Needing to allow seven goals or fewer to secure the Jennings, he helped Vancouver to a 3–2 overtime win. It marked the first time in the trophy's history that it was awarded to Canucks goaltenders. Luongo and Schneider's combined GAA of 2.20 was 0.10 better than the Boston Bruins' second-place goaltending tandem of Tim Thomas and Tuukka Rask. Schneider completed his NHL rookie season with a 2.23 GAA and .929 save percentage in 25 games (22 starts), as well as a 16-4-2 record. His GAA tied for fourth in the league, while his save percentage ranked third and set a single-season Canucks record.

Paragraph 3: Alfred Lyttelton KC (7 February 1857 – 5 July 1913) was a British politician and sportsman from the Lyttelton family who excelled at both football and cricket. During his time at university he participated in Varsity Matches in five sports: cricket (1876–79), football (1876–78), athletics (1876; selected to throw the hammer), rackets (1877–79) and real tennis (1877–79), displaying an ability that made him arguably the pre-eminent sportsman of his generation; his only rival in terms of versatility was Oxford's Cuthbert Ottaway. He was, among numerous other achievements, the first man to represent England at both football and cricket. Lyttelton was also a successful politician and served as Secretary of State for the Colonies between 1903 and 1905.

Paragraph 4: On June 2, 2010, Schneider signed a two-year, $1.8 million contract extension with the Vancouver Canucks. Assistant general manager Laurence Gilman asserted that the new deal should establish him as Luongo's backup and garner more exposure to potentially facilitate a trade to another NHL team. He made his first start of the 2010–11 season on October 18, 2010, against the Carolina Hurricanes. He stopped 32 shots in a 5–1 win, marking his first NHL victory since December 14, 2008. Later in the season, he recorded his first NHL shutout, stopping 26 shots in a 3–0 win against the Anaheim Ducks on March 6, 2011. Nearing the end of the regular season, the Canucks were leading the league in team GAA, putting Luongo and Schneider in contention for the William M. Jennings Trophy. However, with a week remaining in the regular season, Schneider was two appearances short of the 25-game minimum to qualify for the Jennings (had he not reached the requirement, Luongo would have been awarded the trophy by himself). While head coach Alain Vigneault initially dismissed the notion of playing Schneider for the sole purpose of sharing the award with Luongo, he sent Schneider in relief of Luongo with 28 seconds remaining in the third-last game of the season, a 2–0 loss to the Edmonton Oilers for Schneider's 24th appearance. Two games later – the Canucks' last contest of the regular season – Schneider was given the start against the Calgary Flames. Needing to allow seven goals or fewer to secure the Jennings, he helped Vancouver to a 3–2 overtime win. It marked the first time in the trophy's history that it was awarded to Canucks goaltenders. Luongo and Schneider's combined GAA of 2.20 was 0.10 better than the Boston Bruins' second-place goaltending tandem of Tim Thomas and Tuukka Rask. Schneider completed his NHL rookie season with a 2.23 GAA and .929 save percentage in 25 games (22 starts), as well as a 16-4-2 record. His GAA tied for fourth in the league, while his save percentage ranked third and set a single-season Canucks record.

Paragraph 5: On January 5, 1998, WCGV/Sinclair decided to drop the UPN affiliation over ratings and monetary issues, as did several other Sinclair stations in other markets after the company signed a lucrative affiliation deal with The WB (which included WVTV; the station affiliated with The WB on May 19,1997 prior to WCGV dropping UPN) to shift several stations from UPN. For eight months, the station reverted to being an independent station, though the only effect on the station's schedule was the replacement of UPN programming with syndicated film packages during prime time and Saturday afternoons, and paid programming in place of UPN Kids on Sunday mornings. A few local cable providers brought in the network's New York City area affiliate WWOR-TV to keep UPN programming available in the Milwaukee area, but for the most part the network was only seen on cable systems on the fringe of the market via WACY-TV in Appleton and WPWR-TV from Chicago; viewers could also choose to pull those stations over-the-air via antenna, along with the network's off-hours affiliation on WOOD-TV/WOTV across the lake in Grand Rapids, Michigan. Otherwise, most providers had dropped WWOR's "superstation" cable feed years before due to uninteresting programming replacing the main signal after SyndEx laws came into place, and the cable feed had been discontinued by satellite distribution rights holder Advance Entertainment Corporation a year earlier to increase distribution for Animal Planet.

Paragraph 6: On June 2, 2010, Schneider signed a two-year, $1.8 million contract extension with the Vancouver Canucks. Assistant general manager Laurence Gilman asserted that the new deal should establish him as Luongo's backup and garner more exposure to potentially facilitate a trade to another NHL team. He made his first start of the 2010–11 season on October 18, 2010, against the Carolina Hurricanes. He stopped 32 shots in a 5–1 win, marking his first NHL victory since December 14, 2008. Later in the season, he recorded his first NHL shutout, stopping 26 shots in a 3–0 win against the Anaheim Ducks on March 6, 2011. Nearing the end of the regular season, the Canucks were leading the league in team GAA, putting Luongo and Schneider in contention for the William M. Jennings Trophy. However, with a week remaining in the regular season, Schneider was two appearances short of the 25-game minimum to qualify for the Jennings (had he not reached the requirement, Luongo would have been awarded the trophy by himself). While head coach Alain Vigneault initially dismissed the notion of playing Schneider for the sole purpose of sharing the award with Luongo, he sent Schneider in relief of Luongo with 28 seconds remaining in the third-last game of the season, a 2–0 loss to the Edmonton Oilers for Schneider's 24th appearance. Two games later – the Canucks' last contest of the regular season – Schneider was given the start against the Calgary Flames. Needing to allow seven goals or fewer to secure the Jennings, he helped Vancouver to a 3–2 overtime win. It marked the first time in the trophy's history that it was awarded to Canucks goaltenders. Luongo and Schneider's combined GAA of 2.20 was 0.10 better than the Boston Bruins' second-place goaltending tandem of Tim Thomas and Tuukka Rask. Schneider completed his NHL rookie season with a 2.23 GAA and .929 save percentage in 25 games (22 starts), as well as a 16-4-2 record. His GAA tied for fourth in the league, while his save percentage ranked third and set a single-season Canucks record.

Paragraph 7: During most of the Super Bowl's first decade, the halftime show featured a college marching band. The show's second decade featured a more varied show, often featuring drill teams and other performance ensembles; the group Up with People produced and starred in four of the performances. The middle of the third decade, in an effort to counter other networks' efforts to counterprogram the game, saw the introduction of popular music acts such as New Kids on the Block, Gloria Estefan, Michael Jackson, Clint Black, Patti LaBelle, and Tony Bennett. Starting with Super Bowl XXXII, commercial sponsors presented the halftime show; within five years, the tradition of having a theme—begun with Super Bowl III—ended, replaced by major music productions by arena rock bands and other high-profile acts. In the six years immediately following an incident at Super Bowl XXXVIII where Justin Timberlake exposed one of Janet Jackson's breasts in an alleged "wardrobe malfunction", all of the halftime shows consisted of a performance by one artist or group, with the musicians in that era primarily being rock artists from the 1960s, 1970s and 1980s.  These shows were considered "family friendly" and the time in which they took place has been described as "the age of reactionary halftime shows". Since Super Bowl XLV, the halftime show has returned to featuring popular contemporary musicians, with the typical format featuring a single headline artist collaborating with a small number of guest acts.

Paragraph 8: Sabiha Kalolwala of The Indian Express wrote, "Rakesh Roshan has been smart enough to make a film which encompasses all the facets of acting — drama, action, romance, thrill, comedy and tragedy, all of them enacted pretty well by Hrithik Roshan." Of the soundtrack, he wrote, "There is not even one song which is not enjoyable." Anupama Chopra, reviewing the film for India Today wrote, "... Rakesh has taken the routine love-story, added a thriller twist and narrated it with style. KNPH isn't about path-breaking craft, it's about blockbuster presentation. Rakesh's sweat and money are apparent in every frame." She concluded writing, "What doesn't work is the tired villain track. Kher, one of Bollywood's finest, hams from frame 1. Perhaps the idea of playing disgruntled papa yet again was too tedious. His post-climax repenting is almost comical. The rest of the gang isn't much better. The plot is as stale as the performances." Kanchana Suggu of Rediff.com called the film a "great entertainer" and wrote, "One must say Rakesh Roshan knew what he was doing when he cast Hrithik as the lead. The boy is good. The ease and style with which he dances, emotes, fights, makes one forget this is his debut film. He’s had to essay two different characters, and he’s done justice to both." Also commending the performances of other actors, she wrote praises of other departments in that the "music is good, the songs are catchy, the cinematography is appealing, the direction is unobtrusive and the story is actually 'different'."

Paragraph 9: During most of the Super Bowl's first decade, the halftime show featured a college marching band. The show's second decade featured a more varied show, often featuring drill teams and other performance ensembles; the group Up with People produced and starred in four of the performances. The middle of the third decade, in an effort to counter other networks' efforts to counterprogram the game, saw the introduction of popular music acts such as New Kids on the Block, Gloria Estefan, Michael Jackson, Clint Black, Patti LaBelle, and Tony Bennett. Starting with Super Bowl XXXII, commercial sponsors presented the halftime show; within five years, the tradition of having a theme—begun with Super Bowl III—ended, replaced by major music productions by arena rock bands and other high-profile acts. In the six years immediately following an incident at Super Bowl XXXVIII where Justin Timberlake exposed one of Janet Jackson's breasts in an alleged "wardrobe malfunction", all of the halftime shows consisted of a performance by one artist or group, with the musicians in that era primarily being rock artists from the 1960s, 1970s and 1980s.  These shows were considered "family friendly" and the time in which they took place has been described as "the age of reactionary halftime shows". Since Super Bowl XLV, the halftime show has returned to featuring popular contemporary musicians, with the typical format featuring a single headline artist collaborating with a small number of guest acts.

Paragraph 10: On January 5, 1998, WCGV/Sinclair decided to drop the UPN affiliation over ratings and monetary issues, as did several other Sinclair stations in other markets after the company signed a lucrative affiliation deal with The WB (which included WVTV; the station affiliated with The WB on May 19,1997 prior to WCGV dropping UPN) to shift several stations from UPN. For eight months, the station reverted to being an independent station, though the only effect on the station's schedule was the replacement of UPN programming with syndicated film packages during prime time and Saturday afternoons, and paid programming in place of UPN Kids on Sunday mornings. A few local cable providers brought in the network's New York City area affiliate WWOR-TV to keep UPN programming available in the Milwaukee area, but for the most part the network was only seen on cable systems on the fringe of the market via WACY-TV in Appleton and WPWR-TV from Chicago; viewers could also choose to pull those stations over-the-air via antenna, along with the network's off-hours affiliation on WOOD-TV/WOTV across the lake in Grand Rapids, Michigan. Otherwise, most providers had dropped WWOR's "superstation" cable feed years before due to uninteresting programming replacing the main signal after SyndEx laws came into place, and the cable feed had been discontinued by satellite distribution rights holder Advance Entertainment Corporation a year earlier to increase distribution for Animal Planet.

Paragraph 11: Until the Meiji, Tsushima was a frontier between Japan and Korea, heavily dependent on the trade with Korea, with unique institutions/systems of trade which strongly resembled those of Korean, not Japanese, institutions - for instance, measurement system for the taxation of land in Japan, is determined by the production of kokus of rice. Tsushima had a low production of rice, so it was permitted to use a unique survey system (Kendaka (間高)) by Tokugawa shogunate. Because it had originated in China Land Survey System (間尺法), it was similar to the system of Korea - gyeolbu (結負制); Tsushima law resembled Korean law in its calculation of finances. "Unfree labor" or slavery for fixed periods of time, always rare in any form in the rest of Japan, existed as an established institution, often as a form of punishment, in Tsushima as it did in Korea. The Tsushima han owned a  place of residence in Busan, according to Murai Shosuke, the Japanese was given the title from the Joseon dynasty is called "marginal men", was responsible for security in this residential area. Lewis also cites the official preparations of Sō Yoshitoshi listing some 1,000 Koreans as guides in preparation for Hideyoshi's invasions of Korea to support a "zone of ambiguous boundary qualities" aspect of Tsushima. The islanders spoke the Tsushima dialect and their daily customs, social structure, and economic interactions were in Japanese, with exception of loanwords from Korean in their dialect.

Paragraph 12: Until the Meiji, Tsushima was a frontier between Japan and Korea, heavily dependent on the trade with Korea, with unique institutions/systems of trade which strongly resembled those of Korean, not Japanese, institutions - for instance, measurement system for the taxation of land in Japan, is determined by the production of kokus of rice. Tsushima had a low production of rice, so it was permitted to use a unique survey system (Kendaka (間高)) by Tokugawa shogunate. Because it had originated in China Land Survey System (間尺法), it was similar to the system of Korea - gyeolbu (結負制); Tsushima law resembled Korean law in its calculation of finances. "Unfree labor" or slavery for fixed periods of time, always rare in any form in the rest of Japan, existed as an established institution, often as a form of punishment, in Tsushima as it did in Korea. The Tsushima han owned a  place of residence in Busan, according to Murai Shosuke, the Japanese was given the title from the Joseon dynasty is called "marginal men", was responsible for security in this residential area. Lewis also cites the official preparations of Sō Yoshitoshi listing some 1,000 Koreans as guides in preparation for Hideyoshi's invasions of Korea to support a "zone of ambiguous boundary qualities" aspect of Tsushima. The islanders spoke the Tsushima dialect and their daily customs, social structure, and economic interactions were in Japanese, with exception of loanwords from Korean in their dialect.

Paragraph 13: Until the Meiji, Tsushima was a frontier between Japan and Korea, heavily dependent on the trade with Korea, with unique institutions/systems of trade which strongly resembled those of Korean, not Japanese, institutions - for instance, measurement system for the taxation of land in Japan, is determined by the production of kokus of rice. Tsushima had a low production of rice, so it was permitted to use a unique survey system (Kendaka (間高)) by Tokugawa shogunate. Because it had originated in China Land Survey System (間尺法), it was similar to the system of Korea - gyeolbu (結負制); Tsushima law resembled Korean law in its calculation of finances. "Unfree labor" or slavery for fixed periods of time, always rare in any form in the rest of Japan, existed as an established institution, often as a form of punishment, in Tsushima as it did in Korea. The Tsushima han owned a  place of residence in Busan, according to Murai Shosuke, the Japanese was given the title from the Joseon dynasty is called "marginal men", was responsible for security in this residential area. Lewis also cites the official preparations of Sō Yoshitoshi listing some 1,000 Koreans as guides in preparation for Hideyoshi's invasions of Korea to support a "zone of ambiguous boundary qualities" aspect of Tsushima. The islanders spoke the Tsushima dialect and their daily customs, social structure, and economic interactions were in Japanese, with exception of loanwords from Korean in their dialect.

Paragraph 14: During most of the Super Bowl's first decade, the halftime show featured a college marching band. The show's second decade featured a more varied show, often featuring drill teams and other performance ensembles; the group Up with People produced and starred in four of the performances. The middle of the third decade, in an effort to counter other networks' efforts to counterprogram the game, saw the introduction of popular music acts such as New Kids on the Block, Gloria Estefan, Michael Jackson, Clint Black, Patti LaBelle, and Tony Bennett. Starting with Super Bowl XXXII, commercial sponsors presented the halftime show; within five years, the tradition of having a theme—begun with Super Bowl III—ended, replaced by major music productions by arena rock bands and other high-profile acts. In the six years immediately following an incident at Super Bowl XXXVIII where Justin Timberlake exposed one of Janet Jackson's breasts in an alleged "wardrobe malfunction", all of the halftime shows consisted of a performance by one artist or group, with the musicians in that era primarily being rock artists from the 1960s, 1970s and 1980s.  These shows were considered "family friendly" and the time in which they took place has been described as "the age of reactionary halftime shows". Since Super Bowl XLV, the halftime show has returned to featuring popular contemporary musicians, with the typical format featuring a single headline artist collaborating with a small number of guest acts.

Paragraph 15: Alfred Lyttelton KC (7 February 1857 – 5 July 1913) was a British politician and sportsman from the Lyttelton family who excelled at both football and cricket. During his time at university he participated in Varsity Matches in five sports: cricket (1876–79), football (1876–78), athletics (1876; selected to throw the hammer), rackets (1877–79) and real tennis (1877–79), displaying an ability that made him arguably the pre-eminent sportsman of his generation; his only rival in terms of versatility was Oxford's Cuthbert Ottaway. He was, among numerous other achievements, the first man to represent England at both football and cricket. Lyttelton was also a successful politician and served as Secretary of State for the Colonies between 1903 and 1905.

Paragraph 16: The construction of an elevated aqueduct to carry the Croton Aqueduct over the valley in 1838–1842 separated the eastern side of the valley from the village of Bloomingdale, which had emerged around the Bloomingdale Road until the 1870s, when it was replaced with an underground inverted siphon, and the old aqueduct was torn down. Early development in the 1870s and 1880s focused on institutional care for the sick or aged, and included the Hebrew Home for the Aged, the Catholic Old Age Home, the Home for Respectable Aged Indigent Females, and the Towers Nursing Home constructed as a cancer ward by John Jacob Astor III in 1884. Also located in Manhattan Valley at the time was the New York Cancer Hospital, which was built in 1887 at 455 Central Park West. These, together with the Lion Brewery, gave the area its earliest landmarks. The neighborhood began to fill out residentially at the end of the 19th century and beginning of the 20th, when the New York City Subway's IRT Ninth Avenue Line in 1870 and the IRT Broadway – Seventh Avenue Line in 1904 allowed the public ready access to uptown Manhattan. Columbia's purchase of the Bloomingdale Lunatic Asylum at around the same time as the subway's arrival naturally made the neighborhood more attractive as well.

Paragraph 17: Until the Meiji, Tsushima was a frontier between Japan and Korea, heavily dependent on the trade with Korea, with unique institutions/systems of trade which strongly resembled those of Korean, not Japanese, institutions - for instance, measurement system for the taxation of land in Japan, is determined by the production of kokus of rice. Tsushima had a low production of rice, so it was permitted to use a unique survey system (Kendaka (間高)) by Tokugawa shogunate. Because it had originated in China Land Survey System (間尺法), it was similar to the system of Korea - gyeolbu (結負制); Tsushima law resembled Korean law in its calculation of finances. "Unfree labor" or slavery for fixed periods of time, always rare in any form in the rest of Japan, existed as an established institution, often as a form of punishment, in Tsushima as it did in Korea. The Tsushima han owned a  place of residence in Busan, according to Murai Shosuke, the Japanese was given the title from the Joseon dynasty is called "marginal men", was responsible for security in this residential area. Lewis also cites the official preparations of Sō Yoshitoshi listing some 1,000 Koreans as guides in preparation for Hideyoshi's invasions of Korea to support a "zone of ambiguous boundary qualities" aspect of Tsushima. The islanders spoke the Tsushima dialect and their daily customs, social structure, and economic interactions were in Japanese, with exception of loanwords from Korean in their dialect.

Paragraph 18: During most of the Super Bowl's first decade, the halftime show featured a college marching band. The show's second decade featured a more varied show, often featuring drill teams and other performance ensembles; the group Up with People produced and starred in four of the performances. The middle of the third decade, in an effort to counter other networks' efforts to counterprogram the game, saw the introduction of popular music acts such as New Kids on the Block, Gloria Estefan, Michael Jackson, Clint Black, Patti LaBelle, and Tony Bennett. Starting with Super Bowl XXXII, commercial sponsors presented the halftime show; within five years, the tradition of having a theme—begun with Super Bowl III—ended, replaced by major music productions by arena rock bands and other high-profile acts. In the six years immediately following an incident at Super Bowl XXXVIII where Justin Timberlake exposed one of Janet Jackson's breasts in an alleged "wardrobe malfunction", all of the halftime shows consisted of a performance by one artist or group, with the musicians in that era primarily being rock artists from the 1960s, 1970s and 1980s.  These shows were considered "family friendly" and the time in which they took place has been described as "the age of reactionary halftime shows". Since Super Bowl XLV, the halftime show has returned to featuring popular contemporary musicians, with the typical format featuring a single headline artist collaborating with a small number of guest acts.

Paragraph 19: The construction of an elevated aqueduct to carry the Croton Aqueduct over the valley in 1838–1842 separated the eastern side of the valley from the village of Bloomingdale, which had emerged around the Bloomingdale Road until the 1870s, when it was replaced with an underground inverted siphon, and the old aqueduct was torn down. Early development in the 1870s and 1880s focused on institutional care for the sick or aged, and included the Hebrew Home for the Aged, the Catholic Old Age Home, the Home for Respectable Aged Indigent Females, and the Towers Nursing Home constructed as a cancer ward by John Jacob Astor III in 1884. Also located in Manhattan Valley at the time was the New York Cancer Hospital, which was built in 1887 at 455 Central Park West. These, together with the Lion Brewery, gave the area its earliest landmarks. The neighborhood began to fill out residentially at the end of the 19th century and beginning of the 20th, when the New York City Subway's IRT Ninth Avenue Line in 1870 and the IRT Broadway – Seventh Avenue Line in 1904 allowed the public ready access to uptown Manhattan. Columbia's purchase of the Bloomingdale Lunatic Asylum at around the same time as the subway's arrival naturally made the neighborhood more attractive as well.

Paragraph 20: Until the Meiji, Tsushima was a frontier between Japan and Korea, heavily dependent on the trade with Korea, with unique institutions/systems of trade which strongly resembled those of Korean, not Japanese, institutions - for instance, measurement system for the taxation of land in Japan, is determined by the production of kokus of rice. Tsushima had a low production of rice, so it was permitted to use a unique survey system (Kendaka (間高)) by Tokugawa shogunate. Because it had originated in China Land Survey System (間尺法), it was similar to the system of Korea - gyeolbu (結負制); Tsushima law resembled Korean law in its calculation of finances. "Unfree labor" or slavery for fixed periods of time, always rare in any form in the rest of Japan, existed as an established institution, often as a form of punishment, in Tsushima as it did in Korea. The Tsushima han owned a  place of residence in Busan, according to Murai Shosuke, the Japanese was given the title from the Joseon dynasty is called "marginal men", was responsible for security in this residential area. Lewis also cites the official preparations of Sō Yoshitoshi listing some 1,000 Koreans as guides in preparation for Hideyoshi's invasions of Korea to support a "zone of ambiguous boundary qualities" aspect of Tsushima. The islanders spoke the Tsushima dialect and their daily customs, social structure, and economic interactions were in Japanese, with exception of loanwords from Korean in their dialect.

Answer: 7