Paragraph 1: The film received mixed to positive reviews from critics. Taran Adarsh of Bollywood Hungama gave a score of 4/5 and said "BODYGUARD works for varied reasons – it has a simple, captivating story with a dramatic twist in the tale, the chemistry between the lead actors is poor but the music is well juxtaposed in the narrative. But its biggest USP is, without doubt, Salman Khan. He carries the film on his broad and brawny shoulders and that alone is the imperative reason for watching this film." Komal Nahta of Koimoi, while praising the performance of Salman Khan, gave it a rating of 4/5 and wrote, "Bodyguard will prove to be a hit because of Salman Khan's performance." Zee News gave the film 4 stars and praised the directorial skills of Siddique: "Kudos to filmmaker Siddique to have presented Salman Khan in a way never seen before! And the action sequences are breathtaking." Oneindia.in awarded the movie 4 stars and stated, "Overall, Bodyguard is a good masala entertainer and it can be a perfect time-passer for this Eid and Ganesh festive seasons. Salman's fans should not miss to watch this movie." Samay Live gave it 4 stars and wrote; "There are stunning events of twist in the film which will keep you stay with your seats till the end. Shivesh Kumar of IndiaWeekly awarded the movie 4 out of 5 stars. Kaveree Bamzai of India Today awarded the movie 3 stars and stated: "Anyone who has watched Khan's recent movies will recognise the signs – a killer dialogue which will be remembered till the next blockbuster is manufactured, a signature ring tone, and a pre-fight ritual-in this case, it is taking off his watch. In his review for The Times of India, Gaurav Malani wrote: "Salman Khan is cool and convincing in the title role. His subdued act and charming innocence wins your heart. Kareena Kapoor is likeable ... Bodyguard doesn't catch you off guard. But it's a decent entertainer nonetheless." Phelim O'Neill of The Guardian praised the technical aspects of the film and awarded three of five stars: "Bollywood movies have improved dramatically in technical terms over the last few years. Here the fight and stunt sequences are afforded as much care and attention as the song and dance scenes; it's all top-notch stuff." Daily Bhaskar awarded the movie three out of five stars and wrote: "Salman, Kareena and Siddique serve a good Eid biryani for the audience by blending romance, action and comedy." Shubha Shetty-Saha of MiD DAY gave it two and a half stars saying, "The film is obviously not expected to be intellectually stimulating. But to give it due credit, it provides loads of entertainment, the kind you may have come to expect of a Salman Khan film." Sukanya Verma of Rediff gave it 2.5 of 5 stars and stated: "A standard entertainer with generic ingredients like action, emotion, romance, comedy, song and dance, the Hindi remake of Malayalam super-hit Bodyguard is like a mediocre Pizza Margherita that's gone stingy on the mozzarella, bland on the sauce with nothing except a half-crunchy base and uneven scattering of basil leaves."

Paragraph 2: William Arras Johnston (26 February 1922 – 25 May 2007) was an Australian cricketer who played in forty Test matches from 1947 to 1955. A left arm pace bowler, as well as a left arm orthodox spinner, Johnston was best known as a spearhead of Don Bradman's undefeated 1948 touring team, well known as "The Invincibles". Johnston headed the wicket-taking lists in both Test and first-class matches on the tour, and was the last Australian to take over 100 wickets on a tour of England. In recognition of his performances, he was named by Wisden as one of its Cricketers of the Year in 1949. The publication stated that "no Australian made a greater personal contribution to the playing success of the 1948 side". Regarded by Bradman as Australia's greatest-ever left-arm bowler, Johnston was noted for his endurance in bowling pace with the new ball and spin when the ball had worn. He became the fastest bowler to reach 100 Test wickets in 1951–52, at the time averaging less than nineteen with the ball. By the end of the season, he had played 24 Tests and contributed 111 wickets. Australia won nineteen and lost only two of these Tests. In 1953, a knee injury forced him to remodel his bowling action, and he became less effective before retiring after aggravating the injury in 1955. In retirement, he worked in sales and marketing, and later ran his own businesses. He had two sons, one of whom became a cricket administrator. Johnston died at the age of 85 on 25 May 2007.

Paragraph 3: In May and June, the units of the original British force which had arrived in Archangel in August and September 1918 finally received orders for home. In early June the French troops were withdrawn and the Royal Marines detachment was also sent home, followed by all Canadian troops after it was requested that they be repatriated. All remaining American troops also left for home. The Serbian troops (perhaps Maynard's best infantry fighters) became unreliable as others withdrew around them. By 3 July, the Italian company was on the verge of mutiny as its men were seriously disaffected with their continued presence in Russia so long after the Armistice. In mid July, the two companies of American railway troops were also withdrawn. The Royal Marines unit had been expressing its dissatisfaction with being forced to stay in Russia after the Armistice since February, and had been openly demanding to their commanding officers that they be sent home. Threatening letters were sent to their officers stating that if they were not repatriated, the men would commandeer the first train going to Murmansk. The men became increasingly unwilling to participate in serious military action throughout 1919. The French and American troops stationed in the north were similarly reluctant to fight, and French troops in Archangel refused to take part in any action that was not merely defensive. During June, small naval battles occurred on Lake Onega between Allied and Bolshevik ships. The Bolshevik forces were completely taken by surprise when British seaplanes emerged and attacked. The settlement of Kartashi was captured during the month. Despite being told when volunteering that they were only to be used for defensive purposes, plans were made in June to use the men of the North Russian Relief Force in a new offensive aimed at capturing the key city of Kotlas and linking up with Kolchak's White forces in Siberia. The villages of Topsa and Troitsa were captured in anticipation of this action, with 150 Bolsheviks being killed and 450 being captured. However, with Kolchak's forces being pushed back rapidly, the Kotlas offensive was cancelled.

Paragraph 4: One week after falling in Norman, and almost a year to the day after the Bears' BCS-shaking first victory against Oklahoma, the Bears again took on a top 5 opponent in Waco.  This time the opponent was 10–0 Kansas State, ranked #1 in the BCS after an Alabama loss the previous week and clear favorites in their final two games of the year, at Baylor and vs. Texas.  As so often during the season, the quick-strike Baylor offense put the Bears ahead early on a 38-yard Florence pass to Tevin Reese.  Kansas State answered when then-Heisman favorite Collin Klein completed a touchdown pass to tie the game 7–7.  Baylor subsequently put up 21 unanswered points to go ahead 28–7 before the Wildcats managed 10 more points in the final two minutes of the first half.  In the third quarter, Baylor put up another touchdown (a 4-yard Glasco Martin IV rush) and forced a Kansas State punt that pinned Baylor on their own 1-yard line.  Two plays later, Florence attempted a quick pass to Terrance Williams that was intercepted on the 2-yard line, setting up a Collin Klein touchdown rush that made the score 35–24 in Baylor's favor.  The Bears went on to rack up 17 more points in the third quarter, the last touchdown coming on an 80-yard Lache Seastrunk rush after Joe Williams intercepted Klein in the endzone (the third of Klein's three interceptions on the night).  With 58 seconds remaining in the third quarter following Seastrunk's touchdown, Kansas State embarked upon an 8-minute, 21 play, 74-yard drive that brought the Wildcats to first-and-goal from the Baylor 6-yard line.  An inspired Baylor defense turned in the goal-line stand of their season, halting four straight Collin Klein rushes and forcing a turnover on downs.  Baylor would subsequently almost completely run down the clock, picking up 4 first downs on 10 straight rushes before punting the ball back to Kansas State with only 32 seconds left in the game.  The victory was Baylor's first ever over a #1 ranked opponent (the 1956 team defeated #2 Tennessee in the 1957 Sugar Bowl, and the 1941 team tied #1 Texas) and represented only the fifth time in the BCS era that the #1 ranked team lost to an unranked opponent.  The win took Baylor to 5–5 on the season, needing one more victory for bowl eligibility.

Paragraph 5: Ayane's gameplay abilities in other games were regarded more variably. In the DOA beach volleyball games, Ayane has excellent technique and jump abilities, at the cost of poor defence, power and speed. According to Official Xbox Magazine, Ayane is "not exactly who you want to spike at the net or try to blow past blocks, but she's excellent at long spikes, digging, and soft dinks." As such, Ayane is most effective as a support, but she should not be paired with Kasumi due to their rivalry; to partner with each other, Ayane and Kasumi need convincing by gift-giving. In Ninja Gaiden Σ 2, Ayane's attacks (many of her Fuma Kodachi combos resemble her combos from Dead or Alive) and finishing moves are far faster than these of Ryu, but the player has to learn to dodge much more as she has worse blocking abilities. The official guide to this game by Prima's Bryan Dawson states that Ayane's short range and limited attack power "make her the worst choice of the three new characters for almost every mission" and "her only saving graces" are a powerful ninpo spell and deadly Flash Kunai projectiles. In addition, if controlled by the console in the co-op mode, the character "doesn't seem to know what to do in any situation." Mitch Dyer of IGN opined that a vastly improved Ayane from Ninja Gaiden 3: Razor's Edge is "a damn fine addition" to the game, where she is "just as capable as Ryu Hayabusa" with her "quick and vicious" melee attacks and explosive kunai projectiles, adding that she is "functionally similar to Hayabusa in terms of combos and skills, complete with a screen-clearing special move." Similarly, Retro Gamer described her simply as "a nimbler version of Ryu." According to X360 David Lynch all the "women" of Razor's Edge (Ayane, Kasumi and Momiji) became "just as deadly" in it as Ryu Hayabusa has been through the Ninja Gaiden series. In Fatal Frame, unlike the protagonists of the game, Ayane can not permanently defeat ghosts and her strategy relies on evasion.

Paragraph 6: The murder of agent Camarena outraged the U.S. government and put pressure on Mexico to arrest all the major players involved in the incident, resulting in a four-year law enforcement manhunt that brought down several leaders of the Guadalajara Cartel. The U.S. applied heavy political pressure to the Mexican government throughout the investigation, going as far as to close several U.S.-Mexican port of entries for a period of several days. After the arrest of Rafael Caro Quintero and Ernesto Fonseca Carrillo in April 1985 for the Camarena murder, Félix Gallardo kept a low profile and in 1987 he moved with his family to Guadalajara city. Félix "The Godfather" Gallardo then decided to divide up the trade he controlled as it would be more efficient and less likely to be brought down in one law enforcement swoop. In a way, he was privatizing the Mexican drug business while sending it back underground, to be run by bosses who were less well known or not yet known by the DEA. Félix Gallardo convened the nation's top drug narcos at a house in the resort city of Acapulco where he designated the plazas (turfs) or territories. Different drug lords were given a certain region where they could traffic drugs to the U.S. and tax smugglers that wished to move merchandise on their turf. The Tijuana route would go to his nephews, the Arellano Félix brothers. The Ciudad Juárez route would go to the Carrillo Fuentes family, headed by the nephew of Fonseca Carrillo, Amado Carrillo Fuentes. Miguel Caro Quintero would run the Sonora corridor. Control of the Matamoros, Tamaulipas corridor – then becoming the Gulf Cartel - would be left undisturbed to Juan García Ábrego. Meanwhile, Joaquín "El Chapo" Guzmán Loera and Ismael Zambada García would take over Pacific coast operations, becoming the Sinaloa Cartel. Guzmán and Zambada brought veteran Héctor Luis Palma Salazar back into the fold. Félix Gallardo still planned to oversee national operations, he had the contacts so he was still the top man, but he would no longer control all details of the business; he was arrested on April 8, 1989.

Paragraph 7: Brian announces that he is staying in the Gulf, extending his contract by two months. Lonely, Gail agrees to go for a drink with truck driver, Les Charlton, (Graham Fellows) but Nicky goes missing and is eventually found in the newly rebuilt number seven. A distressed Gail thinks about giving up her job and loses interest in Les. But Les's last visit coincides with Brian's return and he makes it very clear to Les that he is not welcome. Brian decides not to return to Qatar and admits having "had a drink" with a nurse and Gail realizes that his friendship with her was a lot closer than he is admitting. In August 1982, using the money he made in Qatar, Brian opens a garage in partnership with Ron Sykes and for a while, the Tilsleys are happy. In March 1983, things seem to be going so well that Brian takes out a bank loan and buys Ron Sykes's share of the garage. However, there is a change in fortunes – Brian's father, Bert (Peter Dudley), is seriously injured while overinflating a tyre at the garage and dies soon afterwards, and the business starts losing money – forcing Brian to put it up for sale. He is talked out of selling by Gail and Mike Baldwin, deciding to sell the house in Buxton Close instead, and move back in with Ivy. The Tilsleys' marriage now begins to crumble as living under the same roof irritates Ivy and Gail and when in August 1984, Gail is offered the job of manager at Jim's Cafe, she takes it – annoying Brian and Ivy. A couple of months later, there is more friction when Brian finds that Audrey's latest boyfriend, George Hepworth (Richard Moore), made a pass at Gail. By April 1985, Gail has had enough and leaves Brian, moving her and Nicky into a bedsit. This finally makes Brian get a council house so Gail and Nicky move in there with him.

Paragraph 8: Another European production was given in February 2001, in Helsinki at Finnish National Opera. The first complete UK performance was a 2002 concert in London by the BBC Symphony Orchestra. Penny Woolcock directed a British television version of the opera, in revised form, for Channel 4, with the London Symphony Orchestra conducted by Adams; its soundtrack was made in 2001, the telecast aired in 2003, and a DVD was released on Decca in 2004. The first Australasian performance took place in February 2005 at the Auckland Festival, New Zealand. The first fully staged UK production was given in August 2005 at the Edinburgh Festival by Scottish Opera.

Paragraph 9: Harry Wills (May 15, 1889 – December 21, 1958) was a heavyweight boxer who held the World Colored Heavyweight Championship three times. Many boxing historians consider Wills the most egregious victim of the "color line" drawn by white heavyweight champions.  Wills fought for over twenty years (1911–1932), and was ranked as the number one challenger for the throne, but was denied the opportunity to fight for the title. Of all the black contenders between the heavyweight championship reigns of Jack Johnson and Joe Louis, Wills came closest to securing a title shot. BoxRec ranks him among 10 best heavyweights in the world from 1913 to 1924, and as No.1 heavyweight from 1915 to 1917.

Paragraph 10: Big Mouth opposed Spotted Tail's Lakota leadership and criticized his negotiations with Washington politicians. On October 29, 1869, Spotted Tail called at the door of Big Mouth's lodge, and asked to speak with him. On his appearance, he was seized by two warriors, who held him fast, while Spotted Tail drew a pistol, placed it against his body, and shot Big Mouth dead. Captain DeWitt C. Poole at the Whetstone Indian Agency reported Blue Horse's shock and anger to Big Mouth's murder. "Blue Horse started a violent harangue in the Sioux language. He had a rifle in one hand and a strung bow and a bunch of arrows in the other, and when he dropped his blanket, two navy Colts and a big scalping knife could be seen in their sheaths at his belt. He was in a raving fury, leaping and bounding about the room as he hurled accusations and threats at Chief Spotted Tail. Chief Big Mouth died toward dawn. Some hours later, Blue Horse came to agent Poole's office and told him that he felt so sad over the death of his great and good brother that he would have to wash off the paint he had put on his face for the feast the day before and begin mourning. The interpreter warned Poole that if this Indian washed his face and started mourning, it would mean the reopening of the feud and more shootings. The agent would give Blue Horse two blankets, that would comfort him, and he would refrain from washing his face and going gunning for Spotted Tail. The blankets were handed over, and the grieving brother went quietly away." Poole later reported that Spotted Tail made a prompt payment of a stipulated number of ponies to Blue Horse and that aboriginal law had been vindicated.

Paragraph 11: Brian announces that he is staying in the Gulf, extending his contract by two months. Lonely, Gail agrees to go for a drink with truck driver, Les Charlton, (Graham Fellows) but Nicky goes missing and is eventually found in the newly rebuilt number seven. A distressed Gail thinks about giving up her job and loses interest in Les. But Les's last visit coincides with Brian's return and he makes it very clear to Les that he is not welcome. Brian decides not to return to Qatar and admits having "had a drink" with a nurse and Gail realizes that his friendship with her was a lot closer than he is admitting. In August 1982, using the money he made in Qatar, Brian opens a garage in partnership with Ron Sykes and for a while, the Tilsleys are happy. In March 1983, things seem to be going so well that Brian takes out a bank loan and buys Ron Sykes's share of the garage. However, there is a change in fortunes – Brian's father, Bert (Peter Dudley), is seriously injured while overinflating a tyre at the garage and dies soon afterwards, and the business starts losing money – forcing Brian to put it up for sale. He is talked out of selling by Gail and Mike Baldwin, deciding to sell the house in Buxton Close instead, and move back in with Ivy. The Tilsleys' marriage now begins to crumble as living under the same roof irritates Ivy and Gail and when in August 1984, Gail is offered the job of manager at Jim's Cafe, she takes it – annoying Brian and Ivy. A couple of months later, there is more friction when Brian finds that Audrey's latest boyfriend, George Hepworth (Richard Moore), made a pass at Gail. By April 1985, Gail has had enough and leaves Brian, moving her and Nicky into a bedsit. This finally makes Brian get a council house so Gail and Nicky move in there with him.

Paragraph 12: The influence of home-grown rap played a key role in helping shape Diplo's production style. Although he was born in Mississippi, he spent the majority of his youth in Miami, where he got a taste for the characteristic Miami bass. He began attending the University of Central Florida in 1997. During his time at UCF, he became a DJ at local radio station WPRK, the radio station at Rollins College. He moved to Philadelphia to continue his studies at Temple University, where he first garnered attention as a DJ. Diplo moved to Delhi, India when he was barely 20, with barely any money. He traveled on an Enfield motorcycle everywhere from Ladakh to Rishikesh to Calcutta. After frequently running into fellow DJ Low Budget, the two began throwing parties under the Hooked on Hollertronix moniker in 2003 as a way of maintaining control of what they were able to play during DJ gigs in Philadelphia. The success of these parties allowed the two to release mixtapes, both separately and together, gathering acclaim across the country. One such mixtape, Never Scared, was named one of The New York Times top ten albums of 2003, and the Hollertronix name became synonymous with parties featuring guests like Maluca Mala, Bun B, Spank Rock, M.I.A., among others. Hollertronix's sound has been described as "disparate genres to be smashed together for maximum attention-grabbing impact" an aesthetic which takes from the "organic, cohesive, whole" aesthetic of acts such as Bun B, Lil Jon, Drama, M.I.A., Björk, Busta Rhymes, and others.

Paragraph 13: The murder of agent Camarena outraged the U.S. government and put pressure on Mexico to arrest all the major players involved in the incident, resulting in a four-year law enforcement manhunt that brought down several leaders of the Guadalajara Cartel. The U.S. applied heavy political pressure to the Mexican government throughout the investigation, going as far as to close several U.S.-Mexican port of entries for a period of several days. After the arrest of Rafael Caro Quintero and Ernesto Fonseca Carrillo in April 1985 for the Camarena murder, Félix Gallardo kept a low profile and in 1987 he moved with his family to Guadalajara city. Félix "The Godfather" Gallardo then decided to divide up the trade he controlled as it would be more efficient and less likely to be brought down in one law enforcement swoop. In a way, he was privatizing the Mexican drug business while sending it back underground, to be run by bosses who were less well known or not yet known by the DEA. Félix Gallardo convened the nation's top drug narcos at a house in the resort city of Acapulco where he designated the plazas (turfs) or territories. Different drug lords were given a certain region where they could traffic drugs to the U.S. and tax smugglers that wished to move merchandise on their turf. The Tijuana route would go to his nephews, the Arellano Félix brothers. The Ciudad Juárez route would go to the Carrillo Fuentes family, headed by the nephew of Fonseca Carrillo, Amado Carrillo Fuentes. Miguel Caro Quintero would run the Sonora corridor. Control of the Matamoros, Tamaulipas corridor – then becoming the Gulf Cartel - would be left undisturbed to Juan García Ábrego. Meanwhile, Joaquín "El Chapo" Guzmán Loera and Ismael Zambada García would take over Pacific coast operations, becoming the Sinaloa Cartel. Guzmán and Zambada brought veteran Héctor Luis Palma Salazar back into the fold. Félix Gallardo still planned to oversee national operations, he had the contacts so he was still the top man, but he would no longer control all details of the business; he was arrested on April 8, 1989.

Paragraph 14: Big Mouth opposed Spotted Tail's Lakota leadership and criticized his negotiations with Washington politicians. On October 29, 1869, Spotted Tail called at the door of Big Mouth's lodge, and asked to speak with him. On his appearance, he was seized by two warriors, who held him fast, while Spotted Tail drew a pistol, placed it against his body, and shot Big Mouth dead. Captain DeWitt C. Poole at the Whetstone Indian Agency reported Blue Horse's shock and anger to Big Mouth's murder. "Blue Horse started a violent harangue in the Sioux language. He had a rifle in one hand and a strung bow and a bunch of arrows in the other, and when he dropped his blanket, two navy Colts and a big scalping knife could be seen in their sheaths at his belt. He was in a raving fury, leaping and bounding about the room as he hurled accusations and threats at Chief Spotted Tail. Chief Big Mouth died toward dawn. Some hours later, Blue Horse came to agent Poole's office and told him that he felt so sad over the death of his great and good brother that he would have to wash off the paint he had put on his face for the feast the day before and begin mourning. The interpreter warned Poole that if this Indian washed his face and started mourning, it would mean the reopening of the feud and more shootings. The agent would give Blue Horse two blankets, that would comfort him, and he would refrain from washing his face and going gunning for Spotted Tail. The blankets were handed over, and the grieving brother went quietly away." Poole later reported that Spotted Tail made a prompt payment of a stipulated number of ponies to Blue Horse and that aboriginal law had been vindicated.

Paragraph 15: In 1947, Fountain was elected to the North Carolina Senate where he served until 1952 when he was elected to the 83rd Congress as Representative from the Second Congressional District of North Carolina. He was reelected to each Congress through the 97th, at which time he did not seek reelection. He was a signatory to the 1956 Southern Manifesto that opposed the desegregation of public schools ordered by the Supreme Court in Brown v. Board of Education. As the price for his vote for legislation supporting the War on Poverty, he demanded the firing of deputy director Adam Yarmolinsky, who, while with the Defense Department, had helped force integration of public places near military bases in North Carolina.

Paragraph 16: Ribandar is associated with the later life of Antonio Francisco Xavier Alvares (1836–1923), a disgruntled Catholic priest that left for the Syrian Orthodox Church, and was made Metropolitan of Goa, Ceylon and Greater India. Alvares consecrated Joseph René Vilatte (1854–1929) and thus is the person from whom most Old Catholic bishops in the West claim apostolic succession. Alvares is buried in St. Mary's Orthodox Syrian Church in Ribandar. There is also a cemetery on the left side of the Syrian Church. This cemetery belongs to the Roman Catholic church The Church of Our Lady of Help . There is also a very old school called Bal Bharathi Vidaya Mandir about less than 1 kilometer from the Syrian Church.

Paragraph 17: The influence of home-grown rap played a key role in helping shape Diplo's production style. Although he was born in Mississippi, he spent the majority of his youth in Miami, where he got a taste for the characteristic Miami bass. He began attending the University of Central Florida in 1997. During his time at UCF, he became a DJ at local radio station WPRK, the radio station at Rollins College. He moved to Philadelphia to continue his studies at Temple University, where he first garnered attention as a DJ. Diplo moved to Delhi, India when he was barely 20, with barely any money. He traveled on an Enfield motorcycle everywhere from Ladakh to Rishikesh to Calcutta. After frequently running into fellow DJ Low Budget, the two began throwing parties under the Hooked on Hollertronix moniker in 2003 as a way of maintaining control of what they were able to play during DJ gigs in Philadelphia. The success of these parties allowed the two to release mixtapes, both separately and together, gathering acclaim across the country. One such mixtape, Never Scared, was named one of The New York Times top ten albums of 2003, and the Hollertronix name became synonymous with parties featuring guests like Maluca Mala, Bun B, Spank Rock, M.I.A., among others. Hollertronix's sound has been described as "disparate genres to be smashed together for maximum attention-grabbing impact" an aesthetic which takes from the "organic, cohesive, whole" aesthetic of acts such as Bun B, Lil Jon, Drama, M.I.A., Björk, Busta Rhymes, and others.

Paragraph 18: Reyers was born in Canatlán Municipality, Durango, Mexico. After arriving in the United States he began to study for the Jesuit Roman Catholic priesthood, but switched from seminary training to study agricultural engineering. He graduated from the University of Texas at Arlington, with a degree in Mathematics and double minors in civil engineering and computer programming. Reyes then continued his education by enrolling in Senior Reserve Officers' Training Corps (ROTC). However, by the time he graduated the Vietnam War had finished, and he was not required as a second lieutenant. He joined the Texas State Guard, served several years and received an honorable discharge as company commander, captain (O-3) from the 105th Military Police Battalion, First Defense Group, Company C. He then enrolled in a four-year performing arts course to train as an actor.

Paragraph 19: The film received mixed to positive reviews from critics. Taran Adarsh of Bollywood Hungama gave a score of 4/5 and said "BODYGUARD works for varied reasons – it has a simple, captivating story with a dramatic twist in the tale, the chemistry between the lead actors is poor but the music is well juxtaposed in the narrative. But its biggest USP is, without doubt, Salman Khan. He carries the film on his broad and brawny shoulders and that alone is the imperative reason for watching this film." Komal Nahta of Koimoi, while praising the performance of Salman Khan, gave it a rating of 4/5 and wrote, "Bodyguard will prove to be a hit because of Salman Khan's performance." Zee News gave the film 4 stars and praised the directorial skills of Siddique: "Kudos to filmmaker Siddique to have presented Salman Khan in a way never seen before! And the action sequences are breathtaking." Oneindia.in awarded the movie 4 stars and stated, "Overall, Bodyguard is a good masala entertainer and it can be a perfect time-passer for this Eid and Ganesh festive seasons. Salman's fans should not miss to watch this movie." Samay Live gave it 4 stars and wrote; "There are stunning events of twist in the film which will keep you stay with your seats till the end. Shivesh Kumar of IndiaWeekly awarded the movie 4 out of 5 stars. Kaveree Bamzai of India Today awarded the movie 3 stars and stated: "Anyone who has watched Khan's recent movies will recognise the signs – a killer dialogue which will be remembered till the next blockbuster is manufactured, a signature ring tone, and a pre-fight ritual-in this case, it is taking off his watch. In his review for The Times of India, Gaurav Malani wrote: "Salman Khan is cool and convincing in the title role. His subdued act and charming innocence wins your heart. Kareena Kapoor is likeable ... Bodyguard doesn't catch you off guard. But it's a decent entertainer nonetheless." Phelim O'Neill of The Guardian praised the technical aspects of the film and awarded three of five stars: "Bollywood movies have improved dramatically in technical terms over the last few years. Here the fight and stunt sequences are afforded as much care and attention as the song and dance scenes; it's all top-notch stuff." Daily Bhaskar awarded the movie three out of five stars and wrote: "Salman, Kareena and Siddique serve a good Eid biryani for the audience by blending romance, action and comedy." Shubha Shetty-Saha of MiD DAY gave it two and a half stars saying, "The film is obviously not expected to be intellectually stimulating. But to give it due credit, it provides loads of entertainment, the kind you may have come to expect of a Salman Khan film." Sukanya Verma of Rediff gave it 2.5 of 5 stars and stated: "A standard entertainer with generic ingredients like action, emotion, romance, comedy, song and dance, the Hindi remake of Malayalam super-hit Bodyguard is like a mediocre Pizza Margherita that's gone stingy on the mozzarella, bland on the sauce with nothing except a half-crunchy base and uneven scattering of basil leaves."

Paragraph 20: In 1947, Fountain was elected to the North Carolina Senate where he served until 1952 when he was elected to the 83rd Congress as Representative from the Second Congressional District of North Carolina. He was reelected to each Congress through the 97th, at which time he did not seek reelection. He was a signatory to the 1956 Southern Manifesto that opposed the desegregation of public schools ordered by the Supreme Court in Brown v. Board of Education. As the price for his vote for legislation supporting the War on Poverty, he demanded the firing of deputy director Adam Yarmolinsky, who, while with the Defense Department, had helped force integration of public places near military bases in North Carolina.

Paragraph 21: Ribandar is associated with the later life of Antonio Francisco Xavier Alvares (1836–1923), a disgruntled Catholic priest that left for the Syrian Orthodox Church, and was made Metropolitan of Goa, Ceylon and Greater India. Alvares consecrated Joseph René Vilatte (1854–1929) and thus is the person from whom most Old Catholic bishops in the West claim apostolic succession. Alvares is buried in St. Mary's Orthodox Syrian Church in Ribandar. There is also a cemetery on the left side of the Syrian Church. This cemetery belongs to the Roman Catholic church The Church of Our Lady of Help . There is also a very old school called Bal Bharathi Vidaya Mandir about less than 1 kilometer from the Syrian Church.

Paragraph 22: Sheffey's contemporaries agreed that although “he was the most powerful man in prayer…he couldn't preach a lick.” He would take a text and never return to it, and his preaching consisted largely of relating personal experiences.  Nevertheless, as the Methodist preacher George C. Rankin recalled in his memoirs, although Sheffey “acted more like a crazy man than otherwise,” he “was wonderful in a meeting.  He would stir the people, crowd the mourner's bench with crying penitents and have genuine conversions by the score.”<ref>George C. Rankin, [https://books.google.com/books?id=hjC3-_K6LBkC&q=Sheffy%27%27 The Story of My Life] (Nashville: Smith, 1912), 241–42. Rankin said Sheffey was "recognized all over Southwest Virginia as the most eccentric preacher of that country. He was a local preacher; crude, illiterate, queer and the oddest specimen known among preachers. But he was saintly in his life, devout in his experience and a man of unbounded faith. He wandered hither and thither over that section attending meetings, holding revivals and living among the people. He was great in prayer, and Cripple Creek campground was not complete without "Bob" Sheffy. They wanted him there to pray and work in the altar.  He was wonderful with penitents. And he was great in following up the sermon with his exhortations and appeals. He would sometimes spend nearly the whole night in the straw with mourners; and now and then if the meeting lagged he would go out on the mountain and spend the entire night in prayer, and the next morning he would come rushing into the service with his face all aglow shouting at the top of his voice. And then the meeting always broke loose with a floodtide.  He could say the oddest things, hold the most unique interviews with God, break forth in the most unexpected spasms of praise, use the homeliest illustrations, do the funniest things and go through with the most grotesque performances of any man born of woman.  It was just 'Bob' Sheffy, and nobody thought anything of what he did and said, except to let him have his own way and do exactly as he pleased. In anybody else it would not have been tolerated for a moment. In fact, he acted more like a crazy man than otherwise, but he was wonderful in a meeting. He would stir the people, crowd the mourner's bench with crying penitents and have genuine conversions by the score. I doubt if any man in all that conference has as many souls to his credit in the Lamb's Book of Life as old 'Bob' Sheffy."</ref>

Paragraph 23: Frank Furedi, interviewed in Spiked in 2007, said that the stance of LM and Spiked originates from the "anti-Stalinist left". Environmentalists such as George Monbiot and Peter Melchett have suggested that the LM Network pursued an ideologically motivated 'anti-environmentalist' agenda under the guise of promoting humanism.Profiles: Martin Durkin, LobbyWatch. Retrieved 17 April 2007. In a 2007 interview in Spiked, Frank Furedi referred to these critics as "a network of McCarthyites". Monbiot described the views of Living Marxism as having, "less in common with the left than with the fanatical right." In 2018, Monbiot wrote that, "Its [Spiked's] articles repeatedly defend figures on the hard right or far right: Katie Hopkins, Nigel Farage, Alex Jones, the Democratic Football Lads' Alliance, Tommy Robinson, Toby Young, Arron Banks, Viktor Orbán".The Daily Beast, as well as Paul Mason of the New Statesman, have described the site as libertarian. A study in Policy & Internet by Heft et al. described Spiked as populist, saying that it has "roots in the radical left‐wing scene, but now oppose the political establishment from a position on the right side of the spectrum." According to Tim Knowles, the technology correspondent for  The Times, Spiked is right-wing and libertarian, while Evan Smith, a historian who has written on Spiked in the context of its free speech campaigns, has noted its "right-libertarian and iconoclastic style". By contrast, digital media scholar Jean Burgess and James Bowman of the conservative Ethics and Public Policy Center have referred to the site as left-libertarian.Spiked opposes many public health interventions. For example, it sees campaigns against obesity as state intrusion and “a war on the poor”. It opposes multiculturalism and (as its contributor Munira Mirza put it) sees institutional racism as “a perception more than a reality”.Spiked opposed the post-9/11 invasions of Afghanistan and of Iraq and Western interference in developing nations in general.Spiked saw the UK's vote to leave the European Union as a demonstration of democracy against ruling elites and has celebrated Nigel Farage's Brexit Party and Boris Johnson's Conservative government for their stance on this. Activists associated with Spiked, sometimes described as part of 'the Spiked network', were active in campaigning for the UK to leave the EU, with a number of its activists involved in the Brexit Party as candidates or publicists. Among those associated with Spiked who joined the Brexit Party were Claire Fox, who said she largely disagreed with Farage on domestic policies, and sought to build a left-wing faction inside the party.

Paragraph 24: Having entered holy orders he became in 1814 curate of Wardington, near Banbury, and he accepted also a lectureship at Brislington near Bristol. During this period he was one of the founders of the Bristol Philosophical Institution (1822). He was rector of Sully in Glamorganshire from 1823 to 1836, and vicar of Axminster from 1836 to 1844. He was appointed Bampton lecturer in 1839, called and later published in a book as An Analytical Examination into the Character, Value, and Just Application of the Writings of the Christian Fathers During the Ante Nicene Period. He was instituted to the deanery of Llandaff in 1845.

Paragraph 25: The influence of home-grown rap played a key role in helping shape Diplo's production style. Although he was born in Mississippi, he spent the majority of his youth in Miami, where he got a taste for the characteristic Miami bass. He began attending the University of Central Florida in 1997. During his time at UCF, he became a DJ at local radio station WPRK, the radio station at Rollins College. He moved to Philadelphia to continue his studies at Temple University, where he first garnered attention as a DJ. Diplo moved to Delhi, India when he was barely 20, with barely any money. He traveled on an Enfield motorcycle everywhere from Ladakh to Rishikesh to Calcutta. After frequently running into fellow DJ Low Budget, the two began throwing parties under the Hooked on Hollertronix moniker in 2003 as a way of maintaining control of what they were able to play during DJ gigs in Philadelphia. The success of these parties allowed the two to release mixtapes, both separately and together, gathering acclaim across the country. One such mixtape, Never Scared, was named one of The New York Times top ten albums of 2003, and the Hollertronix name became synonymous with parties featuring guests like Maluca Mala, Bun B, Spank Rock, M.I.A., among others. Hollertronix's sound has been described as "disparate genres to be smashed together for maximum attention-grabbing impact" an aesthetic which takes from the "organic, cohesive, whole" aesthetic of acts such as Bun B, Lil Jon, Drama, M.I.A., Björk, Busta Rhymes, and others.

Paragraph 26: Big Mouth opposed Spotted Tail's Lakota leadership and criticized his negotiations with Washington politicians. On October 29, 1869, Spotted Tail called at the door of Big Mouth's lodge, and asked to speak with him. On his appearance, he was seized by two warriors, who held him fast, while Spotted Tail drew a pistol, placed it against his body, and shot Big Mouth dead. Captain DeWitt C. Poole at the Whetstone Indian Agency reported Blue Horse's shock and anger to Big Mouth's murder. "Blue Horse started a violent harangue in the Sioux language. He had a rifle in one hand and a strung bow and a bunch of arrows in the other, and when he dropped his blanket, two navy Colts and a big scalping knife could be seen in their sheaths at his belt. He was in a raving fury, leaping and bounding about the room as he hurled accusations and threats at Chief Spotted Tail. Chief Big Mouth died toward dawn. Some hours later, Blue Horse came to agent Poole's office and told him that he felt so sad over the death of his great and good brother that he would have to wash off the paint he had put on his face for the feast the day before and begin mourning. The interpreter warned Poole that if this Indian washed his face and started mourning, it would mean the reopening of the feud and more shootings. The agent would give Blue Horse two blankets, that would comfort him, and he would refrain from washing his face and going gunning for Spotted Tail. The blankets were handed over, and the grieving brother went quietly away." Poole later reported that Spotted Tail made a prompt payment of a stipulated number of ponies to Blue Horse and that aboriginal law had been vindicated.

Paragraph 27: Amateur and semi-professional excavations first began in the site around 1913 and continued sporadically for several decades. In 1932,  Fain W. King, a lumberman, amateur archaeologist, and Indian artifact collector from Paducah, Kentucky, who was a member of the Board of Regents of the Alabama Museum of Natural History, Tuscaloosa  requested and privately paid for the Alabama Museum archaeology staff to conduct the excavations of the center portions of three mounds (A, B, and C) at the Wickliffe site including the cemetery, Mound C.  The excavations were done under the direction of Dr. Walter B, Jones, Alabama State Geologist, and David L. DeJarnette who was the crew chief. The first publicity flyer about the excavations was co-authored by TMN Lewis and Fain King and the first two separate journal articles about the excavations (Wisconsin Archaeologist and Tenn. Academy of Science) by each author said the work was undertaken as both a scientific and educational enterprise through which the public was enabled to examine a page of unwritten history. To defray the cost of operating the site a one dollar admission was charged for the one hour guided tour during the King era.

Paragraph 28: Another European production was given in February 2001, in Helsinki at Finnish National Opera. The first complete UK performance was a 2002 concert in London by the BBC Symphony Orchestra. Penny Woolcock directed a British television version of the opera, in revised form, for Channel 4, with the London Symphony Orchestra conducted by Adams; its soundtrack was made in 2001, the telecast aired in 2003, and a DVD was released on Decca in 2004. The first Australasian performance took place in February 2005 at the Auckland Festival, New Zealand. The first fully staged UK production was given in August 2005 at the Edinburgh Festival by Scottish Opera.

Paragraph 29: Having entered holy orders he became in 1814 curate of Wardington, near Banbury, and he accepted also a lectureship at Brislington near Bristol. During this period he was one of the founders of the Bristol Philosophical Institution (1822). He was rector of Sully in Glamorganshire from 1823 to 1836, and vicar of Axminster from 1836 to 1844. He was appointed Bampton lecturer in 1839, called and later published in a book as An Analytical Examination into the Character, Value, and Just Application of the Writings of the Christian Fathers During the Ante Nicene Period. He was instituted to the deanery of Llandaff in 1845.

Paragraph 30: In 2004, she shot her second movie called Erreway: 4 caminos. This is accompanied by the publication of Erreway's latest album entitled "Memoria", which includes all the themes of the film. Presenting the album, Erreway gives his last tour and the group splits to embark on new projects of their own. That same year she participates as a villain in the series Floricienta where she appears in the role of Paloma/Julieta Mónaco. In 2005, she obtained the first adult leading role of her, as Sisí Ponte, along with the actor Gustavo Bermúdez in the telenovela El Patrón de la Vereda. She performed the theme song for it. She also makes a guest appearance on the series ¿Quién es el jefe? as a judge. In 2006, she was part of the cast of Gladiadores de Pompeya broadcast by Canal 9. That year, after the success of the Rebelde Way series in Spain, broadcast since 2004 on several channels, the "Erreway Fever" returns. Two new albums are released, a compilation called "The Rebelde Way album" and a live one, "Erreway In Concert". After the success in sales, the albums "Señales" and "Tiempo" were published in Spain. In July Felipe Colombo and Camila travel to Spain to represent Erreway with various record companies and press conferences. In December they met again, this time without Luisana Lopilato, for the "European Tour", with concerts in several Spanish cities and all tickets sold out. In 2007, in Spain, Luisana Lopilato, was chosen "The beautiful young international actress" (she won among actresses such as Jessica Alba, Scarlett Johansson, Jessica Biel and others). That same year the telecomedy Son de Fierro was released on Channel 13, where she plays the partner of Felipe Colombo in the role of Karina. The series becomes the most successful fiction of the year. With the return of Erreway behind her back, the group begins to record without Luisana, a new album called "Vuelvo", which would only be published in Spain and which included songs from the album "Memoria" recorded again by the trio. That same year the complete Erreway anthology was published in Spain. The new Spanish tour was finally canceled, as was the publication of the album "Vuelvo" that was already recorded. At the end of 2008, the series Atracción x4 was premiered in Dream Beach where, after a long time, she returned to share the script with Luisana Lopilato, playing Malena Lacalle, one of the members of the group "Latinas". This TV show replaced the Patito feo series, ending in 2009. In 2010, she starred in the horror film Penumbra, shot in the city of La Plata and directed by the García Bogliano brothers, where she played Victoria, one of the clients interested in the Marga's department.

Paragraph 31: The influence of home-grown rap played a key role in helping shape Diplo's production style. Although he was born in Mississippi, he spent the majority of his youth in Miami, where he got a taste for the characteristic Miami bass. He began attending the University of Central Florida in 1997. During his time at UCF, he became a DJ at local radio station WPRK, the radio station at Rollins College. He moved to Philadelphia to continue his studies at Temple University, where he first garnered attention as a DJ. Diplo moved to Delhi, India when he was barely 20, with barely any money. He traveled on an Enfield motorcycle everywhere from Ladakh to Rishikesh to Calcutta. After frequently running into fellow DJ Low Budget, the two began throwing parties under the Hooked on Hollertronix moniker in 2003 as a way of maintaining control of what they were able to play during DJ gigs in Philadelphia. The success of these parties allowed the two to release mixtapes, both separately and together, gathering acclaim across the country. One such mixtape, Never Scared, was named one of The New York Times top ten albums of 2003, and the Hollertronix name became synonymous with parties featuring guests like Maluca Mala, Bun B, Spank Rock, M.I.A., among others. Hollertronix's sound has been described as "disparate genres to be smashed together for maximum attention-grabbing impact" an aesthetic which takes from the "organic, cohesive, whole" aesthetic of acts such as Bun B, Lil Jon, Drama, M.I.A., Björk, Busta Rhymes, and others.

Paragraph 32: The influence of home-grown rap played a key role in helping shape Diplo's production style. Although he was born in Mississippi, he spent the majority of his youth in Miami, where he got a taste for the characteristic Miami bass. He began attending the University of Central Florida in 1997. During his time at UCF, he became a DJ at local radio station WPRK, the radio station at Rollins College. He moved to Philadelphia to continue his studies at Temple University, where he first garnered attention as a DJ. Diplo moved to Delhi, India when he was barely 20, with barely any money. He traveled on an Enfield motorcycle everywhere from Ladakh to Rishikesh to Calcutta. After frequently running into fellow DJ Low Budget, the two began throwing parties under the Hooked on Hollertronix moniker in 2003 as a way of maintaining control of what they were able to play during DJ gigs in Philadelphia. The success of these parties allowed the two to release mixtapes, both separately and together, gathering acclaim across the country. One such mixtape, Never Scared, was named one of The New York Times top ten albums of 2003, and the Hollertronix name became synonymous with parties featuring guests like Maluca Mala, Bun B, Spank Rock, M.I.A., among others. Hollertronix's sound has been described as "disparate genres to be smashed together for maximum attention-grabbing impact" an aesthetic which takes from the "organic, cohesive, whole" aesthetic of acts such as Bun B, Lil Jon, Drama, M.I.A., Björk, Busta Rhymes, and others.

Paragraph 33: Another European production was given in February 2001, in Helsinki at Finnish National Opera. The first complete UK performance was a 2002 concert in London by the BBC Symphony Orchestra. Penny Woolcock directed a British television version of the opera, in revised form, for Channel 4, with the London Symphony Orchestra conducted by Adams; its soundtrack was made in 2001, the telecast aired in 2003, and a DVD was released on Decca in 2004. The first Australasian performance took place in February 2005 at the Auckland Festival, New Zealand. The first fully staged UK production was given in August 2005 at the Edinburgh Festival by Scottish Opera.

Paragraph 34: Sheffey's contemporaries agreed that although “he was the most powerful man in prayer…he couldn't preach a lick.” He would take a text and never return to it, and his preaching consisted largely of relating personal experiences.  Nevertheless, as the Methodist preacher George C. Rankin recalled in his memoirs, although Sheffey “acted more like a crazy man than otherwise,” he “was wonderful in a meeting.  He would stir the people, crowd the mourner's bench with crying penitents and have genuine conversions by the score.”<ref>George C. Rankin, [https://books.google.com/books?id=hjC3-_K6LBkC&q=Sheffy%27%27 The Story of My Life] (Nashville: Smith, 1912), 241–42. Rankin said Sheffey was "recognized all over Southwest Virginia as the most eccentric preacher of that country. He was a local preacher; crude, illiterate, queer and the oddest specimen known among preachers. But he was saintly in his life, devout in his experience and a man of unbounded faith. He wandered hither and thither over that section attending meetings, holding revivals and living among the people. He was great in prayer, and Cripple Creek campground was not complete without "Bob" Sheffy. They wanted him there to pray and work in the altar.  He was wonderful with penitents. And he was great in following up the sermon with his exhortations and appeals. He would sometimes spend nearly the whole night in the straw with mourners; and now and then if the meeting lagged he would go out on the mountain and spend the entire night in prayer, and the next morning he would come rushing into the service with his face all aglow shouting at the top of his voice. And then the meeting always broke loose with a floodtide.  He could say the oddest things, hold the most unique interviews with God, break forth in the most unexpected spasms of praise, use the homeliest illustrations, do the funniest things and go through with the most grotesque performances of any man born of woman.  It was just 'Bob' Sheffy, and nobody thought anything of what he did and said, except to let him have his own way and do exactly as he pleased. In anybody else it would not have been tolerated for a moment. In fact, he acted more like a crazy man than otherwise, but he was wonderful in a meeting. He would stir the people, crowd the mourner's bench with crying penitents and have genuine conversions by the score. I doubt if any man in all that conference has as many souls to his credit in the Lamb's Book of Life as old 'Bob' Sheffy."</ref>

Paragraph 35: Frank Furedi, interviewed in Spiked in 2007, said that the stance of LM and Spiked originates from the "anti-Stalinist left". Environmentalists such as George Monbiot and Peter Melchett have suggested that the LM Network pursued an ideologically motivated 'anti-environmentalist' agenda under the guise of promoting humanism.Profiles: Martin Durkin, LobbyWatch. Retrieved 17 April 2007. In a 2007 interview in Spiked, Frank Furedi referred to these critics as "a network of McCarthyites". Monbiot described the views of Living Marxism as having, "less in common with the left than with the fanatical right." In 2018, Monbiot wrote that, "Its [Spiked's] articles repeatedly defend figures on the hard right or far right: Katie Hopkins, Nigel Farage, Alex Jones, the Democratic Football Lads' Alliance, Tommy Robinson, Toby Young, Arron Banks, Viktor Orbán".The Daily Beast, as well as Paul Mason of the New Statesman, have described the site as libertarian. A study in Policy & Internet by Heft et al. described Spiked as populist, saying that it has "roots in the radical left‐wing scene, but now oppose the political establishment from a position on the right side of the spectrum." According to Tim Knowles, the technology correspondent for  The Times, Spiked is right-wing and libertarian, while Evan Smith, a historian who has written on Spiked in the context of its free speech campaigns, has noted its "right-libertarian and iconoclastic style". By contrast, digital media scholar Jean Burgess and James Bowman of the conservative Ethics and Public Policy Center have referred to the site as left-libertarian.Spiked opposes many public health interventions. For example, it sees campaigns against obesity as state intrusion and “a war on the poor”. It opposes multiculturalism and (as its contributor Munira Mirza put it) sees institutional racism as “a perception more than a reality”.Spiked opposed the post-9/11 invasions of Afghanistan and of Iraq and Western interference in developing nations in general.Spiked saw the UK's vote to leave the European Union as a demonstration of democracy against ruling elites and has celebrated Nigel Farage's Brexit Party and Boris Johnson's Conservative government for their stance on this. Activists associated with Spiked, sometimes described as part of 'the Spiked network', were active in campaigning for the UK to leave the EU, with a number of its activists involved in the Brexit Party as candidates or publicists. Among those associated with Spiked who joined the Brexit Party were Claire Fox, who said she largely disagreed with Farage on domestic policies, and sought to build a left-wing faction inside the party.

Paragraph 36: Having entered holy orders he became in 1814 curate of Wardington, near Banbury, and he accepted also a lectureship at Brislington near Bristol. During this period he was one of the founders of the Bristol Philosophical Institution (1822). He was rector of Sully in Glamorganshire from 1823 to 1836, and vicar of Axminster from 1836 to 1844. He was appointed Bampton lecturer in 1839, called and later published in a book as An Analytical Examination into the Character, Value, and Just Application of the Writings of the Christian Fathers During the Ante Nicene Period. He was instituted to the deanery of Llandaff in 1845.

Paragraph 37: Frank Furedi, interviewed in Spiked in 2007, said that the stance of LM and Spiked originates from the "anti-Stalinist left". Environmentalists such as George Monbiot and Peter Melchett have suggested that the LM Network pursued an ideologically motivated 'anti-environmentalist' agenda under the guise of promoting humanism.Profiles: Martin Durkin, LobbyWatch. Retrieved 17 April 2007. In a 2007 interview in Spiked, Frank Furedi referred to these critics as "a network of McCarthyites". Monbiot described the views of Living Marxism as having, "less in common with the left than with the fanatical right." In 2018, Monbiot wrote that, "Its [Spiked's] articles repeatedly defend figures on the hard right or far right: Katie Hopkins, Nigel Farage, Alex Jones, the Democratic Football Lads' Alliance, Tommy Robinson, Toby Young, Arron Banks, Viktor Orbán".The Daily Beast, as well as Paul Mason of the New Statesman, have described the site as libertarian. A study in Policy & Internet by Heft et al. described Spiked as populist, saying that it has "roots in the radical left‐wing scene, but now oppose the political establishment from a position on the right side of the spectrum." According to Tim Knowles, the technology correspondent for  The Times, Spiked is right-wing and libertarian, while Evan Smith, a historian who has written on Spiked in the context of its free speech campaigns, has noted its "right-libertarian and iconoclastic style". By contrast, digital media scholar Jean Burgess and James Bowman of the conservative Ethics and Public Policy Center have referred to the site as left-libertarian.Spiked opposes many public health interventions. For example, it sees campaigns against obesity as state intrusion and “a war on the poor”. It opposes multiculturalism and (as its contributor Munira Mirza put it) sees institutional racism as “a perception more than a reality”.Spiked opposed the post-9/11 invasions of Afghanistan and of Iraq and Western interference in developing nations in general.Spiked saw the UK's vote to leave the European Union as a demonstration of democracy against ruling elites and has celebrated Nigel Farage's Brexit Party and Boris Johnson's Conservative government for their stance on this. Activists associated with Spiked, sometimes described as part of 'the Spiked network', were active in campaigning for the UK to leave the EU, with a number of its activists involved in the Brexit Party as candidates or publicists. Among those associated with Spiked who joined the Brexit Party were Claire Fox, who said she largely disagreed with Farage on domestic policies, and sought to build a left-wing faction inside the party.

Paragraph 38: Frank Furedi, interviewed in Spiked in 2007, said that the stance of LM and Spiked originates from the "anti-Stalinist left". Environmentalists such as George Monbiot and Peter Melchett have suggested that the LM Network pursued an ideologically motivated 'anti-environmentalist' agenda under the guise of promoting humanism.Profiles: Martin Durkin, LobbyWatch. Retrieved 17 April 2007. In a 2007 interview in Spiked, Frank Furedi referred to these critics as "a network of McCarthyites". Monbiot described the views of Living Marxism as having, "less in common with the left than with the fanatical right." In 2018, Monbiot wrote that, "Its [Spiked's] articles repeatedly defend figures on the hard right or far right: Katie Hopkins, Nigel Farage, Alex Jones, the Democratic Football Lads' Alliance, Tommy Robinson, Toby Young, Arron Banks, Viktor Orbán".The Daily Beast, as well as Paul Mason of the New Statesman, have described the site as libertarian. A study in Policy & Internet by Heft et al. described Spiked as populist, saying that it has "roots in the radical left‐wing scene, but now oppose the political establishment from a position on the right side of the spectrum." According to Tim Knowles, the technology correspondent for  The Times, Spiked is right-wing and libertarian, while Evan Smith, a historian who has written on Spiked in the context of its free speech campaigns, has noted its "right-libertarian and iconoclastic style". By contrast, digital media scholar Jean Burgess and James Bowman of the conservative Ethics and Public Policy Center have referred to the site as left-libertarian.Spiked opposes many public health interventions. For example, it sees campaigns against obesity as state intrusion and “a war on the poor”. It opposes multiculturalism and (as its contributor Munira Mirza put it) sees institutional racism as “a perception more than a reality”.Spiked opposed the post-9/11 invasions of Afghanistan and of Iraq and Western interference in developing nations in general.Spiked saw the UK's vote to leave the European Union as a demonstration of democracy against ruling elites and has celebrated Nigel Farage's Brexit Party and Boris Johnson's Conservative government for their stance on this. Activists associated with Spiked, sometimes described as part of 'the Spiked network', were active in campaigning for the UK to leave the EU, with a number of its activists involved in the Brexit Party as candidates or publicists. Among those associated with Spiked who joined the Brexit Party were Claire Fox, who said she largely disagreed with Farage on domestic policies, and sought to build a left-wing faction inside the party.

Paragraph 39: Ayane's gameplay abilities in other games were regarded more variably. In the DOA beach volleyball games, Ayane has excellent technique and jump abilities, at the cost of poor defence, power and speed. According to Official Xbox Magazine, Ayane is "not exactly who you want to spike at the net or try to blow past blocks, but she's excellent at long spikes, digging, and soft dinks." As such, Ayane is most effective as a support, but she should not be paired with Kasumi due to their rivalry; to partner with each other, Ayane and Kasumi need convincing by gift-giving. In Ninja Gaiden Σ 2, Ayane's attacks (many of her Fuma Kodachi combos resemble her combos from Dead or Alive) and finishing moves are far faster than these of Ryu, but the player has to learn to dodge much more as she has worse blocking abilities. The official guide to this game by Prima's Bryan Dawson states that Ayane's short range and limited attack power "make her the worst choice of the three new characters for almost every mission" and "her only saving graces" are a powerful ninpo spell and deadly Flash Kunai projectiles. In addition, if controlled by the console in the co-op mode, the character "doesn't seem to know what to do in any situation." Mitch Dyer of IGN opined that a vastly improved Ayane from Ninja Gaiden 3: Razor's Edge is "a damn fine addition" to the game, where she is "just as capable as Ryu Hayabusa" with her "quick and vicious" melee attacks and explosive kunai projectiles, adding that she is "functionally similar to Hayabusa in terms of combos and skills, complete with a screen-clearing special move." Similarly, Retro Gamer described her simply as "a nimbler version of Ryu." According to X360 David Lynch all the "women" of Razor's Edge (Ayane, Kasumi and Momiji) became "just as deadly" in it as Ryu Hayabusa has been through the Ninja Gaiden series. In Fatal Frame, unlike the protagonists of the game, Ayane can not permanently defeat ghosts and her strategy relies on evasion.

Paragraph 40: Ribandar is associated with the later life of Antonio Francisco Xavier Alvares (1836–1923), a disgruntled Catholic priest that left for the Syrian Orthodox Church, and was made Metropolitan of Goa, Ceylon and Greater India. Alvares consecrated Joseph René Vilatte (1854–1929) and thus is the person from whom most Old Catholic bishops in the West claim apostolic succession. Alvares is buried in St. Mary's Orthodox Syrian Church in Ribandar. There is also a cemetery on the left side of the Syrian Church. This cemetery belongs to the Roman Catholic church The Church of Our Lady of Help . There is also a very old school called Bal Bharathi Vidaya Mandir about less than 1 kilometer from the Syrian Church.

Paragraph 41: The film received mixed to positive reviews from critics. Taran Adarsh of Bollywood Hungama gave a score of 4/5 and said "BODYGUARD works for varied reasons – it has a simple, captivating story with a dramatic twist in the tale, the chemistry between the lead actors is poor but the music is well juxtaposed in the narrative. But its biggest USP is, without doubt, Salman Khan. He carries the film on his broad and brawny shoulders and that alone is the imperative reason for watching this film." Komal Nahta of Koimoi, while praising the performance of Salman Khan, gave it a rating of 4/5 and wrote, "Bodyguard will prove to be a hit because of Salman Khan's performance." Zee News gave the film 4 stars and praised the directorial skills of Siddique: "Kudos to filmmaker Siddique to have presented Salman Khan in a way never seen before! And the action sequences are breathtaking." Oneindia.in awarded the movie 4 stars and stated, "Overall, Bodyguard is a good masala entertainer and it can be a perfect time-passer for this Eid and Ganesh festive seasons. Salman's fans should not miss to watch this movie." Samay Live gave it 4 stars and wrote; "There are stunning events of twist in the film which will keep you stay with your seats till the end. Shivesh Kumar of IndiaWeekly awarded the movie 4 out of 5 stars. Kaveree Bamzai of India Today awarded the movie 3 stars and stated: "Anyone who has watched Khan's recent movies will recognise the signs – a killer dialogue which will be remembered till the next blockbuster is manufactured, a signature ring tone, and a pre-fight ritual-in this case, it is taking off his watch. In his review for The Times of India, Gaurav Malani wrote: "Salman Khan is cool and convincing in the title role. His subdued act and charming innocence wins your heart. Kareena Kapoor is likeable ... Bodyguard doesn't catch you off guard. But it's a decent entertainer nonetheless." Phelim O'Neill of The Guardian praised the technical aspects of the film and awarded three of five stars: "Bollywood movies have improved dramatically in technical terms over the last few years. Here the fight and stunt sequences are afforded as much care and attention as the song and dance scenes; it's all top-notch stuff." Daily Bhaskar awarded the movie three out of five stars and wrote: "Salman, Kareena and Siddique serve a good Eid biryani for the audience by blending romance, action and comedy." Shubha Shetty-Saha of MiD DAY gave it two and a half stars saying, "The film is obviously not expected to be intellectually stimulating. But to give it due credit, it provides loads of entertainment, the kind you may have come to expect of a Salman Khan film." Sukanya Verma of Rediff gave it 2.5 of 5 stars and stated: "A standard entertainer with generic ingredients like action, emotion, romance, comedy, song and dance, the Hindi remake of Malayalam super-hit Bodyguard is like a mediocre Pizza Margherita that's gone stingy on the mozzarella, bland on the sauce with nothing except a half-crunchy base and uneven scattering of basil leaves."

Answer: 30