List of compositions by Franz Schubert
Works listed in the Deutsch catalogue

List of compositions by Franz Schubert

Section Title: Works listed in the Deutsch catalogue
Table Section Text: None

D utd	Op. pbl	Name	Key	Date	Additional info

1–1C	1810	Up ↑

1	(1888)	Fantasy, D 1	G major	8/4/1810– 1/5/1810	For piano duet; Two versions of Finale

1A	(1969)	Song, D 1A	C minor	before 1810?	For b and piano; Sketch; Music partly reused in D 39

1B	Fantasy, D 1B	G major	1810–1811	For piano duet; Fragment; Music related to D 1 and 7

1C	Sonata, D 1C	F major	1810–1811	For piano duet; Largo (fragment)

2–12	1811	Up ↑

2A	Overture, D 2A	D major	1811?	For orchestra

2B	Symphony, D 2B	D major	1811?	Adagio, Allegro con moto (fragment)

2C	(1978)	String Quartet, D 2C	D minor or F major	1811?	Fragment

2D	(1956) (1970)	Six Minuets, D 2D	Various keys	1811	For winds; Nos. 1–2: piano version publ. in 1956; Nos. 4-6: sketches

2E	Fantasy, D 2E	C minor	1811	For piano

2F	Trio, D 2F	1811	For winds?; Sketch; Belongs to a lost Minuet

2G	Overture, D 2G	D major	1810–1811?	For orchestra; Fragment

3	(1978)	String Quartet, D 3	C major	1812?	Andante (fragment); Partly reused in D 29 and in an early sketch of D 36

4	(1886)	Overture to the play Der Teufel als Hydraulicus	(Overture to a comedy with singing) D major	1812?	For orchestra; Play by Albrecht [de] (plot similar to Weidmann [de]'s Der Bettelstudent)

5	(1894)	Hagars Klage	30/03/1811	Text by Schücking [scores]; Music partly reused in D 8 and 9

6	(1894)	Des Mädchens Klage, D 6	1811–1812	Text by Schiller, from Wallenstein: Die Piccolomini III, 7 (other settings: D 191 and 389)

7	(1894)	Leichenfantasie	1811?	Text by Schiller; reuses music of D 1B

8	(1970)	Overture, D 8	C minor	29/6/1811	For string quintet (two violins, two violas and cello); Music reappears in D 8A

8A	(1970)	Overture, D 8A	C minor	After 12/7/1811	For string quartet; Based on D 8

9	(1888)	Fantasy, D 9	G minor	20/9/1811	For piano duet

10	(1894)	Der Vatermörder	26/12/1811	Text by Pfeffel

11	(1893) (1897)	Der Spiegelritter	(Singspiel in three acts)	December 1811?	Text by Kotzebue; For ssssstttbbbbSATB and orchestra; Overture (publ. in 1897) – Nos.

12	(1897)	Overture, D 12	D major	1811–1812	For orchestra; Music partly reused in D 94

13–37	1812	Up ↑

13	Fugue, D 13	D minor	c. 1812	For piano?; By Schubert?

14	Overture, D 14	c. 1812	Piano sketch; Lost

15	(1895)	Der Geistertanz, D 15	c. 1812	Text by Matthisson (other settings: D 15A, 116 and 494); Fragment

15A	(1895)	Der Geistertanz, D 15A	c. 1812	Text by Matthisson (other settings: D 15, 116 and 494); Fragment

16	(1940)	Counterpoint exercises, D 16	G minor (Nos. 1–4); A minor (Nos. 5–7)	1823?	Seven exercises in double counterpoint

17	(1940)	Composition exercises, D 17	1812?	Text by Metastasio, from Isacco I, "Aria dell' Angelo"; Nine settings with corrections by Salieri; No. 1, for s, related to D 30; No.

18	(1890)	String Quartet No. 1	G minor / B major	1810–1811	Andante, Presto vivace – Minuet – Andante – Presto

19	String Quartet, D 19	1810–1811	Lost

19A	String Quartet, D 19A	1810–1811	Lost

19B	Waltzes and a March, D 19B	1812–1813?	For piano; Lost

20	Overture, D 20	B♭ major	1812	For string quartet; Lost

21	Six Variations, D 21	E♭ major	1812	For piano; Lost

22	Twelve Minuets with Trios, D 22	1812	For piano; Lost

23	131p,3 (1830)	Klaglied	1812	Text by Rochlitz

24	Seven Variations, D 24	F major	1812?	For piano; Fragment; Lost

24A	Fugue, D 24A	C major	summer 1812?	For keyboard (organ or piano); Partly reused in D 24E

24B	Fugue, D 24B	G major	summer 1812?	For keyboard (organ or piano); Two versions

24C	Fugue, D 24C	D minor	summer 1812?	For keyboard (organ or piano)

24D	Fugue, D 24D	C major	summer 1812?	For piano; Fragment; Partly reused in D 46

24E	Mass, D 24E	F major? Gloria – Credo	summer 1812?	Text: Mass ordinary (other settings: D 31, 45, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For SATB and orchestra; Fragment of a Gloria and a Credo; Partly based on D 24A

25	Counterpoint exercises, D 25	started 18/6/1812	Four 2-part and three 3-part counterpoint exercises; Four 2-part imitation exercises

25A	Counterpoint exercises, D 25A	summer 1812?	Two 4-part counterpoint exercises

25B	Counterpoint exercises, D 25B	summer 1812?	Fifteen 3-part counterpoint exercises

25C	Fugue, D 25C	F major	summer 1812?	Counterpoint exercise for two voices; Fragment

26	(1886)	Overture, D 26	D major	26/6/1812	For orchestra

27	(1928)	Salve Regina, D 27	F major Salve Regina	28/06/1812	Text: Salve Regina (other settings: D 106, 223, 386, 676 and 811); For s and orchestra

28	(1923)	Piano Trio, D 28, a.k.a. Sonata	B♭ major	27/7/1812– 28/8/1812	Allegro

29	(1888)	Andante, D 29	C major	9/9/1812	For piano; Related to D 3 and 36

30	(1894)	Der Jüngling am Bache, D 30	24/9/1812	Text by Schiller (other settings: D 192 and 638)

31	(1888)	Kyrie, D 31	D minor Kyrie	25/9/1812	Text: Mass ordinary (other settings: D 24E, 45, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For stSATB and orchestra; First part of a Mass

32	(1890) (1897) (1954)	String Quartet No. 2	C major	Sep.–Oct. 1812	Presto (publ. in 1890) – Andante – Minuet (publ.

33	(1940)	Composition exercises, D 33	Sep.–Oct. 1812	Text by Metastasio, from Isacco II, "Aria di Abramo"; Six settings (No. 1 for s, Nos.

34	(1940)	Composition exercises, D 34	5/11/1812	Text by Metastasio, from Betulia liberata II, "Aria di Achior"; For satb; Two versions of start; With corrections by Salieri

35	(1940)	Composition exercises, D 35	Oct.–Dec. 1812	Text by Metastasio, from La clemenza di Tito I, 5; Three settings (No. 1 for satb, No.

36	(1890)	String Quartet No. 3	B♭ major	19/11/1812– 21/2/1813	Allegro – Andante – Minuet – Allegretto

37	74 (1827)	Die Advokaten	25/12/1812– 27/12/1812	Text by Rustenfeld [scores]; For ttb and piano

37A–91	1813	Up ↑

37A	Fugue sketches, D 37A	1813?	For piano

38	(1892)	Totengräberlied, D 38	1813?	Text by Hölty (other setting: D 44); For ttb

39	(1969)	Lebenstraum	early 1810?	Text by Baumberg; Sketch; Music related to D 1A

39A	Three Minuets with Trios, D 39A	1813	For orchestra; Lost

41	(1889)	Thirty Minuets with Trios, D 41	Various keys	1813	For piano; Nos. 1–8, 11–18 and 20–23 are extant

41A	Fugue, D 41A	E minor	1813	For piano; Fragment

42	(1895) (1969)	Aria di Timante	1813?	Text by Metastasio, from Demofoonte III, 5; For s and piano; Two settings: 1st, not in AGA, consisting of two variant fragments

43	(1897)	Sprüche des Confucius, D 43	8/7/1813	Text by Schiller (other settings: D 69 and 70); For ttb

44	(1894)	Totengräberlied, D 44	19/1/1813	Text by Hölty (other setting: D 38)

45	(1888)	Kyrie, D 45	B♭ major Kyrie	1/3/1813	Text: Mass ordinary (other settings: D 24E, 31, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For SATB

46	(1890)	String Quartet No. 4	C major	3/3/1813– 7/3/1813	Adagio – Andante con moto – Minuet – Finale

47	(1974)	Dithyrambe, D 47	29/3/1813	Text by Schiller (other setting: D 801); For tbSATB and piano; Fragment

48	(1871) (1888)	Fantasy, D 48, a.k.a. Grand Sonata	C minor	April 1813– 10/6/1813	For piano duet; AGA includes concluding fugue

49	(1888)	Kyrie, D 49	D minor Kyrie	early April 1813– 15/4/1813	Text: Mass ordinary (other settings: D 24E, 31, 45, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For satbSATB and orchestra; First part of a Mass

50	(1894)	Die Schatten	12/4/1813	Text by Matthisson

51	(1897)	Unendliche Freude, D 51	15/4/1813	Text by Schiller, stanza 3 from "Elysium" (other stanzas and settings: D 53, 54, 57, 58, 60 and 584); For ttb

52	(1868)	Sehnsucht, D 52	15/4/1813– 17/4/1813	Text by Schiller (other setting: D 636); For b and piano

53	(1892)	Vorüber die stöhnende Klage	18/4/1813	Text by Schiller, stanza 1 from "Elysium" (other stanzas and settings: D 51, 54, 57, 58, 60 and 584); For ttb

54	(1873)	Unendliche Freude, D 54	19/4/1813	Text by Schiller, stanza 3 from "Elysium" (other stanzas and settings: D 51, 53, 57, 58, 60 and 584); Canon for three male voices

55	(1892)	Selig durch die Liebe	21/4/1813	Text by Schiller, from "Der Triumph der Liebe": stanza 1; Other: D 61, 62, 63, 64, 983A; For ttb

56	(1892)	Sanctus, D 56	B♭ major Sanctus	21/4/1813	Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 66, 105, 167, 324, 452, 678, 755 and 950); Canon for three voices; Two versions

57	(1897)	Hier strecket der wallende Pilger	29/4/1813	Text by Schiller, stanza 4 from "Elysium" (other stanzas and settings: D 51, 53, 54, 58, 60 and 584); For ttb

58	(1892)	Dessen Fahne Donnerstürme wallte	May 1813	Text by Schiller, stanza 5 from "Elysium" (other stanzas and settings: D 51, 53, 54, 57, 60 and 584); For ttb

59	(1832)	Verklärung	4/5/1813	Text by Herder after Pope's "The dying Christian to his soul"

60	(1892)	Hier umarmen sich getreue Gatten	3/10/1813	Text by Schiller, stanza 6 from "Elysium" (other stanzas and settings: D 51, 53, 54, 57, 58 and 584); For ttb

61	(1897)	Ein jugendlicher Maienschwung	8/5/1813	Text by Schiller, from "Der Triumph der Liebe": stanza 9; Other: D 55, 62, 63, 64, 983A; Canon for three voices

62	(1897)	Thronend auf erhabnem Sitz	9/5/1813	Text by Schiller, from "Der Triumph der Liebe": stanza 15; Other: D 55, 61, 63, 64, 983A

63	(1892)	Wer die steile Sternenbahn	10/5/1813	Text by Schiller, from "Der Triumph der Liebe": stanza 26; Other: D 55, 61, 62, 64, 983A; For ttb

64	(1897)	Majestät'sche Sonnenroße	10/5/1813	Text by Schiller, from "Der Triumph der Liebe": stanza 16; Other: D 55, 61, 62, 63, 983A; For ttb

65	(1892)	Schmerz verzerret ihr Gesicht	11/5/1813	Text by Schiller, from "Gruppe aus dem Tartarus": stanza 2 (other settings: D 396 and 583); For ttb; Sketch

66	(1888)	Kyrie, D 66	F major Kyrie	12/5/1813	Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 105, 167, 324, 452, 678, 755 and 950); For SATB and orchestra

67	(1897)	Frisch atmet des Morgens lebendiger Hauch	15/5/1813	Text by Schiller (other setting: D 402); For ttb

68	(1890)	String Quartet No. 5	B♭ major	8/6/1813– 18/8/1813	Allegro maestoso – Allegro; Middle movements missing

69	(1892)	Sprüche des Confucius, D 69	8/7/1813	Text by Schiller (other settings: D 43 and 70); Canon for three voices

70	(1974)	Sprüche des Confucius, D 70	8/7/1813	Text by Schiller (other settings: D 43 and 69); For ttb; Fragment

71	(1892)	Die zwei Tugendwege	15/7/1813	Text by Schiller; For ttb

71A	(1956)	Alleluja, D 71A	F major	July 1813?	Canon for three voices

71B	Fugue, D 71B	E minor	July 1813	For piano; Fragment

71C	Orchestral piece, D 71C	D major	Aug. or Sep. 1813	Fragment; First pages, a.k.a. D 74A, based on D 74

72	(1889) (1890)	Wind Octet	F major	completed 18/8/1813	Allegro (fragment, publ. in 1890) – Minuet – Allegro; Slow middle movement lost?

73	(1868)	Thekla: Eine Geisterstimme, D 73	22/8/1813– 23/8/1813	Text by Schiller (other setting: D 595)

74	(1890)	String Quartet No. 6	D major	22/8/1813– Sep. 1813	Allegro ma non troppo – Andante – Minuet – Allegro

74A	Orchestral piece, D 74A	D major	Aug. or Sep. 1813	Fragment; Variant D number for first pages of D 71C

75	(1850)	Trinklied, D 75	29/08/1813	Text by Schäffer [scores]; For bTTB and piano

76	(1871) (1969)	Aria di Fronimo	7 and 13 Sep. 1813	Text by Metastasio, from Alcide al bivio, 1; For b and piano; Two versions (2nd in AGA)

77	(1831) (1894)	Der Taucher	17/9/1813– early 1815	Text by Schiller; Two versions: 2nd, publ. in 1894, was D 111

78	(1895)	Aria di Venere	18/9/1813	Text by Metastasio, from Gli orti esperdi, I; For s and piano

79	(1889)	Wind Nonet, a.k.a. Eine kleine Trauermusik or Franz Schuberts Begräbniß-Feyer	E♭ minor	19/9/1813	Grave con espressione

80	(1892)	Zur Namensfeier meines Vaters	27/9/1813	Text by Schubert; For ttb and guitar

81	(1895)	Auf den Sieg der Deutschen	fall 1813	Text by Schubert? (other setting: D 88); For voice, two violins and cello

82	(1884)	Symphony No. 1	D major	completed 28/10/1813	Adagio, Allegro vivace – Andante – Minuet – Allegro vivace

83	(1895)	Zur Namensfeier des Herrn Andreas Siller	28/10/1813– 4/11/1813	For voice, violin and harp

84	(1888)	Des Teufels Lustschloß	(Singspiel in three acts)	30/10/1813– 22/10/1814	Text by Kotzebue; Music for sssttbbbSSSATTBB and orchestra; Two versions: Overture (2nd version in AGA) – Act I (Nos. 1–11, 2nd version in AGA) – Act II (Nos.

86	(1886)	Minuet, D 86	D major	November 1813?	For string quartet

87	125p,1 (1840)	String Quartet No. 10	E♭ major	November 1813	Allegro più moderato – Scherzo – Adagio – Allegro

87A	Andante, D 87A	C major	November 1813	For four voices (string quartet or vocal ensemble?); Fragment

88	(1892)	Verschwunden sind die Schmerzen	15/11/1813	Text by Schubert? (other setting: D 88); Canon for ttb

89	(1886)	Five Minuets and Five German Dances	Various keys	19/11/1813	For string quartet; Minuets have six Trios, German Dances have seven Trios and a Coda

91	(1956)	Two Minuets, D 91	Various keys	22/11/1813	For piano; Each minuet with two Trios

92–126	1814	Up ↑

93	(1894)	Don Gayseros	1815?	Text by Motte Fouqué, from Der Zauberring; Nos. 2 and 3 incomplete

94	(1871)	String Quartet No. 7	D major	1811 or 1812?	Allegro (partly reused in D 12) – Andante con moto – Minuet – Presto

94A	Orchestral piece, D 94A	B♭ major	c. 1814	Fragment; For 1st version of D 84, Act III?

94B	Five Minuets and Six German Dances, D 94B	1814	For string quartet and two horns; Lost

95	(1848)	Adelaide	1814	Text by Matthisson

97	(1894)	Trost: An Elisa	1814	Text by Matthisson

98	(1894) (1968)	Erinnerungen, D 98	fall 1814	Text by Matthisson (other setting: D 424); Two versions: 1st is fragment, 2nd in AGA

99	(1894)	Andenken, D 99	April 1814	Text by Matthisson (other setting: D 423)

100	(1894)	Geisternähe	April 1814	Text by Matthisson

101	(1894)	Erinnerung, D 101, a.k.a. Todtenopfer	April 1814	Text by Matthisson

102	(1840)	Die Betende	fall 1814	Text by Matthisson; Partly reused in D 918

103	(1939)	Quartettsatz, D 103	C minor	23/4/1814	Grave, Allegro (fragment); Completed by Alfred Orel in 1st ed.

104	(1895)	Die Befreier Europas in Paris	16/5/1814	Text by Mikan; Two drafts and a final version

105	(1856)	Mass No. 1	F major Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei	17/5/1814– 22/7/1814	Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 167, 324, 452, 678, 755 and 950); For ssattbSATB and orchestra; 2nd setting of Dona nobis pacem was D 185; Partly reused in D 484

106	(1888)	Salve Regina, D 106	B♭ major Salve Regina	28/6/1814– 1/7/1814	Text: Salve Regina (other settings: D 27, 223, 386, 676 and 811); For t and orchestra

107	(1894) (1968)	Lied aus der Ferne	July 1814	Text by Matthisson; Two versions: 1st in AGA

108	(1894)	Der Abend, D 108	July 1814	Text by Matthisson

109	(1894)	Lied der Liebe	July 1814	Text by Matthisson

110	(1891)	Wer ist groß?	24/7/1814– 25/7/1814	For bTTBB and orchestra

111A	String Trio, D 111A	B♭ major	5/9/1814– 13/9/1814	Allegro (fragment); early version of D 112

112	168p (1863)	String Quartet No. 8	B♭ major	5/9/1814– 13/9/1814	Allegro ma non troppo – Andante sostenuto – Minuet – Presto; Based on D 111A

113	58,2 (1821) (1826) (1894)	An Emma	17/9/1814	Text by Schiller; Three versions: 2nd publ. in 1821 – 3rd is Op. 58 No. 2

114	(1868) (1901)	Romanze, D 114	September 1814	Text by Matthisson; Two versions: 2nd in AGA

115	(1840)	An Laura, als sie Klopstocks Auferstehungslied sang	2/10/1814– 7/10/1814	Text by Matthisson

116	(1840)	Der Geistertanz, D 116	14/10/1814	Text by Matthisson (other settings: D 15, 15A and 494)

117	(1894)	Das Mädchen aus der Fremde, D 117	16/10/1814	Text by Schiller (other setting: D 252)

118	2 (1821)	Gretchen am Spinnrade	19/10/1814	Text by Goethe, from Faust I, 15

119	(1850)	Nachtgesang, D 119	30/11/1814	Text by Goethe

120	(1835)	Trost in Tränen	30/11/1814	Text by Goethe

121	3,1 (1821) (1894)	Schäfers Klagelied	30/11/1814– 28/2/1819?	Text by Goethe; Two versions: 1st is Op. 3 No. 1 – 2nd composed for 28/2/1819?

122	(1872)	Ammenlied	early Dec. 1814	Text by Lubi [scores]

123	(1842)	Sehnsucht, D 123	3/12/1814	Text by Goethe

124	(1885) (1894) (1968)	Am See, D 124	3/12/1814– 7/12/1814	Text by Mayrhofer; Two versions: 1st is fragment – 2nd, modified in 1885 publ., in AGA

125	(1884)	Symphony No. 2	B♭ major	10/12/1814– 24/3/1815	Largo, Allegro vivace – Andante – Minuet – Presto vivace

126	(1832) (1873)	Scene from Faust	early Dec.– 12/12/1814	Text by Goethe, from Faust I, 20; Two versions: 2nd, publ. in 1832, in AGA

127–330	1815	Up ↑

128	(1897)	Twelve Viennese German Dances	Various keys	1812?	For piano; Includes introduction; No. 12 related to D 32

129	(1892)	Mailied, D 129	1815?	Text by Hölty (other settings: D 199 and 503); For ttb

130	(1892)	Der Schnee Zerrinnt	1815?	Text by Hölty (other setting: D 202); Canon for three voices

131	(1892)	Lacrimoso son io	1815?	Canon for three voices; Two versions: 2nd is "Lacrimosa son io"

134	126p (1830)	Ballade	1815?	Text by Kenner

135	(1930)	German Dance with Trio, D 135	E major	1815	For piano; Variant of D 146 No. 3 (other Trio)

136	46 (1825)	Offertory, D 136, a.k.a. Offertory No. 1	Totus in corde langueo C major	1815?	For s or t, clarinet or violin, and orchestra

137	(1893)	Adrast	(Singspiel)	fall 1819– early 1820	Text by Mayrhofer; For stbTTBB and orchestra; Nos. 1–8 complete (abandoned variants for some numbers, Nos.

138	5,1 (1821) (1970)	Rastlose Liebe	19/5/1815– May 1821	Text by Goethe; Two versions: 1st, in AGA, is Op. 5 No. 1

139	(1930)	German Dance with Trio, D 139	C♯ major (Trio in A major)	1815	For piano

140	(1850)	Klage um Ali Bey, D 140	1815	Text by Claudius (other setting: D 496A); For ttb (and piano?)

141	131p,1 (1830)	Der Mondabend	1815	Text by Kumpf [de]

142	92,3 (1828) (1885) (1895)	Geistes-Gruß	before Apr. 1816– after Nov. 1821	Text by Goethe; Six versions: 2nd publ. in 1885 – 3rd and 5th not in AGA – 6th is Op.

143	109p,2 (1829)	Genügsamkeit	1815	Text by Schober; Intro in 1st ed. not by Schubert

144	(1895)	Romanze, D 144	April 1816	Text by Stolberg-Stolberg; Fragment

145	18 (1823)	12 Waltzes, 17 Ländler and 9 Écossaises, D 145	Various keys	c. 1815– July 1821	For piano; Waltz No. 7 ≈ D 970 No.

146	127p (1824) (1830)	20 Waltzes, D 146, a.k.a. Letzte Walzer	Various keys	1815– Feb. 1823	For piano; No. 2 publ. in 1824, all 20 as Op. posth. 127 in 1830

147	(1892)	Bardengesang	20/1/1816?	Text by Macpherson (Ossian), from Comala, transl. by E. Baron de Harold

148	131p,2 (1830)	Trinklied, D 148	February 1815	Text by Castelli; For tTTB and piano

149	117p (1829) (1894)	Der Sänger	February 1815	Text by Goethe, from Wilhelm Meister's Apprenticeship; Two versions: 2nd is Op. posth. 117, AGA switches 1st and 2nd

150	(1830)	Lodas Gespenst	17/1/1816	Text by Macpherson (Ossian), from Carric-thura, transl. by E.

151	(1850)	Auf einen Kirchhof	2/2/1815	Text by Schlechta [de]

152	(1894)	Minona	8/2/1815	Text by Bertrand [scores]

153	(1845)	Als ich sie erröten sah	10/2/1815	Text by Ehrlich [scores]

154	(1897)	Piano Sonata, D 154	E major	11/2/1815	Allegro (fragment); Partly reused in D 157

155	165p,3 (1862)	Das Bild	10/2/1815

156	(1887)	Ten Variations, D 156	F major	completed 15/2/1815	For piano; Variant of Theme and Var. II

157	(1888)	Piano Sonata, D 157	E major	started 18/2/1815	Allegro ma non troppo (partly reuses D 154) – Andante – Minuet

158	(1889)	Écossaise, D 158	D minor – F major	21/2/1815	For piano

159	116p (1829) (1968)	Die Erwartung	May 1816	Text by Schiller; Two versions: 2nd, in AGA, is Op. posth. 116

160	(1894)	Am Flusse, D 160	27/2/1815	Text by Goethe (other setting: D 766)

161	19,2 (1825) (1894)	An Mignon	27/2/1815	Text by Goethe; Two versions: 2nd is Op. 19 No. 2

162	5,2 (1821) (1894)	Nähe des Geliebten	27/2/1815	Text by Goethe; Two versions: 2nd is Op. 5 No. 2

163	(1894)	Sängers Morgenlied, D 163	27/2/1815	Text by Körner (other setting: D 165)

164	Liebesrausch, D 164	March 1815	Text by Körner (other setting: D 179); Fragment

165	(1872)	Sängers Morgenlied, D 165	1/3/1815	Text by Körner (other setting: D 163)

166	(1894)	Amphiaraos	1/3/1815	Text by Körner

167	(1846)	Mass No. 2	G major Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei	2/3/1815– 7/3/1815	Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 324, 452, 678, 755 and 950); For stbSATB and orchestra; Tr and Ti added by Ferd.

168	(1872)	Nun laßt uns den Leib begraben, a.k.a. Begräbnislied	9/3/1815	Text by Klopstock; For SATB and piano

168A	(1872)	Jesus Christus unser Heiland, der den Tod überwand, a.k.a. Osterlied	9/3/1815	Text by Klopstock; For SATB and piano

169	(1894)	Trinklied vor der Schlacht	12/3/1815	Text by Körner; For double unison choir and piano

170	(1873)	Schwertlied	12/3/1815	Text by Körner; For voice, unison choir and piano

171	(1831)	Gebet während der Schlacht	12/3/1815	Text by Körner

172	Der Morgenstern, D 172	12/3/1815	Text by Körner (other setting: D 203); Fragment

173	(1871)	String Quartet No. 9	G minor	25/3/1815– 1/4/1815	Allegro con brio – Andantino – Minuet – Allegro

174	(1845)	Das war ich, D 174	26/3/1815	Text by Körner; D. 174 used to include Das war ich, D deest

175	(1888)	Stabat Mater, D 175	G minor Stabat Mater dolorosa	4/4/1815– 6/4/1815	For SATB and orchestra

176	(1872)	Die Sterne, D 176	6/4/1815	Text by Fellinger [wikisource:de]

177	173p,3 (1867)	Vergebliche Liebe	6/4/1815	Text by Bernard

177A	Am ersten Mai	before 1821	Text by Bernard; Music lost; Spurious?

178	(1897)	Adagio in G major, D 178	G major	8/4/1815	For piano; Two versions: 2nd is a fragment

179	(1872)	Liebesrausch, D 179	8/4/1815	Text by Körner; (other setting: D 164)

180	(1894)	Sehnsucht der Liebe	8/4/1815	Text by Körner

181	(1888)	Offertory, D 181	10/4/1815– 11/4/1815	For SATB and orchestra

182	(1842)	Die erste Liebe	12/4/1815	Text by Fellinger [wikisource:de]

183	(1887)	Trinklied, D 183	12/4/1815	Text by Zettler [wikisource:de]; For voice, unison choir and piano

184	150p (1843)	Gradual, D 184	Benedictus es, Domine C major	15/4/1815– 17/4/1815	For SATB and orchestra

186	(1894)	Die Sterbende	May 1815	Text by Matthisson

187	(1894)	Stimme der Liebe, D 187	May 1815	Text by Matthisson (other setting: D 418)

188	(1887)	Naturgenuß, D 188	May 1815	Text by Matthisson (other setting: D 422)

189	111p,1 (1829)	An die Freude	May 1815	Text by Schiller; For voice, unison choir and piano

190	(1888)	Der vierjährige Posten	(Singspiel in one act) Includes: 5. Gott! Gott! höre meine Stimme	8/5/1815– 19/5/1815	Text by Körner; Music for stttbSATB and orchestra; Overture – Nos. 1–8 (No. 5 also for voice and piano)

191	58,3 (1826) (1894)	Des Mädchens Klage, D 191	15/5/1815	Text by Schiller, from Wallenstein: Die Piccolomini III, 7 (other settings: D 6 and 389); Two versions: 2nd is Op. 58 No.

192	(1887)	Der Jüngling am Bache, D 192	15/5/1815	Text by Schiller (other settings: D 30 and 638)

193	57,3 (1826)	An den Mond, D 193	17/5/1815	Text by Hölty; Autograph without piano intro

194	(1894)	Die Mainacht	17/5/1815	Text by Hölty

195	173p,1 (1867)	Amalia	19/5/1815	Text by Schiller, from Die Räuber III, 1

196	172p,3 (1865)	An die Nachtigall	22/5/1815	Text by Hölty

197	(1850)	An die Apfelbäume, wo ich Julien erblickte	22/5/1815	Text by Hölty

198	(1894)	Seufzer	22/5/1815	Text by Hölty

199	(1885)	Mailied, D 199	24/5/1815	Text by Hölty (other settings: D 129 and 503); For two voices or two horns

200	(1884)	Symphony No. 3	D major	24/5/1815– 19/6/1815	Adagio maestoso, Allegro con brio – Allegretto – Minuet – Presto vivace

201	(1970)	Auf den Tod einer Nachtigall, D 201	25/5/1815	Text by Hölty (other setting: D 399); Fragment

202	(1885)	Mailied, D 202	26/5/1815	Text by Hölty (other setting: D 130); For two voices or two horns

203	(1892)	Der Morgenstern, D 203	26/5/1815	Text by Körner (other setting: D 172); For two voices or two horns

204	(1892)	Jägerlied	26/5/1815	Text by Körner; For two voices or two horns

204A	Das Traumbild	May 1815	Text by Hölty; Music lost

205	(1892)	Lützows wilde Jagd	26/5/1815	Text by Körner; For two voices or two horns

206	(1872)	Liebeständelei	26/5/1815	Text by Körner

207	(1894)	Der Liebende	29/5/1815	Text by Hölty

208	(1895) (1897)	Die Nonne	29/5/1815	Text by Hölty, from Balladen, No. 5; Two versions: 1st is fragment, incomplete in AGA – 2nd was D 212

209	38 (1825)	Der Liedler	January 1815	Text by Kenner

210	(1838)	Die Liebe, D 210, a.k.a. Klärchens Lied	3/6/1815	Text by Goethe, from Egmont, Act III, Scene 2, Clärchen's song

211	(1894)	Adelwold und Emma	5/6/1815– 14/6/1815	Text by Bertrand [scores]

213	172p,1 (1865)	Der Traum	17/6/1815	Text by Hölty, from Balladen, No. 6

214	172p,2 (1865)	Die Laube	17/6/1815	Text by Hölty

215	(1906)	Jägers Abendlied, D 215	20/6/1815	Text by Goethe (other setting: D 368)

215A	(1952)	Meeres Stille, D 215A	20/6/1815	Text by Goethe (other setting: D 216)

216	3,2 (1821)	Meeres Stille, D 216	21/6/1815	Text by Goethe (other setting: D 215A)

217	(1830)	Kolmas Klage	22/6/1815	Text by Macpherson (Ossian), from The Songs of Selma (transl.)

218	(1848)	Grablied	24/6/1815	Text by Kenner

219	(1848)	Das Finden	25/6/1815	Text by Kosegarten

220	(1888)	Fernando	(Singspiel in one act)	Jun. 1815– 9/7/1815	Text by Stadler, A. [scores]; Music for sstbb and orchestra; Nos. 1–7

221	118p,2 (1829)	Der Abend, D 221	15/7/1815	Text by Kosegarten

222	(1885)	Lieb Minna: Romanze	2/7/1815	Text by Stadler, A. [scores]

223	47 (1825)	Salve Regina, D 223, a.k.a. Offertory No. 2	F major Salve Regina	5/7/1815 28/1/1823	Text: Salve Regina (other settings: D 27, 106, 386, 676 and 811); For s and orchestra; Two versions: 2nd, in AGA, is Op.

224	4,3 (1821)	Wandrers Nachtlied, D 224	5/7/1815	Text by Goethe

225	5,3 (1821) (1970)	Der Fischer	5/7/1815	Text by Goethe; Two versions: 2nd, in AGA, is Op. 5 No. 3

226	5,4 (1821)	Erster Verlust	5/7/1815	Text by Goethe

227	(1885)	Idens Nachtgesang	7/7/1815	Text by Kosegarten

228	(1894)	Von Ida	7/7/1815	Text by Kosegarten

229	108,3 (1824)	Die Erscheinung, a.k.a. Erinnerung, D 229	7/7/1815	Text by Kosegarten; Publ. as Op. 108 No. 3 in 1829

230	165p,4 (1855)	Die Täuschung	7/7/1815	Text by Kosegarten; Publ. as Op. posth. 165 No. 4 in 1862

231	172p,4 (1865)	Das Sehnen	8/7/1815	Text by Kosegarten

232	112p,3 (1829)	Hymne an den Unendlichen	11/7/1815	Text by Schiller; For satb and piano

233	118p,1 (1829)	Geist der Liebe, D 233	15/7/1815	Text by Kosegarten

234	118p,3 (1829)	Tischlied	15/7/1815	Text by Goethe

235	(1894)	Abends unter der Linde, D 235	24/7/1815	Text by Kosegarten (other setting: D 237)

236	(1892)	Das Abendrot, D 236	20/7/1815	Text by Kosegarten; for ssb and piano

237	(1872)	Abends unter der Linde, D 237	25/7/1815	Text by Kosegarten (other setting: D 235)

238	(1894)	Die Mondnacht	25/7/1815	Text by Kosegarten

239	(1893)	Claudine von Villa Bella	(Singspiel in three acts)	started 26/7/1815	Text by Goethe; For ssttbbSATB and orchestra; Overture (in AGA) – Nos. 1–8 (Act I, in AGA) – No.

240	(1894)	Huldigung	27/7/1815	Text by Kosegarten

241	(1894)	Alles um Liebe	27/7/1815	Text by Kosegarten

242	(1892)	Trinklied im Winter, a.k.a. Winterlied, D 242	August 1815?	Text by Hölty (other setting: D 242A); For ttb

242A	Winterabend, D 242A, a.k.a. Winterlied	1815?	Text by Hölty (other setting: D 242)

243	(1892)	Frühlingslied, D 243	August 1815?	Text by Hölty (other setting: D 398); For ttb

244	(1892)	Willkommen, lieber schöner Mai	August 1815?	Text by Hölty; Canon for three voices in two sections

246	(1830)	Die Bürgschaft, D 246	August 1815	Text by Schiller; Partly reused in D 435

247	118p,6 (1829)	Die Spinnerin	August 1815	Text by Goethe

248	118p,4 (1829)	Lob des Tokayers	August 1815	Text by Baumberg

249	Die Schlacht, D 249	1/8/1815	Text by Schiller (other setting: D 387); Sketch

250	(1872)	Das Geheimnis, D 250	7/8/1815	Text by Schiller (other setting: D 793)

251	(1872)	Hoffnung, D 251	7/8/1815	Text by Schiller (other setting: D 637)

252	(1887)	Das Mädchen aus der Fremde, D 252	12/8/1815	Text by Schiller (other setting: D 117)

253	(1887)	Punschlied: Im Norden zu singen	18/8/1815	Text by Schiller; Two versions: 2nd for two voices

254	(1887)	Der Gott und die Bajadere	18/8/1815	Text by Goethe

255	(1850)	Der Rattenfänger	19/8/1815	Text by Goethe

256	(1887)	Der Schatzgräber	19/8/1815	Text by Goethe

257	3,3 (1821)	Heidenröslein	19/8/1815	Text by Goethe

258	(1887)	Bundeslied	19/8/1815	Text by Goethe

259	(1850)	An den Mond, D 259	19/8/1815	Text by Goethe (other setting: D 296)

260	115p,2 (1829)	Wonne der Wehmut	20/8/1815	Text by Goethe; Reused in D

261	(1850)	Wer kauft Liebesgötter?	21/8/1815	Text by Goethe, from Der Zauberflöte zweiter Teil

262	(1895)	Die Fröhlichkeit	22/8/1815	Text by Prandstätter [de]

263	(1848)	Cora an die Sonne	22/8/1815	Text by Baumberg

264	(1850) (1872)	Der Morgenkuß	22/8/1815	Text by Baumberg; Two versions: 2nd, publ. in 1850, in AGA

265	(1895)	Abendständchen: An Lina	23/8/1815	Text by Baumberg

266	(1895)	Morgenlied, D 266	24/8/1815	Text by Stolberg-Stolberg

267	(1872)	Trinklied, D 267	25/8/1815	For ttbb and piano

268	(1872)	Bergknappenlied	25/8/1815	For ttbb and piano

269	(1848)	Das Leben	25/8/1815	Text by Wannovius [scores]; Two versions: 1st for tbb and piano – 2nd, in AGA, for ssa and piano

270	118p,5 (1829)	An die Sonne, D 270	25/8/1815	Text by Baumberg

271	(1895)	Der Weiberfreund	25/8/1815	Text by Ratschky [de], after Cowley

272	(1872)	An die Sonne, D 272	25/8/1815	Text by Tiedge

273	(1895)	Lilla an die Morgenröte	25/8/1815

274	(1850)	Tischlerlied	25/8/1815

275	(1895)	Totenkranz für ein Kind	25/8/1815	Text by Matthisson

276	(1895)	Abendlied, D 276	28/8/1815	Text by Stolberg-Stolberg

277	(1892)	Punschlied, D 277	29/8/1815	Text by Schiller; For ttb and piano

277A	(1925)	Minuet with Trio, D 277A	A minor (minuet) / F major (trio)	September 1815?	For piano; Partly reused in D 279

278	(1830) (1897)	Ossians Lied nach dem Falle Nathos	1815	Text by Macpherson (Ossian), from Dar-Thula, transl. by E.

279	(1888)	Piano Sonata, D 279	C major	September 1815	Allegro moderato – Andante – Minuet (partly based on D 277A); D 309A, or 346, may be 4th movement

280	(1837)	Das Rosenband	September 1815	Text by Klopstock

281	(1830)	Das Mädchen von Inistore	September 1815	Text by Macpherson (Ossian), from Fingal, Book I, transl. by E. Baron de Harold

282	(1830)	Cronnan	5/9/1815	Text by Macpherson (Ossian), from Carric-thura, transl. by E. Baron de Harold

283	172p,5 (1865)	An den Frühling, D 283	6/9/1815	Text by Schiller (other settings: D 338 and 587)

284	(1895)	Lied, D 284	6/9/1815	Text by Schiller(?)

285	(1885) (1895)	Furcht der Geliebten, a.k.a. An Cidli	12/9/1815	Text by Klopstock, from Oden; Two versions: 2nd publ. in 1885

286	(1837) (1895)	Selma und Selmar	14/9/1815	Text by Klopstock; Two versions: 2nd publ. in 1837

287	(1895)	Vaterlandslied	14/9/1815	Text by Klopstock, from Oden; Two versions

288	(1895)	An Sie	14/9/1815	Text by Klopstock, from Oden

289	(1895)	Die Sommernacht	14/9/1815	Text by Klopstock; Two versions

290	(1837)	Die frühen Gräber	14/9/1815	Text by Klopstock, from Oden

291	(1831) (1895)	Dem Unendlichen	15/9/1815	Text by Klopstock; Three versions: 2nd publ. in 1831

293	(1830)	Shilric und Vinvela	20/9/1815	Text by Macpherson (Ossian), from Carric-thura, transl. by E. Baron de Harold

294	(1892)	Namensfeier für Franz Michael Vierthaler, a.k.a. Gratulations-Kantate	27/9/1815	For stbSTB and orchestra

295	(1872) (1895)	Hoffnung, D 295	1815 or 1816?	Text by Goethe; Two versions: 1st publ. in 1872

296	(1868)	An den Mond, D 296	1815 or 1816?	Text by Goethe (other setting: D 259)

297	(1850) (1895)	Augenlied	spring 1817?	Text by Mayrhofer; Two versions: 2nd publ. in 1850

298	(1895)	Liane	October 1815	Text by Mayrhofer

299	(1897) (1912)	Twelve Écossaises, D 299	Various keys	3/10/1815	For piano; No. 1 similar to D 145 Écoss. No. 1; Nos. 9–12 publ. in 1912

300	(1842)	Der Jüngling an der Quelle	1816 or 1817?	Text by Salis-Seewis

301	(1842)	Lambertine	12/10/1815	Text by Stoll [scores]

302	(1895)	Labetrank der Liebe	15/10/1815	Text by Stoll [scores]

303	(1887)	An die Geliebte	15/10/1815	Text by Stoll [scores]; Music partly reused in D 497

304	(1895)	Wiegenlied, D 304	15/10/1815	Text by Körner

305	(1895)	Mein Gruß an den Mai	15/10/1815	Text by Kumpf [de]

306	(1895)	Skolie, D 306	15/10/1815	Text by Deinhardstein [de]

307	(1895)	Die Sternenwelten	15/10/1815	Text by Fellinger [wikisource:de], after Jarnik

308	(1895)	Die Macht der Liebe	15/10/1815	Text by Kalchberg [wikisource:de]

309	(1872)	Das gestörte Glück	15/10/1815	Text by Körner

309A	Rondo, D 309A	C major	1815	For piano; Fragment; 4th movement of D 279?

310	(1895)	Sehnsucht, D 310, a.k.a. Lied der Mignon	18/10/1815	Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 359, 481, 656 and 877 Nos. 1 & 4); Two versions

311	An den Mond, D 311	19/10/1815?	For voice and piano; Sketch without text

312	58,1 (1826) (1895)	Hektors Abschied	19/10/1815	Text by Schiller; Two versions: 2nd is Op. 58 No. 1

313	(1895)	Die Sterne, D 313	19/10/1815	Text by Kosegarten

314	(1887)	Nachtgesang, D 314	19/10/1815	Text by Kosegarten

315	(1895)	An Rosa I	19/10/1815	Text by Kosegarten

316	(1895)	An Rosa II	19/10/1815	Text by Kosegarten; Two versions

317	(1895)	Idens Schwanenlied	19/10/1815	Text by Kosegarten; Two versions: 2nd in AGA

318	(1895)	Schwangesang	19/10/1815	Text by Kosegarten

319	(1895)	Luisens Antwort	19/10/1815	Text by Kosegarten

320	(1895)	Der Zufriedene	23/10/1815	Text by Reissig [de]

321	(1832)	Mignon a.k.a. Mignons Gesang	23/10/1815	Text by Goethe, from Wilhelm Meister's Apprenticeship III, 1

322	(1837)	Hermann und Thusnelda	27/10/1815	Text by Klopstock

323	(1895)	Klage der Ceres	9/11/1815– June 1816	Text by Schiller; Two versions: 2nd in AGA; A fragment of the last part was D 991

324	141p (1837)	Mass No. 3	B♭ major Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei	started 11/11/1815	Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 452, 678, 755 and 950); For satbSATB and orchestra

324A	Winterlied, D 324A	1816?

325	(1895)	Harfenspieler, D 325	13/11/1815	Text by Goethe, from Wilhelm Meister's Apprenticeship (other setting: D 478 No. 1)

326	(1888)	Die Freunde von Salamanka	(Singspiel in two acts)	18/11/1815– 31/12/1815	Text by Mayrhofer; Music for ssstttbbbbbbSATB and orchestra; Overture – Act I (Nos. 1–7) – Act II (Nos.

327	Lorma, D 327	28/11/1815	Text by Macpherson (Ossian), from The Battle of Lora, transl. by E. Baron de Harold (other setting: D 376); Fragment

328	1 (1821) (1895)	Erlkönig	October 1815?	Text by Goethe; Four versions: 2nd and 3rd switched in AGA – 4th is Op. 1

329	(1895)	Die drei Sänger	23/12/1815	Text by Bobrik [scores]; Fragment

329A	Das Grab, D 329A	28/12/1815?	Text by Salis-Seewis (other settings: D 330, 377, 569 and 643A); Canon for SATB; Sketch

330	(1895)	Das Grab, D 330	28/12/1815	Text by Salis-Seewis (other settings: D 329A, 377, 569 and 643A); For choir and piano

331–510	1816	Up ↑

331	(1866)	Der Entfernten, D 331	c. 1816	Text by Salis-Seewis (other setting: D 350); For ttbb; Identical to former D 332

334	(1897)	Minuet with Trio, D 334	A major (minuet) / E major (trio)	before fall 1815	For piano

335	(1897)	Minuet with two Trios	E major	1813?	For piano

337	(1860)	Die Einsiedelei, D 337, a.k.a. Lob der Einsamkeit	c. 1816	Text by Salis-Seewis (other settings: D 393 and 563); For ttbb

338	(1891)	An den Frühling, D 338	c. 1816	Text by Schiller (other settings: D 283 and 587); For ttbb

342	(1885)	An mein Klavier a.k.a. Seraphine an ihr Klavier	c. 1816	Text by Schubart

343	(1831)	Am Tage Aller Seelen a.k.a. Litanei auf das Fest Aller Seelen	August 1816	Text by Jacobi; Two versions: 1st, in AGA, publ. in 1831

344	Am ersten Maimorgen	1816?	Text by Claudius

345	(1897)	Violin Concerto, a.k.a. Konzertstück (Concert Piece)	D major	1816	Adagio, Allegro

346	(1897)	Allegretto, D 346	C major	1816?	For piano; Fragment; 4th movement of D 279?

347	(1897)	Allegro moderato, D 347	C major	1813?	For piano; Fragment

348	(1897)	Andantino, D 348	C major	1816?	For piano; Fragment

349	(1897)	Adagio, D 349	C major	1816?	For piano; Fragment

350	(1885)	Der Entfernten, D 350	1816?	Text by Salis-Seewis (other setting: D 331)

351	(1895)	Fischerlied, D 351	1816?	Text by Salis-Seewis (other settings: D 364 and 562)

352	(1847)	Licht und Liebe a.k.a. Nachtgesang	1816?	Text by Collin, M. C.; For st and piano

353	125p,2 (1840)	String Quartet No. 11	E major	1816	Allegro con fuoco – Andante – Minuet – Rondo

354	(1930)	Four Komische Ländler	D major	January 1816	For two violins

355	(1928)	Eight Ländler, D 355	F♯ minor	January 1816	For violin(?)

356	(1844)	Trinklied, D 356	1816	For vocal soloist, TTBB and piano; Piano part lost (by Czerny in 1844 ed.)

357	(1892)	Goldner Schein	1/5/1816	Text by Matthisson; Canon for three voices

358	(1849)	Die Nacht, D 358	1816	Text by Uz

359	(1872)	Sehnsucht, D 359 a.k.a. Lied der Mignon	1816	Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 310, 481, 656 and 877 Nos. 1 & 4)

360	65,1 (1826)	Lied eines Schiffers an die Dioskuren	1816	Text by Mayrhofer

361	109p,1 (1829)	Am Bach im Frühling	1816	Text by Schober; Piano intro probably not by Schubert

362	(1895)	Zufriedenheit, D 362, a.k.a. Lied	1815 or 1816?	Text by Claudius (other setting: D 501)

363	An Chloen, D 363	1816	Text by Uz; Fragment

364	(1897)	Fischerlied, D 364	1816 or 1817?	Text by Salis-Seewis (other settings: D 351 and 562); For ttbb

365	9 (1821)	36 Original Dances a.k.a. Erste Walzer	Various keys	c. Mar. 1818– Jul. 1821	For piano; No. 2 publ. in 1826 as Beethoven's (Kinksky Anh. 14 No. 1)

366	(1824) (1869)	17 Ländler, D 366	Various keys	c. Jul. 1824– Nov. 1824	For piano; Nos. 6 and 17 publ.

367	5,5 (1821)	Der König in Thule	early 1816	Text by Goethe, from Faust I, 8

368	3,4 (1821)	Jägers Abendlied, D 368	early 1816?	Text by Goethe (other setting: D 215)

369	19,1 (1825)	An Schwager Kronos	1816	Text by Goethe

370	(1930)	Nine Ländler, D 370	D major	January 1816	For violin?; No. 7 reused in D 378 No. 6

371	(1872)	Klage, D 371	January 1816	Two versions: 1st, a sketch, was D 292

372	(1895)	An die Natur	15/1/1816	Text by Stolberg-Stolberg

373	(1895)	Lied, D 373	15/1/1816?	Text by Motte Fouqué, from Undine

374	(1902)	11 Ländler, D 374	B♭ major	February 1816?	For violin; Nos. 1–3, 5, 7 and 11 reused in Nos.

375	(1830)	Der Tod Oskars	February 1816	Text by Macpherson (Ossian), transl. by E. Baron de Harold

376	(1895)	Lorma, D 376	10/2/1816	Text by Macpherson (Ossian), from The Battle of Lora, transl. by E. Baron de Harold (other setting: D 327); Fragment

377	(1872)	Das Grab, D 377	11/2/1816	Text by Salis-Seewis (other settings: D 329A, 330, 569 and 643A); For TTBB and piano

378	(1889)	Eight Ländler, D 378	B♭ major	13/2/1816	For piano; Nos. 1–5 and 7 reuse D 374 Nos.

379	(1859)	Deutsches Salve Regina (German Salve Regina)	Sei, Mutter der Barmherzigkeit F major	21/2/1816	Text: after Salve Regina; For SATB and organ

380	(1897) (1956) (1989)	Three Minuets, each with Two Trios	E major (No. 1) A major (No. 2) C major (No. 3)	22/2/1816	For piano; AGA only Nos. 1–2; Start of No.

381	(1895)	Morgenlied, D 381	24/2/1816

382	(1895)	Abendlied, D 382	24/2/1816

383	(1888)	Stabat Mater, D 383, a.k.a. Deutsches Stabat Mater (German Stabat Mater)	Jesus Christus schwebt am Kreuze F minor	started 28/2/1816	Text by Klopstock after Stabat Mater; For stbSATB and orchestra; Sketch for Nos. 5–6 was D 992

384	137p,1 (1836)	Violin Sonata, D 384, a.k.a. Sonatina No. 1	D major	March 1816	Allegro molto (+early version in NSA) – Andante – Allegro vivace

385	137p,2 (1836)	Violin Sonata, D 385, a.k.a. Sonatina No. 2	A minor	March 1816	Allegro moderato – Andante – Minuet – Allegro

386	(1833)	Salve Regina, D 386	B♭ major Salve Regina	early 1816	Text: Salve Regina (other settings: D 27, 106, 223, 676 and 811); For SATB

387	(1897)	Die Schlacht, D 387	March 1816	Text by Schiller (other setting: D 249); Sketch for vocal soloists, choir and piano; Music partly in D 249 and 602 No.

388	(1895)	Laura am Klavier	March 1816	Text by Schiller; Two versions

389	(1873)	Des Mädchens Klage, D 389	March 1816	Text by Schiller, from Wallenstein: Die Piccolomini III, 7 (other settings: D 6 and 191)

390	(1895)	Entzückung an Laura, D 390	March 1816	Text by Schiller (other setting: D 577)

391	111p,3 (1829)	Die vier Weltalter	March 1816	Text by Schiller

392	(1895)	Pflügerlied	March 1816	Text by Salis-Seewis

393	(1845)	Die Einsiedelei, D 393	March 1816	Text by Salis-Seewis (other settings: D 337 and 563)

394	(1895)	An die Harmonie a.k.a. Gesang an die Harmonie	March 1816	Text by Salis-Seewis

395	111p,2 (1829)	Lebensmelodien	March 1816	Text by Schlegel, A. W.

396	(1975)	Gruppe aus dem Tartarus, D 396	March 1816	Text by Schiller (other settings: D 65 and 583); Fragment

397	(1832)	Ritter Toggenburg	13/3/1816	Text by Schiller

398	(1887)	Frühlingslied, D 398	13/5/1816	Text by Hölty (other setting: D 243)

399	(1895)	Auf den Tod einer Nachtigall, D 399	13/5/1816	Text by Hölty (other setting: D 201)

400	(1895)	Die Knabenzeit	13/5/1816	Text by Hölty

401	(1895)	Winterlied, D 401	13/5/1816	Text by Hölty

402	(1872)	Der Flüchtling	18/3/1816	Text by Schiller (other setting: D 67)

403	(1845) (1895)	Lied, D 403	27/3/1816	Text by Salis-Seewis; Four versions: 1st, publ. in 1845, and 2nd in AGA; Music partly reappears in D 877 No.

404	(1885)	Die Herbstnacht a.k.a. Die Wehmuth	March 1816	Text by Salis-Seewis

405	(1895)	Der Herbstabend	April 1816	Text by Salis-Seewis; Two versions: 1st in AGA

406	(1887)	Abschied von der Harfe	March 1816	Text by Salis-Seewis

407	(1891) (1892)	Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri	before 16/6/1816	Text by Schubert; Quartet for ttbb (+variant in AGA XIX, formerly D 441, for ttb and piano) – Aria for t and piano – Canon for three voices

408	137p,3 (1836)	Violin Sonata, D 408, a.k.a. Sonatina No. 3	G minor	April 1816	Allegro giusto – Andante – Minuet – Allegro moderato

409	(1872)	Die verfehlte Stunde	April 1816	Text by Schlegel, A. W.

410	115p,3 (1829)	Sprache der Liebe	April 1816	Text by Schlegel, A. W.

411	(1887)	Daphne am Bach	April 1816	Text by Stolberg-Stolberg

412	(1838)	Stimme der Liebe, D 412	April 1816	Text by Stolberg-Stolberg; Two versions: 2nd in AGA

413	(1895)	Entzückung	April 1816	Text by Matthisson

414	(1895)	Geist der Liebe, D 414	April 1816	Text by Matthisson (other setting: D 747)

415	(1895)	Klage, D 415	April 1816	Text by Matthisson

416	(1825)	Lied in der Abwesenheit	April 1816	Text by Stolberg-Stolberg; Fragment

417	(1884)	Symphony No. 4 Tragic	C minor	completed 27/4/1816	Adagio molto, Allegro vivace – Andante – Minuet – Allegro

418	(1895)	Stimme der Liebe, D 418	29/4/1816	Text by Matthisson (other setting: D 187)

419	(1895)	Julius an Theone	30/4/1816	Text by Matthisson

420	(1871)	Twelve German Dances, D 420	Various keys	1816	For piano; No. 10 reappears in D 679 No. 1

421	(1889)	Six Écossaises, D 421	Various keys	May 1816	For piano; No. 1 after D 145 Écoss. No. 5

422	16,2 (1823)	Naturgenuß, D 422	1822?	Text by Matthisson (other setting: D 188); For ttbb and piano

423	(1974)	Andenken, D 423	May 1816	Text by Matthisson (other setting: D 99); For ttb

424	(1974)	Erinnerungen, D 424	May 1816	Text by Matthisson (other setting: D 98); For ttb

425	Lebensbild	May 1816	Lost: may be related to D Anh. I/23 with the same lyrics as D 508; For ttb

426	Trinklied, D 426	May 1816	Lost; Text by Bürger(?); For ttb

427	(1892)	Trinklied im Mai	May 1816	Text by Hölty; For ttb

428	(1974)	Widerhall	May 1816	Text by Matthisson; For ttb

429	(1885)	Minnelied	May 1816	Text by Hölty

430	(1895)	Die frühe Liebe	May 1816	Text by Hölty; Two versions: 1st in AGA

431	(1887)	Blumenlied	May 1816	Text by Hölty

432	(1850) (1895)	Der Leidende a.k.a. Klage, D 432	May 1816	Other setting: D Anh. I/28; Two versions: 1st publ. in 1850

433	(1895)	Seligkeit	May 1816	Text by Hölty

434	(1850)	Erntelied	May 1816	Text by Hölty

435	(1893)	Die Bürgschaft, D 435	(Opera in three acts)	started 2/5/1816	For four sopranos, three tenors, three basses, two baritones, SATB and orchestra; Unfinished: Nos. 1–9 (Act I) – Nos.

436	(1850)	Klage, D 436	12/5/1816	Text by Hölty; Two versions: 1st publ. in 1850 – 2nd was D 437

438	(1897)	Rondo, D 438	A major	June 1816	For violin and string orchestra

439	(1872)	An die Sonne, D 439	June 1816	Text by Uz; For satb and piano

440	(1839)	Chor der Engel	June 1816	Text by Goethe, from Faust I, 1; For SATB

442	(1847)	Das große Halleluja	June 1816	Text by Klopstock; For voice(s?) and piano

443	(1895)	Schlachtlied, D 443, a.k.a. Schlachtgesang	June 1816	Text by Klopstock, from Oden (other setting: D 912); For voice(s?) and piano

444	(1831)	Die Gestirne	June 1816	Text by Klopstock, from Oden

445	(1837)	Edone	June 1816	Text by Klopstock, from Oden

446	(1887)	Die Liebesgötter	June 1816	Text by Uz

447	(1895)	An den Schlaf	June 1816

448	(1887)	Gott im Frühlinge	June 1816	Text by Uz; Two versions: 1st, publ. in 1887, in AGA

449	(1872)	Der gute Hirt	June 1816	Text by Uz

450	(1832) (1895)	Fragment from Aeschylus	June 1816	Text by Mayrhofer after Aeschylus' Eumenides (Oresteia III); Two versions: 2nd publ. in 1832

451	Prometheus, D 451	17/6/1816	Text by Draexler von Carin [de]; Lost; Cantata for soprano, bass, choir and orchestra

452	48 (1825) (1829)	Mass No. 4	C major Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei	Jun. 1816– Oct. 1828	Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 324, 678, 755 and 950); For satbSATB and orchestra; 2nd setting of "Benedictus", publ.

453	Requiem	C minor Introitus – Kyrie	July 1816	Fragment; For SATB and orchestra

454	(1872)	Grablied auf einen Soldaten	July 1816	Text by Schubart

455	(1887)	Freude der Kinderjahre	July 1816	Text by Köpken [scores]

456	(1887)	Das Heimweh, D 456	July 1816	Text by Hell

457	44 (1827)	An die untergehende Sonne	July 1816– May 1817	Text by Kosegarten

458	(1872)	Aus Diego Manazares: Ilmerine	30/07/1816	Text by Schlechta [de] from Diego Manazares

459	(1843)	Piano Sonata, D 459	E major	August 1816	Allegro moderato – Scherzo; With D 459A a.k.a. Fünf Klavierstücke

459A	(1843)	Three piano pieces, D 459A	C major (No. 1) A major (No. 2) E major (No. 3)	1816?	Adagio – Scherzo – Allegro patetico; With D 459 a.k.a. Fünf Klavierstücke

460	(1888)	Tantum ergo, D 460	C major	August 1816	Text by Aquinas (other settings: D 461, 730, 739, 750, 962 and Anh. I/17); For sSATB and orchestra

461	(1935)	Tantum ergo, D 461	C major	August 1816	Text by Aquinas (other settings: D 460, 730, 739, 750, 962 and Anh. I/17); For satbSATB and orchestra

462	(1895)	An Chloen, D 462	August 1816	Text by Jacobi

463	(1895)	Hochzeit-Lied	August 1816	Text by Jacobi

464	(1895)	In der Mitternacht	August 1816	Text by Jacobi

465	(1885)	Trauer der Liebe	August 1816	Text by Jacobi; Two versions: 1st, in AGA, publ. 1885

466	(1872)	Die Perle	August 1816	Text by Jacobi

467	(1885)	Pflicht und Liebe	August 1816	Text by Gotter; Fragment

468	(1895)	An den Mond, D 468	07/08/1816	Text by Hölty

469	(1897)	Mignon, D 469	September 1816	Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 727 and 877 No. 3); Two versions, both fragments

470	(1886)	Overture, D 470	B♭ major	September 1816	For orchestra; Overture to D 472(?); Fragment for string quartet was D 601

471	(1890) (1897)	String Trio, D 471	B♭ major	September 1816	Allegro (AGA VI) – Andante sostenuto (fragment, in AGA XXII)

472	128p (1830) (1892)	Kantate zu Ehren von Josef Spendou	September 1816	Text by Hoheisel [scores]; For sstbSSATB and orchestra (piano reduction in 1st ed.); Overture: D 470(?); Recitative, aria with choir – Recitative, duet – Recitative, choir – Recitative, quartet with choir

473	(1833) (1895)	Liedesend	September 1816	Text by Mayrhofer; Two versions: 2nd in 1st ed.

474	(1832) (1895)	Lied des Orpheus, als er in die Hölle ging	September 1816	Text by Jacobi; Two versions: 2nd in 1st ed.

475	(1885)	Abschied: Nach einer Wallfahrts-Arie bearbeitet	September 1816	Text by Jacobi

476	(1872)	Rückweg	September 1816	Text by Mayrhofer

477	(1895)	Alte Liebe rostet nie	September 1816	Text by Mayrhofer

478	12 (1822) (1895)	Gesänge des Harfners aus "Wilhelm Meister"	September 1816–1822	Text by Goethe, from Wilhelm Meister's Apprenticeship (other setting of No. 1: D 325); No.

481	(1895)	Sehnsucht, D 481	September 1816	Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 310, 359, 656 and 877 Nos. 1 & 4)

482	(1895)	Der Sänger am Felsen	September 1816	Text by Pichler, from Idyllen

483	(1895)	Lied, D 483	September 1816	Text by Pichler, from Idyllen

484	(1895)	Gesang der Geister über den Wassern, D 484	September 1816	Text by Goethe (other settings: D 538, 705 and 714); Fragment

485	(1885)	Symphony No. 5	B♭ major	Sept.–3 Oct. 1816	Allegro – Andante con moto – Minuet – Allegro vivace

486	(1888)	Magnificat	Magnificat anima mea Dominum C major	15/09/1815	Text by Luke (Vulgate translation); For satbSATB and orchestra

487	(1865)	Adagio e Rondo concertante	F major	October 1816	For piano quartet

488	(1888)	Auguste jam coelestium	October 1816	Duet for st and orchestra

489	4,1 (1821) (1895) (1970)	Der Wanderer, D 489, a.k.a. Der Unglückliche	October 1816	Text by Schmidt von Lübeck; Three versions: 1st and 3rd in AGA 1895 – 2nd and 3rd were D 493 (2nd publ.

490	(1895)	Der Hirt	October 1816	Text by Mayrhofer

491	(1887)	Geheimnis: An F. Schubert	October 1816	Text by Mayrhofer

492	(1849)	Zum Punsche, D 492	October 1816	Text by Mayrhofer

494	(1871)	Der Geistertanz, D 494	November 1816	Text by Matthisson (other settings: D 15, 15A and 116); For ttbbb

495	(1868)	Abendlied der Fürstin	November 1816	Text by Mayrhofer

496	(1885)	Bei dem Grabe meines Vaters	November 1816	Text by Claudius

496A	(1968)	Klage um Ali Bey, D 496A	November 1816	Text by Claudius (other setting: D 140)

497	98,1 (1829)	An die Nachtigall, D 497	November 1816	Text by Claudius

498	98,2 (1829)	Wiegenlied, D 498	November 1816

499	(1885)	Abendlied, D 499	November 1816	Text by Claudius

500	(1895)	Phidile	November 1816	Text by Claudius

501	(1895)	Zufriedenheit, D 501	November 1816	Text by Claudius (other setting: D 362); Two versions: 1st in AGA

502	(1872)	Herbstlied, D 502	November 1816	Text by Salis-Seewis

503	Mailied, D 503	November 1816	Text by Hölty (other settings: D 129 and 199)

504	6,3 (1821) (1970)	Am Grabe Anselmos	4/11/1816	Text by Claudius; Two versions: 1st, in AGA, is Op. 6 No. 3

505	145p,1 (1848) (1897)	Adagio, D 505	D♭ major	September 1818?	For piano; 2nd movement of D 625?; Abridged variant in E major, in AGA XXI, is Op. posth.

506	145p,2 (1848)	Rondo, D 506	E major	June 1817?	For piano; 4th movement of D 566?

507	(1895)	Skolie, D 507	December 1816	Text by Matthisson

508	(1845)	Lebenslied, D 508	December 1816	Text by Matthisson (other settings: D Anh. I, 23, and possibly 425)

509	(1872)	Leiden der Trennung	December 1816	Text by Metastasio, from Artaserse III, 1, "L'onda dal mar divisa", transl. by Collin, H.

510	(1895)	Vedi quanto adoro	December 1816	Text by Metastasio, from Didone abbandonata II, 4; Aria for soprano and piano; Clean copy and three sketches; Last extant autograph with corrections by Salieri

511–598	1817	Up ↑

511	Écossaise, D 511	E♭ major	c. 1817	For piano

513	(1891)	La pastorella al prato, D 513	1817?	Text by Goldoni, from Il filosofo di campagna II, 16 (other setting: D 528); For ttbb and piano

513A	Nur wer die Liebe kennt	1817?	Text by Werner; Sketch

514	7,1 (1823)	Die abgeblühte Linde	1817?	Text by Széchényi [scores]

515	7,2 (1823)	Der Flug der Zeit	1817?	Text by Széchényi [scores]

516	8,2 (1822)	Sehnsucht, D 516	1816?	Text by Mayrhofer

517	13,1 (1822) (1972)	Der Schäfer und der Reiter	April 1817	Text by Motte Fouqué; Two versions: 2nd, in AGA, is Op. 13 No. 1

518	(1824)	An den Tod	1816 or 1817	Text by Schubart; For b and piano

519	173p,5 (1867)	Die Blumensprache	1817?	Text by Platner [scores] (?)

520	(1850) (1895)	Frohsinn	January 1817	Text by Castelli; Two versions: 1st in AGA

521	(1830) (1895)	Jagdlied	January 1817	Text by Werner, from Wanda, Königin der Sarmaten I (other text in 1830 ed.); For voice (or: unison choir) and piano

522	(1895)	Die Liebe, D 522	January 1817	Text by Leon [de]

523	(1885)	Trost, D 523	January 1817

524	13,3 (1822) (1895) (1970)	Der Alpenjäger, D 524	January 1817	Text by Mayrhofer; Three versions: 2nd, not in AGA, is for b and piano – 3rd is Op. 13 No.

525	21,3 (1823) (1970)	Wie Ulfru fischt	January 1817	Text by Mayrhofer; For b and piano; Two versions: 2nd, in AGA, is Op. 21 No. 3

526	(1832)	Fahrt zum Hades	January 1817	Text by Mayrhofer; For b and piano

527	24,2 (1823) (1975)	Schlaflied a.k.a. Abendlied a.k.a. Schlummerlied	January 1817	Text by Mayrhofer; Two versions: 2nd, in AGA, is Op. 24 No. 2

528	(1872)	La pastorella al prato, D 528	January 1817	Text by Goldoni, from Il filosofo di campagna II, 16 (other setting: D 513); Arietta for soprano and piano

529	(1871) (1897)	Eight Écossaises, D 529	Various keys	February 1817	For piano; Nos. 1–3, 6 and 8 publ. 1871

530	109p,3 (1829)	An eine Quelle	February 1817	Text by Claudius

531	7,3 (1823)	Der Tod und das Mädchen	February 1817	Text by Claudius; Music partly reappears in D 810

532	(1895)	Das Lied vom Reifen	February 1817	Text by Claudius; Fragment (completed in AGA)

533	(1876) (1895)	Täglich zu singen	February 1817	Text by Claudius; 1876 publ. is piano reduction

534	(1830)	Die Nacht, D 534	February 1817	Text by Macpherson (Ossian), from Domhnull mac Fhionnlaidh, transl. by E. Baron de Harold

535	(1853) (1895)	Lied, D 535	February 1817	For s and small orchestra; 1853 ed. is arrangement

536	21,2 (1823) (1970)	Der Schiffer, D 536	1817?	Text by Mayrhofer; For b and piano; Two versions: 2nd, in AGA, is Op. 21 No. 2

537	164p (1852)	Piano Sonata, D 537	A minor	March 1817	Allegro ma non troppo – Allegretto quasi Andantino – Allegro vivace

538	(1891)	Gesang der Geister über den Wassern, D 538	March 1817	Text by Goethe (other settings: D 484, 705 and 714); For ttbb

539	8,4 (1822)	Am Strome	March 1817	Text by Mayrhofer

540	(1831)	Philoktet	March 1817	Text by Mayrhofer

541	6,1 (1821)	Memnon	March 1817	Text by Mayrhofer

542	6,2 (1821)	Antigone und Oedip	March 1817	Text by Mayrhofer

543	92,2 (1828) (1895)	Auf dem See	March 1817	Text by Goethe; Two versions: 2nd is Op. 92 No. 2

544	19,3 (1825)	Ganymed	March 1817	Text by Goethe

545	(1872) (1895)	Der Jüngling und der Tod	March 1817	Text by Spaun; Two versions: 1st is duet – 2nd publ. 1872

546	101p,3 (1827)	Trost im Liede	March 1817	Text by Schober; Publ. as Op. posth. 101 No. 3 in 1828

547	88,4 (1827) (1895)	An die Musik	March 1817	Text by Schober; Two versions: 2nd is Op. 88 No. 4

548	(1831)	Orest auf Tauris	March 1817	Text by Mayrhofer

549	(1895)	Mahomets Gesang, D 549	March 1817	Text by Goethe (other setting: D 721); Fragment

550	32 (1820) (1895) (1975)	Die Forelle	late 1816– October 1821	Text by Schubart; Five versions: 1st–4th in AGA – 4th publ. as Op.

551	(1831)	Pax vobiscum	April 1817	Text by Schober

552	20,3 (1823) (1970)	Hänflings Liebeswerbung	April 1817	Text by Kind; Two versions: 2nd, in AGA, is Op. 20 No. 3; Music related to D 972 No. 3

553	21,1 (1823)	Auf der Donau	April 1817	Text by Mayrhofer; For b and piano

554	(1895)	Uraniens Flucht	April 1817	Text by Mayrhofer

555	(1934)	Liedentwurf, D 555	A minor	May 1817?	Sketch without text

556	(1886)	Overture, D 556	D major	May 1817	For orchestra

557	(1888)	Piano Sonata, D 557	A♭ major	May 1817	Allegro moderato – Andante – Allegro

558	(1887)	Liebhaber in allen Gestalten	May 1817	Text by Goethe

559	(1885)	Schweizerlied	May 1817	Text by Goethe

560	(1850)	Der Goldschmiedsgesell	May 1817	Text by Goethe

561	(1872)	Nach einem Gewitter	May 1817	Text by Mayrhofer

562	(1895)	Fischerlied, D 562	May 1817	Text by Salis-Seewis (other settings: D 351 and 364)

563	(1887)	Die Einsiedelei, D 563	May 1817	Text by Salis-Seewis (other settings: D 337 and 393)

564	(1838)	Gretchen im Zwinger a.k.a. Gretchens Bitte	May 1817	Text by Goethe, from Faust I, 18; Fragment

565	(1876)	Der Strom	June 1817?	For b and piano

566	(1888) (1907) (1928- 29)	Piano Sonata, D 566	E minor	June 1817	Moderato (in AGA) – Allegretto (publ. 1907) – Scherzo (publ. 1928/29); D 506 4th movement?

568	122p (1829) (1897)	Piano Sonata in D♭ major, D 568; Piano Sonata in E♭ major, D 568	D♭ major; E♭ major	June 1817	Two versions: 1st, in D♭ major, composed June 1817 – 2nd, in E♭ major, is Op. posth.

569	(1895)	Das Grab, D 569	June 1817	Text by Salis-Seewis (other settings: D 329A, 330, 377 and 643A); For unison men's choir and piano

570	(1897)	Scherzo and Allegro	D major (scherzo) F♯ minor (allegro)	July 1817?	For piano; Allegro is fragment; Last movements of D 571?

571	(1897)	Piano Sonata, D 571	F♯ minor	July 1817	Allegro moderato; Fragment; Completed by (D 604 and) 570?

572	(1872)	Lied im Freien, D 572	July 1817	Text by Salis-Seewis (other setting: D Anh. I/19; For ttbb

573	98,3 (1829)	Iphigenia	July 1817	Text by Mayrhofer

574	162p (1851)	Violin Sonata, D 574, a.k.a. (Grand) Duo	A major	August 1817	Allegro moderato – Scherzo – Andantino – Allegro vivace

575	147p (1846)	Piano Sonata, D 575	B major	August 1817	Allegro ma non troppo – Andante – Scherzo – Allegro giusto

576	(1867)	13 Variations on a theme by Anselm Hüttenbrenner	A minor	August 1817	For piano

577	(1895)	Entzückung an Laura, D 577	August 1817	Text by Schiller (other setting: D 390); Two fragments of a sketch

578	(1838)	Abschied, D 578	24/08/1817	Text by Schubert

579	(1872) (1897)	Der Knabe in der Wiege	Autumn 1817	Text by Ottenwalt [scores]; Two versions: 1st publ. 1872 – 2nd is fragment

579A	(1970)	Vollendung	Sept. or Oct. 1817?	Text by Matthisson

579B	(1970)	Die Erde	Sept. or Oct. 1817?	Text by Matthisson

580	(1928)	Polonaise, D 580	B♭ major	September 1817	For violin and orchestra

581	(1897)	String Trio, D 581	B♭ major	September 1817	Allegro moderato – Andante – Minuet – Rondo

583	24,1 (1823)	Gruppe aus dem Tartarus, D 583	September 1817	Text by Schiller (other settings: D 65 and 396)

584	(1830)	Elysium	September 1817	Text by Schiller (settings of separate stanzas: D 51, 53, 54, 57, 58 and 60)

585	(1833)	Atys	September 1817	Text by Mayrhofer

586	8,3 (1818)	Erlafsee	September 1817	Text by Mayrhofer; Publ. as Op. 8 No. 3 in 1822

587	(1885) (1895)	An den Frühling, D 587	October 1817	Text by Schiller (other settings: D 283 and 338); Two versions: 1st publ. 1885 – 2nd was D 245

588	37,2 (1825) (1897) (1975)	Der Alpenjäger, D 588	October 1817	Text by Schiller; Two versions: 1st incomplete in AGA – 2nd is Op. 37 No. 2

589	(1885)	Symphony No. 6 Little C major	C major	Oct. 1817– Feb. 1818	Adagio, Allegro – Andante – Scherzo – Allegro moderato

590	(1886)	Overture in the Italian Style, D 590	D major	November 1817	For orchestra; Piano duet arrangement: D 592; Music partly reappears in D 644

591	170p (1865)	Overture in the Italian Style, D 591	C major	November 1817	For orchestra; Piano duet arrangement: D 597

592	(1872)	Overture in the Italian Style, D 592	D major	December 1817	For piano duet; Arrangement of D 590

593	(1871)	Two Scherzi	Various keys	November 1817	For piano; No. 2 related to D 568

594	110p (1829)	Der Kampf	November 1817	Text by Schiller; For b and piano

595	88,2 (1827) (1895)	Thekla: Eine Geisterstimme, D 595	November 1817	Text by Schiller (other setting: D 73); Two versions: 2nd is Op. 88 No. 2

596	(1895)	Lied eines Kindes	November 1817	Fragment

597	(1872)	Overture in the Italian Style, D 597	C major	Nov. or Dec. 1817	For piano duet; Arrangement of D 591

597A	Variations	A major	December 1817	Lost sketch for violin

598	11,1 (1822) (1891)	Das Dörfchen	December 1817	Text by Bürger; For ttbb and piano; Two versions: 1st is sketch without piano – 2nd, Op. 11 No.

599–632	1818	Up ↑

599	75 (1827)	Four Polonaises	Various keys	July 1818	For piano duet

600	(1897)	Minuet, D 600	C♯ minor	early 1814?	For piano; May combine with D 610 and/or D 613

602	27 (1824)	Trois Marches héroiques	Various keys	1818 or 1824	For piano duet

604	(1888)	Piano piece, D 604, a.k.a. Andante	A major	1816 or 1817	2nd movement of D 571?

605	(1897)	Fantasy, D 605	C major	1821–1823	For piano; Fragment

605A	(1969)	Fantasy, D 605A, a.k.a. Grazer Fantasy	C major	1818?	For piano

606	(1840)	March, D 606	E major	1818?	For piano

607	Evangelium Johannis 6, Vers 55–58	1818	Text by John (Luther translation); For voice and figured bass

608	138p (1834)	Rondo, D 608, "Notre amitié est invariable"	D major	January 1818	For piano duet; Two versions: 2nd, in AGA, is Op. posth. 138

609	(1872)	Die Geselligkeit a.k.a. Lebenslust	January 1818	Text by Unger [Wikisource:de]; For satb and piano; 2nd part of 1st stanza, "im traulichen Kreise", was D 665

610	(1889)	Trio, D 610	E major	February 1818	For piano; May belong to D 600, and together with that minuet to D 613

611	(1850)	Auf der Riesenkoppe	March 1818	Text by Körner

612	(1869)	Adagio, D 612	E major	April 1818	For piano; 2nd movement of D 613?

613	(1897)	Piano Sonata, D 613	C major	April 1818	Moderato – [?]; Fragments; D 612 and 600/610 may constitute its other movements

614	(1832)	An den Mond in einer Herbstnacht	April 1818	Text by Schreiber [de]

615	Symphony, D 615	D major	May 1818	Adagio, Allegro moderato – [?]; Sketches

616	(1830)	Grablied für die Mutter	June 1818

617	30 (1823)	Sonata, D 617	B♭ major	Summer– Autumn 1818(?)	For piano duet; Allegro moderato – Andante con moto – Allegretto

618	(1909)	German Dance with Two Trios and Two Ländler	G major (Deutscher/Trios) E major (Ländler)	Summer– Autumn 1818	For piano duet

618A	(1972)	Polonaise, D 618A	B♭ major	July 1818	For piano duet; Sketch

619	(1892)	Sing-Übungen (vocal exercises)	July 1818	For two voices and figured bass

620	(1840)	Einsamkeit, D 620	July 1818	Text by Mayrhofer

621	(1826)	Deutsches Requiem (German Requiem) a.k.a. Deutsche Trauermesse	G minor Bei des Entschlafnen Trauerbahre	August 1818	Text by Schmid; Only known in Ferd. Schubert's arrangements; Publ. 1826 for satbSATB and organ

622	(1833)	Der Blumenbrief	August 1818	Text by Schreiber [de]

623	(1831)	Das Marienbild	August 1818	Text by Schreiber [de]

624	10 (1822)	Eight Variations on a French Song (i.e. Le bon Chevalier)	E minor	September 1818	Theme after Hortense de Beauharnais; For piano duet

625	(1897)	Piano Sonata, D 625	F minor	September 1818	Allegro (fragment) – Scherzo – Allegro (fragment); D 505 may be its 2nd movement

626	(1842)	Blondel zu Marien	September 1818

627	173p,6 (1867)	Das Abendrot, D 627	November 1818	Text by Schreiber [de]; For b and piano

628	(1895)	Sonett I	November 1818	Text by Petrarch, transl. by Schlegel, A. W.

629	(1895)	Sonett II	November 1818	Text by Petrarch, transl. by Schlegel, A. W.

630	(1895)	Sonett III	November 1818	Text by Petrarch, transl. by Gries

631	(1885)	Blanka a.k.a. Das Mädchen	December 1818	Text by Schlegel, F.

632	(1831)	Vom Mitleiden Mariä	December 1818	Text by Schlegel, F.

633–678	1819	Up ↑

633	57,1 (1826)	Der Schmetterling	1819–1823?	Text by Schlegel, F., from Abendröte I, 7

634	57,2 (1826)	Die Berge	1819–1823?	Text by Schlegel, F., from Abendröte I, 1

635	(1900) (1906– 1907)	Leise, leise laßt uns singen, later also: Ruhe, and: (Nächtliches) Ständchen	c. 1819	For ttbb; later text versions, from 1900, by Robert Graf and Anton Weiß

636	39 (1826) (1895) (1975)	Sehnsucht, D 636	early 1821?	Text by Schiller (other setting: D 52); Three versions: 1st not in AGA – 3rd is Op. 39

637	87,2 (1827)	(Die) Hoffnung, D 637	c. 1819?	Text by Schiller (other setting: D 251)

638	87,3 (1827) (1895)	Der Jüngling am Bache, D 638	April 1819	Text by Schiller (other settings: D 30 and 192); Two versions: 2nd is Op. 87 No. 3

639	(1820) (1832)	Widerschein	1820; May/Sept. 1828	Text by Schlechta [de]; Two versions; 1st publ. 1820 – 2nd, in AGA with another text variant ("Harrt ein Fischer auf der Brücke"), was D 949

642	(1937)	Viel tausend Sterne prangen	1812?	Text by Eberhard; For satb and piano

643	(1889)	German Dance and Écossaise	C♯ minor (German dance) D♭ major (Écossaise)	1819	For piano

643A	(1972)	Das Grab, D 643A	1819	Text by Salis-Seewis (other settings: D 329A, 330, 377 and 569); For satb

644	(1855) (1887) (1891) (1975)	Die Zauberharfe	Apr.–Aug. 1820	Text by Hofmann [de]; Music for tSATB and orchestra; Three acts: Overture (reused in D 797, publ. 1855) and Nos.

645	Abend, D 645	early 1819	Text by Tieck; Fragment of a sketch

646	(1885)	Die Gebüsche	January 1819	Text by Schlegel, F., from Abendröte II, 9

647	(1872) (1889)	Die Zwillingsbrüder	(Singspiel)	Oct. 1818– 1819	For stbbbSATB and orchestra (piano reduction in 1872 edition); Overture and Nos. 1–10

648	(1886)	Overture, D 648	E minor	February 1819	For orchestra

649	65,2 (1826)	Der Wanderer, D 649	February 1819	Text by Schlegel, F., from Abendröte II, 1; Two versions: 2nd is Op. 65 No. 2

650	(1831)	Abendbilder	February 1819	Text by Silbert [wikisource:de]

651	(1831)	Himmelsfunken	February 1819	Text by Silbert [wikisource:de]

652	(1842)	Das Mädchen, D 652	February 1819	Text by Schlegel, F., from Abendröte II, 4; Two versions: 1st, in AGA, publ. 1842

653	(1842)	Bertas Lied in der Nacht	February 1819	Text by Grillparzer

654	(1842)	An die Freunde	March 1819	Text by Mayrhofer

655	(1897)	Piano Sonata, D 655	C♯ minor	April 1819	Allegro; Fragment

656	(1867)	Sehnsucht, D 656	April 1819	Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 310, 359, 481 and 877 Nos. 1 & 4); For ttbbb

657	(1871)	Ruhe, schönstes Glück der Erde	April 1819	For ttbb

658	(1895)	Marie	May 1819?	Text by Novalis, No. 15 from Geistliche Lieder [de]

659	(1872)	Hymn I	May 1819	Text by Novalis, No. 7 from Geistliche Lieder [de]

660	(1872)	Hymn II	May 1819	Text by Novalis, No. 5 from Geistliche Lieder [de]

661	(1872)	Hymn III	May 1819	Text by Novalis, No. 6 from Geistliche Lieder [de]

662	(1872)	Hymn IV	May 1819	Text by Novalis, No. 9 from Geistliche Lieder [de]

663	Psalm 13 (12)	June 1819	Text by Mendelssohn, M., translating Psalm 13; Fragment

664	120p (1829)	Piano Sonata, D 664	A major	Summer 1819 or 1825	Allegro moderato – Andante – Allegro

666	158p (1849)	Kantate zum Geburtstag des Sängers Johann Michael Vogl	10/08/1819	Text by Stadler, A. [scores]; For stb and piano; Publ. 1849, with different text, as Der Frühlingsmorgen

667	114p (1829)	Trout Quintet	A major	1819?	Allegro vivace – Andante – Scherzo – Theme and variations – Allegro giusto; For violin, viola, cello, double bass and piano; Reuses music of D 550

668	(1897)	Overture, D 668	G minor	October 1819	For piano duet

669	(1829)	Beim Winde	October 1819	Text by Mayrhofer

670	165p,2 (1862)	Die Sternennächte	October 1819	Text by Mayrhofer; Two versions: 2nd is Op. posth. 165 No. 2

671	(1849)	Trost, D 671	October 1819	Text by Mayrhofer

672	36,2 (1825) (1975)	Nachtstück	October 1819	Text by Mayrhofer; Two versions: 2nd is Op. 36 No. 2

673	165p,1 (1832) (1862)	Die Liebende schreibt	October 1819	Text by Goethe; Two versions: 1st publ. in 1832 – 2nd is Op. posth. 165 No. 1

674	(1850)	Prometheus, D 674	October 1819	Text by Goethe; For b and piano

675	34 (1825)	Overture, D 675	F major	November 1819?	For piano duet

676	153p (1845) (1888)	Salve Regina, D 676, a.k.a. Drittes Offertorium	A major Salve Regina	November 1819	Text: Salve Regina (other settings: D 27, 106, 223, 386 and 811); For s and orchestra; Shortened in 1st ed., Op.

677	(1848) (1895)	Stanza from "Die Götter Griechenlands"	November 1819	Text by Schiller; Two versions: 2nd publ. in 1848

678	(1875) (1887)	Mass No. 5	A♭ major Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei	Nov. 1819– Sept. 1822	Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 324, 452, 755 and 950); For satbSATB and orchestra; Two versions: 1st publ.

679–708	1820	Up ↑

681	(1930)	Twelve Ländler, D 681	Various keys	c. 1815	For piano; Nos. 1–4 are lost

682	(1895)	Über allen Zauber Liebe	1820–1824	Text by Mayrhofer; Fragment

684	(1850)	Die Sterne, D 684	1820	Text by Schlegel, F., from Abendröte II, 8

685	4,2 (1821)	Morgenlied, D 685	1820	Text by Werner

686	20,2 (1823) (1970)	Frühlingsglaube	Sep. 1820– Nov. 1822	Text by Uhland; Three versions: 3rd, in AGA, is Op. 20 No. 2

687	(1872)	Nachthymne	January 1820	Text by Novalis

688	(1871)	Vier Canzonen	January 1820	Text by Vittorelli [de] (Nos. 1–2) and Metastasio (No.

689	(1865) (1892)	Lazarus, oder: Die Feier der Auferstehung	(Scenic oratorio in three acts)	early 1820– Mar. 1820	Text by Niemeyer; For sssttbSATB and orchestra (piano reduction in 1865 publ.); Unfinished: Nos. 1–21 (Act I) – Nos.

690	(1830)	Abendröte	March 1823	Text by Schlegel, F., from Abendröte I

691	172p,6 (1865)	Die Vögel	March 1820	Text by Schlegel, F., from Abendröte I, 2

692	(1872)	Der Knabe	March 1820	Text by Schlegel, F., from Abendröte I, 3

693	(1872)	Der Fluß	March 1820	Text by Schlegel, F., from Abendröte I, 4

694	(1842)	Der Schiffer, D 694	March 1820	Text by Schlegel, F.

695	(1895)	Namenstagslied	19/3/1820?	Text by Stadler, A. [scores]

696	113p (1829)	Sechs Antiphonen zum Palmsonntag	26/3/1820	For SATB

697	18,É6 (1823) (1889)	Six Écossaises, D 697	A♭ major	May 1820	For piano; No. 5 is 6th Écossaise of Op. 18

698	(1832)	Des Fräuleins Liebeslauschen	September 1820	Text by Schlechta [de]

699	(1831)	Der entsühnte Orest	September 1820	Text by Mayrhofer

700	(1831)	Freiwilliges Versinken	September 1820	Text by Mayrhofer

701	(1929)	Sakuntala (also spelled Sacontala or Sakontala)	(Opera in three acts)	Oct. 1820– spring 1821	Text by Neumann after Kalidasa's Shakuntala; For ssssssttttttbbbbbbSATB and orchestra; Unfinished (all numbers are sketches): Nos. 1–7 (Act I, last pages publ.

702	8,1 (1822)	Der Jüngling auf dem Hügel	November 1820	Text by Hüttenbrenner, H. [de]

703	(1870) (1897)	String Quartet No. 12	C minor	December 1820	Allegro assai (a.k.a. Quartettsatz, publ. 1870) – Andante (fragment)

705	(1897)	Gesang der Geister über den Wassern, D 705	December 1820	Text by Goethe (other settings: D 484, 538 and 714); Sketch for ttbb and piano

706	132p (1832)	Psalm 23 (22)	December 1820	Text by Mendelssohn, M., translating Psalm 23; For ssaa and piano

707	36,1 (1825) (1895)	Der zürnenden Diana	December 1820	Text by Mayrhofer; Two versions: 2nd is Op. 36 No. 1

708	(1832)	Im Walde, D 708, a.k.a. Waldesnacht	December 1820	Text by Schlegel, F.

708A–732	1821	Up ↑

708A	Symphony, D 708A	D major	1821 or later	Sketches of four movements

709	(1891)	Frühlingsgesang, D 709	March 1822 or earlier	Text by Schober (other setting, partly reusing music of this setting: D 740); For ttbb

710	(1849)	Im Gegenwärtigen Vergangenes	March 1821?	Text by Goethe; For ttbb and piano

711	13,2 (1822) (1970)	Lob der Tränen	1818–1821?	Text by Schlegel, A. W.; Two versions: 2nd, in AGA, is Op. 13 No. 2

712	(1842)	Die gefangenen Sänger	January 1821	Text by Schlegel, A. W.

713	87,1 (1827) (1895)	Der Unglückliche	January 1821	Text by Pichler; Two versions: 2nd is Op. 87 No. 1

714	167p (1858) (1891)	Gesang der Geister über den Wassern, D 714	Dec. 1820– Feb. 1821	Text by Goethe (other settings: D 484, 538 and 705); For ttttbbbb, two violas, two cellos and double bass; Two versions: 1st, a sketch, was D 704 – 2nd is Op.

715	(1845)	Versunken	February 1821	Text by Goethe

716	(1832)	Grenzen der Menschheit	March 1821	Text by Goethe; For b and piano

717	31 (1825)	Suleika II	March? 1821	Text by Willemer

718	(1824)	Variation on a Waltz by Anton Diabelli	C minor	March 1821	For piano; No. 38 in Vaterländischer Künstlerverein Vol. II

719	14,2 (1822)	Geheimes	March 1821	Text by Goethe

720	14,1 (1822)	Suleika I	March 1821	Text by Willemer; Two versions; 2nd, in AGA, is Op. 14 No. 1

721	(1895)	Mahomets Gesang, D 721	March 1821	Text by Goethe (other setting: D 549); For b and piano; Fragment

722	(1889)	German Dance, D 722	G♭ major	8/3/1821	For piano

723	(1893)	Duet and Aria for Hérold's Das Zauberglöckchen	Apr.–May 1821	Text by Théaulon, transl. by Treitschke;Duet for tb and aria for t (both with orchestra)

724	11,2 (1822)	Die Nachtigall	22/4/1821 or earlier	Text by Unger [Wikisource:de]; For ttbb and piano

725	(1929)	Duet, D 725	April 1821	Fragment for mezzo-soprano, tenor and piano

726	(1870)	Mignon I, D 726	April 1821	Text by Goethe, from Wilhelm Meister's Apprenticeship (other setting: D 877 No. 2)

727	(1850)	Mignon II, D 727	April 1821	Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 469 and 877 No. 3)

728	(1895)	Johanna Sebus	April 1821	Text by Goethe; Fragment

729	(1894) (1934)	Symphony No. 7	E major	August 1821	Adagio, Allegro – Andante – Scherzo – Allegro giusto; Sketches; First editions are completions by others (piano reduction in 1894)

730	(1926)	Tantum ergo, D 730	B♭ major	16/8/1821	Text by Aquinas (other settings: D 460, 461, 739, 750, 962 and Anh. I/17); For satbSATB and orchestra

731	173p,4 (1821)	Der Blumen Schmerz	September 1821	Text by Majláth; Publ. as Op. posth. 173 No. 4 in 1867

732	(1833) (1834) (1867) (1882) (1892)	Alfonso und Estrella	(Opera in three acts)	20/9/1821– 27/2/1822	Text by Schober; For two sopranos, two tenors, bass, two baritones, SATB and orchestra (piano reduction in 1882 publ.); Overture (also used as overture to D 797, publ.

733–767	1822	Up ↑

733	51 (1826)	Trois Marches militaires	D major G major E♭ major	Summer– Autumn 1818?	For piano duet

734	67 (1826)	16 Ländler and 2 Écossaises, a.k.a. Wiener Damen-Ländler	Various keys	before 15/12/1826	For piano

735	49 (1825)	Galop and Eight Écossaises	Various keys	before 21/11/1825	For piano

736	(1842)	Ihr Grab	1822?	Text by Engelhardt (a.k.a. Richard Roos) [de]

737	56,2 (1826)	An die Leier	1822 or 1823?	Text by Bruchmann [de] translating Anacreon

738	56,3 (1826)	Im Haine	1822 or 1823?	Text by Bruchmann [de]

739	45 (1825)	Tantum ergo, D 739	C major	1814	Text by Aquinas (other settings: D 460, 461, 730, 750, 962 and Anh. I/17); For SATB and orchestra

740	16,1 (1823)	Frühlingsgesang, D 740	January– early April 1822	Text by Schober (other setting, of which the music is partly reused in this setting: D 709); For ttbb and piano

741	20,1 (1823)	Sei mir gegrüßt	late 1821– autumn 1822	Text by Rückert

742	68 (1822)	Der Wachtelschlag	before 30/7/1822	Text by Sauter [de]; Publ. as Op. 68 in 1827

743	23,2 (1823)	Selige Welt	autumn 1822?	Text by Senn; For b and piano

744	23,3 (1823)	Schwanengesang, D 744	autumn 1822?	Text by Senn

745	73 (1822) (1895)	Die Rose	1822	Text by Schlegel, F., from Abendröte I, 6; Two versions: 1st publ. as Op. 73 in 1827

746	(1831)	Am See, D 746	1822 or 1823?	Text by Bruchmann [de]

747	11,3 (1822)	Geist der Liebe, D 747	January 1822	Text by Matthisson (other setting: D 414); For ttbb and piano

748	157p (1822)	Am Geburtstage des Kaisers	January 1822	Text by Deinhardstein [de]; For satbSATB and orchestra; Publ. with a modified text as Op. posth. 157 in 1849

749	(1850)	Herrn Josef Spaun, Assessor in Linz	January 1822	Text by Collin, M. C.

750	(1888)	Tantum ergo, D 750	D major	22/3/1822	Text by Aquinas (other settings: D 460, 461, 730, 739, 962 and Anh. I/17); For SATB and orchestra

751	23,1 (1823)	Die Liebe hat gelogen	before 17/4/1822	Text by Platen

752	(1872)	Nachtviolen	April 1822	Text by Mayrhofer

753	65,3 (1826)	Heliopolis I a.k.a. Aus Heliopolis	April 1822	Text by Mayrhofer

754	(1842)	Heliopolis II a.k.a. Im Hochgebirge	April 1822	Text by Mayrhofer; For b and piano

755	Kyrie, D 755	A minor Kyrie	May 1822	Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 324, 452, 678 and 950); For satbSATB, strings and organ; Sketch

756	59,1 (1826) (1895)	Du liebst mich nicht	July 1822	Text by Platen; Two versions: 2nd is Op. 59 No. 1

757	133p (1839)	Gott in der Natur	August 1822	Text by Kleist; For ssaa and piano

757A	March, D 757A	B minor	1822	For piano

758	108,2 (1829)	Todesmusik	September 1822	Text by Schober; Two versions: 2nd is Op. 108 No. 2

759	(1867)	Symphony No. 8, a.k.a. Unfinished Symphony	B minor	30/10/1822	Allegro moderato – Andante con moto – Scherzo (Fragment); D 797 No. 1 may be its 4th movement

759A	69 (1839)	Overture to Alfonso und Estrella, D 759A	D major	November 1822	For piano; Arranged from D 732 (see also: D 773)

760	15 (1823)	Fantasy, D 760, a.k.a. Wanderer Fantasy	C major	November 1822	For piano; Reuses music of D 489

761	23,4 (1823) (1795)	Schatzgräbers Begehr	November 1822	Text by Schober; Two versions: 2nd is Op. 23 No. 4

762	(1833)	Schwestergruß	November 1822	Text by Bruchmann [de]

763	146p (1842)	Des Tages Weihe	22/11/1822	For satb and piano

764	92,1 (1828) (1895)	Der Musensohn	early Dec. 1822	Text by Goethe; Two versions: 2nd is Op. 92 No. 1

765	(1868)	An die Entfernte	early Dec. 1822	Text by Goethe

766	(1872)	Am Flusse, D 766	early Dec. 1822	Text by Goethe (other setting: D 160)

767	56,1 (1826) (1895)	Willkommen und Abschied	early Dec. 1822	Text by Goethe; Two versions: 2nd is Op. 56 No. 1

768–798	1823	Up ↑

768	96,3 (1827)	Wandrers Nachtlied, D 768	before July 1824	Text by Goethe; Publ. as Op. 96 No. 3 in 1828

769	(1823) (1889)	Two German Dances, D 769	Various keys	before 19/12/1823 –Jan. 1824	For piano; No. 2 publ. in 1823

769A	Piano Sonata, D 769a	E minor	c. 1823	Allegro; Fragment

770	71 (1823)	Drang in die Ferne	early 1823	Text by Leitner; Publ. as Op. 71 in 1827

771	22,1 (1823)	Der Zwerg	1822?	Text by Collin, M. C.

772	22,2 (1823)	Wehmut, D 772	1822 or 1823?	Text by Collin, M. C.

773	69 (1826)	Overture to Alfonso und Estrella, D 773	1823	For piano duet; Arranged from D 732 (see also: D 759A); Publ. as Op. 69 in 1830

774	72 (1823)	Auf dem Wasser zu singen	1823	Text by Stolberg-Stolberg; Publ. as Op. 72 in 1827

775	59,2 (1826)	Daß sie hier gewesen	1823?	Text by Rückert

776	59,3 (1826)	Du bist die Ruh	1823	Text by Rückert

777	59,4 (1826)	Lachen und Weinen	1823?	Text by Rückert

778	60,1 (1826)	Greisengesang	before June 1823	Text by Rückert; For b and piano; Two versions; 2nd, in AGA, is Op. 60 No. 1

778A	(1969)	Die Wallfahrt	1823?	Text by Rückert; For b and piano

778B	Ich hab' in mich gesogen	1823?	Text by Rückert; Sketch; For ttbb

779	50 (1825)	34 Valses sentimentales	Various keys	Feb. 1823 –before 21/11/1825	For piano; Early versions of Nos. 1, 2, 4, 8, 9, 12, 14 and 33 in AGA Anh.

780	94 (1823) (1824) (1828)	Six Moments musicaux	Various keys	before Dec. 1823 –before 11/7/1828	For piano; No. 3 publ. in 1823; No. 6 publ. in 1824; Publ. as Op. 94 in 1828

781	(1824) (1825) (1889)	Twelve Écossaises, D 781	Various keys	January 1823	For piano; No. 1 (=Écossaise No.

782	(1824)	Écossaise, D 782	D major	before 21/2/1824	For piano

783	33 (1825)	Sixteen German Dances and Two Écossaises	Various keys	Jan. 1823 –before 8/1/1825	For piano; Related to other dances, e.g. D 790 No. 2, D 781 No. 1

784	143p (1839)	Piano Sonata, D 784	A minor	February 1823	Allegro giusto – Andante – Allegro vivace

785	(1831)	Der zürnende Barde	February 1823	Text by Bruchmann [de]; For b and piano

786	123p (1830)	Viola	March 1823	Text by Schober

787	(1889) (1964)	Die Verschworenen, a.k.a. Der haüsliche Krieg	(Singspiel in one act)	completed April 1823	Text by Castelli; For ssss(s)aatt(t)bbSATB and orchestra; Overture (fragment publ. in 1964) – Nos. 1–11

788	(1838)	Lied, D 788, a.k.a. Die Mutter Erde	April 1823	Text by Stolberg-Stolberg

789	(1832)	Pilgerweise	April 1823	Text by Schober

790	171p (1864)	Twelve German Dances, D 790, a.k.a. Twelve Ländler	Various keys	May 1823	For piano; No. 2 = D 783 No. 1; No. 8 similar to D. 783 No. 1

791	(1867)	Rüdiger	(Opera)	May 1823	Text by Mosel [de]?; For ttTTBB and orchestra; Sketches of two numbers

792	(1833)	Vergißmeinnicht	May 1823	Text by Schober

793	173p,2 (1867)	Das Geheimnis, D 793	May 1823	Text by Schiller (other setting: D 250)

794	37,1 (1825) (1909)	Der Pilgrim	May 1823	Text by Schiller; Two versions (merged into one in AGA): 1st is fragment – 2nd is Op. 37 No. 1

795	25 (1824)	Die schöne Müllerin (1. Das Wandern – 2.	October?– November 1823	Text by Müller, W.

796	76 (1827) (1840) (1867) (1872) (1886)	Fierabras, also spelled Fierrabras	(Opera in three acts) Vocal numbers include	25/5/1823– 2/10/1823	Text by Joseph Kupelwieser; Music for three sopranos, three tenors, three basses, baritone, SATB and orchestra; Overture (Schubert's piano duet version is D 798, Czerny's piano duet version publ.

797	26 (1824) (1828) (1866) (1867) (1891)	Rosamunde, Fürstin von Zypern (1. Entre'acte I – 2.	(Incidental music for a play in three acts) Vocal numbers:	autumn 1823	Text by Chézy; For aSATB and orchestra; (Overture: see D 644 and 732) – Nos. 1–9 (Nos.

798	(1897)	Overture to Fierabras	after 2/10/1823	Arrangement for piano duet of D 796's overture

799–822	1824	Up ↑

799	(1832)	Im Abendrot, D 799	1824 or Feb. 1825	Text by Lappe [de]

800	41 (1825) (1827)	Der Einsame	early 1825	Text by Lappe [de]; Two near-identical versions: 2nd publ. as Op. 41 in 1827

801	60,2 (1826)	Dithyrambe, D 801	before 10/6/1826	Text by Schiller (other setting: D 47); For b and piano

802	160p (1850)	Variations on "Trockne Blumen"	E minor	January 1824	For flute and piano; Introduction, Theme (D 795 No. 18) and 7 Variations

803	166p (1851) (1898)	Octet, D 803	F major	February– 1/3/1824	For clarinet, bassoon, horn, string quartet and double bass; Movements 4 and 5 missing in 1st publ.

804	29 (1824)	String Quartet No. 13 Rosamunde	A minor	Feb.–early March 1824	Allegro ma non troppo – Andante (after D 797 No. 5) – Minuet – Allegro moderato

805	(1833)	Der Sieg	early March 1824	Text by Mayrhofer; For b and piano

806	(1833)	Abendstern	early March 1824	Text by Mayrhofer

807	(1842)	Auflösung	March 1824	Text by Mayrhofer

808	(1872)	Gondelfahrer, D 808	early March 1824	Text by Mayrhofer (other setting: D 809)

809	28 (1824)	Gondelfahrer, D 809	March 1824	Text by Mayrhofer (other setting: D 808); For ttbb and piano

810	(1831)	String Quartet No. 14 Death and the Maiden	D minor	March 1824	Allegro – Andante con moto (after D 531) – Scherzo – Presto

811	149p (1850)	Salve Regina, D 811	C major Salve Regina	April 1824	Text: Salve Regina (other settings: D 27, 106, 223, 386 and 676); For ttbb

812	140p (1837)	Sonata, D 812, a.k.a. Grand Duo	C major	June 1824	For piano duet; Allegro moderato – Andante – Scherzo – Allegro vivace

813	35 (1825)	Eight Variations on an original theme	A♭ major	late May–mid July 1824	For piano duet

814	(1869)	Four Ländler, D 814	Various keys	July 1824	For piano duet; No. 1 also as Allemande D 366 No. 17

815	139pI (1840)	Gebet, D 815	September 1824	Text by Motte Fouqué; For satb and piano

816	(1956)	Three Écossaises	Various keys	September 1824	For piano

817	(1928)	Ungarische Melodie	B minor	2/9/1824	For piano; Reappears in D 818

818	54 (1826)	Divertissement à l'hongroise	G minor	autumn 1824?	For piano duet; Partly based on D 817

819	40 (1825)	Six Grandes Marches	Various keys	1818 or 1824	For piano duet

820	(1931)	Six German Dances, D 820	Various keys	October 1824	For piano

821	(1871)	Arpeggione Sonata	A minor	November 1824	Allegro moderato – Adagio – Allegretto

822	(1842)	Lied eines Kriegers	31/12/1824	For b, unison men's choir and piano

823–862	1825	Up ↑

823	63 & 84 (1826) (1827)	Divertissement sur des motifs originaux français	E minor	before 17/6/1826– before 6/7/1827	For piano duet; Tempo di Marcia (publ. as Divertissement en Forme d'une Marche brillante et raisonnée Op.

824	61 (1826)	Six Polonaises	Various keys	April 1826	For piano duet

825	64,1 (1828)	Wehmut, D 825	before summer 1826	Text by Hüttenbrenner, H. [de]; For ttbb

825A	64,2 (1828)	Ewige Liebe	before summer 1826	Text by Schulze; For ttbb

825B	64,3 (1828)	Flucht	early 1825	Text by Lappe [de]; For ttbb

826	(1892)	Der Tanz	early 1828	Text by Schnitzer von Meerau [scores]?; For satb and piano

827	43,2 (1825) (1975)	Nacht und Träume	before June 1823	Text by Collin, M. C.; Two versions: 2nd, in AGA, is Op. 43 No. 2

828	43,1 (1825)	Die junge Nonne	early 1825	Text by Craigher de Jachelutta [de]

829	(1873)	Abschied, D 829, a.k.a. Abschied von der Erde	before 17/2/1826	Text by Pratobevera [cs]; Melodrama for spoken voice and piano

830	85,1 (1828)	Lied der Anne Lyle	early 1825?	Text by Macdonald quoted in Scott's Montrose (transl.)

831	85,2 (1828)	Gesang der Norna	early 1825	Text by Scott from The Pirate transl. by Spiker [de]

832	(1830)	Des Sängers Habe	February 1825	Text by Schlechta [de]

833	101p,2 (1827) (1895)	Der blinde Knabe	April 1825	Text by Cibber transl. by Craigher de Jachelutta [de]; Two versions: 2nd publ.

834	93,1 (1828) (1835)	Im Walde, D 834	March 1825 –Sep. 1827	Text by Schulze; Two versions: 2nd, publ. 1828, in AGA

835	52,3 (1826)	Bootgesang a.k.a. Boat Song	1825	Text by Scott from The Lady of the Lake transl. by Storck [de] (Canto II, 19); For ttbb and piano

836	52,4 (1826)	Coronach: Totengesang der Frauen und Mädchen	1825	Text by Scott from The Lady of the Lake transl. by Storck [de] (Canto III, 16); For SSA and piano

837	52,1 (1826)	Ellens Gesang I a.k.a. Ellen's Song (I)	April– July 1825	Text by Scott from The Lady of the Lake transl. by Storck [de] (Canto I, 31)

838	52,2 (1826)	Ellens Gesang II a.k.a. Ellen's Song (II)	April– July 1825	Text by Scott from The Lady of the Lake transl. by Storck [de] (Canto I, 32)

839	52,6 (1826)	Ave Maria a.k.a. Ellens Gesang III: Hymne an die Jungfrau	April 1825	Text by Scott from The Lady of the Lake transl. by Storck [de] (Canto III, 29)

840	(1839) (1861)	Piano Sonata, D 840 ("Reliquie")	C major	April 1825	Moderato – Andante (publ. 1839) – Minuet (fragment) – Rondo (fragment)

841	(1930)	Two German Dances, D 841	Various keys	April 1825	For piano

842	(1833)	Totengräbers Heimwehe	April 1825	Text by Craigher de Jachelutta [de]

843	52,7 (1826)	Lied des gefangenen Jägers – Lay of the Imprisoned Huntsman	April 1825	Text by Scott from The Lady of the Lake transl. by Storck [de] (Canto VI, 24)

844	(1897)	Waltz, D 844, a.k.a. Albumblatt	G major	16/4/1825	For piano

845	42 (1826)	Piano Sonata, D 845	A minor	before end May 1825	Moderato – Andante – Scherzo – Rondo

846	52,5 (1826)	Normans Gesang	April 1825	Text by Scott from The Lady of the Lake transl. by Storck [de] (Canto II, 23)

847	155p (1849)	Trinklied aus dem 16. Jahrhundert	July 1825	Text by Gräffer [de]; For ttbb

848	156p (1849)	Nachtmusik	July 1825	Text by Seckendorff; For ttbb

850	53 (1826)	Piano Sonata, D 850 ("Gasteiner")	D major	August 1825	Allegro vivace – Con moto – Scherzo – Rondo

851	79,1 (1827) (1895)	Das Heimweh, D 851	August 1825	Text by Pyrker; Two versions: 2nd is Op. 79 No. 1

852	79,2 (1827)	Die Allmacht, D 852	August 1825	Text by Pyrker (other setting: D 875A); Two versions: 2nd, in AGA, is Op. 79 No. 2

853	93,2 (1828) (1835)	Auf der Bruck	Mar. or Aug. 1825– Sep. 1827	Text by Schulze; Two versions: 2nd, publ. 1828, in AGA

854	(1830)	Fülle der Liebe	August 1825	Text by Schlegel, F.

855	(1842)	Wiedersehn	September 1825	Text by Schlegel, A. W.

856	88,1 (1827)	Abendlied für die Entfernte	September 1825	Text by Schlegel, A. W.

857	124p (1829)	Two scenes from Lacrimas: 1. Lied der Delphine – 2. Lied des Florio	September 1825	Text by Schütz

859	55 (1826)	Grande Marche Funèbre	C minor	after 1/12/1825	For piano duet

860	(1832)	An mein Herz	December 1825	Text by Schulze

861	(1832)	Der liebliche Stern	December 1825	Text by Schulze

862	88,3 (1827)	Um Mitternacht	Dec. 1825– Mar. 1826?	Text by Schulze; Two versions: 2nd is Op. 88 No. 3

863–895	1826	Up ↑

863	An Gott	1827 or earlier	Text by Hohlfeld (setting by Rindler publ. 1826); Music lost

864	Das Totenhemdchen	1825 or later	Text by Bauernfeld; Music lost

865	105,1 (1828)	Widerspruch	1826?–1828?	Text by Seidl; Two versions: 1st for ttbb and piano

866	95 (1828)	Vier Refrainlieder: 1. Die Unterscheidung – 2. Bei dir allein – 3. Die Männer sind méchant – 4. Irdisches Glück	Summer 1828?	Text by Seidl

867	105,2 (1828)	Wiegenlied, D 867	1826?–1828?	Text by Seidl

869	(1832)	Totengräber-Weise	1826	Text by Schlechta [de]

870	80,1 (1827)	Der Wanderer an den Mond	1826	Text by Seidl

871	80,2 (1827) (1979)	Das Zügenglöcklein	1826	Text by Seidl; Two versions: 2nd, in AGA, is Op. 80 No. 2

872	(1854) (1870)	Deutsche Messe mit dem Anhang "Das Gebet des Herrn" (German Mass with The Lord's Prayer appended): 1. Zum Eingang – 2.	summer or early fall 1827	Text by Neumann; Two versions: 1st for SATB and organ – 2nd, in AGA, adds winds, and optional double bass; Ferd.

873	(1974)	Canon, D 873	A major	January 1826?	For six voices; Sketch

873A	Nachklänge	January 1826?	For ttbb; Sketch

874	O Quell, was strömst du rasch und wild	January 1826?	Text by Schulze; Sketch

875	102 (1831)	Mondenschein	January 1826	Text by Schober; For ttbbb and piano (only voices in AGA, piano score in 1st ed. not original)

875A	Die Allmacht, D 875A	January 1826	Text by Pyrker (other setting: D 852); For SATB and piano; Sketch

876	(1838)	Im Jänner 1817 a.k.a. Tiefes Leid	January 1826	Text by Schulze

877	62 (1827)	Gesänge aus Wilhelm Meister (Songs from Wilhelm Meister): 1. Mignon und der Harfner – 2.–4. Lied der Mignon	January 1826	Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 310, 359, 469, 481, 656, 726 and 727); No. 1 for two voices and piano; No.

878	105,3 (1828)	Am Fenster	March 1826	Text by Seidl

879	105,4 (1828)	Sehnsucht, D 879	March 1826	Text by Seidl

880	80,3 (1827)	Im Freien	March 1826	Text by Seidl

881	96,4 (1828) (1895)	Fischerweise	March 1826	Text by Schlechta [de]; Two versions: 2nd is Op. 96 No. 4

882	101p,1 (1828)	Im Frühling	March 1826	Text by Schulze

883	(1832)	Lebensmut, D 883	March 1826	Text by Schulze

884	108,1 (1829)	Über Wildemann	March 1826	Text by Schulze

885	66 (1826)	Grande Marche Héroique	A minor	c. 3/9/1826	For piano duet

887	161p (1851)	String Quartet No. 15	G major	20– 30/6/1826	Allegro molto moderato – Andante un poco mosso – Scherzo – Allegro assai

888	(1850)	Trinklied, D 888	July 1826	Text by Shakespeare from Antony and Cleopatra II, 7, transl. by Mayerhofer von Grünbühel [de] and Bauernfeld

889	(1830)	Ständchen, D 889	July 1826	Text by Shakespeare from Cymbeline II, 3, transl. by Schlegel, A. W.

890	(1830)	Hippolits Lied	July 1826	Text by Gerstenberg [scores]

891	106,4 (1828)	An Sylvia a.k.a. An Silvia a.k.a. Gesang, D 891	July 1826	Text by Shakespeare from The Two Gentlemen of Verona IV, 2, transl. by Bauernfeld

892	134p (1839)	Nachthelle	September 1826	Text by Seidl; For tenor solo, ttbb and piano

893	(1827)	Grab und Mond	September 1826	Text by Seidl; For ttbb

894	78 (1827)	Piano Sonata, D 894 ("Fantasie")	G major	October 1826	Molto moderato e cantabile – Andante – Minuet – Allegretto

895	70 (1827)	Rondo, D 895, a.k.a. Rondeau brillant	B minor	October 1826	For violin and piano

896–936	1827	Up ↑

896	Fröhliches Scheiden	fall 1827– early 1828	Text by Leitner; Sketch

896A	Sie in jedem Liede	fall 1827– early 1828	Text by Leitner; Sketch

896B	Wolke und Quelle	fall 1827– early 1828	Text by Leitner; Sketch

897	148p (1846)	Notturno (Piano Trio, D 897)	E♭ major	1828?	Adagio

898	99p (1836)	Piano Trio No. 1	B♭ major	1828?	Allegro moderato – Andante un poco mosso – Scherzo – Rondo

899	90 (1827) (1857)	Impromptus Nos. 1–4	C minor – E♭ major – G♭ major – A♭ major	summer– fall 1827?	For piano; Nos. 1–2 publ. 1827

900	(1897)	Allegretto, D 900	C minor	1821 or later?	For piano; Fragment

901	(1827)	Wein und Liebe	before June 1827	Text by Haug [de]; For ttbb

902	83 (1827)	Drei Gesänge: 1. L'incanto degli occhi (Die Macht der Augen) – 2.	1827 (before September)	Text by Metastasio, from Attilio Regolo II, 5 (No. 1, other version: D 990E) and Gioas re di Giuda II (No.

903	81,3 (1827)	Zur guten Nacht	January 1827	Text by Rochlitz; For vocal soloist, TTBB and piano

904	81,1 (1827)	Alinde	January 1827	Text by Rochlitz

905	81,2 (1827)	An die Laute	January 1827	Text by Rochlitz

906	(1832)	Der Vater mit dem Kind	January 1827	Text by Bauernfeld

907	86 (1828) (1979)	Romanze des Richard Löwenherz	March 1826?	Text by Scott from Ivanhoe transl. by Müller, (K.

908	82,1 (1827)	Eight Variations on a theme from Hérold's Marie	C major	February 1827	For piano duet

909	96,2 (1828)	Jägers Liebeslied	February 1827	Text by Schober

910	(1833)	Schiffers Scheidelied	February 1827	Text by Schober

911	89 (1828)	Winterreise: —Part I— 1. Gute Nacht – 2.	February 1827 (Part I started); October 1827 (Part II started)	Text by Müller, W.; Two versions for Nos. 7, 10, 11, 22 and 23; Music of No.

912	151p (1845)	Schlachtlied, D 912	28/2/1827	Text by Klopstock, from Oden (other setting: D 443); For TTBBTTBB

913	139pII (1846)	Nachtgesang im Walde	April 1827	Text by Seidl; For ttbb and four horns

914	(1897)	Frühlingslied, D 914	April 1827	Text by Pollak; Music reappears in other setting D 919); For ttbb

915	(1870)	Allegretto, D 915	C minor	26/4/1827	For piano

916	(1961)	Das stille Lied	May 1827	Text by Seegemund; For ttbb; Sketch

916A	Liedentwurf, D 916A	C major	May 1827?	Sketch without text

916B	(1978)	Piano piece, D 916B	C major	summer– fall 1827?	Sketch

916C	(1978)	Piano piece, D 916C	C minor	summer– fall 1827?	Sketch

917	115p,1 (1829)	Das Lied im Grünen	June 1827	Text by Reil [de]

918	(1868) (1962)	Der Graf von Gleichen	(Opera in two acts)	started 19/6/1827	Text by Bauernfeld; For ssssttbbbbbbSATB and orchestra; Music for Nos. 1–20f (sketches); No.

919	(1897)	Frühlingslied, D 919	spring 1827?	Text by Pollak; Music based on other setting D 914

920	135p (1840) (1891)	Ständchen, D 920, a.k.a. Notturno	July 1827	Text by Grillparzer; For a, choir and piano; Two versions: choir TTBB in 1st, and SSAA in 2nd (which was D 921, publ.

922	106,1 (1828) (1895)	Heimliches Lieben	September 1827	Text by Klen(c)ke [de]; Two versions: 2nd is Op. 106 No. 1

923	165p,5 (1862) (1895) (1971)	Eine altschottische Ballade	September 1827	Text by Herder after "Edward, Edward" from Percy's Reliques of Ancient English Poetry; For male voice, female voice and piano; Three versions: 1st is Op.

924	91 (1828)	Twelve Grazer Waltzes	Various keys	September 1827?	For piano

925	(1828)	Grazer Galopp	C major	September 1827?	For piano

926	106,2 (1828)	Das Weinen	fall 1827– early 1828	Text by Leitner

927	106,3 (1828)	Vor meiner Wiege	fall 1827– early 1828	Text by Leitner

928	(1870)	March, D 928, a.k.a. Kindermarsch	G major	12/10/1827	For piano duet

929	100 (1828) (1975)	Piano Trio No. 2	E♭ major	started Nov. 1827	Allegro – Andante con moto – Scherzando – Allegro moderato; Shortened version, in AGA, is Op. 100

930	104p (1829)	Der Hochzeitsbraten	November 1827	Text by Schober; For stb and piano

931	(1835)	Der Wallensteiner Lanzknecht beim Trunk	November 1827	Text by Leitner

932	(1832)	Der Kreuzzug	November 1827	Text by Leitner

933	(1835)	Des Fischers Liebesglück	November 1827	Text by Leitner

934	159p (1850)	Fantasy, D 934	C major	December 1827	For violin and piano; Reuses music of D 741

935	142p (1839)	Impromptus Nos. 5–8	F minor – A♭ major – B♭ major – F minor	December 1827	For piano; 7th Impromptu reuses music of D 797

936	(1892)	Kantate für Irene Kiesewetter a.k.a. Cantate zur Feier der Genesung der Irene Kiesewetter	26/12/1827	for ttbbSATB and piano duet

936A–965B	1828	Up ↑

936A	Symphony No. 10	D major	spring– summer 1828?	Sketches for [Allegro maestoso] (two versions) – Andante – Scherzo (two versions)

937	(1872)	Lebensmut, D 937	summer 1828?	Text by Rellstab; Fragment

938	(1835)	Der Winterabend, D 938	January 1828	Text by Leitner

939	96,1 (1828)	Die Sterne, D 939	January 1828	Text by Leitner

940	103 (1829)	Fantasy, D 940	F minor	January– April 1828	For piano duet

942	136p (1839)	Mirjams Siegesgesang	March 1828	Text by Grillparzer; For sSATB and piano

943	119p (1829)	Auf dem Strom	March 1828	Text by Rellstab; For voice, horn (or cello) and piano

944	(1840)	Symphony No. 9, Great C major	C major	summer 1825?– March 1828	Andante, Allegro ma non troppo – Andante con moto – Scherzo – Allegro vivace; Probably identical to Gmunden-Gastein Symphony, D 849

944A	German Dance, D 944A	1/3/1828	For piano; Lost

945	(1895)	Herbst, D 945	April 1828	Text by Rellstab

946	(1868)	Three piano pieces, a.k.a. Impromptus, D 946	E♭ minor – E♭ major – C major	May 1828	Allegro assai, Andante – Allegretto – Allegro

947	144p (1840)	Allegro, D 947, a.k.a. Lebensstürme	A minor	May 1828	For piano duet

948	(1891) 154p (1849)	Hymnus an den heiligen Geist	May 1828	Text by Schmidl [de]; Two versions: 1st, for ttbbTTBB, was D 941 – 2nd, Op. posth.

950	(1865)	Mass No. 6	started June 1828	Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 324, 452, 678 and 755); For satbSATB and orchestra

951	107 (1829)	Rondo, D 951, a.k.a. Grand Rondeau	A major	June 1828	For piano duet

952	152p (1848)	Fugue, D 952	E minor	3/6/1828	For organ duet or piano duet

953	(1841)	Psalm 92 (91)	July 1828	Text: Psalm 92; For baritone and satbSATB

954	(1828)	Glaube, Hoffnung und Liebe, D 954	before 2/9/1828	Text by Reil [de]; For ttbbSATB acc. by winds or piano

955	97 (1828)	Glaube, Hoffnung und Liebe, D 955	August 1828	Text by Kuffner [de]

956	163p (1853)	String Quintet	C major	September 1828?	Allegro ma non troppo – Adagio – Presto – Allegretto; For two violins, viola and two cellos

957	(1829)	Schwanengesang, D 957, a.k.a. 13 Lieder nach Gedichten von Rellstab und Heine: —Rellstab— 1.	August– September? 1828	Text by Rellstab (Nos. 1–7) and Heine, H.

958	(1839)	Piano Sonata, D 958	C minor	September 1828	Allegro – Adagio – Minuet – Allegro

959	(1839)	Piano Sonata, D 959	A major	September 1828	Allegro – Andantino – Scherzo – Allegretto (partly based on 2nd movement of D 537)

960	(1839)	Piano Sonata, D 960	B♭ major	September 1828	Molto moderato – Andante sostenuto – Scherzo – Allegro ma non troppo

962	(1890)	Tantum ergo, D 962	E♭ major	October 1828	Text by Aquinas (other settings: D 460, 461, 730, 739, 750 and Anh. I/17); For satbSATB and orchestra; Sketch in AGA XIV No.

963	(1890)	Intende voci, a.k.a. Offertory, D 963, or Aria for tenor with choir	B♭ major	October 1828	Text: Psalm 5:3–4a, offertory for the Friday after Oculi Sunday; For tSATB and orchestra

965	129p (1830)	Der Hirt auf dem Felsen	October 1828	Text by Müller, W., and Varnhagen von Ense; For voice, clarinet and piano

965A	(1829)	Die Taubenpost	October 1828	Text by Seidl; Was D 957 No. 14

965B	Fugal exercises, D 965B	November 1828	Partly similar to D 952

966–992	1810–1828	Up ↑

966B	Orchestral piece, D 966B	A major	1820 or later	Sketch

968	(1888)	Sonatina, D 968	C major – A minor	1815–1819?	For piano duet; Allegro moderato – Andante

968A	82p,2 (1860)	Introduction, Variations and Finale	B♭ major	?	For piano duet

968B	121p (1829)	Deux Marches caractéristiques	C major	spring 1826?	For piano duet

969	77 (1827)	12 Valses nobles	Various keys	before 22/1/1827	For piano

970	(1889)	Six Ländler, D 970, a.k.a. German Dances	Various keys	?	For piano; No. 2 near-identical to D 145 No. 7

971	(1823)	Three German Dances, D 971	Various keys	before 10/1/1823	For piano

972	(1889)	Three German Dances, D 972	Various keys	before April 1817?	For piano; No. 3 reused in D 552

973	(1889)	Three German Dances, D 973	Various keys	?	For piano

974	(1889)	Two German Dances, D 974	Various keys	?	For piano

975	(1889)	German Dance, D 975	D major	?	For piano

976	(1825)	Cotillon	E♭ major	before 29/12/1825	For piano

977	(1889)	Eight Écossaises, D 977	Various keys	?	For piano

978	(1825)	Waltz, D 978	A♭ major	before 29/12/1825	For piano

979	(1826)	Waltz, D 979	G major	before 23/12/1826	For piano

980	(1826)	Two Waltzes, D 980	Various keys	before 23/12/1826	For piano

980A	Two Dances, D 980A	Various keys	?	For piano; Sketches

980B	(1925)	Two Ländler, D 980B	E♭ major	?	For piano

980C	(1930)	Two Ländler, D 980C	D♭ major	?	For piano; Fragments

980D	(1828)	Waltz, D 980D, a.k.a. Krähwinkler Tanz	C major	before 26/1/1828	For piano

980E	Two Dances, D 980E	Various keys	1818 or later	For piano(?); Sketches

980F	March, D 980F	G major	?	For piano; Arr. of a lost march for orchestra?

981	Der Minnesänger	(Singspiel)	?	Text by Kotzebue?; Lost

982	Sketches for an opera a.k.a. Sophie	(Opera)	Sep.–Oct. 1820	For sstb and orchestra; Nos. 1–3 (No. 3 partly reused in D 796 No. 7)

983	17,1 (1823)	Jünglingswonne	before 9/10/1823	Text by Matthisson; For ttbb

983A	17,2 (1823)	Liebe	before 9/10/1823	Text by Schiller, from "Der Triumph der Liebe": stanza 25; Other: D 55, 61, 62, 63, 64; For ttbb

983B	17,3 (1823)	Zum Rundetanz	before 9/10/1823	Text by Salis-Seewis (other setting: D Anh. I/18); For ttbb

983C	17,4 (1823)	Die Nacht, D 983C	before 9/10/1823	Text by Krummacher(?); For ttbb

984	169p (1865)	Der Wintertag a.k.a. Geburtstaglied	1821 or later?	For ttbb and piano; Fragment: piano part lost

985	112p,1 (1829)	Gott im Ungewitter	?	Text by Uz; For satb and piano

986	112p,2 (1829)	Gott der Weltschöpfer	?	Text by Uz; For satb and piano

988	(1873)	Liebe säuseln die Blätter	?	Text by Hölty; Canon for three voices

988A	Accompaniment part	B♭ major	1821 or later	For piano, as accompaniment for a vocal composition

990	(1853)	Der Graf von Habsburg	1815–1820	Text by Schiller

990A	(1853)	Kaiser Maximilian auf der Martinswand [in Tirol]	1815–1820	Text by Collin, H. J.

990B	Augenblicke im Elysium	?	Text by Schober; Music lost

990C	130p (1830)	Das Echo	?	Text by Castelli

990D	Die Schiffende	?	Text by Hölty; Music lost

990E	L'incanto degli occhi	1813–1816?	Text by Metastasio, from Attilio Regolo II (other version: D 902 No. 1); Aria for s

990F	Ombre amene a.k.a. La serenata	1813–1816?	Text by Metastasio; Aria for s; Formerly misidentified as an early setting of Il traditor deluso, D 902 No. 2

old→new	—	Up ↑

11	See D 11 No. 3

77	See D 77

105	See D 105

208	See D 208

323	O so laßt euch froh begrüssen	Text by Schiller; Last part of D 323

371	See D 371

383	See D 383

407	See D 407

452	See D 452

470	See D 470

489	See D 489

587	See D 587

598	See D 598

609	See D 609

639	See D 639

714	See D 714

732	Die Wolkenbraut	See D 732 No. 11

796	Laß dein Vertrauen nicht schwinden	Part of D 796 No. 21

944	Gmunden-Gastein Symphony	C major	Jun.–Sep. 1825	Probably identical to D 944 (if not: lost); See also D Anh. I/6A

948	See D 948, 1st version

948	154p (1849)	See D 948, 2nd version

deest	(1894)	Das war ich, D deest	June 1816	Fragment; Music without text, title identical to D 174

Anh. II	Schubert's arrangements of others' works	Up ↑

Anh. II/1	Arrangement of Gluck's overture to Iphigénie en Aulide	early 1810?	Fragment for piano duet: last bars of the Primo part extant

Anh. II/2	(1926)	Arrangement of Matiegka's Notturno (Trio), Op. 21, a.k.a. Quartet, D Anh. II/2	G major	26/2/1814	For flute, viola, guitar, and a cello part added by Schubert; Movements 2 (Trio II) and 5 (Var. II) recomposed by Schubert

Anh. II/3	Arrangement of two arias from Gluck's Echo et Narcisse	March 1816	Text by Tschudi

Anh. II/4	(1960)	Arrangement of M. Stadler's 8th Psalm (Zwölf Psalmen David's No. 1)	29/8/1823	Text by Mendelssohn, M., translating Psalm 8; For voice and orchestra; Schubert adapted and orchestrated the piano accompaniment, slightly modifying the vocal part

Anh. III	Schubert's copies of compositions by other composers	Up ↑

Anh. III/1	Schubert's copy of nine canons by Michael Haydn and other composers: Nos. 1, 3, 4 and 6 by M.	summer 1810	No. 1: for five voices (MH 577, also K.

Anh. III/2	Schubert's copy of Roser [scores]'s Die Teilung der Erde [de]	c. 1810	Text by Schiller; Also Hob. XXVIa:C1

Anh. III/3	Schubert's copy of part of Mozart's Symphony No. 41	C major	after 29/3/1813	Start of Minuet (3rd movement)

Anh. III/4	Schubert's copy of a canon from Zumsteeg's Elbondocani	before fall 1813?	Text by Haug [de] (transl. from French); For sstb and piano

Anh. III/5	Schubert's copy of Zumsteeg's Chor der Derwische	spring 1813?	Text by Iffland, from Achmet und Zenide; for ttb

Anh. III/6	Schubert's copy of Preindl [de]'s Offertory "Clamavi ad te", Op. 16	C major	November 1813?	Only the start of the s part is extant in Schubert's copy

Anh. III/7	Schubert's copy of Reichardt's Monolog aus Goethe's Iphigenie [scores]	1815	Text by Goethe, from Iphigenia in Tauris; For voice, women's choir and piano

Anh. III/8	Schubert's copy of part of Beethoven's Symphony No. 4	B♭ major	1821 or later	Start of Adagio, Allegro vivace (1st movement)

Anh. III/9	Schubert's copy of the organ part of M. Haydn's Deutsches Hochamt, MH 560	B♭ major	?	Text by Kohlbrenner; For SATB and organ; Schubert's autograph lost

Anh. III/10	Schubert's copy of Preindl [de]'s Mass in C major	C major	1821 or later	Text: Mass ordinary (Schubert's settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For SATB and orchestra; Copied by Schubert and his brother Ferdinand

Anh. III/11	Schubert's copy of a canon by Mozart, K. 440d (formerly K. Anh. 134), after K. 410/484d [scores]	?	For two voices; Schubert's autograph lost

Anh. III/12	Schubert's copy of a canon by Mozart, K. 230/382b [scores]	?	Text by Hölty; For two voices; Schubert's autograph lost

Anh. III/13	Schubert's copy of Beethoven's Abendlied unterm gestirnten Himmel, WoO 150 [scores]	after March 1820	Text by Goeble; Schubert's autograph transposed, incomplete

Sentence(s)

Psalm 92 was set to music by Franz Schubert (D 953).

final_sentence: Psalm 92 was set to music by Franz Schubert (D 953).