意大利电影

威尼斯圣马可广场上的电影萤幕
义大利电影（义大利语：cinema italiano）是指在义大利制作或由义大利人制作的电影。义大利在法国卢米埃兄弟开始拍摄电影几个月之后就开始发展电影，孕育出许多著名电影导演。而义大利电影的发展对于其他国家的电影也有深远的影响，例如新写实主义。
意大利电影界的历史始于卢米埃尔兄弟开始展出影片几个月后。第一位意大利导演被认为是于1896年拍摄良十三世的卢米埃尔兄弟的合作者维多利奥·卡尔奇纳。最初的意大利电影于1896年摄于意大利半岛的主要城市。这些简短的实验性影片立即引起了大众的兴趣，从而鼓励制作方拍摄新的电影——这最终为真正的电影业的诞生奠定了基础。在20世纪早期直到一战结束，无声电影不断发展，将众多意大利电影明星推上荧幕。20世纪早期改编自书籍和舞台剧的艺术电影和史诗片包括奥赛罗（1906年）、庞贝最后的日子（1908年）、地狱（1911年）、你要去哪里（1913年）和卡比利亚（1914年）。意大利电影制作人使用了复杂的布景、精心制作的戏服和破纪录的预算来拍摄开创性的电影。

**历史**

**参见**
 义大利电影列表- 布德·斯藩塞

**参考资料**
Bacon, Henry. 1998. Visconti: Explorations of Beauty and Decay. Cambridge: Cambridge University Press
*Ben-Ghiat, Ruth. 'The Fascist War Trilogy'. Forgacs, David , Lutton, Sarah and Nowell-Smith Geoffrey. Eds. Roberto Rossellini: Magician of the Real. London: BFI
*Bernardi, Sandro. 2000. 'Rosselini's Landscapes: Nature, Myth, History'. Forgacs, David , Lutton, Sarah and Nowell-Smith Geoffrey. Eds. Roberto Rossellini: Magician of the Real. London: BFI
*Bondanella, Peter. 2002. The Films of Federico Fellini. Cambridge: Cambridge University Press. ISBN 0-521-57573-7
*Bondanella, Peter. 3rd edition. 2002. Italian  Cinema: From Neorealism to the Present. New York and London: Continuum
*Celli, Carlo, Cottino-Jones, Marga. 2007.  "A New Guide to Italian Cinema". New York: Palgrave MacMillan
*Cherchi Usai, Paolo.   1997. ' Italy: Spectacle and Melodrama'. Nowell-Smith Geoffrey Ed : Oxford History of World Cinema. Oxford : Oxford University Press.
*Clark, Martin. 1984. Modern Italy 1871-1982. London: Longman
*Forgacs, David. 2000. 'Introduction: Rossellini and the Critics'. Forgacs, David , Lutton, Sarah and Nowell-Smith Geoffrey. Eds. Roberto Rossellini: Magician of the Real. London: BFI
*Forgacs, David , Lutton, Sarah and Nowell-Smith Geoffrey. Eds. 2000. Roberto Rossellini: Magician of the Real. London: BFI
*Indiana, Gary. 2000. Salo or The 120 Days of Sodom. London, BFI
*Kemp, Philip. 2002. 'The Son's Room'. Sight and Sound. Vol 12  No 3 March p. 56
*Landy, Marcia. 2000. Italian Film. Cambridge: Cambridge University Press
*Mancini, Elaine. 1985 Struggles of the Italian Film Industry during Fascism 1930-1935 Ann Arbor: UMI Press
*Marcus, Millicent. 1993. Filmmaking by the Book. Baltimore: Johns Hopkins University Press
*Marcus, Millicent. 1986. Italian Film in the Light of Neorealism. Princeton: Princeton University Press
*Morandini, Morando. 1997. ' Vittorio de Sica' . Nowell-Smith Geoffrey Ed : Oxford History of World Cinema. Oxford : Oxford University Press.
*Morandini, Morando. 1997. 'Italy from Fascism to Neo-Realism'. Nowell-Smith Geoffrey Ed : Oxford History of World Cinema. Oxford : Oxford University Press.
*Nowell-Smith, Geoffrey. 2003 3rd edition. Luchino Visconti. London: British Film Institute
*Nowell-Smith, Geoffrey. 2000. 'North and South, East and West': Rossellini and Politics. Forgacs, David , Lutton, Sarah and Nowell-Smith Geoffrey. Eds. Roberto Rossellini: Magician of the Real. London: BFI
*Rohdie, Sam. 2002.  Fellini Lexicon. London: BFI
*Rohdie, Sam. 2000. 'India' Forgacs, David , Lutton, Sarah and Nowell-Smith Geoffrey. Eds. Roberto Rossellini: Magician of the Real.  London: BFI
*Rohdie, Sam. Rocco and his Brothers. London: BFI
*Sitney, P. Adams. 1995. Vital Crises in Italian Cinema. Austin: University of Texas Press. ISBN 0-292-77688-8
*Sorlin, Pierre. 1996. Italian National Cinema. London: Routledge
*Wagstaff, Christopher. 2000. 'Rossellini and Neo-Realism'. Forgacs, David , Lutton, Sarah and Nowell-Smith Geoffrey. Eds. Roberto Rossellini: Magician of the Real. London: BFI
*Wood, Mary. 2002. 'Bernado Bertolucci in context': Tasker Yvonne: Fifty Contemporary Filmmakers. London: Routledge
*Wood, Michael. 2003. 'Death becomes Visconti'. Sight and Sound, May 2003 Volume 13 Issue 5 , pp 24–27

**外部连结**
 Italica - Moments of Italian Cinema- Spaghetti Violence: A Guide to Italian Genre Cinema- Italian Cinema Special, May 2010 issue of Sight & Sound magazine- Italian Production Agency