==Additions to Origins: The Subjects==
I feel that it would be effective, either in its own section or within Origins, to expand on the audiences that ethnographic films are geared towards.  The article now seems to focus well on the aesthetic and historical context and the scientific research and study that can be done.  However, it is only slightly mentioned through  "Nai, the Story of a !Kung Woman" on how the actual subjects or indigenous tribes react-to and can utilize this film.

In order to expand on this topic, I was thinking of a rough statement like this would be ideal:

Indigenous tribes and people often have clearly defined practical reasons for participating in ethnographic films.  Such reasons include creating a record of their lives for future generations, warning authorities of potential problems, exchanging cultural information with other cultural groups and educating dominant cultures.Aufderheide, Patricia. Documentary Film: A Very Short Introduction. Oxford University Press, 2007.  An ethnographic film by indigenous creators can also concentrate heavily on a particular movement towards indigenous activism.  The way an activist approach is accomplished is when filmmakers approach the issue with a tactic of openness, which ultimately no longer makes the camera a transparent object and instead an actor on stage that is allowed to be lead by its subjects.Aufderheide, Patricia. Documentary Film: A Very Short Introduction. Oxford University Press, 2007

References

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