great, but what I meant about weakest link is that I don't see an explicit connection to developments in noise music in the sources I've seen, have you got a source that place's something called "post-industrial" in the context of the history of noise music? (I'm presuming this is the umbrella term invented by music journalists to cover any music that is stylistically informed by industrial music yet is at the same time far enough removed to warrant the 'post' tag).

Unless the sources are good on this, it's too divergent, in my opinion, to include right now. Some of what might be called post-industrial is not that far removed from pop music so it simply doesn't warrant inclusion. You might as well do a section on death-metal and its precursors, but this kind of bifurcatory dot connecting is hardly the best way forward; especially as the title of this article arose as a result of someone trying to define a single genre known as "noise music".

Personally, I think it is perhaps a stretch too far to start covering any kind of music, or any composer/artist, that might have dabbled in a bit of noise making, and I don't think that is what should happen with this article, unless the claims are sourced, and that's why I mentioned already that we should try and stick as closely as possible to what the main sources dealing with the historical use of sound/noise in music have to offer. We now see a number of artists (for example Jeff Mills) being redefined as a post-industrial musicians?? and the sentence throws in the year 2000 despite the fact that Mills has been associated with techno for 20 years now. I find this kind of redefinition without strong sources problematic.