I'm not engaging with him (or her - I'm not sure what the preferred gender identity is). Regarding my response to Drmies (who I notice you've pinged) that was both ironic and patronizing, but it's no skin off my back not to notice him. What I'm not prepared to do is to ignore issues he raises and equally I think he ought to be aware of responses. As for the user you refer to he has made a disgraceful attack on me in the past and he continues to respond very agressively.

You were involved in the  Duchess of Malfi drama that has apparently inspired all this hatred from the user you mention. I remind (or inform) you that edits I made at the article Portrait of Doña Isabel de Requesens y Enriquez de Cardona-Anglesola that span out of that drama, were all reverted, not withstanding that the article was started in its entirety from contributions I made at Commons about that portrait. I think that's pretty disgraceful, don't you? I documented it all on the Talk page. 

In the end, this does strike me as an ownership issue at WP:FP. I made it clear above I'm not interested any more in Featured works of art. I do finally think that exercise is pretty pointless, actually hard to understand, but I suppose it's a harmless enough hobby for the most part. But I also made it clear that I will continue to oppose nominations that I think are inappropriate. September Morn is precisely one such nomination. Whereas the painting is more or less unknown in Europe and I had never heard of it, its creator Paul Chabas certainly was known to me (sexuality is one of my editing interests: you can find an article I am preparing in  on a landmark transsexualism case). The flak I have had to endure from that group on my oppose is extraordinary. The editor you refer to is quite wrong in the assertion he made to the effect that Lewis Carroll's Hatch odalisque is exploitative (a bold link provided to an image should we feel the need to remind ourselves how exploitative) whereas Chabas' paintings are not. But this is simply not how Chabas is viewed in the literature: Anne Witchard at page 186 of Dark Chinoiserie directly cites Chabas' paintings and Carroll's Hatch odalisque together via Dijkstra et al. I'm entitled to point out that and I am entitled to ping your editor about it.

I really don't want to hear from Drmies again here. Indeed from any of you. In the case of Drmies I naturally shall respond, but I think I've interacted all I need to with the rest of you.