:::::*I will check Birnberg and the AAC article tonight, but I can confirm there isn't anything further in the other offline sources. I'm not sure what you are referring to from Newstead's page. It has this near the start: "Her aerial depictions of bush tucker Dreamings featuring overlapping dot work entail only a semblance of Aboriginal iconography, while in her Women’s Dreaming’s each row of dots is rendered in a different colour with the inclusion of iconic womens symbols." With the exception of the reference to these being "aerial" depictions, i think a version of the rest of that information is already effectively in the article in this text: "These paintings are undertaken with red, blue and orange dots that represent the fruit at different stages in its development. She also paints women’s ceremonies (Awelye) and dreamings, and these are created using rows of coloured dots and include representations of women's ceremonial iconography". I don't want to use the last para of Newstead, because it refers to one particular painting (that is not illustrated in the WP article), and therefore may not apply to her works more generally. There is not enough clarity in Newstead's text to determine whether the two "styles" he refers to correlate to the two dreamings, nor is there enough information to describe what those two styles look like. What am I missing here?    
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