Rap Battles on DDO Should Employ Vocals Since Vocals are the Meaning in Rap

Let us demonstrate Con’s arguments are idle & not substantially a factor to avoid vocal authenticity. Con states: "Not everyone on DDO is a vocal rapper." Pro: It’s not about being a professional battle emcee. Simply--its about vocalizing your lyrics as a “reliable source” to provide validity of flow. Con states: "In real life, that won't really be possible to vocally deliver." Pro: In real life you’re typing on your computer penned down lyrics, so in accordance to real life those lyrics should be feasible to vocally deliver. Here is a prime example of a misinterpretation of what flow a written lyric takes and is perceived erroneously to the reader as impractical to flow with cadence. First, Con erroneously assumes or misread what I previously claimed by stating here, "you admitted that it's not possible to rap this with a considerable amount of breath." No, sir, I never made that claim with the above lyrics you used. I stated, "If you read the lyrics & felt you got tongue twisted in the process, then that vindicates my previous use of the forward slash / to indicate where vocal delivery must "pause" to maintain cadence & rhythm. In my debate w/ Mikal voters vilified my use of / claiming it made my lyrics hard to understand. They weren't hard to comprehend, it just meant they don't know how to read rap lyrics properly. Had I used bar meters aka / then it would've been visually clear where to pause, to maintain flow & not become tongue twisted." I established not the impossibility of enough breath to spit my lyrics, but that READING them improperly would cause you to get tongue twisted on their flow when you mentally envision the vocalization of them. Now let’s demonstrate the necessity for properly adding bar meters in text ( / ) and how vocalization of the creator places the flow of the lyrics in audibly pleasing cadence. For the utmost impact do exactly as I state below: Read this how YOU personally READ lyrics on DDO: I got many fiery fluent flows filled with flare, I fling at you feminine flea bags The first to flaunt fulgurous rapping fatality directly against you fruity f@gs The truth, TruthSeeker: They turn you off like a terrible TV show with trivial teenage vocabulary And tune in to me to be treated with terrific tales as they take a trip through the dictionary Click on links in order (or skip to #4 for the immediate resolution): Bar measures applied vocally for cadence. #1 https://www.dropbox.com... Bar measures applied vocally for cadence WITH audio clean up. #2 https://www.dropbox.com... Bar measures applied vocally for cadence WITH ACUs, Reverb & FXs. #3 https://www.dropbox.com... Bar measures applied vocally for cadence WITH ACUs, Reverb, FXs, & Beat. #4 https://www.dropbox.com... Now, did you smile, lean back, and gain a respect for how vocalization gave you the musical feeling you properly deserve when judging the power or non-power of someone RAP lyrics? Notice how the beat elevated the lyrics & made you pay for attention to exactly how words were delivered? In concluding and debunking Con’s R1 claims, #4 is not my petition, just #1. Music is not an essential or standard by which you should judge an opponent’s lyrics (only if you consider it as “A Reliable Source”). Flow is not the way you read lyrics—that’s called grammatical pacing. You grammatically pace yourself in pronouncing each word or set of words for the understanding or meaning in them. Flow pertains to smoothness in vocalization. It has nothing to do with understanding the words (like pace does) but rather enjoyment in their sound when spoken.