The artefacts' place of origin has more often than not changed dramatically since they were in situ there. It is therefore unconvincing to argue that the context of modern Orthodox Greece aids visitors’ appreciation of an ancient pagan relic. Too much has changed physically and culturally over the centuries for artefacts to speak more clearly in their country of origin than they do in museums, where they can be compared to large assemblies of objects from a wide variety of cultures. Similarly, a great many cultural treasures relate to religions and cultures which no longer survive and there can be no such claim for their return. Technology has also evolved to the point that Ancient Greece can be just as accurately evoked virtually as it could be in modern Greece [1] .  Countries with cultural heritage retain the attraction of being the original locations of historical events or places of interest even without all the artefacts in place. The sanctuaries of Olympia and Delphi in Greece are a good example of this; they are not filled with artefacts, but continue to attract visitors because the sites are interesting in themselves. In 2009 2,813,548 people visited Athens, with 5,970,483 visiting archaeological sites across Greece [2] , even without the Parthenon marbles. Also, people who have seen an artefact in a foreign museum may then be drawn to visit the area it originated from. It is the tourist trade of the nations where these artefacts are held (mostly northern European nations, like Britain and France) which would suffer if they were repatriated. Lacking the climate and natural amenities of other tourist destinations they rely on their cultural offerings in order to attract visitors  [1] Young Explorers, ‘A brief history of…’ The British Museum.  [2] AFP, ‘New Acropolis Museum leads rise in Greek Museum visitor numbers for 2009’, Elginism, June 8th 2010. (Breakdown of visitor figures according to major destinations. )