Fundamentally, the topics raised by Nollywood are commercialising accepted views. The industry is building a business founded on distributing images of witchcraft, abuse, and domestic violence.  First, a majority of the films are politically incorrect and provide negative portrayals of women and sexuality. Gender roles are reinforced as women become sexualised objects, male possession, and the source of trouble - required to be put in their ‘place’. In the case of LGBT representations, homosexuality has been represented as Satanic in films such as 2010’s ‘Men in Love’ [1] . Second, in the case of witchcraft, dramas have made society more accepting of, and open to, sorcery. The films show how it remains prevalent in society and can provide a tool to access riches. With the audience interested in watching stories on witchcraft the industry is feeding such demands. Witchcraft sells; and continues to remain a prominent theme justifying why people make their decisions and action.  This is not the kind of perception change Africa needs.  [1] In Nigeria homosexuality is illegal and continues to be criminalised.