BSC-LT/ACAData huggingface dataset:
[en] The relationship between Carlo Levi, his work Christ Stopped at Eboli and the village of Aliano, has changed a great deal between the first publication of the book in 1945 and the establishment of the Parco Letterario Carlo Levi in 2001. The experience and the memory of Levi's exile in Aliano profoundly affected his intellectual development and deeply influenced both his subsequent literary and political choices. When the book first appeared, it provoked an intense reaction, but fifty years later the initial response from the critics had changed to the extent that an easier and more constructive relationship between people from Aliano, the author and his masterpiece was possible. This process culminated in a cultural endowment called the Parco Letterario Carlo Levi, which aims to improve links between the region territory and its literary heritage.

[it] La relazione fra Carlo Levi, la sua opera Cristo si é fermato a Eboli ed il paese di Aliano ha subito dei cambiamenti dal momento della pubblicazione del libro (1945) fino all'istituzione del Parco Letterario Carlo Levi (2001). L'esperienza e il ricordo del confino influenzarono molto la formazione dell'intellettuale antifascista e marcarono profondamente le sue successive scelte letterarie e politiche. Di pari intensità fu la reazione che il libro suscitò nel piccolo centro lucano. Passati ormai più di cinquanta anni, l'iniziale posizione critica e distante degli alianesi si é via via modificata fino a permettere, grazie al patrimonio letterario lasciato da Levi, una valorizzione culturale del territorio.
[en] The frontier concept is omnipresent in over 250 literary works by Italian émigrés in Switzerland. But with the passage of time and the deline of the genre to a position of secondary importance, the frontier, from a form of discriminating between before and after, of displacing trauma, has been transformed into a metaphor of distance, of preparation either through pain and disease, or through spirituality and solidarity.

[it] Nelle oltre 250 opere letterarie scritte da emigrati italiani in Svizzera è quasi sempre presente il concetto di frontiera. Ma con il passare del tempo e a seconda dei generi, la frontiera, da discrimine fra un prima e un dopo, da luogo di un trauma spesso rimosso, si trasforma in metafora di un percorso di formazione compiuto ora atraverso il dolore e la malattia, ora attraverso la spiritualità e la solidarietà.
[en] The light, the brightness, namely the shapes in which light is present throughout Consolo's writing seem to take on contents that transcend mere descriptiveness and notes on the landscape. A precise and punctual vocabulary of light (and shadow) defines the relationship between Milan and Sicily, between the centre and the periphery, between past and present. The interweaving of such opposing pairs makes the references from the diatopic plane (Milan-Sicily) to the diachronic plane (past-present) more imminent. The reflection on memory itself and on the ability to tell a story draws on a repertoire of images and traditional places that take their revenge on light as the main metaphorical element. This opens up the possibility of constructing a path around the subject of light, which, on several levels of reading, gets to the heart of the author's writing.

[it] La luce, la luminosità, ossia le forme con cui la luce è presente nell'intertesto consoliano paiono assumere valenze che trascendono la mera descrittività, la nota paesaggistica. Un lessico della luce (e dell'ombra) preciso e puntuale definisce il rapporto tra Milano e la Sicilia, tra il centro e la periferia, tra passato e presente. L'intreccio di tali coppie oppositive rende incalzanti i rimandi dal piano diatopico (Milano-Sicilia) a quello diacronico (passato-presente). La riflessione stessa sulla memoria e sulla possibilità del narrare attinge ad un repertorio di immagini e di luoghi della tradizione che si rifanno alla luce come elemento metaforico portante. Si apre così la possibilità di articolare intorno al tema della luce un percorso che, attraverso più livelli di lettura, arriva ad alcuni nodi della scrittura dell'autore.
[en] We offer in these pages the reflections that Joaquín Vaquero Turcios (1933-2010) published in the third volume of his illustrated edition of the Divine Comedy (1965) in which he tackles the subject of the meaning that illustrating Dante's work has today and which we could summarise with the phrase: with Dante's eyes.

[it] Proponiamo in queste pagine le riflessioni che Joaquín Vaquero Turcios (1933-2010) pubblicò nel terzo volume della sua edizione illustrata della Divina Commedia (1965) in cui affronta il tema del significato dell'illustrazione dell'opera dantesca oggi, che potremmo riassumere con la frase: con gli occhi di Dante.
[en] This paper offers an analysis of Lectura Dantis, a work of Carmelo Bene from 1981, in the light of the reflections by Vincenzo Caporaletti and his Principio audiotactile and the use in this case of the study for a first approach to the "hearing" theatre of Carmelo Bene. The idea of facing a Lectura Dantis with music and theatrical effects comes from the reading of the two writings dedicated to Bene: Antropología di una macchina attoriale di Piergiorgio Giacchè and Un muezzin per Dante by Andrea Cortellessa that analyses the sonic quality of the work that Bene produced at the late 1970s and early 1980s, some of his cornerstones being "in and against" the art scene. The audio tactile principle of his "codifica neoaurica" (the sonic register) invites and reveals the values that are to be found in the Lectura Dantis by Carmelo Bene, replacing an organic reading of a complex phenomenon, of difficult categorization, that is born from the intersection of a public commemoration (the celebration of the massacre of Bologna, 1980), a canon of Italian literature (The Divine Comedy), an atypical performance (Bene performed from the Tower of Bologna), phone and music (composed, produced and amplified).

[it] L'indagine propone una disamina di Lectura Dantis, lavoro di Carmelo Bene del 1981, alla luce delle riflessioni elaborate da Vincenzo Caporaletti sul Principio audiotattile e utilizzate in questo caso di studio per un primo avvicinamento al teatro "sonoro" di Carmelo Bene. L'idea di affrontare Lectura Dantis dal versante della musica e non da quello del teatro deriva dalla lettura di due scritti dedicati a Bene: Antropologia di una macchina attoriale di Piergiorgio Giacchè e Un muezzin per Dante di Andrea Cortellessa che ravvisano nelle qualità soniche dei lavori che Bene produsse tra la fine degli anni Settanta e gli Ottanta, alcuni dei cardini del suo essere "dentro e contro" l'arte della scena. Il principio audiotattile, attraverso la "codifica neoauratica" (la registrazione sonora), invita alla scoperta dei valori che attraversano Lectura Dantis di Carmelo Bene, restituendo una lettura organica di un fenomeno complesso, difficilmente categorizzabile, che nacque dall'intersezione di commemorazione pubblica (la celebrazione dell'anniversario della Strage di Bologna, 1980), perpetuarsi di un canone della letteratura italiana (la Divina Commedia), performance scenica atipica (Bene si esibì sulla Torre degli Asinelli di Bologna), phoné e musica (composta, montata, amplificata).
[en] In her essay, half-way between narration and critical thinking, the author, moving from the knwoledge resulting from the studies on "female writing" conducted in Italy over the past years and from her own research, highlights how in the past centuries women writers started moving away from the official Literary System. Analysing the issues related to the reading-text relation, she investigates some pecularities typical of the gender reading, such as point of view, relationship, glance, positioning, plural subject, which are necessarily inherent in the creative and ethical function of the good woman reader.

[it] Nell'intervento, a metà tra narrazione e riflessione critica, l'autrice, partendo dalle acquisizioni degli studi sulla "scrittura femminile" in Italia degli ultimi anni e dal proprio itinerario di ricerca, sottolinea il "grande scarto" compiuto dalle scrittrici sin dai secoli passati rispetto al Sistema Letterario canonizzato e, accogliendo le problematiche inerenti al rapporto lettura-testo, si ferma su alcune caratteristiche della lettura di genere quali il punto di vista, la relazione, lo sguardo, il posizionamento, il soggetto plurale, tutte necessariamente interne alla funzione creativa ed etica della buona lettrice.
[en] This article aims to analyse the portrayal of the language spoken by women in Italian television fiction. Language, together with visual images, is an indispensable tool for characterisation and the creation of models that, on one hand, have the purpose of representing reality through the construction of a plausible world but on the other hand stray from real life in that they represent stereotypes that make the models instantly credible and the events predictable. Starting from this premise, in order to analyse the female models depicted by Italian television we have focused our observations on a few very successful fictional TV series: Un medico in famiglia (1998), Commesse (1999), Il bello delle donne (2000); the first is a family drama, while the other two are dramas with predominantly female casts.

[it] Questo articolo si propone di analizzare la rappresentazione della lingua parlata dalle donne nella narrativa televisiva italiana. La lingua, insieme all'immagine, è uno strumento indispensabile per la caratterizzazione dei personaggi e per la creazione di modelli che, se da un lato hanno l'ambizione di rappresentare la realtà, attraverso la costruzione di un mondo verosimile, dall'altro se ne discostano in quanto rappresentano stereotipi che rendono i modelli immediatamente riconoscibili e gli eventi prevedibili. Partendo da queste premesse, per analizzare i modelli femminili descritti dalla televisione italiana, abbiamo concentrato le nostre osservazioni su alcune fiction di largo successo: Un medico in famiglia (1998), Commesse (1999), Il bello delle donne (2000); la prima è una family fiction, le altre sono fiction a forte protagonismo femminile.
[en] The work of the Italian writer Svevo reflects the frontier city of Trieste through a double register of language and dialect. But what might be considered the typical dualism of many of our writers, acquires ethical connotations in relation to the sense of falsehood and truth that another authority may invest. It is one of the various frontiers that Svevo crosses by means of novelistic detachment, and it helps to compromise, among other things, his ambivalent relationship with the psychoanalytical concept of fiction.

[it] Trieste, città di frontiera, si riflette sulla scrittura di Italo Svevo, attraverso il doppio registro di lingua-dialetto. Ma nello scrittore, quello che potrebbe essere il tipico dualismo di tanti nostri letterati, acquista una connotazione etica, nel senso che investe un'altra giurisdizione, quella della menzogna e della verità. È una delle diverse frontiere che Italo Svevo attraversa nel suo percorso narrativo, e che può aiutare a comprendere, tra le altre cose, il suo rapporto ambivalente con la psicanalisi e la sua concezione della finzione.
[en] When the literary relation built between the Catalan and the Turkish through translation are taken into consideration, the scarcity of the translated works stands out as particularly important. As a direct translation between two languages, there are only two literary works translated from Catalan into Turkish and few poems translated from Turkish into Catalan. In the translations from either language, a third language is largely used as an intermediary. While Turkish translations from Catalan are mostly done through the mediation of Spanish, English comes to be the largely preferred intermediary language in the translations from Turkish into Catalan. By discussing the history of translation in both literary traditions, this paper aims at rethinking the possible reasons behind such a scarcity by focusing on the distinguishing orientations of translation in both languages.

[it] Quando si considera la relazione letteraria stabilita tra il turco e il catalano per mezzo della traduzione appare con evidenza la scarsità dei frutti di questa. Effettivamente, esistono solo due opere tradotte dal catalano al turco mentre, in lingua catalana, troviamo alcune poesie tradotte dal turco. Le altre pochissime opere tradotte sono state trasferite da una lingua intermedia. Si nota che nelle traduzioni dal catalano al turco si utilizza generalmente la versione spagnola intermedia, invece in quelle catalane si preferisce più spesso l'inglese. Attraverso una panoramica sulla storia della traduzione nella tradizione letteraria turca e catalana, questo articolo aspira a spiegare le possibili ragioni della mancanza di opere tradotte dal catalano al turco o viceversa, soffermandosi sugli orientamenti particolari dell'attività traduttiva delle due lingue.
[en] During the global pandemic, we have reassessed our values. Through living from home, we have learned to appreciate both the proximity of people and a natural environment. In addition, we noticed how cramped a family home can feel and realised that we need architecture that is adaptable to varying situations to live comfortably together. In response, this research investigates a post-pandemic way of living, one that brings together a strong community of people, a pro-environmental attitude and an innovative diversified way of living. These three aspects collide through the process of making bio-based materials1 inside a co-housing project: 'The Rhodo Workhome'. These materials are created from the Rhododendron ponticum, an exotic and invasive species that, as part of this research, is being removed from forests in Belgium and processed into mycelium, paper, bioplastic and natural dyes inside this home. The production processes and their resulting materials not only impact the habits of the residents, but also the materiality and design of the house. Firstly, the Rhododendron is integrated in the home through drying, storing and processing the plant material in preparation of the various products. Secondly, the community within the housing project comes together to process these materials. Finally, the bio-based materials themselves are used to reorganise the house from time to time. Because of their short lifespan and compostable properties, this can happen more frequently compared to traditional durable building materials. The architectural findings within this research expand from a new materiality in architecture to a post-pandemic way of living in symbiosis with growing and making bio-based materials.

[nl] Tijdens de wereldwijde pandemie hebben we onze waarden heroverwogen. Door van thuis uit te leven, hebben we geleerd zowel de nabijheid van mensen als die van een natuurlijke omgeving te waarderen. Daarnaast hebben we gemerkt hoe benauwd een gezinswoning kan aanvoelen en hebben we ons gerealiseerd dat we architectuur nodig hebben die aanpasbaar is aan verschillende situaties om comfortabel samen te kunnen leven. Als reactie hierop bestudeert dit onderzoek een nieuwe manier van wonen, die een sterke gemeenschap, een pro-milieu houding en een innovatieve gediversifieerde manier van leven omarmt. Deze drie aspecten komen samen in het maken van bio-based materialen1 binnen een co-housing project: 'The Rhodo Workhome'. Deze materialen worden gemaakt van de Rhododendron ponticum, een exotische en invasieve soort die, als onderdeel van dit onderzoek, uit bossen in België wordt verwijderd en in dit huis wordt verwerkt tot mycelium, papier, bio plastiek en kleurstoffen. De productieprocessen en de daaruit voortvloeiende materialen hebben niet alleen een invloed op de dagelijkse gewoonten van de bewoners, maar ook op de materialiteit en het ontwerp van het huis.
[en] The opening up of the top-level domain name market in 2012 has offered new perspectives for companies, administrations and individuals to include a geographic component within the domain name of their website. Little to no research has been carried out since then to analyse the uptake of the new top-level domain names (TLDNs). Based on the specific case of the TLDN .brussels, this article proposes an empirical study of how the opening up of the top-level domain name market actually impacts registration practices. By making use of freely available software tools such as OpenRefine and Natural Language Processing (NLP) methods, the entire corpus of the .brussels domain names (6 300) was analysed from a quantitative perspective. Based on a statistically representative sample (592 domain names), a qualitative interpretation allowed a more fine-grained analysis of how the new TLDN is being used in practice. By doing so, the article gives detailed insight into the impact of the recent changes to the rules concerning domain name registration. Through this analysis, researchers, policy makers, investors and anyone concerned about the identity of Brussels in the digital realm may have a better understanding of the state of play of the .brussels TLDN.

[nl] De openstelling van de markt van de top level domeinnamen in 2012 bood nieuwe perspectieven voor bedrijven, overheden en privépersonen om een geografisch component op te nemen in de domeinnaam van hun website. Sindsdien werd er weinig tot geen onderzoek verricht om de introductie van de nieuwe top level domeinnamen (TLDN) te analyseren. Op basis van het specifieke geval van de TLDN .brussels, bespreekt dit artikel het empirisch onderzoek naar de mate waarin de openstelling van de markt van de top level domeinnamen de registratiepraktijken daadwerkelijk heeft beïnvloed. Door gebruik te maken van vrij beschikbare softwaretools, zoals OpenRefine en Natural Language Processing (NLP) methodes, werd het volledige corpus van de .brussels domeinnamen (6 300) vanuit kwantitatief oogpunt geanalyseerd. Op basis van een statistisch representatieve steekproef (592 domeinnamen), maakte een kwalitatieve interpretatie een verfijndere analyse mogelijk van de manier waarop de nieuwe TLDN in de praktijk wordt gebruikt. Op die manier geeft het artikel een gedetailleerd inzicht in de gevolgen van de recente wijzigingen van de regels inzake registratie van de domeinnamen. Dankzij deze analyse kunnen onderzoekers, beleidsmakers, investeerders en al wie om de identiteit van Brussel in de digitale wereld geeft, een beter inzicht krijgen van de stand van zaken van de .brussels TLDN.
[en] Brussels' overwhelmingly negative depiction in the press is a frequently mentioned but little researched factor in explaining its lack of appeal as a place to live. This study examines how city life is framed in Belgian newspapers as well as how said frames resonate with broader cultural schemes that influence public perceptions. Using multiple correspondence analysis, we found that the press by and large groups concepts into two diametrically opposed frames: the first corresponding to a phobian perception of Brussels that centres on the negative aspects of city life and the second to a cosmopolitan view of the capital that focusses on its vibrant nature and other inherent advantages. Furthermore, differences between newspapers in their portrayal of life in Brussels relate more so to their orientation (elite versus popular) rather than to their language (Dutch versus French).

[nl] De zeer negatieve afschildering van Brussel in de pers wordt vaak aangehaald als factor in de verklaring waarom de stad niet zo'n aantrekkelijke plek is om te wonen, maar is amper empirisch onderzocht. Deze studie onderzoekt hoe het stadsleven wordt beschreven in Belgische kranten en hoe de gehanteerde frames resoneren met bredere culturele schema's die de percepties van mensen over Brussel beïnvloeden. Aan de hand van een meervoudige correspondentie analyse ontdekten we dat de krantenberichtgeving twee tegenovergestelde frames gebruikt: het eerste frame stemt overeen met een fobische perceptie van Brussel, waarbij de focus ligt op de negatieve aspecten van de stad, en het tweede met een kosmopolitische kijk op de hoofdstad, die gericht is op het bruisende karakter en andere troeven van de stad. Bovendien hebben de verschillen tussen kranten in hun afschildering van het leven in Brussel meer betrekking op hun oriëntering (elitair versus populaire) dan op de taal waarin ze artikelen publiceren (Nederlands versus Frans).
[en] At a time when mobility in Brussels is becoming increasingly critical from the standpoints of the environment and efficiency, this article gives a detailed and exhaustive analysis of the geography of traffic conditions affecting the trams and buses of Brussels' main mass transit network. The finely disaggregated data that we were able to obtain from the Brussels Interborough Transport Company (STIB/MIVB) enabled us to calculate and map three indicators (commercial speed, irregularity, and lost time) that make it possible to identify the network's problem spots. The figures show that, in the current state of affairs, fewer than a third of the city's tram line segments meet the commercial speed performance levels that they are expected to achieve under STIB/ MIVB's new management contract. The problem spots, which are found primarily but not solely in the first urban ring (from Saint-Gilles to Schaerbeek, via Ixelles), stem basically from a mixture of roads and public areas that are narrow and/or heavily used by cars, inappropriate traffic light management, and political stalemates that make it impossible to get around the first three factors. In this framework, the regional mobility and sustainable development plans can scarcely be achieved.

[nl] Nu mobiliteit in Brussel almaar meer schadelijke gevolgen voor het leefmilieu heeft en steeds minder efficiënt wordt, strekt dit artikel ertoe een geografisch gedetailleerde en exhaustieve analyse te maken van de rijomstandigheden van de trams en bussen van het grootste openbaarvervoernet in Brussel. Op basis van de uitgesplitste gegevens van de MIVB waarover we konden beschikken, hebben we drie indicatoren (reissnelheid, regelmaat, verloren tijd) berekend en in kaart gebracht, zodat de knelpunten gelokaliseerd kunnen worden. De cijfers tonen aan dat in de huidige situatie de reissnelheid die in het nieuwe beheerscontract van de MIVB wordt vooropgezet, op minder dan een derde van de tramlijnen wordt gehaald. De knelpunten bevinden zich vooral, maar niet uitsluitend in de eerste stadskroon (van Sint-Gillis via Elsene tot Schaarbeek). Ze zijn hoofdzakelijk te wijten aan een combinatie van factoren, namelijk openbare ruimten die niet breed genoeg zijn en/of vooral bestemd zijn voor het autoverkeer, een onaangepaste beïnvloeding van de verkeerslichten en politieke blokkeringen, waardoor de eerste drie problemen niet krachtdadig aangepakt kunnen worden. De doelstellingen van de gewestelijke plannen voor mobiliteit en duurzame ontwikkeling kunnen bijgevolg niet gehaald worden.