[ca] L'any 2023 es commemoren els cent anys de la mort de Lluís Domènech i Montaner, pilar essen- cial en el modernisme català del segle XIX. Tot i que fou una figura polifacètica —pedagog, historiador, polític i arquitecte—, dedicant-se profundament a totes aquestes activitats, és l'últim d'aquests àm- bits el veritable epicentre de la seva vida pública, on manifesta tota la seva capacitat tècnica i artística. Domènech i Montaner somia en una capital eu- ropea, moderna i burgesa i l'oportunitat està servida en la interpretació que fa del Pla Cerdà, del qual cerca trencar-ne la uniformitat. Un Pla que posa en relació la ciutat vella i la nova, plantejant eixos que espongin el centre i s'obrin a la nova ciutat. Amb la realització d'un tram d'un d'aquests eixos, la Via Laietana, es posa de manifest la interpretació de l'arquitectu- ra històrica en els seus arguments urbanístics. És en l'eix C, o de Pere el Gran, on Domènech i Montaner projectarà una avinguda que combinarà la seva perspectiva urbanística i la monumentali- tat de les seves obres. Un passeig inspirat en els bulevards de París que pretendrà desplaçar l'eix del carrer Ferran, on es troba la burgesia i alho- ra començar l'obertura horitzontal de la ciutat vella, en el que hagués estat la màxima concen- tració d'arquitectura modernista del planeta. Aquest treball és un estudi i interpretació pròpia dels documents que va deixar aquest projecte amb una posterior representació en 3D de cada edifici que conforma el passeig, basada en la seva obra construïda. Al cap i a la fi, aquest passeig només existí en la memòria del mateix Domènech i Montaner; és per això que l'obra es representa en el context literal de la ciutat de Barcelona. Tot i això, no deixa de ser un somni del què hagués po- gut ser i mai serà, d'una Barcelona que mai existirà.

[en] The year 2023 commemorates the hun- dred years of the death of Lluís Domènech i Montaner, an essential pillar in 19th-century Catalan modernism. Although he was a mul- tifaceted figure—pedagogue, historian, politi- cian and architect—devoted himself deeply to all these activities, he is the last of these areas to be the true epicentre of his public life, where he manifests all his technical and artistic ability. Domènech i Montaner dreams of a European capital, modern and bourgeois, and the opportu- nity is served in his interpretation of the Cerdà Plan, which seeks to break its uniformity. A plan that relates to the old and the new city, by pro- posing axes that set up the center and open up to the new city. With the completion of a stretch of one of these axes, the Via Laietana, the interpre- tation of historical architecture is revealed in its urbanistic arguments.It is on axis C, or of Peter the Great, where Domènech and Montaner will project an avenue that will combine their urban perspective and the monumentality of their wor- ks. A walk inspired by the Boulevards of Paris that will seek to move the axis of the street Ferran, where the bourgeoisie is located, and at the same time begin the horizontal opening of the old city, in what would have been the greatest concen- tration of modernist architecture on the planet. This work is a study and interpretation of the do- cuments left behind by this project with a later 3D representation of each building forming the walk, based on his constructed work. After all, this walk only existed in memory of Domènech i Montaner himself; this is why the work is represented in the literal context of the city of Barcelona. However, it is still a dream of what could have been and will never be, of a Barcelona that will never exist.