[en] The present article has two main historiographical and methodological objectives. First, it aims to present an overview of past and current research on the arts of the late Middle ages, as practised within the geographical area of present-day Switzerland, with a particular focus on painting. Second, it highlights certain aspects of "the geography of art" on the basis of a number of ongoing studies. The article divides the territory into two culturally distinct re- gions, the Oberrhein and the alpine area. Essentially a 20th- century distinction, these regions provide an ideal framework for the analysis of the stylistic currents linking a cultural cen- tre with peripheral or transperipheral zones, and their subse- quent interpretation in light of the specific collective identities of the period – namely the progressive constitution of the 13 cantons of the Swiss confederation, from 1291 to 1513. In this way, the article aims to demonstrate that the empirical approach of connoisseurship can confirm and reinforce the theoretical approach of the "geography of art" which itself determines the article's pre-suppositions, and the research dynamic as a whole. laurent langer, Art Nouveau and Symbolism in Swiss painting: an overview of current research International awareness of Swiss art c.1900 is often limited to a few notable figures such as arnold Böcklin or Ferdinand Hodler. and yet many other artists active in Switzerland at the time were influenced by art Nouveau and the Symbolist movement, and produced work of great quality. Over the past several years, numerous stimulating studies have explored Swiss painting around the year 1900: monographs and catalogues raisonnés, as well as thematic studies and overviews.The author proposes a cross-disciplinary overview of recent research on Swiss painting around 1900, with a historiographical summary that highlights the central role of the city of Zurich, and the major retrospective exhibitions held there in the 1950s and 1960s. International studies of leading figures such as Böcklin, Hodler and Félix Vallotton have also shed new light on the great stylistic diversity of modern art in Switzerland.the article goes on to explore a range of themes specific to the region, and the period, namely the concept of a "national school of art" the role of large decorative murals, and rural primitivism. Finally, the article stresses the recent research focus on regional artistic phenomena, in light of our improved understanding of the involvement of Swiss artists in international movements.

[es] El artículo tiene dos objetivos, uno historiográfico, el otro metodológico. Por una parte, aspira a testimoniar sobre la investigación llevada a cabo hasta hoy en día en el campo del arte producido sobre el territorio actual de Suiza a finales de la Edad Media, enfocalizando principalmente sobre la pintura. Por otra parte, pone en evidencia, a partir de unos archivos pendientes, varios aspectos de la geografía artística. así es como propone subdividir el territorio en dos zonas culturales (el " Oberrhein " y el " espacio alpino "), esencialmente definidas durante el siglo XX, las que proporcionan un marco ideal para analizar las corrientes estilísticas que unen un centro con una periferia o con una transperiferia, y luego interpretarles a la lumbre de las identidades colectivas propias del período considerado, en este caso la constitución progresiva de la confederación de los Xiii cantones entre 1291 y 1513. trata por lo mismo de demostrar que el nivel empírico del connoisseurship alimenta el nivel teórico de la geografía artística, que determina a su vez los presupuestos y acondiciona así toda la dinámica de la investigación de ello.