[en] This Final Degree Project entitled as Confluences between Art and Fashion: Italian Futurism explores the relationship between the painting of Italian Futurism, one of the avant-garde movements of the early 20th century, and the proposals for Futurist clothing designs that were made in those same years, with the main aim of understanding the convergences that took place between plastic art and avant-garde fashion. To explain this relationship, firstly, we review the theoretical foundations of the so-called Historical Avant-gardes and their groundbreaking approaches, and then, we gain an in-depth knowledge of one of them: Futurism. We review the theoretical proposals of this movement through its manifestos, concentrating our attention both on the first or foundational manifesto and on those published on Futurist painting and fashion. Through them we gain an understanding of its main proposals and principles, which are presented in written and graphic form. The following part of the Final Degree Project studies the relationship between painting and futurist fashion through the analysis of four case studies: The Funeral of the Anarchist Galli, by Carlo Carrà, 1910-1911; The Elasticity, by Umberto Boccioni, 1912; The Anti-Neutral Dress, by Giacomo Balla, 1914; and finally the Dress of Curves, by Tullio Crali, 1932. The analysis is structured. First of all, a visual description of the work and a reflection on the theme it represents are carried out. Subsequently, each art piece is observed from a more technical point of view, analyzing the futurist resources used and, graphically, an explanation is given of both the techniques mentioned and the key elements used in the execution of the work to understand the aims of the futurist artists. As a result of this analysis, we can identify convergences between futurist plastic art and fashion. This relationship is mostly present due to use of the same techniques and resources in order to achieve the same plastic effects. For example, the Futurist plastic art uses techniques such as fragmentation and geometrization of the figures in order to express a dynamic effect and movement. We can also identify these techniques in futuristic fashion designs which, with the representation of asymmetrical cuts, seek to achieve the same end. The use of certain colors, combined to create strong contrasts between them, which generate a simultaneous effect of movement, is another convergence detected in pictorial art works and fashion designs which, in this Final Degree Project, we show with concrete examples. With all that has been learned in the previous phases of the work, finally, this Final Degree Project includes a fashion design collection inspired by the futuristic approaches of the 20th century, that is to say, the basic foundations of the proposed collection arise from and reinterpret the basic principles of futuristic design of the 1920s previously identified. This shows how the study and understanding of avant-garde plastic proposals can serve as inspiration for the creation of new contemporary fashion collections.

[gl] Este Traballo de Fin de Grado titulado Confluencias entre o Arte e a Moda: O Futurismo Italiano indaga sobre as relacións entre a pintura do Futurismo italiano, uns dos movementos vangardistas de principios do século XX, e as propostas de deseños de vestimenta futurista que se fixeron durante eses mesmos anos, co obxectivo principal de entender as converxencias que tiveron lugar entre o arte plástico e a moda vangardista. Para elo, en primeiro lugar, lévase acabo unha revisión dos fundamentos teóricos das chamadas Vangardas Históricas xunto coas súas propostas rompedoras e, a continuación, profundarase no coñecemento dunha delas: o Futurismo. Revísanse as propostas teóricas deste movemento a través dos seus manifestos, concentrando a atención tanto no primeiro ou fundacional, coma nos publicados sobre a pintura e moda futurista. Con isto conséguese unha comprensión das principais propostas e principios, que son representadas de forma escrita e gráfica. A seguinte parte do TFG céntrase no estudo da relación entre pintura e moda futurista a través da análise de catro casos prácticos: O funeral do anarquista Galli, de Carlo Carrà, 1910-1911; Elasticidade, de Umberto Boccioni, 1912; O vestido antineutro, de Giacomo Balla, 1914; e finalmente o Vestido de curvas, de Tullio Crali, de 1932. A análise estrutúrase de forma que, en primeiro lugar, se realiza unha descrición visual da obra e unha reflexión sobre a temática que representa. Posteriormente, obsérvase cada peza dende un punto de vista máis técnico, analizando os recursos futuristas empregados e, graficamente, faise unha explicación tanto das mencionadas técnicas como dos elementos fundamentais empregados na execución da obra para a consecución dos obxectivos dos artistas futuristas. Como resultado desta análise podemos detectar as converxencias entre a arte pictórica futurista e a moda. Esta relación está presente maioritariamente no uso das mesmas técnicas e recursos para conseguir os mesmos efectos plásticos. Por exemplo, as obras de carácter pictórico empregan técnicas como a fragmentación e xeometrización das figuras para expresar un efecto dinámico e un movemento. O mesmo podemos ver tamén en deseños de moda futuristas que, coa representación de cortes asimétricos, buscan acadar o mesmo fin. O uso de determinadas cores, combinadas para crear fortes contrastes entre si, que xeran un efecto simultáneo de movemento, é outra converxencia detectada en obras pictóricas e deseños de moda que, neste traballo, mostramos con exemplos concretos. Con todo o aprendido nas fases anteriores do traballo, por último, este TFG inclúe unha colección de deseño de moda inspirada nos enfoques futuristas do século XX, é dicir, os fundamentos base da colección proposta xorden e reinterpretan os principios básicos do deseño futurista dos anos vinte previamente identificados. Con isto, móstrase como o estudo e comprensión de propostas plásticas de vangarda pode servir de inspiración para a creación de novas coleccións de moda contemporánea.