[ca] Aquest article explora !es interseccions entre !es teories textuals de l'intermundi de Gloria Anzaldua i Josefina Baez pel que fa a questions de textualitat i, de manera mes amplia, de relacionalitat, en els seus primers treballs. En la seva recerca filosofica, Anzaldua va idear una fenomenologia en que !es metafores de la frontera, !es terres frontereres o els pants i el concepte de nepantla assenyalen el lloc de l'escriptura en el context de la colonialitat, la decolonialitat i la migraci6. Des del seu pensament primerenc, aquests conceptes solen capturar no tan sols questions d'ubicaci6 sin6 tambe de relacionalitat, intencionalitat i canvi (decolonial). De manera similar, l'autora, directora i interpret dominicana-nordamericana (Dominican York) Josefina Baez explora els espais inestables i la temporalitat de l'intermundi en el context de la immigraci6/migraci6 i la colonitzaci6, centrant l'experiencia de !es comunitats de la diaspora dominicana i la seva propia. Baez proposa conceptes com dominicanish o "goig" com a espais relacionals i imaginats i estats que s6n no-territorials, fugai;os i resisteixen la fixesa de les categoritzacions opressives de! subjecte. Ambdues autores estan interessades a trobar poetiques que puguin ser apropiades per a aquests espais transfrontera i estats personals i col-lectius, aixi com a teoritzar noves practiques de lectura (o visionat) i escriptura des d'aquests espais. Aquest article examina aquestes teories en els primers treballs de !es au tores i mostra com, en oferir a qui llegeix trobades textuals poc ortodoxes, el "Jo" ha d'entrar en espais inestables, dificilment solubles, a Borderlands/La Frontera: The New Mestiza (1987) i Dominicanish (2000). Com a amfitriones textuals, !es autores conviden lectors i audiencia a participar en una fenomenologia del canvi en que les experiencies inquietants de /'in-betweenness i la impermanencia poden donar lloc a una transformaci6 decolonial.

[en] This article explores the intersections between Gloria Anzaldua's and Josefina Baez's theories of in-betweenness, as they pertain to issues of textuality and, more broadly, relationality, in their early work. In her life-long philosophical search Anzaldua devised a phenomenology in which the metaphors of the border, borderlands, or bridges, and the concept of nepantla signal the place of writing in the context of coloniality, decoloniality, and migration. From her early thought, these concepts often capture not only issues of location, but also of relationality, intentionality and decolonial change. Similarly, Dominican American (Dominican York) author, director, and performance artist Josefina Baez explores the unstable spaces and temporariness of inbetweenness in the context of im/migration and colonization by centering the experience of Dominican diasporic communities and her own. Baez proposes concepts such as dominicanish or "bliss" as imagined, relational spaces and states that are non-territorial, fleeting, and resist the fixity of oppressive categorizations of the subject. Both authors are interested in finding a poetics that may be appropriate for such transfrontera spaces and personal and collective states, as well as in theorizing new practices of reading ( or viewing) and writing from these spaces. This article describes those theories in the early work of these authors, and shows how, by presenting readers with unorthodox textual encounters, the I must enter unstable, hardly me/table spaces, both culturally and linguistically, in Borderlands/La Frontera: The New Mestiza (1987) and Dominicanish (2000). Here the writers, as textual hosts, invite readers and audiences to engage in a phenomenology of shifting where unsettling experiences of in-betweenness and impermanence may result in decolonial transformation.