[en] &lt;p&gt;&lt;span&gt;Fernando Pessoa&rsquo;s poetics is renowned for the creation of heteronyms and for the formation of what he himself called &ldquo;drama in people, instead of in acts.&rdquo; Since then, a considerable variety of theoretical and critical approaches have tried to illuminate the meaning of this drama in the poet's work. In fact, a significant part of these attempts at explanation are from Pessoa himself, which has always resulted in new developments in this play of &lt;em&gt;transpersonalization&lt;/em&gt;. Thus, in line with literary studies of theory and criticism focused on interdisciplinarity, in this article we are interested in revisiting these Pessoa attempts in order to expand their plan of explanation to the point of contact with another dramatic play equally characterized by operations with heterogeneous elements. It is the heterochrony, the othering of the times, studied throughout his life by the German art historian Aby Warburg, and which he ended up writing as &lt;em&gt;Seelendrama&lt;/em&gt;, that is, &ldquo;drama of the soul&rdquo;. With that, we do not want to purely and simply equate such &ldquo;dramas&rdquo; but to compose, playing with the decisive role that the heterogeneous have for the artistic research of the two, an additional plan of understanding by their own differences and affinities. In order to do so, we end by highlighting and examining the still little studied role that astrology issues played for both authors during their research processes&lt;/span&gt;&lt;span&gt;.&lt;/span&gt;&lt;/p&gt;

[pt] &lt;p&gt;&lt;span&gt;A po&eacute;tica de Fernando Pessoa &eacute; c&eacute;lebre, sobretudo, pela cria&ccedil;&atilde;o dos heter&ocirc;nimos e pela forma&ccedil;&atilde;o, no seu conjunto, do que ele mesmo chamou de &ldquo;drama em gente, em vez de em actos.&rdquo; Desde ent&atilde;o, consider&aacute;vel variedade de abordagens te&oacute;ricas e cr&iacute;ticas tentam iluminar o sentido desse drama na obra do poeta. Inclusive, parte significativa dessas tentativas de explica&ccedil;&atilde;o s&atilde;o do pr&oacute;prio Pessoa, o que resultou sempre em novos desdobramentos desse jogo de &lt;em&gt;transpersonaliza&ccedil;&atilde;o&lt;/em&gt;. Assim, na linha dos estudos liter&aacute;rios de teoria e cr&iacute;tica voltados para interdisciplinaridade, neste artigo nos interessa retomar essas tentativas pessoanas, a fim de expandir seu plano de explica&ccedil;&atilde;o at&eacute; o contato com outro jogo dram&aacute;tico igualmente caracterizado pelas opera&ccedil;&otilde;es com heterog&ecirc;neos. Trata-se da heterocronia, o outramento dos tempos, estudada durante toda a vida pelo historiador da arte alem&atilde;o Aby Warburg, e que acabou sendo por ele anotada como &lt;em&gt;Seelendrama&lt;/em&gt;, isto &eacute;, &ldquo;drama da alma&rdquo;. Com isso n&atilde;o queremos pura e simplesmente igualar tais &ldquo;dramas&rdquo;, mas sim compor, jogando com o papel decisivo que os heterog&ecirc;neos t&ecirc;m para as pesquisas art&iacute;sticas dos dois, um plano a mais de compreens&atilde;o pelas suas pr&oacute;prias diferen&ccedil;as e afinidades. Para tanto, terminamos ressaltando e examinando o papel ainda pouco estudado que as quest&otilde;es da astrologia tiveram para ambos os autores durante seus processos de pesquisa.&lt;/span&gt;&lt;/p&gt;