**[REVISED TREATMENT, PRODUCTION PROPOSAL AND PRODUCTION
BUDGET]{.underline}**

I. **[BACKGROUND]{.underline}**

##### **Project Title:** "House of Destiny" (working title)

**Office:** Lincoln Home National Historic Site

**Project Number:** 04-010

**Program Number:** TV-1056

> Lincoln Home National Historic Site preserves the only home ever owned
> by Abraham Lincoln. He and his family lived there for 17 years prior
> to becoming the nineteenth President of the U.S. Refer to the park web
> site at http://www.nps.gov/liho.

###### II. [PURPOSE]{.underline} {#ii.-purpose .unnumbered}

> The purpose of this Task Order is to plan and deliver a revised
> treatment, production proposal, and production budget for the
> subsequent production of an 18-minute educational and interpretive
> high definition video program with 5.1 surround sound for Lincoln Home
> National Historic Site.

###### III. [SCOPE OF WORK]{.underline} {#iii.-scope-of-work .unnumbered}

> In accordance with the terms and conditions of the above-referenced
> contract, the Contractor shall prepare and deliver to the National
> Park Service, Harpers Ferry Center, a revised treatment, production
> proposal and production budget for an 18-minute educational and
> interpretive high definition video program with 5.1 surround sound for
> Lincoln Home National Historic Site. This program will be produced in
> a high definition format either by shooting in high definition or by
> shooting in Super16 or 35mm and transferring to high definition. The
> Contractor must describe the production path proposed.
>
> A. **[PRE-PRODUCTION MEETING]{.underline}**
>
> Prior to the preparation of the revised treatment, production
> proposal, and production budget, the Contractor shall attend a two-day
> planning meeting at Lincoln Home National Historic Site, for
> presentations by the Park staff, Harpers Ferry Center Contracting
> Officer's Representative (COR), and Contract Specialist. The purpose
> of this meeting will be to describe the themes, topics and filmic
> elements for preparing the treatment, identifying existing resources,
> possible historical recreation scenes and shooting locations, the
> goals and requirements of the production, a discussion of the
> technical specifications for this project, and a question and answer
> period. The meeting will begin on Wednesday, October 11, 2006, at 8:30
> a.m. and will conclude on Thursday, October 12, 2006 at 3:00 p.m. The
> Lincoln Home National Historic Site is\
> \
> \
> located at 431 South Eighth Street, Springfield, Illinois 62701-1905,
> telephone number (217) 492-4241.
>
> B. **[REVISED TREATMENT AND PRODUCTION PLAN]{.underline}**
>
> After attending the meeting, the Contractor shall produce a revised
> treatment in accordance with Section G, Page G-4, Paragraph A of the
> basic contract for the high definition video production.
>
> In addition to the revised treatment, the Contractor shall also
> produce and deliver a production proposal, in accordance with Section
> G, Page G-5, Paragraph B of your contract for the proposed high
> definition video program.
>
> The attached draft treatment (Attachment A) was produced by the
> National Park Service in anticipation of producing this project as an
> in-house production. The Lincoln Home National Historic Site park
> staff has approved this treatment and it should be considered a guide
> in your proposal preparation. To make this project your own, we accept
> that the potential contractors will need to create their own proposal
> based on the attached ideas and information.
>
> Attachment B is also provided which contains a prospective scene list.
>
> The Contractor shall be responsible for maintaining the highest level
> of historical accuracy and integrity. Of special importance is the
> believability of actors and dialogue, the quality and accuracy of the
> art direction, the attention to costuming and prop details and the
> highest production values.
>
> The finished video will be sold in the Park's museum book store and it
> is the Contractor's responsibility to secure all necessary rights and
> clearances.

IV\. **[TIME FOR COMPLETION AND PAYMENT]{.underline}**

> All work shall be completed on or before November 30, 2006, in
> accordance with the following Schedule:

  ------------------------------------- --------------------- -------------
  **ACTION**                            **DATE**              **PAYMENT**

  Attendance at Planning Meeting in     October 11-12, 2006   -0-
  Springfield, Illinois                                       

  Submission of Treatment, Production   November 30, 2006     \$1,500
  Proposal and Production Budget                              
  ------------------------------------- --------------------- -------------

V. **[RIGHT TO PROCURE FROM OTHER SOURCES]{.underline}**

> Should the Government be unable to come to terms with the Contractor
> for the production work, the Government reserves the right to contract
> for the production (using the acquired treatment) with any Contractor
> is may subsequently select. The Contractor retains no rights to the
> treatment delivered under this contract.

VI\. **[ATTACHMENTS]{.underline}**

The following attachment is incorporated into this Task Order:

1\. Attachment A -- Present Treatment

2\. Attachment B -- Prospective Scene List

**ATTACHEMENT A -- Draft Treatment**

***House of Destiny***

\~

Lincoln Home National Historic Site

> In accordance with the terms and conditions of the above-referenced
> contract, the Contractor shall plan and produce a compelling 18-minute
> interpretive video, "House of Destiny" (working title), that suggests
> the history, significance, and impact of Lincoln's 17-year stay in his
> Springfield, Illinois family residence; the only home he ever owned.
> The high definition (16:9), 5.1 surround sound production will be
> fully captioned and audio-described. It will be shown regularly in
> rehabilitated video projection theaters at the Abraham Lincoln Home
> National Historic Site Visitors Center in his hometown.
>
> Designed to promote an interest in Abraham Lincoln's formative life,
> and to present the genesis of his formidable legacy, "House of
> Destiny" explores the impact and enigmas, contradictions, and
> connections surrounding his time spent in Springfield. The
> interpretive film artistically suggests the people, places, and events
> that shaped Lincoln's hometown life and foreshadowed his meteoric
> destiny. It sketches his evolution from awkward, ambitious, "city"
> newcomer (population ca. 2000), to 16^th^ President-elect of the
> United States less than twenty years later (population 10,000).
>
> "House of Destiny" presents Lincoln, in the "West", as he raises his
> family, and, thanks to a unique partnership with his wife, Mary,
> evolves from aspiring hopeful to a seasoned politician ascending to
> the threshold of the U.S. Presidency. He, along with his family will
> leave this sparse "frontier" town to become a legend... martyred
> champion of freedom and equality, savior of the union and keeper of
> the "American Dream". The seeds of his genius and towering legacy,
> sowed and nurtured in Springfield, are the subject of "House of
> Destiny".
>
> The video features Lincoln's Springfield home throughout, not only as
> an important historical physical and tangible resource, but also as a
> "window on the past". Lincoln's home and hometown become the focus and
> backdrop to "following in the footsteps" of Lincoln, and entering his
> 19^th^ Century Springfield world.
>
> "House of Destiny" presents a composite Lincoln "portrait" through a
> combination of costumed reenactments, historical graphics and
> theatrical footage. Recreations will supplement existing film and
> video interpretations of Lincoln's Springfield life and interpret
> significant, poignant, prophetic home, hearth, and hometown events.
>
> A biographical "mosaic" of important moments and events suggest
> Lincoln's private and public life in Springfield, including scenes of
> domesticity, lawyering, and politics. "House of Destiny" will feature
> historically accurate and authentic vignettes and reenactments of
> Lincoln as father, husband, lawyer, politician and friend, interacting
> with familiar people and places.
>
> "House of Destiny" emphasizes a dramatic digital surround sound
> experience that weaves moving voices and myriad sound effects
> suggesting people, places, and events from the past. An original
> musical composition scored to the video provides the full range of
> emotions and instrumentation to interpret the pathos and power of
> Lincoln's life and legacy.

**ATTACHMENT B -- Prospective Scene List**

**NOTE: These are some, not all, of the stories the Park will want to
choose from for the film. The final selection of topics will come at the
Pre-Treatment Meeting. No matter which scenes/stories are selected,
extensive follow-up research to confirm details will be required.**

**[POSSIBLE REENACTMENTS SCENES]{.underline}**

-   **At the age of 27, after years of studying in his spare time,
    Lincoln gets a state law license. The next year he moved to
    Springfield, IL.**

-   **Lincoln hardly looked the part of a conquering hero when he
    arrived in Springfield, Ill. on a borrowed horse on April 15,
    1837.** It was the halfway point of his life: Twenty-eight years
    old, he would live exactly twenty-eight years more, to the day. He
    had decided he would try his hand at a law practice. Inquiring of
    one of the proprietors, Joshua Speed, about the cost of a mattress
    and bedding, Lincoln confessed that he did not have the money for
    the purchase. Some recent business losses (left over from that small
    store of his that "winked out") had left him completely broke and
    shackled with debt. When Lincoln came to Springfield, he brought all
    of his worldly possessions, which were contained in two saddlebags.

-   **Lincoln made many acquaintances in Springfield.** He talked with
    people he met on the streets, occasionally he took walks in the
    woods with people, and from time to time, he and some of his
    acquaintances played "fives", an early version of handball, using a
    vacant lot and bouncing the ball against the walls of one of the
    brick stores on the square.

-   **After a rocky courtship, Abraham Lincoln and Mary Todd were
    married at the home of Ninian Edwards in November 4, 1842.** Lincoln
    was 33 years old, Mary was 23. "Love is Eternal" were the words
    engraved in the plain gold band that Lincoln gave to his wife at
    their wedding. Lincoln's best man was James Mathey.

-   On January 16, 1844, **Lincoln purchased his first and only home
    from the Rev. Charles Dresser for \$1500** (\$1200 cash plus a lot
    for \$300). On May 1, 1844 the Lincoln family (Abraham, Mary, and
    Robert) moved into the home on 8^th^ & Jackson Streets.

-   In 1844, **Lincoln sets up his own law practice with William H.
    Herndon** as his junior law partner.

-   Because Springfield didn't offer enough business, **Lincoln and
    Herndon both traveled to other counties when the judge of the
    circuit court made his semiannual peregrination around his
    district.** On the circuit, after the court adjourned, the judge and
    the lawyers usually gathered in the local tavern, and, Herndon
    recalled, "storytelling -- joking -- jesting would be kept up till 1
    or 2 o'clock in the night**." Often the lawyers "slept with 20 men
    in the same room\
    -- some on old ropes -- some on quilts -- some on sheets -- a straw
    or two under them." Sometimes Lincoln and Herndon had to sleep in
    the same bed.** Lincoln's long legs usually stuck out over the
    floorboard, and he would keep Herndon awake while he read by tallow
    candlelight. Lincoln enjoyed traveling the circuit and was often
    away from home for weeks at a time.

-   On March 10, 1846, **Edward Baker Lincoln was born** at the Lincoln
    Home.

-   **Eddie Lincoln's illness led to death** in the home (Feb. 1, 1850).
    That year, half of all Springfield deaths were children under the
    age of 5.

-   On December 21, 1850, **William Wallace Lincoln was born** at the
    Lincoln Home.

-   Lincoln's political career was resurrected in October1854, when **he
    laid out his objections to the Kansas-Nebraska Act and gave a
    stirring anti-slavery speech in Peoria, IL (Peoria Speech).**
    Historians consider it to be one of Lincoln's most significant
    addresses. *"\[My\] ancient faith teaches me that 'all men are
    created equal', and that there can be no moral right in connection
    with one man's making a slave of another."*

-   On June 16, 1858, more than 1,000 Republican delegates met in the
    Springfield, Illinois, statehouse for the Republican State
    Convention. At 5 p.m. they chose Abraham Lincoln as their candidate
    for the U.S. Senate, running against Democrat Stephen A. Douglas. At
    8 p.m. **Lincoln delivered the "House Divided Speech" to his
    Republican colleagues in the Hall of Representatives. The title
    comes a sentence from the speech\'s introduction, \"A house divided
    against itself cannot stand,\"** which paraphrases a statement by
    Jesus in the New Testament.

-   The fifth debate between Lincoln and Douglas was held at Galesburg,
    IL on October 7, 1858. The platform from which they spoke was
    erected at the east end of Knox College. Immediately over the heads
    of the speakers, extending across the end of the building, was a
    large banner stating: "Knox College for Lincoln."

-   On Dec. 22, 1858, fifty or sixty boys and girls attend a **gala
    party in celebration of William Lincoln's ninth birthday**. Mary
    Lincoln took great care in arranging every detail of the party, from
    hand-written invitations to the games played, songs sung, and
    refreshments served.

-   On February 27, 1860, **Lincoln delivers the Cooper Union Address in
    New York City** which helped propel him to the 1860 Republican
    Nomination.

-   **Lincoln plays a game of "fives"** (handball) in the neighborhood,
    as he anxiously awaits the announcement of the Republican
    Presidential nominee.

-   Lincoln also **awaits the nomination results** in the telegraph
    office. After being notified of his win, he rushes home to tell his
    wife the good news.

-   In late March 1860, **Lincoln sat for sculptor Leonard W. Volk**,
    who had recently finished a sculpture of Stephen A. Douglas.

-   In celebration of Lincoln's Presidential nomination, there is **a
    large rally at the Statehouse**, followed by a marching band
    procession to the Lincoln home.

-   A committee of 10 men from the convention goes to the Lincoln home
    to **officially notify Lincoln of his nomination**. They visit with
    Mrs. Lincoln as well.

-   During the summer, **Lincoln posed in front of his home for Boston
    photographer Adam Whipple**. Whipple captured Lincoln as well as
    Willie and Tad and neighbors in varying degrees of clarity.

-   On July 24, 1860, the Lincolns were escorted to the Statehouse by a
    **torch parade featuring German and American "Wide-Awakes."**

-   **"A most striking political demonstration of the kind...."**
    Preparations had been ongoing for a large Republican Rally that
    would take place on August 8, 1860. Twenty-one Republican Wide Awake
    clubs were on hand and special trains brought 180 carloads of the
    Lincoln faithful to the rally. The parade, which included a wide
    variety of floats, wound through the streets of Springfield and
    paused in front of the Lincoln Home. Lincoln emerged dressed in a
    white suit, he stood by the front door long enough for a
    photographer to capture the scene.

-   On October 19, 1860, **Lincoln received the famous Grace Bedell
    letter. Grace was an 11-year old girl from Westfield, NY.** After
    apparently taking Grace's advice, Abraham Lincoln became the first
    bearded President.

-   On November 6, 1860, Mary had joined her husband at the Statehouse
    to await the returns, and also attended the dinner, but had gone
    home prior to receiving the news from New York. At about 1:30a.m.
    **Lincoln proceeded home** **announcing "Mary, Mary, we are
    elected!"**

-   **A Republican victory rally** took place on Nov. 20, 1860, but it
    was rather anti-climactic for the city. The rally stopped at the
    Lincoln Home on the way to the Wigwam and cheered until Lincoln
    emerged to make some remarks. The crowds in Lincoln's statehouse
    office were as intense as ever.

-   **In late 1860, Lincoln accepted an offer from Clark Moulton Smith,
    his brother-in-law, to use a room on the third floor of his store as
    his writing space.** Lincoln closeted himself for the serious work
    of writing. Day after day, he wrote and revised at an old merchant's
    desk with a slanting front and plenty of pigeonholes.

-   The day before he left for Washington, Lincoln returned, for a few
    moments, to his old law office and his days before he was
    president-elect. Lincoln threw himself down on the old sofa one last
    time. After reminiscing about old times, Lincoln made a request that
    the signboard that swung on rust hinges at the foot of the stairway
    should stay. And **Lincoln spoke of** **resuming the practice of law
    after completing his term(s) as President.** He said, "If I live I'm
    coming back some time and then we'll go right on practicing law as
    if nothing ever happened."

-   On the morning of Feb. 11, 1861, Lincoln rose early and left the
    Chenery House at 7:30am. **A carriage arrived at the hotel, driven
    by Lincoln's old neighbor Jameson Jenkins, to take Lincoln, Mary,
    and their three boys to the Great Western Railroad station.**
    Earlier that morning in the hotel lobby, Lincoln had tied his
    luggage together and labeled the attached card *A. Lincoln,
    Executive Mansion, Washington.*

-   Once at the Great Western Railroad station **the President-elect
    took his station in the waiting-room, and allowed his friends to
    pass by him and shake his hand for the last time.** A reporter
    observed that Lincoln's "face was pale and quivered with emotion so
    deep as to render his almost unable to utter a single word."

-   On Feb. 11, 1861, a crowd at the Great Western Railroad station said
    to have numbered around 1,000, gathered to see him off. Lincoln went
    through the crowd, shaking hands with as many as he could. Then when
    his train arrived, he boarded the platform of the train. The crowd
    closed in around the railroad car. After entering the second of the
    two cars, he appeared on the rear platform of the train. Lincoln
    turned to the crowd, removed his beaver hat and asked for\
    silence. **He composed himself and slowly began to make his farewell
    speech, a moment which filled him with profound emotion.**

-   **Lincoln, whose personality usually prompted him to conceal rather
    than reveal his emotions, now spoke openly of his feelings as he
    prepared to leave Springfield.** Lincoln had lived and worked for 24
    years in Springfield. There was a stark contrast between Lincoln's
    arrival in the spring of 1837 and his departure now in the winter
    of 1861. It would not be surprising if Lincoln remembered his
    coming, even as he spoke of his going.

-   **Towards the conclusion of his farewell speech, both Lincoln and
    the audience were moved to tears.** His exhortation to pray elicited
    choked exclamations of "We will do it, we will do it." As Lincoln
    turned to reenter the cars, three cheers were given, and a few
    seconds afterward the train moved slowly out of sight of the silent
    gathering.

-   As Lincoln took his seat in the passenger car, he was beset
    immediately by newspaper correspondents who wanted to ask him
    questions about the speech. Lincoln sat down in a coach seat and
    attempted to write down what he had said.

> **[PRODUCTION]{.underline}**

I. **[BACKGROUND]{.underline}**

##### **Project Title:** "House of Destiny"

**Office:** Lincoln Home National Historic Site

**Project Number:** 04-010

**Program Number:** TV-1056

> Lincoln Home National Historic Site preserves the only home ever owned
> by Abraham Lincoln. He and his family lived there for seventeen years
> prior to becoming the nineteenth President of the U.S. Refer to the
> park web site at http://www.nps.gov/liho.

###### II. [PURPOSE]{.underline} {#ii.-purpose-1 .unnumbered}

> The purpose of this Task Order is to plan and produce an 18-minute
> educational and interpretive high definition video program with 5.1
> surround sound for Lincoln Home National Historic Site.

###### III. [SCOPE OF WORK]{.underline} {#iii.-scope-of-work-1 .unnumbered}

> In accordance with the terms and conditions of the above-referenced
> contract, the Contractor shall plan and produce an 18-minute
> educational and interpretive high definition video, "House of
> Destiny", that suggests the history, significance and impact of
> Lincoln's 17-year stay in his Springfield, Illinois family residence;
> the only home he ever owned. The high definition (16:9) 5.1 surround
> sound production will be fully captioned and audio-described. It will
> be shown regularly in rehabilitated video projection theaters at the
> Lincoln Home National Historic Site Visitors Center in his hometown.
>
> Designed to promote an interest in Abraham Lincoln's formative life
> and to present the genesis of his formidable legacy, "House of
> Destiny" explores the impact and enigmas, contradictions, and
> connections surrounding his time spent in Springfield. The
> interpretive film artistically suggests the people, places and events
> that shaped Lincoln's hometown life and foreshadowed his meteoric
> destiny. It sketches his evolution from awkward, ambitious, "city"
> newcomer (population ca. 2000), to 16^th^ President-elect of the
> United States less than 20 years later (population 10,000).
>
> "House of Destiny" presents Lincoln, in the "West", as he raises his
> family, and, thanks to a unique partnership with his wife, Mary,
> evolves from aspiring hopeful to a seasoned politician ascending to
> the threshold of the U.S. Presidency. He, along with his family will
> leave this sparse "frontier" town to become a legend...martyred
> champion of freedom and equality, savior of the union and keeper of
> the "American Dream." The seeds of his genius, sowed and nurtured in
> Springfield, are the subject of "House of Destiny."
>
> The video features Lincoln's Springfield home throughout, not only as
> an important historical physical and tangible resource, but also as a
> "window on the past." Lincoln's home and hometown become the focus and
> backdrop to "following in the footsteps" of Lincoln, and entering his
> 19^th^ Century world.
>
> "House of Destiny" presents a composite Lincoln "portrait" through a
> combination of costumed reenactments, historical graphics and
> theatrical footage. Recreations will supplement existing film and
> video interpretations of Lincoln's Springfield life and interpret
> significant, poignant, prophetic home, hearth, and hometown events.
>
> A biographical "mosaic" of important moments and events suggest
> Lincoln's private and public life in Springfield, including scenes of
> domesticity, lawyering, and politics. "House of Destiny" will feature
> historically accurate and authentic vignettes and reenactments of
> Lincoln as father, husband, lawyer, politician and friend, interacting
> with familiar people and places.
>
> "House of Destiny" emphasizes a dramatic digital surround sound
> experience that weaves moving voices and myriad sound effects
> suggesting people, places, and events from the past. An original music
> composition scored to the video provides the full range of emotions
> and instrumentation to interpret the pathos and power of Lincoln's
> life and legacy.
>
> The Contractor shall be produce a script based on the treatment and
> accomplish all location filming, editing, and post production
> activities as defined in the basic contract and as follows:
>
> A. **[PRE-PRODUCTION PLANNING AND RESEARCH]{.underline}**
>
> A pre-production meeting at Lincoln Home National Historic Site will
> take place on January 8, 2007, with the Contractor, Park staff and the
> Contracting Officer's Representative. The purpose of this meeting is
> to further develop the content of the video program.
>
> B. **[TREATMENT AND/OR SCRIPT]{.underline}**
>
> For this production, both a treatment and script are required.
>
> C. **[PRODUCTION]{.underline}**
>
> \(1\) **[PRODUCTION STANDARDS]{.underline}**
>
> \(2\) **[MOTION PICTURE OR VIDEOGRAPHIC CREW]{.underline}**
>
> \(3\) **[TALENT/ACTORS]{.underline}**
>
> \(4\) **[SHOOTING AND PRODUCTION SCHEDULE]{.underline}**
>
> \(5\) **[LOCATION CINEMATOGRAPHY AND VIDEOGRAPHY SOUND]{.underline}**
>
> \(6\) **[CINEMATOGRAPHY AND VIDEOGRAPHY]{.underline}**
>
> \(7\) **[FILM PROCESSING]{.underline}**
>
> \(8\) **[VIDEO TRANSFERS]{.underline}**
>
> \(9\) **[LOCATION RECORDING]{.underline}**
>
> \(10\) **[SCORING AND SOUND EFFECTS]{.underline}**
>
> \(11\) **[DIGITAL AUDIO]{.underline}**
>
> \(12\) **[ROUGH CUT]{.underline}**
>
> \(13\) **[OFF LINE FINE CUT]{.underline}**
>
> \(14\) **[EDIT REVIEW AND APPROVAL]{.underline}**
>
> D. **[CAPTIONING]{.underline}**
>
> The Contractor **[shall]{.underline}** be responsible for all
> captioning.
>
> E. **[DELIVERABLES]{.underline}**
>
> In addition to the requirements in the basic contract, the Contractor
> shall provide:

A. **Uncaptioned Videotapes**

\(1\) One HDTV Master, 16:9 aspect ratio, (HDCam or D-5HD) with

> non-drop frame timecode and stereo mix on audio tracks 1 & 2; Dolby E
> Surround mix on audio tracks 3 & 4.

\(2\) One Protection Clone of HDTV Master.

> \(3\) Two Digital Betacam down-conversions, (1 letterboxed, 1
> anamorphoric) of HDTV Master with stereo mix on audio tracks 1 & 2;
> Dolby E Surround mix on audio tracks 3 & 4.
>
> \(4\) One Betacam SP letterbox dub of Digital Betacam with stereo mix
> on audio tracks 1 & 2 and 3 & 4.

B. **Audio Deliverables\***

> \(1\) 5.1 Surround sound mix on track 1 through 6, and stereo mix on
> tracks 7 and 8 on a DA-88 cassette at 48 kHz sampling rate with
> non-drop frame timecode identical to the HDTV master.
>
> \(2\) Protection Clone of DA-88 cassette.
>
> \(3\) All unmixed tracks on DA-88's with timecode identical to HDTV
> master.
>
> **\*Note:** The 5.1 mix shall consist of discrete left, center, right,
> left surround, right surround, and subwoofer tracks. The center track
> shall contain only narration and on screen dialog (if applicable),
> unless voices are to be used as background effects. The remaining
> tracks shall contain mixed music and effects. The 2-track stereo mix
> shall contain narration and on-screen dialog (if applicable) centered
> between the tracks, unless voices are used as background effects.
>
> C. **Other Deliverables**
>
> \(1\) Three identical printed copies of a postscript. This is a
> complete printed record that contains the continuity plan of the
> completed production. This includes titles (presents, title, main
> title, subtitles, and credit titles), scenes and narration, and
> verified script. All usage rights and any restrictions shall be
> identified.
>
> Copy of above on CD-R with text file in Microsoft Word.
>
> \(2\) Original unmixed music recordings with log sheets. All other
> sound recordings made for this production. List of all stock footage
> or photographs used in production with source information and timecode
> reference from the completed program.
>
> Copy of above on CD-R with text files in Microsoft Word.

IV\. **[TIME FOR COMPLETION, REVIEW AND APPROVAL AND
PAYMENT]{.underline}**

> All work shall be completed on or before January 03, 2008, (including
> review and approval) in accordance with the following Review and
> Approval and Payment Schedule set forth below:

+--------------------+---------------+---------------------+----------+
| **ACTION**         | **DATE**      | **REVIEW &          | **P      |
|                    |               | APPROVAL**          | AYMENT** |
|                    |               |                     |          |
|                    |               | **(Calendar Days)** |          |
+--------------------+---------------+---------------------+----------+
| Pre-Production     | January 8,    | 1 Day               | -0-      |
| meeting at the     | 2007          |                     |          |
| Park               |               |                     |          |
+--------------------+---------------+---------------------+----------+
| Revised production | January 31,   | 10 Days             | 10%      |
| plan and final     | 2007          |                     |          |
| treatment          |               |                     |          |
+--------------------+---------------+---------------------+----------+
| Submission of      | \*\*\*        | 10 Days             | -0-      |
| first draft script |               |                     |          |
+--------------------+---------------+---------------------+----------+
| Submission of      | \*\*\*        | 10 Days             | 15%      |
| second draft       |               |                     |          |
| script             |               |                     |          |
+--------------------+---------------+---------------------+----------+
| Submission of      | \*\*\*        | 10 Days             | -0-      |
| final script       |               |                     |          |
+--------------------+---------------+---------------------+----------+
| Review of rough    | \*\*\*        | 10 Days             | 15%      |
| cut video off-line |               |                     |          |
| edit with          |               |                     |          |
| "scratch"          |               |                     |          |
| narration          |               |                     |          |
+--------------------+---------------+---------------------+----------+
| Review of rough    | \*\*\*        | 10 Days             | 20%      |
| cut video off-line |               |                     |          |
| edit with proposed |               |                     |          |
| music, sound       |               |                     |          |
| effects, and       |               |                     |          |
| narration samples  |               |                     |          |
+--------------------+---------------+---------------------+----------+
| Review of fine cut | \*\*\*        | 10 Days             | 20%      |
| video off-line     |               |                     |          |
| edit with music,   |               |                     |          |
| sound effects, and |               |                     |          |
| narration          |               |                     |          |
+--------------------+---------------+---------------------+----------+
| Review of on-line  | \*\*\*        | 5 Days              | 10%      |
| edit with mix      |               |                     |          |
+--------------------+---------------+---------------------+----------+
| Final Deliverables | December 21,  | 15 Days             | 10%      |
|                    | 2007          |                     |          |
+--------------------+---------------+---------------------+----------+
| **TOTAL FOR THE    |               |                     | **100%** |
| JOB**              |               |                     |          |
+--------------------+---------------+---------------------+----------+

V. **[CONTRACTING OFFICER'S REPRESENTATIVE]{.underline}** for the
purpose of this order will be announced at time of award.