Painter

Feldman makes paintings that emit sculptural vibes. Then, with their perfectly placed drips and small spatters, teeter back to the painterly. I’m smitten with the artist’s fondness for blue/gray blacks, and the audacity of her finished works. They utilize the language of minimalism to call bullshit on that movement’s self-importance. Feldman’s titles—In & Out, All or Nothing, Owed, The Fact of A Door Frame (all works 2012)—give added import to these deceptively simple acrylic on canvas masterworks. Best viewed in a group such as this.