Question: What album by Maureen McGovern features a second track co-written by someone born in 1885?

Documents:
source: Jerome Kern
text: Jerome Kern Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as "Ol' Man River", "Can't Help Lovin' Dat Man", "A Fine Romance", "Smoke Gets in Your Eyes", "All the Things You Are", "The Way You Look Tonight", "Long Ago (and Far Away)" and "Who? ". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and E. Y. Harburg.

source: Another Woman in Love
text: Another Woman in Love Another Woman in Love is Maureen McGovern's fifth studio album and her first one in eight years. It was recorded at Counterpoint Recording Studios in New York City in 1985 and was released two years later. It was the first album to categorize McGovern into the musical styles of jazz and pop standards and is one of two of her albums to contain only solo piano accompaniment. Of all the thirteen tracks on the album, only three of them are original (McGovern's longtime friend and collaborator Judy Barron wrote the lyrics to these three). The rest are simply covers of older songs by various American composers, though the album's first (and only) single was Peter Allen's "I Could Have Been a Sailor." The second track is a two-song medley of songs co-written by Jerome Kern.

source: Lou's Blues
text: Lou's Blues Lou's Blues is a big band jazz album by saxophonist Lou Marini and the Magic City Jazz Orchestra (MCJO) recorded at Bates Brothers Recording in Hueytown, Alabama (near Birmingham, Alabama). This CD was the first recording as a leader by Marini. Lou Marini is best known as a member of several noted bands, including Blood, Sweat and Tears, Steely Dan, the Woody Herman Orchestra, the Buddy Rich Band, The Maureen McGovern Band, the James Taylor Band, the Saturday Night Live Band, Aerosmith, Stevie Wonder and the Blues Brothers Band. Production duties for the album were shared by Lou Marini and Birmingham-based jazz musician Ray Reach.

source: Baby I'm Yours (album)
text: Baby I'm Yours (album) Baby I'm Yours was Maureen McGovern's eighth studio album (and her first album in three years), released in 1992.

source: We'll Never Have to Say Goodbye Again
text: We'll Never Have to Say Goodbye Again "We'll Never Have to Say Goodbye Again" is a song by Jeffrey Comanor from the album "A Rumor in His Own Time", which debuted in September 1976. Written by Comanor, the song describes a couple who spend a night together, one which the narrator wishes would "never end". Both the song, which Epic Records released as a single, and album failed to chart. Discovered four months later by Arista Records President Clive Davis, "We'll Never Have to Say Goodbye Again" was covered by soft rock duo Deardorff & Joseph for their eponymous debut album, released on Arista. After Deardorff & Joseph disbanded, Marcia Day, who managed Maureen McGovern, became the manager of Deardorff, while Susan Joseph, who managed England Dan & John Ford Coley, became the manager of Joseph. Both McGovern and England Dan & John Ford Coley released covers of "We'll Never Have to Say Goodbye Again" in February 1978; while McGovern's failed to chart, Dan & Coley's spent six weeks at number one on the "Billboard" US Easy Listening chart, reached number two on the "RPM" Canada Adult Contemporary chart, and went to numbers nine and eleven on the magazines' respective overall charts.

source: Greatest Hits (Maureen McGovern album)
text: Greatest Hits (Maureen McGovern album) Greatest Hits is the first collection of Maureen McGovern's previously recorded material. It is not accurate to call this album "Greatest Hits", as it is more a re-release of McGovern's self-titled album from 1979, with her biggest hit, "The Morning After", replacing a memorable album track titled "Life's a Long Way to Run" and rearranging the album's track-listing. The album cover for this album is slightly different but the picture used for the front cover of her 1979 album was used for the front cover of this collection.

source: Nice to Be Around (Maureen McGovern album)
text: Nice to Be Around (Maureen McGovern album) Nice to Be Around is Maureen McGovern's second studio album, released in 1974 (see 1974 in music). The title track was the theme from the 1973 film "Cinderella Liberty". McGovern composed the music for the songs "All I Want (All I Need)," "Love Knots," "Little Boys & Men" (dedicated to Mark Christopher Axelson), and "Memory." Seven of the album's 10 songs are featured on the album "".

source: You Can Close Your Eyes
text: You Can Close Your Eyes "You Can Close Your Eyes" is a song written by James Taylor which was released on his 1971 album "Mud Slide Slim and the Blue Horizon". It was also released as the B-side to his #1 single "You've Got a Friend". It has often been described as a lullaby. It was initially recorded by his sister Kate Taylor for her 1971 album "Sister Kate". The song has been covered by many artists, including Carly Simon, Linda Ronstadt, Maureen McGovern, Richie Havens, Sheryl Crow, Sting, Eddie Vedder with Natalie Maines and the King's Singers.

source: Maureen McGovern (album)
text: Maureen McGovern (album) Maureen McGovern was Maureen McGovern's fourth studio album (and her first in four years), released in 1979 on Curb Records. It reached #162 on the Billboard Hot 200 list of popular albums.

source: A Long and Winding Road
text: A Long and Winding Road A Long and Winding Road is Maureen McGovern's twelfth studio album and was released in 2008 by PS Classics. It is a cover album of songs that were from the 1960s and early 1970s, written by notable songwriters of that era. Inside the album cover includes an essay by Philip Himberg (who is the Producing Artistic Director of the Sundance Institute Theatre Program) that covers Maureen McGovern's making of the album and the growth of the Great American Songbook during the 1960s.

source: __pad__
text: __no_content__

source: __pad__
text: __no_content__

source: __pad__
text: __no_content__

source: __pad__
text: __no_content__

source: __pad__
text: __no_content__

Answer: Another Woman in Love