Question: The bands Acceptance and Ratatat both perform what genre of music?

Documents:
source: Acceptance (band)
text: Acceptance (band) Acceptance is an American rock band from Seattle, Washington, formed in 1998. They released their first EP, "Lost for Words", in 2000, followed by "Black Lines to Battlefields" in 2003 (this EP was also re-released with live bonus tracks). Their debut album, "Phantoms", was released in 2005.

source: Ratatat
text: Ratatat Ratatat ( ) is a Brooklyn-based electronic rock duo consisting of Mike Stroud (guitar, melodica, synthesizers, percussion) and producer Evan Mast (bass, synthesizers, percussion).

source: Emo
text: Emo Emo is a genre of rock music characterized by an emphasis on emotional expression, sometimes through confessional lyrics. It emerged as a style of post-hardcore from the mid-1980s hardcore punk movement of Washington, D.C., where it was known as emotional hardcore or emocore and pioneered by Washington, D.C. hardcore bands such as Rites of Spring and Embrace. However, as the genre was taken up by a new generation of musicians in the early 1990s, its sound and meaning shifted and changed and it was reinvented as a style of indie rock and pop punk by bands such as Jawbreaker, Sunny Day Real Estate, Weezer, and Jimmy Eat World. By the mid-1990s, numerous emo acts such as Braid, The Promise Ring, and the Get Up Kids emerged in the Midwestern and Central United States, and several independent record labels began to specialize in the genre. Meanwhile, a more aggressive style of emo, screamo, had also emerged, pioneered by the San Diego bands Heroin and Antioch Arrow.

source: Morbid Angel
text: Morbid Angel Morbid Angel is an American death metal band based in Tampa, Florida formed in 1983 by guitarist and sole remaining original member Trey Azagthoth, original vocalist and bassist Dallas Ward, and original drummer Mike Browning. Widely considered as one of the most influential bands in the genre and important in the transition of death metal from its thrash metal roots, they were one of the first bands to incorporate guttural vocals, up-tempo blast beats, atonality in guitar playing, multiple tempo changes and dark atmosphere. They have been described as one of "the most influential and emulated bands in death metal", alongside Cannibal Corpse, and have been cited as an influence by many later bands. They were also the first death metal band to experience mainstream success in connection with being signed to Giant Records in 1992, heavy rotation of their music videos on MTV, and having the music video for the song "God of Emptiness" shown on an episode of "Beavis and Butt-head". Their first four albums are considered classics in the genre.

source: Wyld File
text: Wyld File Wyld File is a commercial music video production company formed in 2005 by the Paper Rad collective and Eric Mast (E*Rock). The company has produced music videos for the band The Gossip ("Standing in the Way of Control"), Beck ("Gameboy Homeboy") and Islands ("Don’t Call Me Whitney, Bobby"). The Paper Rad Collective has also produced numerous music videos for other bands, including Lightning Bolt, Wolf Eyes and the 1960s psychedelic rock band Bubble Puppy, and E*Rock has produced animated music videos for the bands Ratatat, Yellow Swans, Global Goon, and Nice Nice.

source: Live and Unsigned
text: Live and Unsigned Live and Unsigned is a music competition in the United Kingdom for unsigned bands and vocal groups to perform live for substantial prizes. . It was founded 2007, and has attracted over 40,000 entrants annually since its inception. Competitors perform in their own genre and style to a paying audience and judging panel. The competition tours the UK holding auditions in various regions, and the Grand National Final is held at The O2 in London . The Music Competition is now under the New Management of Director Daniel O'Gorman who has promised a bigger, better and fresh approach to the competition, promising "A Complete Overhaul!"

source: Popular music of Birmingham
text: Popular music of Birmingham Birmingham's culture of popular music first developed in the mid-1950s. By the early 1960s the city's music scene had emerged as one of the largest and most vibrant in the country; a "seething cauldron of musical activity", with over 500 bands constantly exchanging members and performing regularly across a well-developed network of venues and promoters. By 1963 the city's music was also already becoming recognised for what would become its defining characteristic: the refusal of its musicians to conform to any single style or genre. Birmingham's tradition of combining a highly collaborative culture with an open acceptance of individualism and experimentation dates back as far back as the 18th century, and musically this has expressed itself in the wide variety of music produced within the city, often by closely related groups of musicians, from the "rampant eclecticism" of the Brum beat era, to the city's "infamously fragmented" post-punk scene, to the "astonishing range" of distinctive and radical electronic music produced in the city from the 1980s to the early 21st century.

source: Military bands of the Bundeswehr
text: Military bands of the Bundeswehr There are 14 military bands of the Bundeswehr, including those of the German Army, Air Force, Navy, and joint bands. Before 2009, the military musicians of the Bundeswehr constituted a joint specialist service, the Military Music Service (German: "Militärmusikdienst" ), subordinate to the Armed Forces Office (German: "Streitkräfteamt" ). In 2009, as part of a larger reorganisation of the Bundeswehr, the organization of the Military Music Service was replaced by the new Military Music Center of the Bundeswehr (German: "Zentrum Militärmusik der Bundeswehr" ) in Bonn, and several bands were disbanded. The bands of the Bundeswehr provide music for official ceremonies such as the Großer Zapfenstreich and the swearing-in of new recruits. In addition to their traditional military music repertoire, they perform concert band and light music, as well as genres such as jazz, rock, and pop.

source: S.C.E.N.E. Music Festival
text: S.C.E.N.E. Music Festival S.C.E.N.E. Music Festival (sometimes shortened to SCENE Fest) is a music festival founded by Chris "Cashmere" Wojtowicz, singer/songwriter of Revenge Of The Egg People/Rumble Devils, held in downtown St. Catharines, Ontario, Canada. The event has been held annually since 1995, usually in late June or early July. Originally a one-day event, the last event to date, in 2014, was extended to two days. The acronym "S.C.E.N.E." stands for "Saint Catharines Event for New Music Entertainment", and is a play on words for "being scene", meaning being "with the trend". The festival is booked at several venues throughout St. Catharines, where bands of all genre perform, though it has been known to showcase mostly hardcore groups. The first 2000 people to enter the festival receive a compilation CD free of charge featuring songs by bands performing in the festival in a given year.

source: Salala (band)
text: Salala (band) Salala is an "a capella" vocal trio from the south of Madagascar. They perform a contemporary form of the traditional "beko" genre, which originates from the island's southern interior. In contrast to the traditional beko, a spiritual chant sung at funerals to honor the life of the deceased, Salala adapted the harmonies and style of the genre while shedding the religious purpose of the music by focusing the subject of their songs on matters of daily life. The group was founded by one of the singers, M'Bassa, in 1983, with singer Senge and a friend. All three performers belong to the southern Antandroy ethnic group and originate from a small village near Taolagnaro. Over the next ten years, the group gained in popularity in Madagascar, eventually winning the "Gasitsara Media Prize" for Best Band of the Year. Their first major domestic hit was "Salakao Raho Ene". The group went on to perform the Africolor music festival in 1994, where they were well received. In 1995 they recorded their first album, "Salala", and were selected to represent the Indian Ocean states at the "Découvertes du Printemps de Bourges" tour, performing at 25 venues across France and Germany with Oumou Sangaré. After this success, the group's bass vocalist, Senge, launched a solo career, eventually teaming up with two other singers to lead his own trio, while still performing and recording with Salala. The band toured Africa in 1996, visiting the Seychelles, Uganda, Kenya, Rwanda, Malawi, Zambia, Namibia and South Africa. They performed at the third Jeux de la Francophonie in Madagascar in 1997 and toured Singapore in 1998. In 1999, Salala toured Reunion island with Granmoun Lélé.

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Answer: rock