Question: Q: Relying on État second, writers such as Julio Cortázar are known for founding which literary movement?

Documents:
source: État second
text: État second État second (French for "Second State") refers to the state of mind into which some writers go when writing short stories. It mixes abstraction and concentration at the same time, ironically telling sometimes more facts than in conscious writing. The Argentine writer Julio Cortázar often used this method to write, as he called it "the moment of maximum creativity".

source: Julio Cortázar
text: Julio Cortázar Julio Cortázar, born Jules Florencio Cortázar (] ; August 26, 1914 – February 12, 1984), was an Argentine novelist, short story writer, and essayist. Known as one of the founders of the Latin American Boom, Cortázar influenced an entire generation of Spanish-speaking readers and writers in the Americas and Europe.

source: Gregory Kolovakos
text: Gregory Kolovakos Gregory Kolovakos (July 30, 1951 - April 16, 1990) was an American literary translator and activist, best known as a translator of Latin American literature by writers such as Jorge Luis Borges, Julio Cortázar, José Donoso and Mario Vargas Llosa, and as the founding executive director of the Gay and Lesbian Alliance Against Defamation.

source: Intimidad de los parques
text: Intimidad de los parques Intimidad de los parques is a 1965 Argentine film directed by Manuel Antín. Like Antín's film "Circe," it is based on a short story by Antín's compatriot Julio Cortázar. Cortázar was bitterly disappointed in the film and expressed his sentiments in a pair of letters to Antín written in March and April 1965.

source: Argentine literature
text: Argentine literature Argentine literature, i.e. the set of literary works produced by writers who originated from Argentina, is one of the most prolific, relevant and influential in the whole Spanish speaking world, with renowned writers such as Jorge Luis Borges, Julio Cortázar, Leopoldo Lugones and Ernesto Sabato.

source: Último round
text: Último round Último round (the title translates as "Last Round", as in boxing) is a two-volume work by Julio Cortázar published by Siglo XXI Editores in 1969. Containing nearly one hundred articles, essays, poems, short stories, and sketches by Cortázar, it is illustrated with reproductions of various drawings, paintings, and photographs. Portions of the volumes were included in the English-language collection "Around the Day in Eighty Worlds."

source: Liliana Heker
text: Liliana Heker Liliana Heker (born 1943) is an Argentine writer. She wrote and edited left-wing literary journals during the Dirty War of state-sponsored violence in the 1970s and 1980s, using veiled critiques as a means of protest and engaging in vigorous debate with exiled writers such as Julio Cortázar.

source: Marilyn Bobes
text: Marilyn Bobes Marilyn Bobes León (born María de los Ángeles Bobes León 1955 in Havana, Cuba) is a Cuban poet, novelist, literary critic and editor. Bobes began her studies at University of Havana in 1974 and earned a bachelor's degree in History in 1978. She continued her professional life as a journalist working for major news outlets such as "Prensa Latina" and the magazine "Revolución y Cultura". She made her debut in the field of poetry when her collection of poems "La aguja en el pajar" (published in 1979) won the David Literary Award for Poetry in 1979. Later, in 1996, her collection of short stories, "Alguien tiene que llorar" (published in 1955) won the award Casa de las Américas. This same year, Bobes published "Estatuas de sal" with Mirta Yáñez, a Cuban philologist, teacher and writer. "Estatuas de sal" was the first collection of fiction of Cuban female writers. She won the award Premio Latinoamericano de Cuento Edmundo Valdés in Mexico in 1993 and Premio de Cuento Hispanoamericano Femenino Magda Portal in Peru in 1994 for her poem “Alguien tiene que llorar.” In 2005, she received the award Premio Casa de las Américas de Novela for her novel "Fiebre de invierno," and in 2016 the award Julio Cortázar de cuento for her story "A quien pueda interesar." Furthermore, between 1993 and 1997 she served as vice president of the Unión de Escritores y Artistas de Cuba (National Union of Writers and Artists of Cuba, UNEAC). In an interview she mentions she left UNEAC because she believed she could make a change in the world more effectively through her writing. She was married for six years to the writer Jean Portante from Luxembourg. They met at a poetry festival in Macedonia.

source: Latin American Boom
text: Latin American Boom The Latin American Boom was a flourishing of literature, poetry and criticism in Latin America during the 1960s and 1970s, when writers from this region explored new ideas and came to international renown in a way that had not happened previously. Major figures of the boom include Julio Cortázar, Gabriel García Márquez, Carlos Fuentes, Jorge Luis Borges, and Mario Vargas Llosa.

source: Around the Day in Eighty Worlds
text: Around the Day in Eighty Worlds La vuelta al día en ochenta mundos is a two-volume collection of short pieces by Julio Cortázar, which was published by Siglo XXI Editores in 1967. Portions of the collection, along with portions of Cortázar's later two-volume collection "Último round," were translated by Thomas Christensen and published by North Point Press in 1986 under the title "Around the Day in Eighty Worlds." The contents of the North Point volume match the selection (made by the author) for the corresponding French-language edition, "Le Tour du jour en quatre-vingt mondes" (1980).

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Answer: Latin American Boom