no doubt as to why his personality may have developed as it did. Shorto's narrative structure sets van der Donck in opposition to Stuyvesant; van der Donck is a believer in liberal notions of tolerance, human rights, free speech and representative government who found himself at odds with Stuyvesant's world of absolute rule. Their struggle comprises the central conflict of the book, and Shorto credits van der Donck's (sort of) victory as setting the stage for modern America's recognition of liberal values. In pursuit of this premise, despite a little bit of hyperbole that pops up in his zeal to "close the deal", Shorto has written a very engaging book with a convincing argument. The modern reader has been deliberately and skillfully engaged by utilizing anachronistic notions like "geopolitical landscape" and even "bar scene." It works: the reader is taken back and asked to imagine New Amsterdam via Shorto's vibrant descriptive ability, and in the process comes to appreciate the binds that tie a long-past society to our own. The Island at the Center of the World is a worthy if flawed read. Two aspects in particular may annoy a reader--Shorto's use of imagined scenes and his stretching to make a point of the influence of Dutch New Amsterdam. I have to admit, the imagined scenes grated a bit on me throughout the book. They come far too frequently and lasted too long for my own liking. Too many passages began with "we might imagine", or "perhaps he . .