as legit films in my oeuvre [chuckles], I made a two-minute, two and a half-minute short film called Braindead [1987]. I shot it all in a Bolex, in-camera editing. I did scratch animations so that was where it was labor intensive, it took about a year, but that was a pretty cheap film; with the print and with the sock it was maybe under $150. My most expensive film was $360,000. I did something with ITVS for PBS broadcast. As far as problems, limitations, etc., I had been making movies in the $10,000-$15,000 range and I remember I talked to you, Gregg, right before I did the PBS thing. You were mentioning that the budgets were just going to get harder. I had this thing in my mind, "I'm going to get this $350,000, [which] is 20 times more than anything I've ever had so it's going to be a movie 20 times better and Gregg was like, "No, actually if you get a lot more money, you're going to buy yourself into a whole bunch of new issues." I was like, " Whatever , man. I'm just going to make my 20-times-better-movie-than-the-last-one.\\... He was right. We suddenly had to deal with union issues, insurance, all these major things. So as far as limitations, I sometimes do feel that money is a limitation. Lack of money is obviously a problem -- not to be all that boho and romantic and too optimistic -- but I sometimes feel that lack of