has had critics both sides of the Atlantic raving, with many announcing it early as their book of the year. Amazing artwork; a truly novelistic piece of storytelling, full of wisdom and compassion; and a book which is a beautiful artifact, a treat for those of a bibliophilic inclination. The cast of The Nao Of Brown are all seekers of one kind or another: we caught up with Glyn recently, asking him lots of intrusive questions about his own epic journey, from Deadline to Hollywood and ultimately back to comics. Robot 6: So, if Steve turned comics pro on Hulk Weekly at the ridiculously young age of 16, what age were you then? Glyn Dillon: Around 6 or 7. What sort of influence did that have on you as a kid? He was a pivotal figure at the epochal Warrior a couple of years later, too. It was massive. I think it's pretty normal, when there's a big age gap, to idolize an older sibling ... but when that older sibling starts drawing the Hulk, spaceships and other superheroes ... well, it was amazing , and he was bloody good, very, very talented from a very early age. Your dad was an artist as well, wasn't he? What field did he work in? What did he think of comics? My dad was a sign-writer by trade and he was also the guy they'd go to for pub signs, or if a big bar of soap was needed on the side