and The Other Side of the Wind has been heavily affected by this litigation. [ 30 ] [ 31 ] [ 32 ] [ 33 ] The Guardian described how she "stifled an attempt by US cable company Showtime and Oja Kodar (Welles's partner in the latter part of his life) to complete The Other Side of the Wind ", [ 34 ] whilst the Daily Telegraph stated that Beatrice Welles had "blocked" the film. [ 35 ] Matters have been exacerbated by much personal animosity between Oja Kodar and Beatrice Welles - Beatrice blames Kodar for causing the break-up of her parents' marriage, while Kodar blames Beatrice for attempting to block the screening or re-release of a number of her father's works, including Citizen Kane , Othello , Touch of Evil , Chimes at Midnight and Filming Othello . (The latter claim has been supported by film critic Jonathan Rosenbaum , who has accused Beatrice of being solely motivated by profit in claiming royalties from these films, then settling out of court as studios have been keen to avoid costly legal battles.) [ 36 ] A clause of Welles' will, specifying that anybody who challenges any part of Kodar's inheritance will be automatically disinherited, remains unenforced - Kodar sought to have it enforced in the 1990s, but could not afford the legal fees as the case dragged on. [ 30 ] While the original negative of the film remains in a Paris vault, two workprint versions of much of