technologies, I think that's an interesting thing, and then trying to capture this overwhelming storm of information. It's interesting that an artist like Oneohtrix Point Never can take a short loop and run it for four minutes, post it on YouTube, and that can result in a beautiful piece of music that moves a lot of people. Yeah, and I guess I just don't have the confidence to do something that minimal and then be satisfied with it. It's definitely how I begin -- with one sample and then stretching or manipulating it into its own minimal loop, but then I just keep repeating that process rather than finishing there. Eary electronic dance music had a strong Futurist impulse, but nowadays it seems to draw more from the present condition. The present seems more fascinating than any imagined future. Yeah, because I think now is actually the reality of what the early 90s Futurist aesthetic was alluding to in a fictional way -- a fear of technology and what it could entail. I guess at that point in time the structures and the theory and the networks existed so that people could predict that aesthetic, but it was all quite abstracted and it related to science fiction and other aesthetics. But now when you look at the current cultures that are so digitally embedded and digitally affected, you're seeing the dominating control of technology in everyone's life, not just enthusiasts or nerds or whatever. It continues to disseminate really rapidly.