amazing. It was like 4 in the morning on Sunday, the last show of the entire festival, in this really old church in Gothenburg. You could see there was a very weird kind of wear to the walls, which was just from the Swedish cold; they were cracked in this really strange and beautiful way. It was a massive church, and it was still packed at 4 in the morning and everybody was really quiet. The sound in was really good, and we got to do some of the stuff completely unamplified, just piano, violin and voice, and yeah it was really cool. A bunch of artists I really respect were there too and everybody was really into it. You seem to have a pretty broad taste in music. I've noticed samples from Blackstreet, Coil, even Debussy. Is it a case of using music you're into at that time, or using music that goes well with the sound you're trying to create? TK: Both. I'll be working on something and then depending on what I'm listening to at the time, I'll hear something and be like 'Oh that's perfect for this', but I do try and listen to a whole bunch of different music, all the time. I do a lot of curation for myself - I'm constantly throwing songs that come to my mind into a playlist, sort of like a bank for inspiration. I'm in this period now where I'm writing another album and I'll hear something and