in some dank pissy basement venue), there were only a few people attending, it was a great night. I later bumped into Mika Luttinen a few times when I was living on an island in Helsinki, Finland, called Suomenlinna. Anyway, I used to take the icebreaker ferry into town, and like I said, I bumped into Mika and had chats and drinks on a couple of occasions while living there. Besides all this, I played with Kjetil Manheim (the original Mayhem drummer) as a trio with Lasse Marhaug, in Oslo, which resulted in a kind of Black Noise! However, in the end, "B.M.I.I.D." is an instrumental waiting for a vocal contribution. Its worth noting, the track was recorded a few days after spending some time with Atilla Csihar, in Aldeburgh, while he was performing in a contemporary opera. Just before recording the track, I had in mind, a mix of the general production techniques of Abruptum and "The Vortex Void of Inhumanity (intro)" from Mayhem's Wolf's Lair Abyss . "KILLER SNAKEHEAD" and "RAVE NIHILATION" explore the "logical interplay" between Japanoise and techno. What compelled you to explore this link? That question has already been answered in the accompanying text to a pod cast I made recently = Is there anything particular about the recording from Sheffield's Channing Hall that compelled you to include it on FACTUAL ? Yes. It was recorded live in a room with an audience! I think Big Black's Atomizer was the first vinyl LP I had,