need to find someone to work on the show." and he said, "Funnily enough, I have been working with a German-Italian photographer called Thomas Zanon-Larcher". Robert went through a really tricky time, which is sad, because there was no question that of his generation, he was the Galliano. He was a dangerous, wild man who had been in the army. Then what happened was, Thomas documented 'Fashion, Film and Fiction' for me in a very straightforward way. It's not really what he did, photographing still things... and that's how I met him. The thing that was interesting to me about that was because he was doing all this backstage work, but always very mobile, I wanted people who could get scenes that were mobile, and that's how that came about. AF: Did you ever imagine you would be where you are now? JW: I did imagine is that I'd be running major theatres. I don't think I have ever told anybody this, I imagined that I would direct something in Greece, in Epidaurus (the theatre) and that the Rolling Stones would be playing. The Rolling Stones would be doing the music to whatever I was directing-some Greek tragedy and I would arrive as the director slightly late but before the show started and I would walk down the stairs of Epidaurus and it's this most amazing beautiful outdoor Greek theatre, and everyone would say 'That's Jules there'. It's rare that you come across someone with such extensive knowledge in so