great as the interest that attaches to the way in which we are striving to procure it. The second requires merely the change of sensations, all of which have a relation to affection, though they have not the degree of affection, and excite aesthetical Ideas. The third springs merely from the change of representations in the Judgement; by it, indeed, no thought that brings an interest with it is produced, but yet the mind is animated thereby. How much gratification games must afford, without any necessity of placing at their basis an interested design, all our evening parties show; for hardly any of them can be carried on without a game. But the affections of hope, fear, joy, wrath, scorn, are put in play by them, alternating every moment; and they are so vivid that by them, as by a kind of internal motion, all the vital processes of the body seem to be promoted, as is shown by the mental vivacity excited by them, although nothing is gained or learnt thereby. But as the beautiful does not enter into games of chance, we will here set them aside. On the other hand, music and that which excites laughter are two different kinds of play with aesthetical Ideas, or with representations of the Understanding through which ultimately nothing is thought; and yet they can give lively gratification merely by their changes. Thus we recognise pretty clearly that the animation in both cases is merely bodily, although it is excited by