to Max and he would make an arrangement, get the guys to record it or record it himself then, I would lay vocals down and that was that. Instrument wise, I play minimally on the record. My main job was getting those vocals right which I had never put the full effort into before. I always buried my vocals in the swamp and let them be as I ran away scared. This time I focused on the sound of my voice, delivery of words and the melody and clarity of the message. If you had to pick out one song on the album that you had a particularly close relationship with, or that had the most profound impact on you, which would it be? 'North on 45'. The music was written by Max and was a leftover from his album A Hound At The Hem . He never put lyrics over it and I decided to give it a try and it really worked out for the best. It's a song that shows off both of our strengths and combined it becomes unstoppable. When did you first hear 'Jack', and what about it appealed to you? I first heard 'Jack' in 2004 on the Danava demo, a limited run CDR with a highlighter coloured cover. It was the last song on the 4 song disc and it just packed so much punch. The production was very chunky and the vocals so whiney. I just fell instantly for it. What was