Your upcoming performance at South London Gallery will feature the use of "phase scope projections". Similarly, last year's Acid nO!se Synthesis was designed to be experienced alongside a phase scope/oscilloscope. What does this visual element bring to the experience for you? Direct correlation between sound and image... the sound makes the image, but I steer the sound in response to the image and visa versa! To create some kind of real-time synthesthetic collision! How does the sound's interaction with this visual element affect the way you approach your sound making, if at all? By exploring the infinite (Lissajous) patterns generated by the combinations of complex wave shapes. Steering towards more unusual and previously unseen lobes. "Pulling shapes" as Jeremy Clarkson would say! Let's talk about FACTUAL -- your upcoming solo record on Editions Mego. "BLACK METAL INSTRUMENTAL INTRO DEMO" is inspired by your experiences at black metal gigs in Europe and the UK. Are there any particular gigs, artists or aspects of black music that came to mind when creating this piece? I recall seeing the progressive death metal band Nocturnus, live, in Birmingham in the late 80s, and many of their tracks started with keyboard and drums, which was kind of unique back then. I was away from Coventry when Euronomous was there. But in the 90s I was seeing Gehenna, Marduk, Mayhem, and Immortal. I think, it was mid/late 90s when I took Peter Rehberg and Florian Hecker to see Impaled Nazarene (somewhere on the outskirts of Vienna,