sorts of odds and sods picked up along the way from invitations and notes from designers to shoot schedules and sketchbooks stashed away in folders, boxes and suitcases. They aren't particularly organised either although this is something I am now trying to sort out. So, at first I had to locate photos that I knew I had, unearth negatives for prints that remained hidden and then go about identifying designers, locations and seasons. I kept increasing the number of photographs I wanted to include and fortunately my publisher was happy to up the page count. But I still had to edit at least half of my original selection. I am happy with the final edit but I am still finding photos that I wish I could have included! Images taken from Postcards from the Edge of the Catwalk By Iain R. Webb. Published by ACC Editions. 4. Your book captures some of the most important moments in fashion, what are your favourite images in it? This changes all the time. I like different pictures for different reasons. I really like the straightforward nature of many of the portraits -- the lucky one-in-a-million shot of Gwyneth Paltrow at the Gaultier show (page 58) or the happy-snap mood of Isabella Blow sparkling in iceberg size jewels (page 35). I really like the more obscure images of the catwalk shows -- the picture of a model exiting Yves Saint Laurent's catwalk, in her beaded lace and pink feather hat she merges into the