next to a monitor. I think, hopefully, without being facetious, I'd like to think you can bring some of the reality of documentary to drama and some of the slickness and artifice to documentary. We did a film called MOVING TO MARS, for example, and the visual effects team came on board and did this incredible shot that wouldn't look out of place in a Michael Bay film to start off the documentary. Immediately you're wrong-footed, so in that sense the two can complement each other. JR: I think you've got an excellent performance out of Ray Winstone, who almost has an element of the 'caged beast' about him, except it's the cage is his Alzheimer's. Is that what you were going for with him? People maybe have certain expectations of him going in, and was that another way you were trying to wrong-foot the audience? MW: Yeah, I think that's a lovely way of speaking about it and I'll have to remember it. The 'caged beast' idea is exactly right. My dad was a very gentle, kind person throughout his life. Then, when he started to succumb to Alzheimer's, he could become incredibly violent and he was quite young, he had early onset. If you're 90 years old, have a rage in a wheelchair and get in a strop it's not a massive problem, but if you're 55 and punch someone in the face they're really going to feel it. I felt the best person I could possibly think