of the fiddle, but in that case they set up a music peculiar to themselves. This is called " patting," accompanied with one of those unmeaning songs, composed rather for its adaptation to a certain tune or measure, than for the purpose of expressing any distinct idea. The patting is performed by striking the hands on the knees, then striking the hands together, then striking the right shoulder with ona hand, the left with the other?all the while keeping timo with the feet, and singing, perhaps, this song. Or, if these words are not adapted to the tune called for, it may be that " Old Hog Eye" is?a rather solemn and startling specimen of versification, not, however, to be appreciated unless heard at the South. It runneth as follows: Never see de like since I was bom, Here come a little gal wid a josey on. Hog Eye! Old Hog Eye! And Hosey too!" Or, may be the following, perhaps, equally nonsenaical, but full of melody, nevertheless, as it flows from the negro's mouth : "Ebo Dick and Jurdan's Jo, Them two niggers stole my yo' Chorus. Hop Jim along, Walk Jim along, Talk Jim along. &c. Old black Dan, as black as tar, He dam glad he was not dar. Hop Jim along," &c It's not *quite* "Jim along Josey" as we know it. One could say that, whether the minstrel song was based in a slave song or whether it was original in 1840, it did also