"You can't do that now. You can't wear lipstick. You can't dress like this. You can't change your hair color. You can't date boys." It was like all of a sudden the world was watching, but it was mainly the corporate world, the business side of it, and it was very frustrating, because my fans were changing; they were growing up. The girls were dressing more sexy; music was changing. Now I'm in a semi-pop dance world, and I'm singing a lot of ballads, which are beautiful, well-written songs, but that's not why people buy tickets to come and see me, and that's not how I came out of the box with people. So that's kind of where "New Inside" came from. I definitely wanted to write. I had changed management at that time, because I was saying, "It's time to grow up. It's time to be a little more edgy. It's time to be a little bit more tuned-in. If we're going to do dance music, then let's really do dance music. I come from a dancer's background. We're not even tapping into a lot of this stuff that would be a lot of fun for me, and I'm surrounded by a lot of great, talented people. I'm very lucky with that; why don't we use some of this and grow a little bit?" A lot of the people I was working with didn't want to do that, so I found a whole new camp. When New Kids On