things smarter. But I think that it is more important to read and simply be aware as deeply as possible as to what is happening in art. What about your architecture? During its production it is super engaged with an unbelievable amount of different domains, such as politics, engineering, finance. Architecture is the most engaged profession that actually exists. It has so many obligations in terms of communication and collaboration. Once the project is built, it depends on its characteristics. In the case of Casa da Musica in Porto, the building is unbelievably used. Every single space is occupied almost twenty-four hours a day. It is functioning as a crucial place in the city, not only for one milieu or one generation but in a collective manner. There are other buildings, such as the recently finished Rothschild Bank in London, that have limited intentions in terms of engagement and probably disengagement. One of our concerns is to make that engagement happen as naturally as possible and as eagerly as possible. If you look at the way our buildings are used, it is very surprising that in spite of how intellectually they are constructed, they have a visceral way of being used and, therefore, a visceral excitement. You are collaborating with Miuccia Prada and those projects seem more focused on space than in architecture. Is there any thread that links these projects? One aspect that we try to achieve is concerned and connected to one of the more important issues of