jitteriness not present in the warmer/sadder live tracks. When electronic production, loops, samples and synths were chosen it was quite deliberate, and hopefully these digital sounds achieve the sense of isolation, anger, coldness and danger going on regularly in the Oasis kids' lives. The live component of the soundtrack reflects the humanity running like a rich undercurrent through the whole film as we come to know and care about the characters. Hopefully, it deepens this connection between audience and characters too. I owe a huge thanks to my two fantastic musicians who brought their intuition and skill so beautifully to my music. I also want to thank Sally for her endless and tireless support, empathy and general brilliance. Editors are a composer's greatest ally! Thanks too to Ian and Sascha for making me part of your wonderful film and being such gifted and reasonable human beings.