when people are constructing a track and have a little prelude there. TF: The whole track comes from these chords that all really melodically pull you in the same way. I think the record is sequenced really well too -- that's not perhaps something you expect from a younger band. TF: I think you have to take people on a trip, on a sonic journey. I encounter that sort of record label management interference of how a record should run, that the first track has to be a single and so on - not through us, through a friend - and I thought that's so weird. And they went with it, which I thought was even weirder. 'I Can See Through You' There's certainly an early-90s, arch English feel to much of this record, and it starts with a keyboard line directly reminiscent of Pulp's 'O.U.', from the ace Intro compilation, before a "woaah-aaah-woaaah" part kicks in. Cue also massive chorus, fairground giddiness, loads of guitars a-grinding. 'I Can See Through You' seems to have a similar feel to Primary Colours . Were some of the songs parallel to touring that, or was it kind of Year Zero? JH: We gutted it, really. We can't really write on tour, anyway, because we're all playing at each other very loudly. TF: You don't really have the time. Everything came out good, though. We don't make any decision, though, like 'Nothing we've ever done before can we do again. We can't revisit