the record, it feels more personal. Plus I've got this weird reverb in my cellar because there are pipes going all round it and the drums kind of clang off the pipes. It's a cellar that I share with the rest of the tenants. And they don't seem to mind you doing that? They do actually... they really mind. They're fucking... they're incredibly annoying. Yeah, they do mind. But I mind being able to record music as well, so it's kind of balanced. I read a really interesting quote from you in an interview where you were talking about the idea of IDM. I think the quote was that a lot of "intelligent" dance music was actually "clever" dance music. I was wondering if you could expand on that a bit. I'm glad you brought that up, because most people just say to me "so, you write IDM... how's your IDM album?" and it's like "what, my IDM album that starts with a guitar track and has got Martina Topley-Bird and solo piano tracks and not a single techno beat on the whole album? Do you mean that IDM album?" I don't really know what IDM is and it's an incredibly snooty, elitist... it just seems like this elitist fraternity of male dysfunctional opinion that just sort of floats around suddenly becomes part of musical history. I feel like it's not an appropriate part of musical history and I've never felt that I've been an IDM artist. I don't really