on time, then you have to show another one and then another one. Then you have to show the whole palette, and you're in a situation where you've gotta make a series. What I could do, which I felt was interesting, is create an experience of time for the viewer. The film became more about an engagement with our own perception of time while watching the film. The medium is great for that, because it's its own time machine. It's a time-based medium that has a great elasticity to play with your expectations of time as a viewer, so that became more of the focus, how the viewer and the film interact as opposed to trying to explain different facets or opinions of time. Is raising money for a documentary about time a difficult thing to do? Yeah, it is normally. The last few films I've done have all been exploratory in the sense that I'm working around teams and strategies as opposed to saying, "this is a film with a blueprint and this is what it's going to look like when it's finished." It is much more a process about discovering things but I've done that with Gambling, Gods and LSD and Picture of Light so I could show that process has worked and, at the same time, present a proposal that clearly outlines the strategy on how it would be shot, what the themes are. I also gave sample scenarios of how one scene would evolve into the