day. This is the time to knock a man down. The words already quoted will enable a person to sing this and neariy all the songs of this set. He can wish he was in every known port in the world, to whose name he can find a rhyme. If New Orleans was selected, he would add, "Where Jackson gave the British beans." At " Boston city," his desire would be, "a-walking with my lovely Kitty." At " New York town," he would be, "a-walking Broadway up and down," or at Liverpool he would finish his education, "a-going to a Yankee school." I am really enjoying the total fluidity / interchangeability of lyrical themes that Adams' chanties exemplify. Adams goes on to describe the next category, heaving shanties -- he groups pumps, capstan and windlass without distinguishing. I'd caution against, however, assuming that RIO GRANDE might be used equally for pumps and windlass, in addition to capstan just because he doesn't say it wasn't. He notes also that many of the halyard chanties might also be used for those tasks. The third set of working songs comprises those used at the pumps, capstan and windlass, where continuous force is applied, instead of the pulls at intervals, as when hauling on ropes. Many of the second set of songs are used on such occasions, but there are a few peculiar to this use and of such are the following: RIO GRANDE. I'm bound away this very day. Ch: Oh, you Rio!