Central Europe, by OUP. He has received numerous awards such as the John F. Kennedy Fellowship at Harvard University (1997/98), at the EHESS in Paris and as a fellow of the Alexander von Humboldt-Foundation. John Toews is Professor of History and Director of the Comparative History of Ideas Program at the University of Washington. He has been the recipient of the MacArthur "Genius Grant," and his recent book Becoming Historical: Cultural Reformation and Public Memory in Early Nineteenth-Century Berlin (Cambridge University Press, 2004) won the Hans Rosenberg Prize of the American Historical Association for the best book in German and Central European History. Kate van Orden is Professor of Music at the University of California, Berkeley, and is the Editor-in-Chief of the Journal of the American Musicological Society. She has held fellowships at the Warburg Institute in London and the Columbia Society of Fellows in the Humanities, and serves on the editorial boards of Acta Musicologica and the series The New Cultural History of Music (Oxford University Press). Her recent book, Music, Discipline, and Arms in Early Modern France (Chicago, 2005) won the Lewis Lockwood Award from the American Musicological Society. Jacqueline Waeber is Associate Professor of Music at Duke University, and studied at the Universit de Genve in Switzerland. Her publications include Musique et Geste en France: de Lully  la Rvolution (Peter Lang, 2009) and "Jean-Jacques Rousseau's "unit de mlodie"," in the Journal of the American Musicological Society 62.1 (2009). William Weber, Professor Emeritus at California State University Long