Robot 6 Glyn Dillon on the past, the future and The Nao of Brown A few years ago it seemed like Glyn Dillon might end up just a footnote in the histories of other comic creators: the younger brother of Steve; the housemate of Jamie Hewlett, Alan Martin and Phillip Bond during the Deadline years; the artist on Alan Martin's decidedly less-famous strip "Planet Swerve"; a collaborator with Pete Milligan on a few uncollected Vertigo comics. If you asked around, you found out that Glyn Dillon was part of the exodus of talent out of comics in the mid-'90s, a brain-drain that benefited the worlds of film and television production greatly. If you were really tenaciously researching his creative whereabouts, you may well have discovered he now had an IMDb page publicly listing a few storyboarding jobs. In the immortal words of This Is Spinal Tap , to the average comic fan he was "currently residing in the where-are-they-now file." TV and film production is a litigious land where artists are bound by non-disclosure agreements; the thousands of pages they produce there may never be seen, at least not until the projects they are produced for are either in the can or officially pronounced dead. This is considered beyond the pale by comics fans, used to their favorite artists releasing practically every development sketch for every project they work on. It therefore came as a surprise when a gallery of work by Dillon appeared in 2007 in the third volume