pose to intellectual property law regimes, the role that definitions of transformative value may play in constructing new models of intellectual property that allow for remixing practices to flourish, and analyses of how the aesthetics of collage and juxtaposition are used in specific mashup tracks. Most studies fail to acknowledge connections between mashup culture and dance music, and in so doing, mashup culture has been largely disembodied, an odd echoing of the disembodied cyberpunk influences on early new media studies.  I argue that mashups frequently draw upon musical genres, performers, and tracks with overdetermined gender, class, racial, and sexual significations in order to foreground juxtapositions between disparate musical values and experiences of dancing/listening. Why Remix Culture Is More Copyright Friendly Than You Think, or, The Perfectly Legal Mashup , Pat Aufderheide Feel like you're in legally dangerous waters when you make a mashup, a remix, a vid, an unauthorized translation, a parody? Time to take off that pirate eye-patch and learn your rights. In this workshop, participants will learn about the most important balancing feature of copyright, fair use. They'll also learn how to use it in the online video environment to grow new culture, help students make work they can share, and talk back to takedowns. Poaching Lonelygirl15, ARG-Style , Burcu Bakioglu This paper will investigate how Lonelygirl15, the Web show that was launched in the form of vlogs (video blogs) and quickly gave birth to numerous fan-driven side plots, not to mention related alternate reality games (ARGs), exhibits