with Thomas Zanon-Larcher for six years. And they are very tough collaborations because we know each other so well but we also argue. But I think we work through difficult circumstances and often produce some very fine pieces. HH: You getting involved with Eudon Choi's show, did he ask you? JW: He asked me. I'm asked to do things, but they don't know why they're asking me to do things. I think that's using my theatre skills rather than my curatorial skills. It's no different than staging a play. AF: The thing about running spaces like this is you're always learning I suppose. Have their been personal sacrifices during your career? JW: You are, but also I think I find that there are not more than 24 hours in a day. And there has been a lot of personal cost, like; my marriage broke up for example. It was a huge personal cost. That's the thing, I think I find it hard to say no. I have kind of said to myself that I mustn't do any freelance work for the rest of the year. I would like to have a holiday, I'd like to go to Burma. I know that part of the world quite well, but I have never been there. AF: The internet has allowed a huge amount of inspiring artists, designers and photographers to infiltrate the industry; what are your thoughts on this and do you think it's had a large affect on the industry? JW: