become an integral and arresting part of the viewing experience, Krell invites his listeners into the depths of his own personal sphere, without ever allowing them to be anything other than mesmerised observers. For them, seeing and hearing is more important than just being. The opening to Bell's film is sampled in 'Say My Name or Say Whatever'. How did its influence play out in this song? TK: I was in London working on the record, and that song is very much about getting into a position in your life where you somehow - I don't know how exactly it's possible, it's a sad thing - but one finds oneself in a position in life where one doesn't really have time for oneself in any meaningful way. You might be dealing with yourself all day long, going to work, feeding yourself, making sure you rest right, ostensibly really taking care of yourself and doing all these things for yourself, and then you'll have a moment where you realise, you've completely lost touch with yourself. A lot of the movies that that movie inspired are about how to live authentically in America, which is really fucked up. The way Bell shoots the film, it it's very invasive, he rarely shoots from far away. Is that similar to anything you were trying to achieve, this idea of exaggerated nearness? TK: Yeah absolutely, I love the rawness of the film; I wouldn't say it's invasive but I'd say it's incredibly intimate, just so