Well, I think that when you guys first emerged, dubstep was pretty much on everyone's lips, so it was an easy connection to make, but to my mind you always seemed closer to industrial music and jungle, as you've mentioned. JA: It's difficult, because dubstep has now become a little bit passe as a term and if you go back to the beginnings, to those iconic labels like DMZ, the music was absolutely incredible. We'd never say that it wasn't an important part of electronic music, it's just that at this moment in time, it feels almost like a negative thing. TH: It's become so branched out that it's become a blanket term, so it's not really pinning anything down. JA: Our first influence was probably Mo'Wax, you know, DJ Shadow and trip-hop. When I was 15, I bought my first Mo'Wax record and was absolutely sold on it, man. It was just the coolest fucking thing I'd ever heard. And then we've just gone through everything: Detroit techno, jungle, house music... And then there's the flip side, which is all the sort of avant-garde, industrial and doom stuff. TH: Those things kind of came a bit later for us. JA: I think we're just hungry, and we get obsessed. Record collecting is still a massive part of our lives. How did you go about creating and recording the tracks on Quarter Turns Over A Living Line ? TH: We did a lot of recordings, by ourselves and with other