as a visiting professor, at Berkeley. His principal research areas are Jazz (particularly pre-1950, race, gender, and historiography) and music in twentieth-century France, and his publications include "Re-thinking the Revue ngre: Black Musical Theatre in Interwar Paris" in Western Music and Race, ed. Julie Brown (Cambridge University Press, 2007). He is completing a monograph on African-American Music and Musicians in Paris to 1960. Jane F. Fulcher is the General Editor of the Oxford New Cultural History of Music Series. She received her MA and Ph.D. from Columbia University and in Professor of Musicology at The University of Michigan. Her books include The Nation's Image: French Grand Opera as Politics and Politicized Art, French Cultural Politics and Music from the Dreyfus Affair to the First World War (OUP) and The Composer as Intellectual: Music and Ideology in France 1914-1940 (OUP). She has received research awards and grants form the ACLS, the National Endowment for the Humanities, the National Humanities Center, the Wissenschaftkollegzu Berlin, the Centre national de la Recherche Scientifique (Paris), the Institute for Advanced Study, Princeton, New Jersey, and has three times been visiting professor at the Ecole des Hautes Etudes en Sciences Sociales, in Paris. Charles Hiroshi Garrett is Associate Professor of Musicology at the University of Michigan School of Music, Theatre & Dance. His graduate work at the University of California, Los Angeles was supported by an AMS Howard Mayer Brown Fellowship as well as an AMS-50 Fellowship, and his dissertation received the Wiley Housewright Award from the