in charge of supplying material to video-game designers and others making the many products associated with the films. She had previously been involved in the filmmaking itself, helping to create the fabric-based props like the banners decorating the walls in the hall at Edoras. (Judy was interviewed about the props for The Lord of the Rings Fan Club Official Movie Magazine . If you're lucky enough to own a set of that invaluable publication, you can read the interview in issue #7.) That day I got to see Three Foot Six's lobby, which was no bigger than a dentist's waiting room -- though it was decorated with a small case containing awards won by the first two parts of The Lord of the Rings , including a BAFTA or two and a Golden Gandalf. After the interview Judy took me down to a small storeroom with some archives from the production, which she managed. (I gather that she was one of the few people whose memory was good enough to remember where the huge number of items related to the production was stored!) These included some beautiful drawings by Alan Lee and John Howe, as well as stacks and stacks of Polaroid photos taken on the sets after each day's shoot. Judy explained that if retakes had to be made, sometimes many months later, such photos would allow the set dressers to place all the props in exactly the same places where they had been originally. Nowadays, of course, all