learn from. Did you ever find yourself, when you had to make a creative call about something, factoring in the international audience? Or were you committed to an Australian point of view? I was committed to a human point of view. You know now I think about it, you look at the Martin Luther King stuff, and Robert Kennedy just resonates to, let's say an American audience, then there's UK and everyone else in the world. You know, the start -- I think that's what, that came from Tony Briggs, he wanted us to go out to the world, whereas I wanted my mum to like it first, my community to like it second, and then the rest of Australia, and then the world. So, look, I suppose in casting Chris O'Dowd, I suppose having black soul music. That sort of says a big "Yes". And then you have Vietnam, everyone knows that because it's probably the most famous war in history, bigger than World War I, World War II because it's sort of our war now. But, unknowingly for me, it was a bit of ignorance is bliss, 'cause I just wanted to get the story and just complete the days and make sure that journey arc of each character was clear. Because having four girls as well, sometimes when you see films there are only two or three leads, and you only have time to follow two or three people. So, you know, it was a hard one