To his gallant crew, Up with the black flag, Down with the blue! Fire on the main-top, Fire on the bow. Fire on the gun-deck, Fire down below !'" How did the song get from Walter Scott to 1840s era Black Americans? I am supposing that the song was earlier prevalent as a song in British ships. Fascinating, then, that it would have become ubiquitous among African-Americans in certain trades. Incidentally, this reminds me that, though we've touched upon it slightly elsewhere on Mudcat (e.g. in reference to "bulgine"), we've yet to bring in the possible influence of fire-fighter's songs here. Here's one to file back with the African-American rowing descriptions of the 1830s. THE PLANTER, by David Brown, 1853. The narrator is on the St. Johns River, Florida. It is Feb. 1834. What most surprised us in the negroes,?strangers till then to their peculiarities?was their remarkable talent of improvisation. Their extemporaneous songs at the oar, suited to various scenes and occasions and circumstances present, induced the natural feeling that our boatmen were a set of rare geniuses, selected by our generous friend for the purpose of giving us additional pleasure and surprise. It was afterwards found that extemporaneous singing was not uncommon among them. The negro boatman of the South seems inspired by the improvising muse whenever he seizes the oar; and especially if it be to row a company of agreeable people on a party of pleasure. If there be young ladies of the number, they may be