can now adjust intentions and estimates to the real thing.  There are alterations to make once we get into the theatre, but the more the team know in advance about quick costume changes, loud bangs and the challenges of our fertile stage design, then the better things will go.  It's also an opportunity for creatives John Leonard (sound) and Peter Mumford (lighting) to make calculations on their design.  With Richard Eyre (director), the time is taken to discover an idiom for sound and for lighting that will bring added dimension once we get into the theatre.  For a play like The Dark Earth & the Light Sky such technical artistry will intensify the experience for the audience. So, back to love -- let's hope the demands of production week won't lead to a lover's quarrel. Goodbye rehearsal space at 108 Upper Street -- and thanks.  The world of Edward Thomas is set to shift to a grander setting.