- he's Latino - said we should do a poster to target Latinos, so he and I and several other people worked on a poster. The campaign was called Voz Unida. He designed and illustrated the poster and I created a website. We had a bunch of people donate what they could, we printed thousands of posters and shipped them out around the country. DW: In 2012, how had the landscape changed, and how did you address the design challenges now that you were working for Obama? The landscape changed in a couple of ways, firstly the design aesthetic  of 2012 was different to what was happening in 2008, and secondly Barrack Obama was our president, so some of the things that you could do in 2008 when he was running you couldn't do now. There is always a very fine line between pushing the visual language of the campaign and also being able to represent the president in a sophisticated way. I think we did a really good job in capturing what Barack Obama stands for, which is progression, and also his role as president. DW: In 2008 The Voz Unida poster was one of ten unofficial posters to be selected, officially, and used as a fundraising tool -- the Art for Obama initiative.  The unofficial work was impacting on the official campaign in 2008, but in 2012 you were on the other side of the fence. Presumably your approach was completely different? JH: We were pretty successful in