All The Way" it's Winters who starts to let her love of Garfield undermine her own fathers attempts to try to stop Garfield and save his family. And also unlike "Desperate Hours" where Frederic March finally wins out over Bogart, it's not any family member that does in Garfield, but his own inability to trust. Everything hinges on whether Winters is telling him the truth at the end. Winters father has decided to take matters into his own hands. And it's the pain and sense of betrayal that Winters feels because of Garfield that drives them all into a last desperate showdown. But it's the last scene with Garfield's final revelation, beautifully emphasized by James Wong Howe's stunning photography that makes it a truly terrific finale and a truly great film. It really is some of Howe's best work. As last performances go, Garfield couldn't have given audiences much more than he gives here. It's a complex and personal performance. Berry also deserves a lot of praise here. He loads the film with some rather beautiful close ups, moving the action along quickly and efficiently with some clever camera work and gives us some great location shots of L.A. There's one scene where Lloyd and Garfield are walking along a seedy LA street, talking about their upcoming crime. As they turn the corner we see the towering white structure of LA City Hall, looming large in the distance. I could go on and on about Berry and Howe's work in