of all the dilapidation and all the burned down and weird structures and the dead fish everywhere. I wrote a script with that environment in mind and then we started to think about Utah, which is also a pretty good place to go because of tax incentives. But on my first script I had a large cityscape at the end and I had just heard about Detroit having a lot of empty buildings and a lot of dilapidation and ruined structures. I had seen amazing photographs of Detroit, so I said, well okay, I'll just shoot that final scene in Detroit, because I don't like to go on soundstages. I don't like to create stuff; I like to go out on location and find that the environment itself becomes a major character, which I did on my first film. So I flew out to Detroit to scout for that final scene and the city just blew me away to such an extent that I said forget it, I'll just rewrite the film and set the whole thing here. So that's what I did. How has it been shooting there? It's a little cold here but the actual shooting has been great, incredible locations and the crew has been great, the actors have been great. I think everyone has a really positive attitude and we're doing it, it's super exciting. Is there a certain visual style you're trying to achieve? I'm trying to create a look that is mythical, that feels