took fourteen takes to get that one shot ... we got through a lot of liquids that day. Ah, Bananaz is great! And that was a particularly funny bit, I remember what they (the NME) did to that interview, it was awful . Great film, though, Ceri Levy (the director) is ace. The decision to get back on the comics horse. A gradual thing? An epiphany? Well, kind of an epiphany, really. A combination of not being able to get TV or film projects off the ground without having to have endless meetings with 'money' people, and specifically, I remember after seeing the first Hellboy film, despite it being a pretty good adaptation, I realized I'd much rather spend the evening poring over Mike Mignola's artwork. From that point onwards I was thinking about comics again. When I left comics, I was at a stage where I really wanted to collaborate, meet people, get 'out and about' (specifically out of Worthing) ... I was only then able to come back because I'd got all that out of my system. I was now happy to sit at home alone, for hours, days, weeks on end, I was ready to do that again ... and that's all it takes. That's the beauty of comics, you've only got yourself to rely on, and if you're willing to put the time and work in, you can end up doing something, finishing something. As you know, for kicks I stalk the movements of most of