in Japan, a seemingly random collage of geometric shapes at the foot of the mountains on Shikoku Island; Sir Richard Rogers' European Court of Human Rights, expressing the idea of transparency and openness in its form. But such comparisons only take you so far. In the end, The Lowry's architectural design is very much of itself; the building stands very much on its own terms against the tough, history-scarred landscape from which it clearly draws such inspiration. Salford City Council submitted a bid to The National Lottery. The success of the bid was announced in February 1996. Lord Gowrie, then Chairman of the Arts Council, described it as 'A magnet to attract artists and audiences from far and wide'. In the local press the headlines read 'Salford's Greatest Day'. The colours grow warmer towards the centre, moving from the purple exterior wall and orange balconies to the blue interior of the Lyric Theatre and the red interior of the Quays Theatre. At night, the building really comes into its own. The Tower and the canopy at the front are clad in perforated steel, and when these are illuminated from inside, the whole building glows. Become a Friend of The Lowry As a Friend of The Lowry you can help to support the valuable work that we do in our theatres, galleries, and within the community, while gaining some excellent benefits. Find out more here . Why we need your support The Lowry is a registered charity and only receives 11%