you ever imagine how high tech they might become in the future? GP: It's just these illusions, really. Even back then, there was technology there. CGI's gotten better, so that helps us to do things; makes life easier. Cameras have got better. Every part of the equipment -stunt equipment has gotten better, cars have gotten better. When you watch the older stuff and you see some of the stuff they've done, you actually sort of think to yourself, 'Wow, how did they do that, without having the technology we've got nowadays?' In a way it's getting easier for us, but what makes it hard is the audience who are now getting clever, so you've got to try to be one step in front of them. What's it like for you to be able to work on a film like this and work with cars, especially cars like that, that are just so classic? GP: We've had the Aston Martins on the last couple of films. On Quantum of Solace, we had seven brand-spanking new DBSes, which we smashed to pieces. That's quite a nice thing. When you first turn up at the studios, and it's just covered, so it doesn't get dirty, you can't get near it. It's as big a character as James Bond. When they put those sort of things in it, it's quite a special sort of thing. It's not just any car, it's the DB5 from Goldfinger. There is a bit of sort of film history