for more 'advanced' housing, leaving the desolate rooms filled with Cold War cobwebs and echoes. A place as modern as it is dystopian. The eeriness of the place only fuelled the conspiracy theorists when the DAT Audio Files were subpoenaed by The National Commission on Terrorist Attacks Upon the United States (or 9/11 Commission). What the commission found was that there was evidence on the tapes which contradicted evidence previously provided by several military figures. It is impossible to imagine a set of recordings more charged than these and more terrifying. The unforced release of the recordings not only acts as an exhaustive example of how important these documents are to America, but how important they are to the global community. By now, Reich not only had his 'content idea', but the content to boot. 'WTC 9/11' is a staggering work for many reasons. Following on from the masterly practices he has spent fifty years exploring, Reich has taken on an aposite challenge. He has adopted everything he learnt from 'Different Trains', 'Come Out', and 'It's Gonna Rain' to the more detailed 'City Life', 'Three Tales' and 'The Cave'. From investing so much practice into the handling of issue at the centre of society, Reich is an authority at communicating himself and the ideas of others. But despite this sagely position, Reich does not see his art as social commentary. "That's not me, I'm not a social commentator. I'm just writing about things that mean something to me PERSONALLY. You