I've always got to go the long way around. I've never managed to do things the easy way -- it just doesn't work with me. Anyway what was interesting is actually the being alone in that sort of environment, which was great, and just being able to write was brilliant in some respects because it meant that I had, like, these massive -- like, that one I did, the B-side of the In Plain Sight release, which is called --  "Couer De Lyon" and --  Yeah, the "Beaufort" one. Yeah, that's like, 14 minutes long, and all of them I just lay them out, but the interesting thing is that those things haven't translated back that well from that mountain environment into a city environment. It's totally, totally different. I always really look forward to the day I get to play outside in the Alps because I bet I will play those tunes, and people will suddenly be like, "Oh OK, that's what it's about." Now the tunes are at, like, five minutes long and tearing, basically, whereas then it was, like, everything's just kind of, "Yeah, a nice bit of this, little bit of that. We don't need much bass in there. You know, it's all just going to get there eventually." It's so funny, I spend a lot of time with the people who I release on the label, but a lot of the time I spend helping them with their releases is just spent going, "That needs