I'd be playing through things and go upstairs where he was working, and I'd forget about the track and it would just be deafening. Has it been quite fun having a place where you can make just a massive racket? Or is it battle between you and the exorcisms? TF: Oh, no. We win the battle. (laughs) JH: It's just been nice to do whatever you want. 'Dive In' And speaking of things that the lads like, the rhythm of 'Dive In' is an almost baggy lollop. How the heck do you do the faux-Manc bowling-ball-down-the-kecks walk in those trousers walk lads? But to say that this is a pitch for disenfranchised 'Roses fans would be a mistake. It's a heady number, almost in conflict with itself: Faris' vocals imbued with an air of vulnerability against the restrained menace of the rest of the track. JH: I remember when we wrote 'Dive In' at the Gun Factory I was excited because I thought we'd never written something with that kind of feeling. It's quite apocalyptic, and we spent a lot of time being as apocalyptic as possible. TF: I've seen this in tons of films that describe drowning as a, not enjoyable, but a peaceful experience and it's kind of like that. JH: It's been a while since we first started playing it live, and every time we hit that chorus, the exact same feeling happens, which is actually what we want to convey with music. Proper emotions. There are