NIN's continuing popularity and influence. --Genevieve Williams One of the drawbacks to live performances of electronics-heavy music is that much of it simply isn't live--it's prerecorded loops. "And All That Could Have Been" does suffer a bit from this, but the intensity of the live instrumentation (including Reznor's singing) makes up for that deficit in spades. "The Fragile," while a masterpiece, was overproduced; in contrast "And All That Could Have Been" retains a raw feel that is glorious, lacerating. It's particularly great to see how NIN have kept the early songs alive and vital. "Head Like a Hole" and "Terrible Lie" (from "Pretty Hate Machine") are fully updated. Do whatever you can to get the deluxe edition. The "Still" CD (a tip of the hat to Joy Division?) is a startling contrast to "And All That Could Have Been." Whereas the former is a loud, cathartic mass event, the latter is accoustic, intimate, and works primarily by layering tension. The sound and feel of a clear winter dawn--just after your world fell apart. The live CD will exhaust you. The accoustic one will burst your heart. I don't usually feel compelled to write up NIN reviews only because there are so many already and mine would get lost in the sea. Though I think all Trent's records are genious I found this one to be the one I'll recommend the most. The 2 disc set comes with one live performance (not the same performance as on their "All That Could