have to luxury of getting to sightsee and do stuff like that. Not yet anyways, so maybe when we've become a lot bigger and obviously we have a lot of crew and then we have a lot of downtime. Maybe that day will happen but at the moment we're happy with how it's working, we see enough. But London last night, of course, was good. OneMetal Blood of Saints seems to be a lot more electronically influenced than the past albums, was that a conscious decision while you were writing? Steve Not really, going back to even the first album, the one that I'm not on...I think one of the things Niclas [Engelin, guitarist] and I share in common is that we have a love for great 80s synth bands, even from the early new wave influences and we've always tried to have a lot of keyboard/industrial influences on there. I think on the new album maybe it's a little bit different because of the kind of samples we used or the synths we used were more dubstep orientated. But it wasn't a deliberate way of actually thinking "This is cool, let's use it." It just seemed to...when we put the tracks down -- just guitars, bass and drums and everything, it has that raw feeling so we always look to have something really cool going on in the background as well. It was our friend Pontus Hjelm who was helping us program keyboards; he said "Why don't you look