ideas and that?s where we filter what we think is good and what we think is bad; so we just forget about the bad things and keep what we think is good material. And then the third stage is everybody is in his own studio recording things and spending as much time as possible to make it sound as good as possible. The humour is really something that goes with the process of composing but then, when you?re alone at home and you remember the composing process you?ve been through, you keep a smile on your face when you?re recording and you try to capture that vibe we had in the first place. MD: You?re a player who can communicate a lot of emotion through your playing and it sounds with great ease you?re able to do that, so do you actually feel what you play or is there always a conscious element where you have to think more about what you?re playing? CHRISTOPHE: Actually, I would compare this to a conversation?playing like talking so trying to be inspired by what?s around you. It?s more something natural than something that?s thought about too much. We try to keep it as natural as possible. It?s really a jamming band because we don?t rehearse a lot; we try to keep things as fresh as possible to keep on being happy playing the stuff and without giving the impression to the people that we are just playing another show and being bored at