to art, and craft appears as well in a reinvigorated space for DIY practice that also includes new forms of craft commerce, like multinational Etsy.com or the ideosyncratic, local Night Markets . Craft is commerce, and craft is collective. Millions of people learn once again that everyday making has a beauty to it, and that everyday making is something done together, as a community and culture. Within these exchanges on making and practice are also the unofficial exchanges of tacit knowledge that helps the banal bits of everyday life proceed (or indeed, the artful act of childrearing). What do other people do in order to work? As a parent, you recognize the importance of these tiny pieces of knowledge, and as an artist you recognize the silent, often unmeasurable influence of the collective, of the longer, larger conversation about ideas of which they form a part. But you have to ask: does the banal, quotidian exchange about washing powder have the same force as the exchange about theory? The critique of most recent practice? Step 8: Do what can be done. You have been for a walk. You have changed the baby. You have read the philosophers. You have examined your subjectivity. You have considered the broader consequences of your work. Now you will try to put on the radio, pick up the cup of tea, put the baby on your lap or under the table or on the playmat in the studio, and do whatever it is that can