-- with bad production quality like that you won't sell any track! No-one's going to pay for a muddy low-end... unless they're going to a new age day spa. Last bits and/or bobs -- add an EQ. Boost the lows by about 4dB for a bit more bassiness, boost around 250hz by 7dB 1.3Q for a more crunchy kind of low end. 5.6khz for 6dB for a crunchy top at 5Q. Finally, boost the high a bit -- 5dB. I added a maximizer with the soft clip on full and the limiter off so brings down the actual volume a bit, without affecting the apparent volume -- yeah, this is one of those things where it's better accepting that it's magic. And so with the kick -- boom, hardstyle goodness. Those notes are the same as the kick drum, but all on the 2nd 16th note instead of the offbeat. Now, this swing you can hear is added by the regroove mixer in reason. Most DAWs have some sort of groove function -- here I've added 70% MPC groove to the channel. Check it with and without. Much swingier! Also, I'll quickly make a sub. Combinator -- subtractor, init, two sine waves an octave apart [2 and 3] on full sustain. Bring up the volume. Add some notes. Bitches ain't shiiiiiiiii'. And there we have it -- sub bass simpler than that sub bass I just made, and a bass thicker and more rhythmic than a milkshake dance party. Kudos