too many ghosts inside the palace of your memories, because they will stay there forever. Try not to get too infected with each other. What better way to decorate this eternally self-referential diorama of romantic memories embodied in silicon or possibly grapheme blooming wickedly like the mutant harvest of the Colour Out of Space, than with two pulsing slices off Mannequin Label's latest hunting party down the wastelands of minimal synth history? Up they go in their architectural race, describing with geometry the emotions of their residents --   an inescapable nostalgia and an unquenchable curiosity, always hope, and loneliness at the end, perhaps reduced by the sentient machines who keep us company in this no-place/post-place which Sam Rosenthal imagined. Tanzmusik is coming out on the 24 th ( pre-order ). Impatient ones can go and sample some other songs at the soundcloud . And then L.A.S.'s Crime , who composite the ambiance of several dystopias and their protagonists -- the epic hero, the cyberpunk dealer and the bird-faced freak of The Knife's mythology into 3 minutes and a little more of totally awesome synthetic music. We listen to it like while we walk past street stalls of genetically engineered Vietnamese takeaway and dark tech, under totemic Arcologies and within the cross-hairs of black hat snipers. All of this while our virtual shadows lounge in the futon of a photorealistic replica of an early 2010s basement flat.