Wilson Harris, and Francis B. Singh (reprinted in Kimbrough, ed. 1988: 262-68, 268-85). For an account of Conrad's representation of imperialism see, among others, Benita Parry, Conrad and Imperialism (1983) and Andrea White Joseph Conrad and the Adventure Tradition (1993). Conrad & Modernism The novella's place in the development of English Modernism has been another fruitful topic of critical debate. There is a concise survey of work in this field in Burden (op. cit., 35-44) and Kenneth Graham's essay on 'Conrad and Modernism' in J. H. Stape, ed., The Cambridge Companion to Joseph Conrad (1996), pp. 203-22, and his study of Indirections of the Novel: James, Conrad and Forster (1990) covers the topic in some detail. Other work on this subject includes: Ian Watt, Conrad in the Nineteenth Century (1979) Allon White, The Uses of Obscurity: The Fictions of Early Modernism (1981) Questions of the novella's representation of women were forcefully raised by Nina Pelikan Strauss in "The Exclusion of the Intended from Secret Sharing in 'Heart of Darkness,'" Novel , 20.2 (Winter 1987): 123-27. This powerful reading generated a new vein of critical inquiry that includes: The following link is to an mp3 file with a 45- minute discussion of the novella by Lord Bragg with Dr Susan Jones, Professor Robert Hampson, and Dr Laurence Davies. The discussion was broadcast on the BBC Radio 4 programme "Melyvn Bragg: In our Time" on 15 February 2007. RealPlayerAudio must be installed on your computer in order to access this discussion. Click