same and we are connected as much as you're told that's not true.  As much as people want to make us polarized, the film encourages you to understand what it feels like to forget about all those things -- what you look like, who you sleep with, where you're from, and all that.  I really liked that. Q:  How was it working with the directors and having two units? Weaving:  It's wonderful to work with Tom and Lana and Andy.  As I said, they're very like-minded people.  There's a great energy and joy when the three of them are together.  I love being with the three of them.  I really do.  That transmits itself to the set, even though when we were actually filming after all the work that they'd done together preparing the film, during the actual process of filming the thing, they would separate from each other.  Lana and Andy were on one set and Tom was on the other set.  On any one day, my experience of working with Lana and Andy, I felt very safe in that world and able to explore and enjoy whatever character it might be we were doing on the day.  And with Tom, for me, it was getting to know him, getting to know how he worked, and I adore that man.  He's just great and his team that he's worked with for many, many years -- his D.P. and the art department and his first assistant director -- they're a