particular way and it required I would sing with a female. But I was having a lot of trouble with the lyrics and Pia said, ?Why don?t you call Aimee?? To my surprise she was really interested in working with me. She wrote the lyrics and came in and sang and it was a wonderful collaboration because I don?t usually collaborate. I didn?t collaborate with anybody else on the record?or my last record or the record before. But I probably should do it more often. ?Weeping China Doll? has another amazing heavy guitar sound on it. There?s a funny story behind that one. Do you know what a Weeping China Doll is? I don?t. It?s a flower; a rose. A Weeping China Doll. We had just made this little area and there was this fence surrounding it and my wife had planted these Weeping China Dolls along the fence. I?m looking at these roses on the fence and it looked like music on a staff. So I took a snapshot and I transcribed it. [laughs] And it was a melody. No way was there a melody. Well yeah, of course it was a melody. Some of the more outside, esoteric stuff in that song are the Weeping China Dolls growing on my fence. Any means necessary. The album closes with ?Sunshine Electric Raindrops.? That?s one of those pieces that was just a riff I had and I listened to it for years. It was like a 10-second riff and I