was talking about, as much as it was verifiable by police reports, and stay away from conjecture. QUESTION: Make it a document? DAVID FINCHER: Not even a document. Because it's not a document. Look, it's pointed. It has a point of view. We bought two books. They were written by one guy. And the guy gets a lot of flak to this day about the conclusions that he drew, and some of the evidence that he has, and how it was obtained or whatever, but the fact of the matter is, he did. He does have a really pretty profound understanding of what happened. And we've tried to present as complete and compelling a case as we can. QUESTION: You were striving for a real sense of reality? DAVID FINCHER: I wanted it to feel real to me. I wanted the '70s to feel like and look like they felt to me. You can't look at The Game and go, 'I was there.' So, you're making it up, going, 'What would his house be like? What kind of car would he drive?' But here, we not only knew which cars people drove, we knew what their licence plate number was, so we could do all that stuff. I didn't want to make a movie about sideburns. I didn't want to make a movie about plaid, and flared pants, and bell bottoms, and platform shoes. I didn't want it to be kitsch. I wanted it to feel like it felt to