appeared in the film (widow of Andre Spitzer, Israeli Fencing coach) and another one and they spent an afternoon just telling me stories and it kind of seemed like wild conspiracy theories, what they were talking about at the time, where there was no real evidence for what they were saying. They still felt 26 years late that they didn't know why and how their husbands had died and felt there was a cover up so that really was the clinching thing. There are two elements to the film - the interviews and the archive footage. First the interviews. You went to Germany and you met two of the widows, you've got interviews with the German authorities and a very interesting interview with the last surviving terrorist. Kevin : For the most part that was my department. We discussed in advance who should be interviewed but it was fairly obvious in most cases who were the people to try to get and then we had researchers in each country who made first approaches for us in most cases and we did actually a lot more interviews than we used. I don't remember how many we didn't use, probably about another 8 or 10, cos a lot of it we didn't know quite where the story was going to go, you end up with not quite the story that you originally expect, it's not the one you're going to get, you're surprised by what people say. But obviously the hardest thing