all the lights, but a more modern view that's also retro. What about the music policy? I basically just did, and still do, what I like. I have to enjoy it. It wasn't because that thing wasn't here... So what did you like then? Many of the same people I had in Campo Grande. Also all the guys from Chicago, like the second generation, Derrick Carter; we used to have a Classic Records party every two months at D-Edge. Also a lot of the Detroit guys like Kevin Saunderson and Stacey Pullen, the groovy and funk side. I knew lots of the guys already from them coming to Campo Grande. How has the programming evolved over the years? In Brazil, compared to other parts of the world, you have many influences. Not just a specific sound. So Berlin, London, Chicago, New York have all been an influence, but we try to keep the balance of the pioneers and their sound with the new stuff. Do local DJs get an opportunity? I'm working a lot with that to try to help to develop artists from here, not to be nationalistic about it, but just to help bring the Brazilian artists too. But it's true that people put a big value on international artists because we don't have many famous producers here, it's a process and, in a couple of years, there will be more known names. "The people have to trust you, but you have to push their limits as well."