October 13, with Chris Frantz and Tina Weymouth. It's good to have a big opening, a big party, then tell people it's by appointment only and not return calls from would-be visitors. Have a nice drink or two in the Curator's Parlour and turn off the phone, look through some tracks. Exhibits are a hassle. I say get it just how you want it, close the door, and lock up. Will you ever release Spinal Tape ? At this rate, it may never come out. I started filming it in 1992, and I occasionally film more interviews for it. But I'm not trying to be a filmmaker. I'm cool if it never comes out, although I did just post the really short version on YouTube, which is a 10-minute best of. I prefer starting projects to finishing. I have about three films I'm working on. I call it a box set, because it's all a bunch of master tapes in boxes at the moment. Will you ever bring back Edstock ? How about another festival? If someone hands me 50k, I will put on Edstock 2 in Dallas for the 30th anniversary of the first one, which was 1984 at The Bronco Bowl. I paid for the first one, someone else can catch the next round. I make other people pay for my ideas now. That brings up my next question. If money and resources were no object, what would you decree be done for our local arts community? Construct