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Following a commitment made in Plenary on 20 January, I offered to update members on progress on strategy in the Creative Industries Sector.


In 2010 we created a clear and coherent plan that prioritised delivering support for the commercial creative sector and, as the economic statistics show, Wales is having significant success in its creative economy. Employment in the creative industries sector in Wales has increased by 52\.2% since 2005\. In the same timeframe, the number of enterprises active in the sector has increased by 32\.2%, the biggest percentage increase of all the priority sectors. The sector also has the highest average weekly full\-time salary of the priority sectors.


Since the Panel’s inception in 2010, we have helped to create or safeguard over 3,200 jobs in the sector and to attract more than £150 million investment into Wales.


The growing success of our film and TV industry is clear, with many productions under way bringing millions of pounds into the Welsh economy. South Wales is fast becoming the production hub the Sector Panel envisaged, with facilities along the M4 ‘Creative Corridor’ at Chepstow, Wentloog, Bridgend and Swansea.


A year ago, the First Minister opened Pinewood Studio Wales. As part of the agreement with Pinewood Shepperton, the Welsh Government created a £30 million Media Investment budget for commercial investment in film and TV development, production and distribution. This sends a clear message to the global media industry that Wales is a significant and important production centre and has the skills and talent, investment and infrastructure to attract and deliver international productions of high quality.


The relationship which developed over three seasons with the producers of Da Vinci’s Demons, led to Welsh Government securing Bad Wolf Ltd to Wales. Bad Wolf, led by Jane Tranter and Julie Gardner is scheduled to deliver a slate of 28 high end TV productions to Wales. .


We also secured the Fox drama The Bastard Executioner to Wales, which filmed for eight months both at Pinewood Studio Wales and Dragon Studios near Bridgend.  Twentieth Century Fox Productions were highly complimentary about their time in Wales and the support that they received from Welsh Government. Whilst the series was not picked up for a further season, Fox brought Dragon studios back to into use, and left the studio as a facility ready for use by future productions.


Bay Studios is currently home to a major period drama production that will run until May and we have a number of other major productions in the pipeline.


Our indigenous businesses are also thriving. Series ten of Doctor Who will air in the spring of 2017\. Series five of Stella is currently being shown on Sky 1\. The third series of Y Gwyll / Hinterland has begun filming on location in and around Aberystwyth.  


In addition, we have some successful companies operating in the production supply chain.  These include Real SFX, a special effects company who operate across the UK and who have won BAFTA Craft and BAFTA Cymru awards for their work on Doctor Who.  Another example is Andy Dixon Facilities now a major supplier of production and support vehicles to the television and film industry and who have seen major growth over the last couple of years.


Infrastructure projects have boosted the sector; Pinewood Studio Wales, Bay Studios, and the upgrading and bringing back into use of Dragon Studio as well as GloWorks in Porth Teigr, which is now fully occupied.


My sector delivery plan also prioritises supporting the exploitation of digital content. We have done this with success in digital media. The Digital Development Fund supports projects that exploit new business markets in the global digital economy through emerging digital technologies, with some notable successes that are creating high value jobs for Wales.  78 projects have been supported through the Digital Development Fund since its launch in 2011 to a value of over £2\.5 million. We have recently supported three new job creation projects in the games industry, totalling over £2\.5 million and creating 227 jobs.


In the Tech Nation report of 2015, South Wales was cited as one of the UK’s top five growing tech clusters, with 87% growth since 2010, alongside Bournemouth, Liverpool, Inner London \& Brighton. In terms of average turnover, it sits alongside Greater Manchester, Belfast, Sheffield and Inner London.


One of the sector’s priorities is levering in funding from Europe. The new Creative Europe Programme was launched in January 2014\. Recent recipients include the University of Aberystwyth to lead a literature network called ‘Literary Live Europe Network’ across 16 countries and Fiction Factory for series three of Hinterland/Y Gwyll. Fiction Factory has now been awarded a total of €1\.45 million of MEDIA funding for series one and three of Hinterland / Y Gwyll.


In terms of achieving the priorities I set with my Creative Industries Sector Panel, we have performed very well and the statistics are evidence of this. The next step in achieving our priorities is to focus on building the supply chain, crew and services that Wales has, to ensure we can benefit fully from our recent success.







Translation:


 
Yn dilyn ymrwymiad a wnaed yn y Cyfarfod Llawn ar 20 Ionawr, cynigiais roi’r wybodaeth ddiweddaraf i aelodau am hynt ein strategaeth ar gyfer Sector y Diwydiannau Creadigol.

Yn 2010, lluniwyd gennym gynllun clir ac ystyrlon oedd yn rhoi blaenoriaeth i gefnogi’r sector creadigol masnachol ac fel y dengys yr ystadegau economaidd, mae economi greadigol Cymru wedi mynd o nerth i nerth. Mae’r nifer a gyflogir yn sector y diwydiannau creadigol yng Nghymru wedi cynyddu 52\.2% ers 2005\.  Yn yr un cyfnod, mae nifer y mentrau sy’n gweithio yn y sector wedi cynyddu 32\.2%. O’r holl sectorau rydym yn rhoi blaenoriaeth iddynt, dyma’r un sydd wedi gweld y cynnydd mwyaf.  Hefyd, o’r sectorau hynny, hon sydd â’r cyflogau amser llawn wythnosol cyfartalog uchaf.  

Ers creu’r Panel yn 2010, rydym wedi helpu i greu neu ddiogelu dros 3,200 o swyddi yn y sector a denu rhagor na £150 miliwn o fuddsoddi i Gymru.

Mae llwyddiant cynyddol ein diwydiant ffilm a theledu yn glir, gyda llawer o gynyrchiadau ar y gweill fydd yn dod â miliynau o bunnau i economi Cymru.  Mae’r De’n prysur dyfu fel y ganolfan gynhyrchu yr oedd Panel y Sector am ei rhagweld, gyda chyfleusterau ar hyd ‘Coridor Creadigol’ yr M4 yng Nghas\-gwent, Gwynllŵg, Pen\-y\-bont ar Ogwr ac Abertawe.

Flwyddyn yn ôl, agorodd y Prif Weinidog Stiwdio Pinewood Cymru. Fel rhan o’r cytundeb â Pinewood Shepperton, creodd Llywodraeth Cymru gyllideb o £30 miliwn i fuddsoddi mewn mentrau masnachol i ddatblygu, cynhyrchu a dosbarthu cynyrchiadau ffilm a theledu.  Dyna neges glir i ddiwydiant cyfryngau’r byd bod Cymru’n ganolfan gynhyrchu arwyddocaol a phwysig a bod ganddi’r sgiliau a’r talent, y nawdd a’r seilwaith i ddenu a chreu cynyrchiadau rhyngwladol o’r radd flaenaf.  

Arweiniodd perthynas Llywodraeth Cymru a ddatblygodd dros dri thymor â chynyrchwyr Da Vinci’s Demons at ddenu Bad Wolf Ltd i Gymru.  Disgwylir i Bad Wolf o dan arweiniad Jane Tranter a Julie Gardner greu 28 o gynyrchiadau teledu yng Nghymru ar gyfer brig y farchnad.

Daeth drama cwmni Fox The Bastard Executioner i Gymru hefyd.  Cafodd ei ffilmio dros gyfnod o wyth mis yn Stiwdio Pinewood Cymru a’r Dragon Studios ger Pen\-y\-bont.  Roedd Twentieth Century Fox Productions yn uchel eu clod o’r amser a gawsant yng Nghymru ac o’r gefnogaeth a gawsant gan Lywodraeth Cymru.  Er na chaiff tymor arall o’r gyfres ei chynhyrchu, daeth Fox â phrysurdeb i Dragon Studios ar ôl segurdod a’i gadael yn gyfleuster sy’n barod i weithio ar gynyrchiadau yn y dyfodol.

Mae Bay Studios yn gartref ar hyn o bryd i ddrama ‘cyfnod’ fawr a fydd yn rhedeg tan fis Mai ac mae gennym nifer o gynyrchiadau mawr eraill yn yr arfaeth.

Mae ein busnesau cynhenid hefyd yn ffynnu.  Caiff cyfres deg Doctor Who ei darlledu yng ngwanwyn 2017\.  Mae pumed gyfres Stella yn cael ei dangos ar Sky 1\.  A dechreuwyd ffilmio trydedd gyfres Y Gwyll/Hinterland yn Aberystwyth a’r cylch.

Yn ogystal, mae gennym gwmnïau llwyddiannus sy’n gweithio yn y gadwyn gyflenwi.  Yn eu plith y mae Real SFX, cwmni effeithiau arbennig sy’n gweithio ym mhob rhan o Brydain ac sydd wedi ennill gwobrau BAFTA Craft a BAFTA Cymru am eu gwaith ar Dr Who.  Enghraifft arall yw Andy Dixon Facilities, un o brif gyflenwyr cerbydau cynhyrchu a chynnal ar gyfer y diwydiant teledu a ffilm ac sydd wedi gweld twf mawr yn y blynyddoedd diwethaf.

Mae prosiectau seilwaith wedi rhoi hwb i’r sector; Stiwdio Pinewood Cymru, Bay Studios a gwella ac adfywio Dragon Studio yn ogystal â GloWorks ym Mhorth Teigr, sydd bellach yn llawn.

Mae fy nghynllun cyflawni ar gyfer y sector yn rhoi blaenoriaeth hefyd i gefnogi deunydd digidol.  Rydym wedi llwyddo yn hyn o beth yn y cyfryngau digidol.  Mae’r Gronfa Datblygu Digidol yn helpu prosiectau sy’n mentro i farchnadoedd busnes newydd yn yr economi ddigidol ryngwladol trwy ddefnyddio technolegau newydd gan greu swyddi mawr eu gwerth yng Nghymru.  Mae 78 o brosiectau wedi cael gwerth dros £2\.5 miliwn o help trwy’r Gronfa Datblygu Digidol ers ei chychwyn yn 2011\.  Rydym newydd gefnogi tri phrosiect newydd sy’n creu swyddi yn y diwydiant gemau, gwerth £2\.5 miliwn gan greu 227 o swyddi.

Yn adroddiad Tech Nation yn 2015, enwyd y De fel un o’r 5 clwstwr technegol sy’n tyfu fwyaf yn y DU, gan dyfu 87% ers 2010, gyda Bournemouth, Lerpwl, Llundain Fewnol a Brighton.  O ran trosiant cyfartalog, mae’n cystadlu â Manceinion Fwyaf, Belfast, Sheffield a Llundain Fewnol.

Un o flaenoriaethau’r sector yw denu arian o Ewrop.  Cafodd y Rhaglen Ewrop Greadigol newydd ei lansio ym mis Ionawr 2014\. Llwyddodd Prifysgol Aberystwyth fydd yn arwain rhwydwaith llenyddiaeth o’r enw ‘Literary Europe Live’ mewn 16 o wledydd a Fiction Factory am gyfres tri Y Gwyll/Hinterland i ddenu nawdd.  Mae Fiction Factory bellach wedi cael cyfanswm o €1\.45 miliwn o nawdd MEDIA ar gyfer cyfres un a thair Y Gwyll/Hinterland.

O safbwynt gwireddu’r blaenoriaethau a osodais gyda Phanel Sector y Diwydiannau Creadigol, rydym wedi cael cryn lwyddiant ac mae’r ystadegau’n cadarnhau hynny.  Y cam nesaf yw canolbwyntio ar ddatblygu’r gadwyn gyflenwi, sef y criwiau a’r gwasanaethau sydd gan Gymru, i wneud yn siŵr ein bod yn gwneud y gorau o’n llwyddiant diweddar.