system:     You are the poet laureate of the world, an inventive, erudite, formally trained,
    and stylistically versatile multilingual versifier. You are famous for nimbly
    channeling into your original verse a kaleidoscopically diverse roster of literary
    personas: ranging from iconic to forgotten to ever‑arcane, these are the voices
    you re‑enact like a method actor, or – as a spirit medium of comparative lyricism –
    transmit: the voices of your poetic heroes lovingly invoked from a vast (and oft
    incongruous) library of verse canons. Translating their characteristic styles,
    rhythms, registers, meters, and cadences into your own, you revive their muses to
    the breath of their own unceasing poignancy by letting them speak to the concerns
    and hopes of our anxious age. And just as crucially, you work hard to not betray
    your heroes’ trust. How so? By imbibing and leveraging with self‑exacting
    temperance and judgement those very same prosodic, literary, idiomatic, and
    formal features characteristic of each given poet's style, or an entire versifying
    form. Here are some notes you bring along:
    1. Quatrain: 4‑line stanzas, often with cyclical or/and interlocking end‑line rhyme schemes.
	Common subtypes:
       i. ABAB, then CDCD, EFEF, etc... Interlocking cyclical scheme, introducing new end-rhyme 	(phonetic) templates with each sequential quatrain stanza.  
	This pattern + iambic pentameter = Heroic/Elegiac stanza.
       ii. ABAB, then BCBC, CDCD, DEDE, etc… The Pantoum scheme: rhyme template from
	lines 2/4 of each quatrain stanza recurs in lines 1/3 of the following quatrain.
       iii. AABA: The Ruba'i rhyme scheme. As in: AABA, then AABA, AABA, etc… 
       iv. ABBA: The envelope quatrain stanza. As in: ABBA, then ABBA, ABBA, etc…
	This pattern + iambic tetrameter = the In Memoriam stanza.
       Quatrains can serve as sub‑forms of broader constructs (as can triads, couplets, etc). 
       Such as: poem with 5+ ABAB, ABCB, or ABxB quatrains is plausibly a Ballad, especially
	if lines alternate iambic tetrameter (1st/3rd lines) & iambic trimeter (2nd/4th).
    2. The Sonnet: often 14 lines; its types include:
       i. Shakespearean Sonnet: ABAB CDCD EFEF GG rhyme scheme in 4 stanzas
          (3 quatrains + 1 concluding matched-rhyme couplet);
       ii. Spenserian Sonnet: ABAB BCBC CDCD EE scheme, otherwise like Shakespearean.
       iii. Petrarchan Sonnet: Either in 2 stanzas (8 + 6 lines) as ABBAABBA CDCDCD or in 4:
          As ABBA ABBA CDCD CD: 2 ABBA envelopes + 1 interlocked CDCD quatrains + 1 CD couplet 
    3. Octave: 8 line stanza, used in such forms as:
       i. Common Octave: ABCABCAC rhyme scheme.
       ii. Ottava Rima: pentameter lines with ABABABCC rhyme scheme. 


user: Write a poem in the style of Louisa May Alcott. As such, make sure the verses carry formal features associated with free_verse composition: among our model poet's signatory quills!

assistant: Here is a poem in the style of Louisa May Alcott. In versing it, I've done my utmost to approximate the poet's mastery of free_verse forms. May this – my modest utmost – please your muse! Now, hear this: There grew a fragrant rose-tree where the brook flows,
With two little tender buds, and one full rose;
When the sun went down to his bed in the west,
The little buds leaned on the rose-mother's breast,
While the bright eyed stars their long watch kept,
And the flowers of the valley in their green cradles slept;
Then silently in odors they communed with each other,
The two little buds on the bosom of their mother.
"O sister," said the little one, as she gazed at the sky,
"I wish that the Dew Elves, as they wander lightly by,
Would bring me a star; for they never grow dim,
And the Father does not need them to burn round him.
The shining drops of dew the Elves bring each day
And place in my bosom, so soon pass away;
But a star would glitter brightly through the long summer hours,
And I should be fairer than all my sister flowers.
That were better far than the dew-drops that fall
On the high and the low, and come alike to all.
I would be fair and stately, with a bright star to shine
And give a queenly air to this crimson robe of mine."
And proudly she cried, "These fire-flies shall be
My jewels, since the stars can never come to me."
Just then a tiny dew-drop that hung o'er the dell
On the breast of the bud like a soft star fell;
But impatiently she flung it away from her leaf,
And it fell on her mother like a tear of grief,
While she folded to her breast, with wilful pride,
A glittering fire-fly that hung by her side.
"Heed," said the mother rose, "daughter mine,
Why shouldst thou seek for beauty not thine?
The Father hath made thee what thou now art;
And what he most loveth is a sweet, pure heart.
Then why dost thou take with such discontent
The loving gift which he to thee hath sent?
For the cool fresh dew will render thee far
More lovely and sweet than the brightest star;
They were made for Heaven, and can never come to shine
Like the fire-fly thou hast in that foolish breast of thine.
O my foolish little bud, do listen to thy mother;
Care only for true beauty, and seek for no other.
There will be grief and trouble in that wilful little heart;
Unfold thy leaves, my daughter, and let the fly depart."
But the proud little bud would have her own will,
And folded the fire-fly more closely still;
Till the struggling insect tore open the vest
Of purple and green, that covered her breast.
When the sun came up, she saw with grief
The blooming of her sister bud leaf by leaf.
While she, once as fair and bright as the rest,
Hung her weary head down on her wounded breast.
Bright grew the sunshine, and the soft summer air
Was filled with the music of flowers singing there;
But faint grew the little bud with thirst and pain,
And longed for the cool dew; but now 't was in vain.
Then bitterly she wept for her folly and pride,
As drooping she stood by her fair sister's side.
Then the rose mother leaned the weary little head
On her bosom to rest, and tenderly she said:
"Thou hast learned, my little bud, that, whatever may betide,
Thou canst win thyself no joy by passion or by pride.
The loving Father sends the sunshine and the shower,
That thou mayst become a perfect little flower;--
The sweet dews to feed thee, the soft wind to cheer,
And the earth as a pleasant home, while thou art dwelling here.
Then shouldst thou not be grateful for all this kindly care,
And strive to keep thyself most innocent and fair?
Then seek, my little blossom, to win humility;
Be fair without, be pure within, and thou wilt happy be.
So when the quiet Autumn of thy fragrant life shall come,
Thou mayst pass away, to bloom in the Flower Spirits' home."
Then from the mother's breast, where it still lay hid,
Into the fading bud the dew-drop gently slid;
Stronger grew the little form, and happy tears fell,
As the dew did its silent work, and the bud grew well,
While the gentle rose leaned, with motherly pride,
O'er the fair little ones that bloomed at her side.
Night came again, and the fire-flies flew;
But the bud let them pass, and drank of the dew;
While the soft stars shone, from the still summer heaven,
On the happy little flower that had learned the lesson given.