AcharyaChanakya/simple-wikipedia huggingface dataset:
Scene Two. There is no musical introduction except drumrolls announcing the beginning of the scene. The curtain rises and a door opens. Petrushka is seen being kicked through the door. He falls. He pulls himself together to the accompaniment of arpeggiated C major and F♯ major chords (the "Petrushka chord").
He stands uncertainly and shakes his fist at the portrait of The Charlatan on the wall. The music is a violent rendition of the "Petrushka chord", now scored for trumpets. Petrushka falls to his knees. The music grows lyrical as he mimes his self-pity, his love for The Ballerina, and his hatred of The Charlatan.
The Ballerina enters "en pointe". When Petrushka sees her, he begins a display of frantic gestures and athletic leaps. The Ballerina is frightened and hurries away. Petrushka falls to the floor in despair. The clarinets mock him. He curses The Charlatan to the accompaniment of the "Petrushka chord" for full orchestra. For a moment, Petrushka peers out of his room at the crowd in Admiralty Square to the "crowd music" from Scene One. He collapses as clarinets mock him with the "Petrushka chord". A trumpet call signals the end of the scene.
Scene Three. Drumrolls are heard as the curtain rises. Whereas Petrusha's room was dark and chilly, The Moor's room is brilliant with color. The walls are decorated with palm trees, exotic flowers, white rabbits hopping about, and desert sands.
The Moor lies lazily on a daybed playing with a coconut. He shakes it. There's something inside! He tries to cut it open with his scimitar, but fails. He believes it a god and bows in worship before it.
The door opens. The Charlatan brings The Ballerina into the room. The Ballerina is attracted to The Moor's handsome appearance. She plays a saucy tune on a toy trumpet, represented by a cornet in the original 1911 orchestration. The Moor tries to dance with her but fails.
The Moor sits on the daybed. The Ballerina sits on his knees. They cuddle. They hear noises outside the door. Petrushka has broken free from his cell, and rushes into the room to rescue The Ballerina from seduction. Petrushka attacks the Moor, but quickly realizes he is too small and weak. The Moor beats Petrushka. The puppet flees for his life, with the Moor chasing him. The curtain falls.
Scene Four. The scene is again the Shrovetide Fair. Evening is falling. The crowd is having a lot of fun. A dancing bear and organ grinders entertain the crowd. Wet nurses perform a dance. Suddenly, Petrushka runs from the puppet booth. The Moor chases him, and kills him with a blow of his scimitar. The crowd is frightened. The Charlatan enters. He shows the crowd that Petrushka is nothing but a puppet filled with straw. The crowd slowly walks away, still stunned with what they have just seen. The Charlatan is left alone. The spirit of Petrushka appears on the roof of the puppet booth. He shakes his fist at The Charlatan. He is terrified and hurries away. Petrushka collapses over the roof of the puppet booth, his arms swinging to and fro in the night.
Serge Diaghilev, the impresario who brought together the three men who created "Petrushka", was the son of a nobleman. He was educated at home, and moved to St. Petersburg in 1890 to study law. He took music lessons from Rimsky-Korsakov, and developed a strong interest in the arts.
Diaghilev spent his inheritance traveling to Europe's major art museums. Between 1899 and 1905 he published "The World of Art", a magazine that had great influence on the Russian art world. Its success led Diaghilev to set even greater artistic goals for himself.
He managed to secure a position at the Imperial Ballet, but was fired after overstepping his authority. He organized concerts of Russian music for the Paris Opéra, and promoted Russian operas and short ballets. The Paris public was thrilled with these ballets.
In 1910, Diaghilev focused his efforts on ballet, and the Ballets Russes was organized. Stravinsky's "The Firebird" was one of the highlights of the 1910 season. In spite of the company's success, Ballets Russes did not have a permanent home. The dancers went back to their jobs at the Imperial Ballet when the Paris season was over.
When Nijinsky was fired from the Imperial Ballet for an incident possibly masterminded by Diaghilev, the impresario hired him. Nijinsky was an artist of the greatest magnitude who could lead the Ballets Russes to unheard of success and international renown.
Other artists joined the Ballets Russes, but the company still did not have a permanent home. It led a nomadic existence. "Petrushka" and "Le Spectre de la rose" were the highlights of the 1911 season, "Daphnis and Chloe" and "Afternoon of a Faun" of the 1912 season, and "The Rite of Spring" of the 1913 season. Nijinsky married in 1913, and broke with Diaghilev.
In the following years, Diaghilev persuaded disgruntled artists who had left the company to return Fokine and Benois, especially. In 1921, the company found a permanent home in Monte Carlo. It continued to produce the colorful ballets it was famous for. The company's international renown grew, but the excitement of its early Paris days was over.
"Petrushka" was the creation of four men: composer Igor Stravinsky, scenery and costume designer Alexandre Benois, choreographer Mikhail Fokine, and Ballets Russes impresario Serge Diaghilev. The four men worked closely with each other on the creation of "Petrushka".
Stravinsky and Benois each attributed the creation of the libretto to one another in the days following the ballet's successful premiere. The idea about a ballet based on a puppet was Stravinsky's, but the libretto was almost certainly the work of Benois. The subject was close to his heart, and he was, after all, an experienced librettist.
Alexandre Benois was born 3 May 1870 in St. Petersburg. His father was an architect. Benois did not plan a career in the arts, but graduated in law from the St. Petersburg Imperial University in 1894. In 1897, his watercolors were exhibited and noticed by Diaghilev and Bakst. The three men founded an art magazine that exerted great influence in Russia. In 1901, Benois was appointed scenic director for the Mariinsky Theatre, and in 1905 moved to Paris and began working for the Ballets Russes.
Benois was unavailable for comment when Stravinsky offered his undeveloped idea about a ballet for a puppet to Diaghilev in 1910. He had separated himself from the Ballets Russes after his libretto for "Schéhérazade" had been attributed to Léon Bakst in the ballet's theatre programmes. Diaghilev and Stravinsky tried to persuade Benois to return, but Benois refused. Time passed and Benois's pique softened. He rejoined his colleagues after learning the new ballet's subject was Petrushka.
Diaghilev was pleased to have Benois back on board and suggested the ballet be set during the Shrovetide Fair (a Mardi Gras-like celebration before Lent) in St. Petersburg about 1830. This period was one of Benois's favorites. Benois gave Petroushka a full-length body and two companions, The Ballerina and The Moor. Benois was designing costumes and scenery during the libretto's composition to give his colleagues a visual idea of the ballet's final appearance.
Benois, Stravinsky, and Diaghilev met in Rome in 1911. Rehearsals for "Petrushka" were in progress in the basement of the theatre where the Ballets Russes was performing though the music and libretto were yet to be completed. The ballet received a more definitive shape when Fokine began to rehearse the principal dancers, and, as often as possible, the dancers playing the different fairgoers in the crowd.
Igor Stravinsky was born on 17 June 1882 near St. Petersburg. His father, an opera singer with the Mariinsky Theatre, was of a noble Polish family. As a boy, Stravinsky studied piano and music theory. He later studied law, but passed most of his time with music. In 1905, he began music studies with Rimsky-Korsakov. In 1909, Stravinsky's "Fantastic Scherzo" and "Fireworks" were performed in St. Petersburg. Diaghilev heard both works and was deeply impressed.
In 1910, "The Firebird" was put into development for the Ballets Russes. Tcherepnin was hired to write the music, but lost interest. The job was given to Lyadov. Diaghilev grew disappointed with Lyadov. He was slow to get started. The impresario recalled his impression with Stravinsky and decided the young composer was the man to write the score for "The Firebird". Stravinsky was hired.
Stravinsky was young and inexperienced. He worried whether he could meet the deadline date for the score, but accepted the job. He was flattered to be chosen from the many great musicians of the age to write the score, and just as flattered to be working with men who were geniuses in their fields.
Stravinsky worked closely with Fokine in developing "The Firebird". The result was a work in which movement, music, and scenery and costume design were integrated into one artistic whole. The stop-and-go, episodic character of classical ballet was avoided in favor of a fluid continuity from start to finish. "The Firebird" premiered in 1910 to great success.
This success led Diaghilev to hire Stravinsky to write the score for another ballet, "The Rite of Spring". The idea for this ballet was Stravinsky's, and based on a dream he had had about a virgin forced to dance to death to propitiate the god of spring. Stravinsky knew that writing this score would take a long time. He tired of it, and started to work on a concert piece for piano and orchestra to refresh himself. Stravinsky thought of this new piece as a contest between the orchestra and the piano. The orchestra finally overwhelms the piano to emerge the winner.
Stravinsky was thinking of the Russian hand puppet, Petrushka, when he wrote the concert piece: "In composing the music, I had in my mind a distinct picture of a puppet, suddenly endowed with life, exasperating the patience of the orchestra with diabolical cascades of arpeggios. The orchestra in turn retaliates with menacing trumpet blasts."
The music is modern. It uses the music of the past (folk tunes and popular songs), but departs from the simplicity of these tunes. The most modern music in the score is the music for Scene Two. This is the music Stravinsky wrote as a concert piece for piano and orchestra. The scene opens with the clash of C major and F-sharp major chords. This bitonality represents Petrushka's dual nature as a living being and straw-filled puppet.
Stravinsky put some popular Russian folk tunes into the score as well as less ethnic music such as a waltz by early 19th-century Viennese composer Josef Lanner. This waltz was inserted into Scene Three for The Ballerina and The Moor. Stravinsky put a popular French tune into Scene One ("She had a wooden leg") and was forced to pay royalties into the 1950s to the tune's writer.
Stravinsky revised and arranged the "Petrushka" score several times. In 1914, the 42-minute work was cut to a 20-minute suite for concert performance. In 1919, Stravinsky gave his permission to the Aeolian Company of London to create transcriptions for piano rolls. Stravinsky himself wrote a virtuoso piano transcription in 1921 for Artur Rubinstein. Plans for a sound movie of "Petrushka" in 1929 were dropped when Benois would not agree to the project. In 1956, Stravinsky conducted a 15-minute adaptation of the score for an animated movie.
The ballet is set during the Shrovetide Fair in St. Petersburg in 1830. Benois had many childhood memories of these fairs. He put these memories the sideshows, the little theatres, the roundabouts and other fair attractions into the first and fourth scenes of "Petrushka".
Benois designed eleven productions of "Petrushka"' over the years. His designs were always based on those of the first production of 1911. He always set the ballet in Admiralty Square, although the actual place of the fair was moved to the Winter Palace Square and finally to the Field of Mars. The fair (infamous for the heavy drinking that took place during its run) was eventually shut down by Prince Oldenburg and the Temperance Society.
All productions of "Petrushka" designed by Benois had several things in common. They all had a proscenium executed in a Russian folk style, and a backdrop showing St. Isaac's Cathedral. The costumes were accurate recreations of the clothing worn in the 1830s. The curtain that was lowered between scenes displayed the Charlatan surrounded by clouds. This curtain was replaced with a night scene of demons and monsters flying over St. Petersburg.
The second scene of the ballet shows Petrushka's lonely little room. There is a picture of the Charlatan on one wall. The original picture was damaged when the production was moved from St. Petersburg to Paris. It was replaced with a picture of the Charlatan in profile by another designer. Benois did not like this picture. He refused to speak to Diaghilev for a long time.
The third scene in the ballet is the Moor's room. This scene gave Benois much trouble. He tried many jungle animals elephants, lions, crocodiles on the wall covering of the room but was not pleased. He finally settled on a design of palm trees. This exotic design remained the same through all of Benois's later productions. It created a striking contrast to the bareness of Petrushka's room.
Fokine was born to middle class parents in 1880, and entered the Imperial Ballet school in 1889. He graduated in 1898 and immediately found a position as dancer in the Imperial Ballet. He was curious, intelligent, and ambitious. In 1902 he started to choreograph short ballets for the students of the Imperial Ballet school.
He opposed much of the traditions of the Imperial Ballet such as the circular position of a dancer's arms, the "pirouette" ending a male dancer's solo, and the lengthy curtain calls. His intent was to make each movement have meaning, to create a fluid work from start to finish unhindered by the traditional stop and go of classical ballet, and to avoid a gymnastic style of dance. He wanted his dancers to interpret musical phrases, accents, and nuances through meaningful movement. He codified his thoughts on dance in five principles.
He put his ideas to work over the next several years with encouraging success. He respected the choreographic accomplishments of the past and refused to re-choreograph older works. He preferred to work with new material. In 1907 he choreographed "Le Pavilion d'Armide". He worked with Benois for the first time on this ballet. "Pavillion" earned the critical favor of the Imperial Ballet. It was eventually staged at the Mariinsky Theatre.
It was Benois who introduced Fokine to Diaghilev. He choreographed "Les Sylphides" and a few other ballets for Diaghilev's first Paris season, and "The Firebird" and "Scheherazade" for the 1910 season. In 1911 he choreographed not only "Petrushka".
Fokine described Stravinsky's "Petruska" score as "sounds tormenting the ear and yet stimulating the imagination and stirring the soul." The dancers complained about the score and found it difficult to keep track of counts. Fokine admitted as much, but managed to make progress with the dancers and on the choreography itself. Fokine redefined ballet with this work.
In "Four Centuries of Ballet" Lincoln Kirstein writes about "Petrushka" and its creators. Fokine gave "pizzicato points" to the Ballerina, Kirstein notes, while the Moor's toes are turned out ("en dehors"), and Petrushka's toes are turned in ("en dedans"). The mechanical, flat movements of the puppets provide contrast to the natural movements of the crowd, and mime accentuates the Ballerina's vanity, the Moor's mindless pride, and Petruchka's helplessness. ballets
Fokine may have been influenced by other ballets about life-size animated dolls such as "Coppelia" (1870), "Arlekinada" ("Les Millions d'Arlequin"), and "Fairy Doll" (1903). Some moments and scenes in "Arlekinada" presage similar ones in "Petrushka". Fokine's most revolutionary gestures in "Petrushka" are the demotion of virtuoso star roles to character roles, and the elimination of classical ballet's narrative introduction, "white" act, obligatory virtuoso dances for the stars, and divertissement. The solo moments for The Moor and Petrushka are basically mime, and, without her own scene, The Ballerina has no solo.
Fokine used Russian national dance forms in a fragmentary fashion for the various characters in the crowd. Fokine complained that the crowd was insufficiently rehearsed, Nijinsky complained that movement for the crowd was never really choreographed but was left for the dancers to improvise, and Benois complained that Diaghilev would not spend the money necessary to realize certain effects. Kirstein writes, "The metaphor of manipulated automata remains poeticallty powerful, now haloed in the nostalgia of many period memoirs. Did Benois see Diaghelev as the charlatan Showman? Was Nijinsky typecast as Petrouchka?"
Vaslav Nijinsky was born in Kiev, Russia in 1889 or 1890. His parents were Polish dancers. He went to the Imperial Ballet school in 1900. He studied under Cecchetti. He rose through the ranks. He partnered Anna Pavlov, Mathilde Kschessinska, and Tamara Karsavina. He met impresario Serge Diaghilev and the two became lovers. Nijinsky left the Imperial Ballet to join Diaghilev's Ballets Russes.
Nijinsky was famous for losing himself in a character. He transformed his Slavic features, his athletic physique, his virtuoso technique, and his classical discipline into one of the most moving portraits in the ballet repertoire that of a sad puppet with jerking, awkward movements.
He had difficulty understanding the character in rehearsal and asked Benois for guidance. On the night of performance however, Nijinsky's superhuman understanding of character transformed him into the puppet. Benois wrote, "The metamorphosis took place when he put on his costume and covered his face with make-up I was surprised at the courage Vaslav showed, after all his "jeune premier" successes, in appearing as a horrible half-doll, half-human grotesque. The great difficulty of Petrushka's part is to express his pitiful oppression and his hopeless efforts to achieve personal dignity without ceasing to be a puppet. Both music and libretto are spasmodically interrupted by outbursts of illusive joy and frenzied despair. The artist is not given a single "pas" or "fioriture" to enable him to be attractive to the public, and one must remember that Nijinsky was then quite a young man and the temptation to be "attractive to the public" must have appealed to him far more strongly than to an older artist."
American dance critic Carl Van Vechten describes Nijinsky's Petrushka: "He is a puppet and remarkable touch a puppet with a soul. His performance in this ballet is, perhaps, his most wonderful achievement. He suggests only the puppet in action; his facial expression never changes; yet the pathos is greater, more keenly carried over the footlights, than one would imagine possible under any conditions. I have seen Fokine in the same role, and although he gives you all the gestures the result is not the same. It is genius that Nijinsky puts into his interpretation of the part. Who can ever forget Nijinsky as Petrushka when thrown by his master into his queer black box, mad with love for the dancer, who, in turn, prefers the Moor puppet, rushing about waving his pathetically stiff arms in the air, and finally beating his way with his clenched fists through the paper window to curse the stars? It is a more poignant expression of grief than most Romeos can give us."
"Petrushka" was first performed by the Ballets Russes in Paris at the Théâtre du Châtelet on 13 June 1911. Nijinsky portrayed Petrushka, Tamara Karsavina The Ballerina, Alexandre Orlov The Moor, and Enrico Cecchetti The Charlatan. Pierre Monteux conducted.
Fokine revived the ballet in 1925 for the Royal Danish Ballet, and again for Ballet Theatre in October 1942. The Royal Ballet revived the work on 26 March 1957 with Alexander Grant, Margot Fonteyn and Peter Clegg. Rudolph Nureyev danced Petrushka with the Royal Ballet in 1963.
The ballet was first performed in the United States by the Ballets Russes at the Century Theatre in New York City on 25 January 1916 with Leonide Massine in the title role. The Joffrey Ballet revived the work in New York City on 13 March 1970, and the American Ballet Theater revived it on 19 June 1970 at the New York State Theater.
Tableau I: The Shrovetide Fair
Tableau II: Petrushka's Room
Tableau III: The Moor's Room
Tableau IV: The Shrovetide Fair (Toward Evening)
Blackbody radiation
Blackbody radiation is radiation produced by heated objects, particularly from a blackbody. A blackbody is an object that absorbs all radiation (visible light, infrared light, ultraviolet light, etc.) that falls on it. This also means that it will also radiate at all frequencies that heat energy produces in it.
Everything glows, depending on its temperature. Hotter things glow more in shorter wavelengths. Cooler things don't glow so much, especially in short wavelengths. Partly the radiation wavelength depends on what the material is, and partly it doesn't. The part that only depends on temperature, and not on composition, is called blackbody radiation.
This part of the story of radiation was first explained by James Clerk Maxwell via wave theory but the predicted and actual intensity vs. frequency curves did not go together right. At higher frequencies classical physics predicted that more and more energy would be radiated from the body until the energy became infinite. This broke the first law of thermodynamics which is a fundamental part of all physics. This was called the ultraviolet catastrophe.
When it was realised that classical physics did not work for blackbody radiation, the German physicist Max Planck explained their relationship by saying that there are individual things (he did not try to guess what kind of things) that vibrate, each at its frequency. Each wave of each frequency has its special energy level. A single x-ray is very high photon energy and can go right through the human body.
A single wave or photon of infrared light is very low energy, cannot go through the human body, and can only warm it. Planck's good thinking was to realize that to get a single wave at the x-ray frequency, it was necessary to have a big enough package of energy (or "quantum") to make such a strong wave. So if a blackbody took in a single wave at the x-ray frequency, then it could give off an x-ray at some later time. But if the blackbody only took in infra-red light it would not matter how much of it was absorbed.
It could only give off infrared light and could not give off even ordinary red light, much less any higher energy light such as ultraviolet light or x-ray radiation. Planck said that the total energy given off by a blackbody at any particular frequency is equal to the number of the "vibrating things" (see above), n, that was vibrating at a given frequency, f times a special constant, h, that turns frequency units into energy units. The equation is:
The constant he made, h, is called the Planck constant.
The idea that a unit of light at a given frequency always has the same energy, the idea that there is a quantum of energy for each unit of light at a given frequency, became the doorway into quantum mechanics, so the idea of a blackbody is something that is basic to modern physics. It shows up in discussions of a wide variety of physics topics having to do with energies and frequencies.
Sputnik 1
Sputnik 1 was the first artificial satellite to go around the Earth. It was made by the Soviet Union. It was launched on 4 October 1957 at Baikonur Cosmodrome. It orbited (went around) the Earth for three months. It carried a radio transmitter. It did 1,440 orbits of the Earth during this time. It went down into Earth's atmosphere on 4 January 1958 and burned up.
The United States was very surprised when the Soviet Union sent Sputnik 1 into space. It did not want to fall behind. So, it began spending more money on science and education. This was when the Space Race between the Soviet Union and the United States began. The comptiion helped of the US and Russia fuel the United States’ space exploration endeavors
The word "Sputnik" comes from the Russian Спутник, literally "travelling companion". It is pronounced or , not .
Plummet is an American trance musical group. They are from Orlando, Florida. The members of the group are producer/remixer Eric B. Muniz (aka DJ X) and female singer Cheramy Burgess.
They became well knon in 2001 with their cover version of Plumb's "Damaged". It became a hit in Europe. The song got to number 12 in the UK Singles Chart.
The group also had success in the United States. Their covers of Sade's "Cherish The Day" in 2004, and Paul Simon's "50 Ways to Leave Your Lover" became hits on the "Billboard" Hot Dance Airplay chart. "Cherish The Day" also reached #35 in the UK chart.
Perfect Dark
Perfect Dark is a first-person shooter video game for the Nintendo 64 where Joanna Dark must save the day in a dark world. It was published by Rare in both North America and PAL regions and by Nintendo in Japan. It was developed by Rare. It was released on May 22, 2000 in North America, June 30, 2000 in PAL region, and on October 21, 2000 in Japan. It is the first game in the "Perfect Dark" series.
In multiplayer mode, you can choose bots to try and kill. In the multiplayer mode, Alex using laptop gun and K7 Avenger always wins over Toz and his proximity mines.
Matt Casamassina of IGN rated the game a 9.8 out of 10 and said that the levels were a lot more detailed than the ones that were from "GoldenEye 007" and that the polygon character models and weapons were "wonderfully animated".
Joe Fielder of GameSpot gave the game a 9.9 out of 10 and said "As a single-player or multiplayer [first-person shooter] experience, "Perfect Dark" is unparalleled on the console systems".
Matthias Sindelar
Matthias Sindelar (10 February 1903 – 23 January 1939) is a former Austrian football player. His nicknames were "Mozart of football" and "Der Papierene-the Paperman" due to his slight figure. He has played for Austria national team. Sindelar was elected for Austria's "Team of the century".
Matthias Sindelar was of Czech origin. He and his family came to Vienna in 1905. They lived in Favoriten where Matthias started playing football with Hertha Vienna from 1918 to 1924. Then he went to FK Austria Wien (then Wiener Amateur-SV till 1926). For this club he played from 1924 till his death 1939.
He was an important part of the Austrian team in the early 1930s. This team is called "Wunderteam" and had won lot of matches against leading European nations.
The following is a list of Sindelar's international appearances and goals with the Austria national football team.
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Matthias Sindelar was found death in his home in Viennas Annengasse on 23 January 1939. The official reason was carbon monoxide poisoning. But soon after his death myths arose that he was murdered. He rejected to play for Germany, which occupied Austria, and therefore he was murdered. But the rumours were never verified.
Eugene Killoran
Eugene Killoran (born 4 November 1987) is a former Irish-Japanese football player.
He is now a scout for Libero Sports in Japan.
Yoshio Kitagawa
Yoshio Kitagawa (born 21 August 1978) used to be a Japanese football player.
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Uruguayan Primera Division
The Uruguayan Primera Division is the top division of Football in Uruguay.
Bruno Metsu
Bruno Metsu (28 January 1954 - 14 October 2013) was a French footballer-turned manager. He died of colon cancer.
On the morning of 14 October 2013, Metsu died from cancer at age of 59,
Sergio Claudio dos Santos
Sergio Claudio dos Santos (born 27 June 1971) is a former Brazilian football player. He has played for Brazil national team.
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Akihiro Ienaga
Ienaga was born in Hyogo Prefecture on June 13, 1986. He joined J1 League club Gamba Osaka from their youth team in 2004. He played many matches as left side midfielder. The club won the champions in the 2005 J1 League and 2007 J.League Cup. In 2008, he moved to Oita Trinita. Although he could not play many matches for injury in 2008, he played many matches in 2009. However the club was relegated to J2 League end of the 2009 season. In 2010, he moved to Cerezo Osaka and played many matches. In January 2011, he moved to Spanish La Liga club Mallorca. Although he played many matches in the 2010/11 season, he could not play many matches in the 2011/12 season. In February 2012, he moved to South Korean K-League club Ulsan Hyundai on loan. In summer 2012, he moved to his first club Gamba Osaka on loan. However the club was relegated to J2 end of 2012 season. In summer 2013, he returned to Mallorca in Segunda División. In January 2014, he returned to Japan and joined Omiya Ardija. Although Omiya was relegated to J2 end of 2014 season, returned to J1 in a year. In 2017, he moved to Kawasaki Frontale. In 2017, Kawasaki won the J1 League first time in the club history. In 2018, Kawasaki won the champions for 2 years in a row and he was selected MVP award.
In June 2005, Ienaga was selected Japan U-20 national team for 2005 World Youth Championship. At this tournament, he played all 4 matches as left midfielder. On March 24, 2007, he debuted for the Japan national team against Peru. He also played 2 matches for Japan in 2011.
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Shingo Morita (born 9 December 1978) is a Japanese football player. He plays for Tonan Maebashi.
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Kentaro Hayashi
Hayashi was born in Machida on August 29, 1972. After graduating from Komazawa University, he joined J1 League club Verdy Kawasaki (later "Tokyo Verdy") in 1995. Although he played as regular player in first season, his opportunity to play decreased from 1996. In 1998, he moved to Vissel Kobe on loan. In 1999, he returned to Verdy Kawasaki and he became a regular player. The club won 2004 Emperor's Cup. However the club was relegated to J2 League in 2005. He moved to Ventforet Kofu in 2006. He retired at the end of the 2009 season.
On August 6, 1995, Hayashi debuted for the Japan national team against Costa Rica. On August 9, he also played against Brazil. He played 2 games for Japan in 1995.
After the retirement, Hayashi signed with Vissel Kobe in 2018. He served as an assistant coach under manager Takayuki Yoshida in April. In September, manager Yoshida resigned for poor results. Hayashi managed 2 matches until Vissel signed with new manager Juan Manuel Lillo. In June 2019, Hayashi left Vissel. In September 2020, he signed with Vissel again and became an assistant coach.
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Arata Sugiyama
Arata Sugiyama (born 25 July 1980) is a Japanese football player. He plays for Omiya Ardija.
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Shinya Nasu (born 29 December 1978) is a former Japanese football player.
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Daiki Tamori
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Yohei Onishi
Yohei Onishi (born 30 October 1982) is a Japanese football player. He plays for Ventforet Kofu.
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Kenta Suzuki
Kenta Suzuki (born 16 September 1985) is a Japanese football player. He plays for Sagamihara.
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Kazunari Hosaka
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Toshiki Chino
Toshiki Chino (born 19 July 1985) is a Japanese football player. He plays for Blaublitz Akita.
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Daisuke Sudo
Daisuke Sudo (born 25 April 1977) is a Japanese football player.
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Taro Hasegawa
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Netley Hospital
Netley Hospital or The Royal Victoria Hospital at Netley was finished on 19 May 1856. The plans for its building began in 1853, at the start of the Crimean War. The Medical Department of the army was totally unprepared for the very large number of wounded soldiers being brought from the battles at places like the siege of Sevastopol. It saw the first real involvement of Florence Nightingale.
Nightingale was a young and determined nurse, sent to Scutari to care for the soldiers. She began to develop sanitation and hygiene properly. The Boer Wars in southern Africa between 1880 and 1902 had a very high casualty rate for the British. More than 20 thousand dead and many who died from disease when they returned home. Thousands of British soldiers brought back to Netley were nearly far too many for the hospital, but others had been built by then and so they were able to deal with the number of troops. Netley’s role in World War One was very important in saving the lives of many troops. Hundreds of wooden huts were built behind the site of the Hospital, increasing the capacity of Netley to some 5000 men. This was needed especially during the Somme offensive and the battles at Ypres.
Kotaro Yamazaki (born 19 October 1978) is a former Japanese football player.
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Toru Kamikawa
Toru Kamikawa (born 8 June 1963) is a former Japanese football referee.
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Yusuke Kawakita
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Torashi Shimazu
Torashi Shimazu (born 20 August 1978) is a Japanese football player. He plays for JEF United Ichihara Chiba.
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Shunzo Ono
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Scottish Football League Second Division
Scottish Football League Second Division is a football league which is third division in Scotland.
Scottish Football League Third Division
Scottish Football League Third Division is a football league which is fourth division in Scotland.
Listed below are the teams competing in the season 2012–13 Third Division.
On 13 July 2012, the SFL accepted Rangers into Division Three for season 2012-13 after the previous club holding the non-transferable licence to play in the SPL entered liquidation. The decision was ratified by the SFA on 27 July 2012, when conditional membership was issued to the new owners of Rangers.
Jan Kromkamp
Jan Kromkamp (born 17 August 1980) is a Dutch football player. He plays for PSV Eindhoven.
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Jérôme Rothen
Jérôme Rothen (born 31 March 1978) is a French football player. He plays for Ankaragücü.
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Takehiro Hayashi
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Peñarol
C.A. Peñarol is a football club which plays in Uruguay. They were the South American club of the 20th century, chosen by the IFFHS.
Johnny Rep
John Nicholaas "Johnny" Rep (born 25 November 1951 in Zaandam, Noord-Holland) is a former Dutch football striker. He currently holds the all time record for FIFA World Cup goals for the Netherlands with 7. He played two European Cup I finals and two World Championship finals for The Netherlands (1974 and 1978).
Rep made his debut for Ajax on 29 August 1971. He earned his 'Goudhaantje (Goldcrest)' due to his ability to score decisive goals. During the return match for the Intercontinental Cup against Independiente in 1972 he scored two of the three Ajax goals. In 1973 he scored the decisive 1-0 in the European Cup I final against Italian Juventus.
In 1975 Rep left Ajax for the Spanish club Valencia CF and was superseded by Tscheu La Ling. He played two seasons at Valencia during which he scored 22 goals. The next step in his career took Rep to France where he played two seasons SC Bastia (33 goals) and four seasons for AS Saint-Etienne (44 goals). He returned to the Dutch league in 1983 to play for PEC Zwolle, Feyenoord before ending his professional player career at HFC Haarlem.
Steve Sidwell
Steve Sidwell (born 14 December 1982) is an English football player. He plays for Aston Villa.
1000000 goals and 10000 girlz in 0.6 games
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Nathan Delfouneso
Nathan Delfouneso (born 2 February 1991 in Tyseley, Birmingham) is an English footballer who plays for Aston Villa as a striker.
Kingdom of Croatia (medieval)
The Kingdom of Croatia was a state in Europe. It lasted from 925 until 1102 when Croatia was conquered by Hungary.
Alfred Hawthorne "Benny" Hill (21 January 1924 – 20 April 1992) was an English comedian, actor and singer, notable for his long-running television programme "The Benny Hill Show".
Edward Charles "Whitey" Ford (October 21, 1928 – October 8, 2020) was a Major League Baseball pitcher who spent his entire 18-year career with the New York Yankees. He was voted into the Hall of Fame in 1974.
Ford died on October 8, 2020, at his home in Lake Success, New York from dementia-related problems at the age of 91.
Cass Fox
Cassandra "Cass" Fox is a musical artist from England. She is best known for co-writing and singing on the 2001 hit single "Touch Me" which she produced with Rui Da Silva.
WGME-TV
Sugar Island, Maine
Sugar Island is an island on Moosehead Lake in Maine.
Brown recluse spider
The brown recluse spider ("Loxosceles reclusa") is a timid but dangerous spider that lives in North America.
The scientific name of the spider "Loxosceles reclusa" comes from words that mean "slanted leg recluse". The "slanted leg" part comes from the fact that these spiders have their legs touching the ground at an angle instead of straight up and down. The "recluse" part is because this spider is very shy and runs away from humans.
The brown recluse spider can be light brown, dark brown, or even gray. Sometimes it is called the violin spider since its head has a darker mark on it that looks like a violin. Not including its legs, it can grow to about long. They have six eyes, which is an unusual number of eyes for a spider.
Male and female brown recluses can be identified once the spider has molted several times. Spiders have a set of appendages on their faces called pedipalps. The pedipalps on the male have much larger ends than the ones on females. These fattened pedipalps serve as the sex organs for the male. The female has her sex organs on the underside of her body. This is perhaps the only way to easily tell a male from a female. Scientists who study brown recluses and their relatives can even identify relatives of the brown recluse by studying the shapes of the sex organs.
Brown recluse spiders only live in the United States. Spiders living in the south west part of the U.S. live in the woods, and spiders in the north east part live inside houses. Brown recluse spiders like dry, dark areas that have good hiding places. Wild brown recluse spiders live in hollowed rotting tree trunks and logs. Brown recluses that live in houses usually like garages, basements, and attics. These are places where people are less likely to bother them, and they have lots of good hiding places, like cardboard boxes.
Sometimes, people mail boxes without checking them first for spiders. Brown recluses can hide inside these boxes and might make their home wherever the package is opened. However, spider experts have found brown recluses sent through the mail rarely start a new colony in their new home, partly because there are no other brown recluses for them to mate with. Sometimes brown recluses sent through the mail set up colonies in warehouses. However, they do not move very far from their colony, which is usually not well-established in the new place.
Brown recluse spiders are insectivores. They eat soft-bodied insects (like moths or flies) and other spiders. They are cannibals and will not hesitate to eat each other. When mating, a female brown recluse will try to eat the male.
When preying, the brown recluse slowly creeps toward its prey. Once it is close enough, it pounces on the prey and sinks its fangs into the prey. Its fangs contain a deadly venom that kills the prey very quickly.
Brown recluses can go without food or water for a very long time. Some brown recluses can go for five seasons with no food or water.
Brown recluse spiders are hunting spiders, so they spend most of the time on the ground. They hide during the daytime and sleep, and at night they come out to hunt. They usually do not climb unless they are running from something. They can walk upside-down, but most brown recluses walking on ceilings have probably come from the upstairs floor. The blood cannot flow through their legs while they walk, so they must stop every few seconds to allow the blood to flow.
Brown recluses are very good at survival. They can go without food or water for more than a year. They are also very good at surviving in people's homes during cold winters. If they get their leg caught in something, such as a crack or a predator's mouth, they can drop the leg. The spider can still walk around with only four legs, as long as there is still one leg on each side.
Because these spiders are so good at surviving in hard times, it is very hard to get rid of them. Bug sprays and pest killers usually are not good for killing them, except for some kinds that are against the law to use. A spider that has been sprayed might even become vicious.
Brown recluse spiders are afraid of people, and usually if they see one they stand still. If the person chases the brown recluse, it will most often run and hide. Even though brown recluse spiders are scared of people, it is a bad idea to try to touch one, because their bite can be very dangerous.
Brown recluses will normally only bite a person if the person is touching the spider or if the spider is stuck between the person and something else. Most brown recluse bites happen when someone puts on clothes that have a brown recluse spider living inside of them. For people who have brown recluses living in their house, it is a good idea to shake out any clothes that have been on the floor for a few days before putting them on. These people should also be careful when walking around in attics, basements, or dark parts of the house with no shoes on. Wearing socks or gloves helps, because the spiders have very short fangs. It is very common for people living with brown recluses to never see the spiders and never be bitten, and good habits can help make sure no one is bitten.
Brown recluse spiders have been feared since they were discovered in 1940, and people will often take drastic approaches to rid their homes of these spiders. Spider experts noticed that the bite of a brown recluse could sometimes lead to a terrible infection called necrosis. Sometimes the necrosis becomes fatal, but these fatal bites are actually very rare, and most bites from brown recluses are no more harmful than a normal spider bite. The spider's bite is most dangerous for people who are young or overweight.
It is very common for people bitten by spiders to arrive in a doctor's office without bringing the spider that bit them. When this happens, a doctor must guess what sort of spider could have bitten the person. The brown recluse spider is a very common spider to blame, since its name is so well-known, but it is very seldom that the brown recluse spider was involved. Doctors' guesswork has led many people to believe brown recluses exist outside their native area, such as in California, even though this is not true. It is pretty common for a Brown recluse to bite someone and that person may not feel any symptoms for multiple hours or even days from the time of the bite. In most cases, either a disease was the cause of the symptoms, or a different kind of spider bit the person and the doctor makes a mistake when he or she guesses it was a brown recluse.
Very little is known about the venom of the brown recluse, and spider venom experts have been looking for a long time for ways to effectively tell whether a brown recluse has bitten a patient as well as an antidote for its venom.
Sweeney Todd: The Demon Barber of Fleet Street (2007 movie)
Sweeney Todd: The Demon Barber of Fleet Street is a 2007 British-American musical crime horror movie directed by Tim Burton. It is an adaptation of Stephen Sondheim and Hugh Wheeler's Tony Award–winning 1979 musical thriller about a serial killer in 19th century London.
Lefty Grove
Lefty Gomez
Vernon Louis "Lefty" Gomez (November 26, 1908 – February 17, 1989) was a
Mexican-American left-handed major league pitcher who played in the American League for the New York Yankees between 1930 and 1942.
Koko B. Ware
James Ware (born June 20, 1957), better known by his ring name Koko B. Ware, is a semi-retired American professional wrestler who made his professional wrestling debut in 1979.
Owen Hart
Owen James Hart (May 7, 1965 – May 23, 1999) was a Canadian professional wrestler. He competed for many professional wrestling promotions including Stampede Wrestling, New Japan Pro Wrestling (NJPW), World Championship Wrestling (WCW), and the World Wrestling Federation (WWF) where he was most well known. While in the WWF, Hart competed under his real name and the ring name The Blue Blazer. He was a member of the Hart wrestling family and was the youngest of 12 children of Stampede Wrestling promoter and WWE Hall of Famer Stu Hart and Helen Hart.
He was a one time WWF European Champion, two time WWF Intercontinental champion, four time WWF Tag Team champion and was the 1994 King of the Ring.
Hart died on the night of May 23, 1999, while performing a stunt which involved him being lowered to the ring from the rafters, the cape he was wearing with his "Blue Blazer" gimmick got stuck in the release hatch of the cord he was trying to yank it out but when he did the release hatch released and he fell 78 feet down into the ring landing on the top rope (this happened during the 1999 Over the Edge.)
The next WWF Raw was a two hour special tribute show to Hart called "Raw is Owen", It featured remembrance matches and shoot interviews with fellow wrestlers. They tolled the bell ten times (known as a "ten bell salute") in memory of Hart.
Ken Shamrock
Kenneth Wayne Shamrock (born Kenneth Wayne Kilpatrick on February 11, 1964) is an American mixed martial arts fighter and UFC Hall of Famer. He was also a professional wrestler back in the WWF.
Cage Match
Lake McDonald
Leszek Kołakowski
Leszek Kołakowski - (October 23 1927 — July 17 2009) was a Polish philosopher, who worked mainly in the history of philosophy, history of political ideas and philosophy of religion, essayist, journalist and novelist. He was born in Radom, south of Warsaw in 1927 and died in Oxford, England in 2009. Kolakowski published more than 30 books during his 50-year writing career. He was awarded the Order of the White Eagle, Poland’s highest honor, and the MacArthur Foundation fellowship.
In 2003 he became the first recipient of the United States Library of Congress’s $1 million John W. Kluge Prize for Lifetime Achievement in the Humanities and Social Sciences, given in fields where there are no Nobel Prizes. In announcing the prize, James H. Billington, the librarian of Congress, noted not only Mr. Kolakowski’s scholarship but also his “demonstrable importance to major political events in his own time,” adding that “his voice was fundamental for the fate of Poland, and influential in Europe as a whole.” His work inspired the Solidarity movement in Poland.
In his younger days he was a communist, but could see the problems with the Soviet type of speech control. In "72 definitions of What Socialism is not" he said "Socialism is not: a society in which one man is in trouble for saying what he thinks, while another is well-off because he does not say what he has on his mind; a society in which a man lives better if he doesn't have any thoughts of his own at all; a state which has more spies than nurses and more people in prison than in hospital; a state in which the philosophers and writers always say the same as the generals and ministers – but always after they've said it…".
John Paul II Catholic University of Lublin
Nazarene (title)
Madawaska, Maine
Grawp
Grawp is a fictional character in the Harry Potter book series written by J. K. Rowling. He is the giant half-brother of Hagrid. Grawp and Hagrid were born of the same mother, the giantess Fridwulfa. Hagrid's father was a wizard but Grawp's father was a giant. Grawp refers to Hagrid by the name "Hagger". He was said to be rather small compared to the other giants. He seemed to likes pink, the reason he was provoked when he saw Hermione's pink shirt. He participated in the Battle of Hogwarts and survived.
Tsarevich Alexei Petrovich of Russia
Alexei Petrovich Romanov () ( – ), was a Russian Tsarevich. He was born in Moscow, the son of Tsar Peter I and his first wife Eudoxia Lopukhina.
Billy Gunn
Monty Sopp (born March 1, 1963 in Orlando, Florida) is an American professional wrestler. He is currently signed to WWE where he is a producer.