Aarushhh/wikipedia-simple-splitted huggingface dataset:
In 1881, with the creation of the old Barahona province, Neiba was made part of these new province.

When the Baoruco province was created in 1943, Neiba became the head municipality of the province.

Geography 
Neiba is in the Hoya de Enriquillo or Neiba Valley, near the eastern end of the Lake Enriquillo. The Sierra de Neiba mountain range is just to the north of the city, and covers the northern half of the municipality.

The southwestern part of the municipality, close to the lake Enriquillo, is below sea level.

Neiba is at  to the west of Santo Domingo. The average temperature in the city is 27.9°C and the average rainfall is 655.5 mm but it rains in only 45.4 days.

Neiba has the municipality of Galván to the east, the Independencia province to the south, the municipality of Villa Jaragua to the west and the San Juan province to the north.

There are few small rivers, like Las Marías, Panzo, Don Juan and El Manguito.
Neiba has a total area of ; without its municipal district, its area is . It has only one municipal district (a subdivision of a municipality): El Palmar.

Climate
Neiba has a subtropical steppe/semi-arid hot climate (Köppen climate classification : BSh). The climate on the mountains of the Sierra de Neiba, where there are some rainforests, is cooler and more wet.

The average amount of rainfall for the year in the city is . Most rains fall during the end of summer. The month with the most precipitation on average is May with  of rainfall, followed by October with .

The driest season is winter. The month with the least rainfall on average is January with an average of  and the second is February with .

Neiba is in a hot region; the average temperature for the year is . The warmest months, on average, are July and August with an average temperature of . The coolest month on average is January, with an average temperature of  .
Economy
Farming is the only economic activity in the municipality, except for some very small industries; some important products are grapes, plantain, sugar cane (mostly in the El Palmar municipal district) and coffee (on the Sierra de Neiba).

References 

Settlements in the Dominican Republic
1735 establishments
18th-century establishments in the Spanish Empire
1730s establishments in North America
Lindau (district) is a rural district in Swabia in southwest Bavaria, Germany. Neighbor districts are: Oberallgäu and in Baden-Württemberg: Ravensburg (district) and the Bodensee (district); In the south of the district are the Austrian state Vorarlberg and Lake Constance. Lindau is the capital of Lindau (district).

Towns and municipalities

References

Other websites

Landkreis Lindau (German)

 
Districts of Bavaria
Donau-Ries (Bavarian: Landkroas Doana-Rias, Swabian: Landchrais Donau-Ries, lit.'Danube-Ries')  is a rural district in Swabia in southwest Bavaria, Germany. Neighbor districts are: Ansbach (district), Weißenburg-Gunzenhausen, Eichstätt (district), Neuburg-Schrobenhausen, Aichach-Friedberg, Augsburg (district), Dillingen (district) and in Baden-Württemberg:  Heidenheim (district) and Ostalbkreis); Donauwörth is the capital of the Donau-Ries.

Towns and municipalities

References
Dillingen (district) () is a rural district in Swabia in southwest Bavaria, Germany. Neighbor districts are: Donau-Ries, Augsburg (district), Günzburg (district) and in Baden-Württemberg:  Heidenheim (district); Dillingen is the capital of Dillingen (district).

Towns and municipalities

References
Aichach-Friedberg (; Swabian German: Oacha-Fridberg) is a rural district in Swabia in southwest Bavaria, Germany. Neighbor districts are: Augsburg (district), Donau-Ries, Neuburg-Schrobenhausen, Pfaffenhofen (district), Dachau (district), Fürstenfeldbruck (district), Landsberg (district) and the district-free city Augsburg. Aichach is the capital of Aichach-Friedberg.

Towns and municipalities

References
Augsburg (; Swabian German: Augschburg) is a rural district in Swabia in southwest Bavaria, Germany. Neighbor districts are: Aichach-Friedberg, Landsberg (district), Ostallgäu, Unterallgäu, Günzburg (district), Dillingen (district), Donau-Ries and the district-free city Augsburg, which is the capital of Augsburg (district).

Towns and municipalities

References
Neu-Ulm is a rural district in Swabia in southwest Bavaria, Germany. Neighbor districts are: Günzburg (district), Unterallgäu and in Baden-Württemberg:  Biberach (district),  Alb-Donau-district and the district-free city Ulm. Neu-Ulm is the capital of Neu-Ulm (district).

Towns and municipalities

References

Other websites

 (German)

 
Districts of Bavaria
Swabia (Bavaria)
Oberallgäu is a rural district in Swabia in southwest Bavaria, Germany. Neighbor districts are: Unterallgäu, Ostallgäu, and Lindau (district) and in Baden-Württemberg: Ravensburg (district); The district-free city of Kempten, in the middle of the district, is not part of it. To the south of the district are the Austrian states Tyrol and Vorarlberg. Sonthofen is the capital of the Oberallgäu.

Towns and municipalities

References

Other websites

Official website (German)
tourist website (German)
Orchids in Allgäu

 
Districts of Bavaria
Ostallgäu is a rural district in Swabia in southwest Bavaria, Germany. Neighbor districts are: Oberallgäu, Unterallgäu, Augsburg (district), Landsberg (district), Weilheim-Schongau and Garmisch-Partenkirchen (district); The district-free city of Kaufbeuren, in the middle of the district, is not part of the it. In the south of the district is the Austrian state of Tyrol. Marktoberdorf is the capital of the Ostallgäu.

Towns and municipalities

References

Other websites

 Official website (German)
 The online reference book about the »East-Allgaeu«  (German)
 Orchids in Allgäu

 
Districts of Bavaria
Unterallgäu is a rural district in Swabia in southwest Bavaria, Germany. Neighbor districts are: Neu-Ulm (district), Günzburg (district), Augsburg (district), Ostallgäu and Oberallgäu and in Baden-Württemberg:  Ravensburg (district) and Biberach (district); West of the district is the Bavarian district-free city Memmingen. Mindelheim is the capital of the Unterallgäu.

Towns and municipalities

Towns
 Bad Wörishofen
 Mindelheim

Märkte
 Babenhausen
 Bad Grönenbach
 Dirlewang
 Erkheim
 Kirchheim in Schwaben
 Legau
 Markt Rettenbach
 Markt Wald
 Ottobeuren
 Pfaffenhausen
 Türkheim
 Tussenhausen

Verwaltungsgemeinschaften
 Babenhausen
 Boos
 Dirlewang
 Erkheim
 Bad Grönenbach
 Kirchheim (Schwaben)
 Memmingerberg
 Ottobeuren
 Pfaffenhausen
 Türkheim

Municipalities

References

Other websites

 Official website (German)
 Orchids in Allgäu 

 
Districts of Bavaria
Swabia (Bavaria)
Swabia (Government Region) (, Bavarian: Schwobm, Swabian: Schwaabe) or known as Bavarian Swabia (German: Bayerischer-Schwaben, Bavarian: Boarischa-Schwobm, Swabian: Bayrischa-Schwaabe) is one of the seven Regierungsbezirke of Bavaria, Germany. It is in southwest Bavaria.

There are 3 regions (Planungsregionen) in Swabia with the following rural districts and district-free towns/cities:
Allgäu: rural districts: Lindau, Oberallgäu and Ostallgäu; district-free towns: Kaufbeuren and Kempten;
Augsburg: rural districts: Aichach-Friedberg, Augsburg, Dillingen and Donau-Ries and the district-free city Augsburg;
Donau-Iller: in Bavaria: rural districts: Günzburg, Neu-Ulm and Unterallgäu and the district-free town Memmingen; in Baden-Württemberg: rural districts: Alb-Donau and Biberach and the district-free city Ulm;

* Part of the Swabian Keuper Land
Population 
Historical Population of Swabia:
1939:   934,311
1950: 1,293,734
1961: 1,340,217
1970: 1,467,454
1987: 1,546,504
2002: 1,776,465
2005: 1,788,919
2006: 1,786,764

References

Other websites
Official website

Swabia (Bavaria)
Carapachibey, Cuba is a town in the region of Municipio Especial Isla de la Juventud, Cuba. There are around 1,681 people living there.

Cities in Cuba
Caleta Grande, Cuba is a town in the region of Municipio Especial Isla de la Juventud, Cuba. There are approximately around 2,328 people living there. 

Cities in Cuba
Crowheart is a very small census-designated place in the U.S. state of Wyoming. About 167 people live there.

References 

Census-designated places in Wyoming
Freemont County, Wyoming
Oscar (Astronotus ocellatus) is a species of fish from the cichlid family. Oscars have many common names. Some of these names are oscar, tiger oscar, velvet cichlid, and marble cichlid. The scientific name for the oscar species is A. ocellatus. Oscars can grow up to  long and weigh over . The Oscar fish is a smart species of fish. Oscars are popular as aquarium fish. Oscars are also very aggressive.

Description
The Oscar is a large predatory fish at grows up two 18”. Their bodies are colorful and dark colors mixed with bright colors. Different variations include some with albinism “albino oscar” and others with darker variations “tiger oscar”.
Behavior
The Oscar is an aggressive predator from the Amazon River. Oscars create territories and attack other fish that come into their territory. Captive bred oscars can do well in certain community tanks with only fish from their region. For this to work you need to get you oscar from a breeder as small as possible, so they know the other possible tank mates are not a threat/food.
Feeding
Captive oscars may be fed prepared fish food designed for large carnivorous fish. They can also eat crayfish, worms, and insects. Insects include, crickets, mealworms, grasshoppers, praying mantis and even hornworms. At about 6 months age, oscars can be fed live feeder fish, such as minnows, small gold fish and other feeder fish that can fit easily in their mouths. Captive bred oscars do best when fed natural frozen “carnivorous” fish food, along with live insects and crickets to keep a varied diet. These include, frozen bloodworms, frozen mysis shrimp, frozen beef heart, and frozen mixed fish cubes, as well as live feeders stated above. 

Teleosts
Freshwater fish
Aquarium fish
Mount Abram is a mountain in northern Maine. It has 10 easy, 21 intermediate, and 13 expert trails. It also has five lifts which service  of vertical drop.

References

Geography of Maine
Mountains of the United States
Appalachian Mountains
Swan Lake is a romantic ballet in four acts. Pyotr Ilyich Tchaikovsky wrote the music. In 1871 he wrote a little ballet about swans for his nieces and nephews. He used some of the music from this ballet for Swan Lake.  The story of the ballet is based on a German fairy tale. This tale was probably tweaked by Tchaikovsky and his friends during the ballet's early discussion stages.
 
Swan Lake is about a prince named Siegfried. He falls in love with the Swan princess, Odette. She is a swan by day, but a young woman at night. She is under a magic spell that can only be broken by a man who will make a promise to love her for all time. Siegfried makes the promise. He is tricked though by the magician who cast the spell. The ballet ends with the deaths of Siegfried and Odette.
The ballet was first performed on 4 March 1877 at the Bolshoi Theatre in Moscow, Russia. Critics looked upon it as a failure for many reasons. In 1895 some changes were made to the ballet. It was then performed at the Mariinsky Theatre in St. Petersburg, Russia. This time the critics thought Swan Lake a great success. Most performances today are based on this 1895 version.
Story of the ballet Story 
Act 1: 1. ScèneThe curtain rises on Prince Siegfried's birthday party. He is 21. On the next evening a grand ball will be held. He is to select a bride from six visiting princesses. Wolfgang, his tutor, introduces a band of peasants to the merrymakers. 2. Valse. 3. Scène. The Queen Mother enters. She thinks Siegfried is frivolous. The Queen Mother leaves. Benno encourages the Prince to continue the fun. 4. Pas de trois.Dances for the peasants. 5. Pas de deux.Dances for the merrymakers. 6. Pas d'action.Wolfgang is drunk and collapses. 7. Sujet.The sun sets. Siegfried suggests a final dance. 8. Danse des coupes.The merrymakers dance a polonaise holding their goblets. 9. Finale.A flock of swans flies overhead. Benno suggests a hunt. The Prince agrees. They set off.
Act 2: 10. Scène.A lake shimmering in the moonlight is seen. Siegfried and his friends watch a flock of swans glide across the lake's surface. 11. Scène.The hunters take aim. The birds are transformed into maidens. Their leader asks Siegfried why he troubles  them. She says that she is the Princess Odette. She and her companions have all been changed into swans by her wicked stepmother. They are watched by her stepmother's companion Von Rothbart in the guise of an owl. Only a marriage vow can break the spell that keeps her a swan by day and a maiden by night. 12. Scène.Siegfried says he loves Odette. She promises to attend tomorrow's ball. She warns him that her stepmother is very dangerous. 13. Danse des cygnes. 14 Scène. Dawn breaks. Odette and her friends return to the lake as swans.
Act 3: Guests arrive in Siegfried's castle for the selection of the Prince's  bride. 16. Danse du corps de ballet and des nains.All dance, including a group of dwarves. 17. Scène.La sortie des invités et la Valse. The six princesses arrive. 18. Scène. Siegfried does not choose a bride from among the six princesses. Von Rothbart enters with his daughter Odile. She is disguised as Odette. 19. Pas de six. The princesses dance. 20. Danse hongroise. 21. Danse espagnole. 22. Danse napolitaine. 23. Danse Mazurka. 24. Scène.Siegfried chooses Odile as his bride, believing she is Odette. Von Rothbart flees the hall as an owl. Siegfried rushes into the night to find Odette.
 Tchaikovsky later put a pas de deux into Act 3 that is known as the "Black Swan pas de deux".
Act 4: 25. Entr'acte. 26. Scène.Odette's friends await her return to the lake. 27. Danse des petits cygnes. 28. Scène. Odette collapses into her companions' arms. She tells them what has happened. A storm rises. Siegfried reaches Odette. 29. Scène finale.He begs her to forgive him. She dies of grief in his arms. He throws her crown upon the waters. The waves overwhelm him. The swans are seen gliding away across the lake.

Libretto and score 
In 1871 Tchaikovsky was passing the summer in the Ukraine with his sister Alexandra Davydova. It was in her home at Kamenka that he wrote a short ballet about swans for her children to perform. The story of the ballet was based on "The Lake of Swans", a German fairy tale. Tchaikovsky used a musical theme from this children's ballet in the mature Swan Lake. Little else is known of this ballet for children.
In 1875 Vladimir Begitchev asked Tchaikovsky to write a ballet about swans. Begitchev was the official in charge of the repertory of the Imperial Theatres. Tchaikovsky accepted his invitation to write the ballet. He told Rimsky-Korsakov, "I accepted the work, partly because I want the money, but also because I have long had the wish to try my hand at this kind of music." In August he had completed sketches for two acts. He finished the ballet on 10 April 1876.

It is uncertain who wrote the libretto of the ballet. Both Begitchev and the dancer Vasily Geltzer were credited in the programme. They likely based it upon discussions with the artists who met at Begitchev's salon. They also used tales from Johann Musäus's Volksmärchen der Deutschen (178286), a collection of German fairy and folk tales.

Composition
Tchaikovsky had no experience writing ballet music for the professional theatre when he accepted Begitchev's invitation. In 1875  he began work on Swan Lake. It was his first ballet. He studied the ballet music of other writers. He liked the music and ballets of Leo Delibes. Tchaikovsky thought Delibes's music was pretty and tuneful. Tchaikovsky however would base Swan Lake on a symphonic scale. Writing the music for Swan Lake was a way for Tchaikovsky to avoid the reality of being a homosexual in czarist Russia. Russia was a repressive state. Homosexuals were sent to prison, exiled, or banished. Symphonies did not ease the stress in the way ballet music did; he had to put too much of his inner life into symphonies. He was hired to write Swan Lake in May 1875. He completed the music in April 1876. The official responsible for the music at the Bolshoi Theatre thought Tchaikovsky's music impossible to understand
. A leitmotif in Tchaikovsky's little ballet music for his nieces and nephews came to be called the "Song of the Swans". Tchaikovsky used this leitmotif in Swan Lake.
Odette, the Swan Princess. Odette is a swan by day (like her sister swans) and a maiden by night. She appears in Acts 2 and 4, and very briefly in Act 3.
 Prince Siegfried, Odette's lover. Prince Siegfried falls in love with Odette and promises to be true to her forever. He betrays Odette by accident. He appears in all four acts.
 Von Rothbart, is a magician who keeps Odette and her sister swans trapped in a magic spell. He takes the shape of an owl. He is defeated at the end of the ballet. He appears in Acts 2, 3, and 4. He is sometimes referred to as Rotbart. His name means "Red Beard".
 Odile, Von Rothbart's daughter. She is disguised as Odette. She tricks the prince into promising his love to her at a ball, and, in doing so, the Prince betrays Odette. She appears only in Act 3. Sometimes the ballerina playing Odette also performs the role of Odile.
 Wolfgang, the Prince's tutor. Wolfgang usually appears in Act 1. He becomes drunk on the wine. He appears in Acts 1 and 3.
Benno, the Prince's friend. Benno suggests to the Prince and his friends that they hunt the swans in Act 1. Benno appears in Acts 1 and 3.
 Queen Mother, Siegfried's mother. The Queen Mother wants her son to choose a bride. She usually gives him a crossbow as a birthday gift in Act 1. She appears in Acts 1 and 3. The Queen Mother is a pantomime role.
Structure of the ballet 

 Overture
 Act 1
 No.1: Scène
 No.2: Valse (Waltz)
 No.3: Scène
 No.4: Pas de trois
 No.5: Pas de deux
 No.6: Pas d'action
 No.7: Sujet
 No.8: Danses des couppes {Goblet Dance}
 No.9: Finale
 Act 2
 No.10: Scène
 No.11: Scène
 No.12: Scène
 No.13: Danses des cygnes 
 No.14: Scène
 Act 3
 No.16: Danse du corps de ballet and des nains (Dance for the corps de ballet and the dwarves)
 No.17: Scène La sortie des invités et la Valse (Arrival of the guests and Waltz)
 No.18: Scène
 No.19: Pas de six (Dance for the six princesses)
 No.20: Danse hongroise (Hungarian dance)
 No.21: Danse espangnole (Spanish dance)
 No.22: Danse napolitaine (Neapolitan dance)
 No.23: Danse Mazurka (Mazurka)
 No.24: Scène
 At a date sometime after the first performance, Tchaikovsky inserted a spectacular pas de deux (now called the Black Swan pas de deux) after the Mazurka
 Act 4
 No.25: Entr'acte 
 No.26: Scène
 No.27: Danse des petits cygnes (Dance of the baby swans) 
 No.28: Scène
 No.29: Scène finale
Music 

John Warrack points out that Tchaikovsky put the drama in the story into music: "By making B the key of the tragedy, he initiates a musical "plot" with the dark forces of Rothbart tending to drag the tonality down into flatter keys. The main action, on the other hand, lies on the key area of A." Tchaikovsky balanced all the musical components of the work. "The divertissements are in his lightest, most appealing musical manner", Warrack writes, "The dances that further the plot have rather greater musical substance, while the scenes of narrative and action are in what was found his "symphonic" manner." Critics said Tchaikovsky's music was "too noisy, too 'Wagnerian' and too symphonic".

First performance 
Rehearsals for Swan Lake began before Tchaikovsky finished the score, and took place over 11 months. Everyone involved in the production had never heard such a complex score for a ballet. They described the music as "undanceable". Even the conductor threw his hands up in despair over the music.
The choreographer Julius Reisinger was incompetent, and the sets lacked a cohesiveness because they were designed by three different men. In addition, the Bolshoi Theatre was suffering at the time from problems including the lack of a ballet master who could develop a production based on the score. The role of Odette was not given to a first rate dancer but instead to a second rate talent. The reason may have been political.

Swan Lake was first performed on 4 March 1877 at the Bolshoi Theatre in Moscow. Julius Reisinger designed the dances. Pauline Karpakova danced Odette. She put some numbers she liked from other ballets into Swan Lake. The ballet was a failure. In 1883 the Bolshoi dropped the ballet from its repertory. At that time, the sets were falling apart. It was not until 1901 that Alexander Gorsky staged a new production of Swan Lake for the Bolshoi.

What people thought about the ballet
The first performance of Swan Lake was a disaster. Herman Laroche wrote, "I must say that I had never seen a poorer presentation on the Bolshoi stage. The costumes, decor, and machines did not hide in the least the emptiness of the dances. Not a single balletomane got out of it even five minutes of pleasure." He praised the music. He wrote that Tchaikovsky was "in excellent humour ... he was fully at the height of his genius." Tchaikovsky's brother Modest wrote, "The poverty of the production, meaning the décor and costumes, the absence of outstanding performers, the Ballet Master's weakness of imagination, and, finally, the orchestra ... all of this together permitted [Tchaikovsky] with good reason to cast the blame for the failure on others." The ballet was a moderate success with theatre-goers however. It was presented 33 times between its première at the Bolshoi in 1877 and its final performance in 1883.

St. Petersburg revision, 1895
Tchaikovsky died on 6 November 1893. People started to take more interest in his music after his death. Lev Ivanov was the assistant Ballet Master at the Mariinsky Theatre in St. Petersburg. He designed new dances for Act 2. This act was presented on 1 March 1894 in a concert at the Mariinsky in memory of Tchaikovsky. Pierina Legnani danced Odette. The revised act was a great success. It was presented again with even greater success.  Marius Petipa was the Ballet Master at the Mariinsky. He was impressed with the success of these two presentations. He made the decision to stage the complete ballet at the Mariinsky. He designed the dances for Acts 1 and 3 while Ivanov designed the dances for Acts 2 and 4.
Riccardo Drigo was the conductor of the Mariinsky orchestra. He dropped some numbers from the ballet. He orchestrated three piano numbers from Tchaikovsky's Op. 72. He then put them in the ballet. These three numbers were "L'Espiègle", "Valse Bluette", and "Un poco di Chopin". He then put a number into Act 3 which he may have written himself.

Tchaikovsky's brother Modest changed the ballet's story a little for the revision. He gave the ballet a happy ending.  The new Swan Lake was presented on 27 January 1895 at the Mariinsky. Pierina Legnani danced both Odette and Odile. The ballet was a great success. This version of the ballet is the one generally seen today.

Thirty-two fouettés en tournant
Swan Lake is famous for the 32 fouettés en tournant in Act 3. These fouettés are danced at the end of the "Black Swan" pas de deux by the ballerina playing Odile.  The pas was an afterthought of Tchaikovsky's. It was not included in the original production. It consists of the opening adagio followed by a variation for the male dancer. This is followed by a variation for the ballerina. The whole concludes with a brisk movement for both dancers that includes the fouettés. Pierina Legnani first danced the fouettés in the Mariinsky production of 1895.  Ballet-goers were uncertain about the 32 fouettés. Some thought they were just a stunt. Others found them exciting. These ballet-goers went to every performance to count the number of turns.

Other early productions
Swan Lake became known in Europe and the United States not long after the revised version was presented at the Mariinsky Theatre in 1895. It was first presented in Europe at Prague in June 1907. It was first presented in the United States at the Metropolitan Opera House in December 1911. Diaghilev's Ballets Russes presented a two-act Swan Lake in London in 1911.  The Ballets Russes presented a one-act version in London in 1925. The complete Swan Lake was first presented in England by the Sadler's Wells Ballet in November 1934. Ballerinas portraying Odette include Mathilde Kchessinska, Anna Pavlova, and Margot Fonteyn. Pavel Gerdt was the Prince Siegfried of the 1895 St. Petersburg production. Nijinsky and Rudolph Nureyev have also performed Prince Siegfried.
Structure 
The score used in this comparison is Tchaikovsky's score. It may be different from Riccardo Drigo's score which is usually performed today.  The titles for each number are taken from the original published score. Some of the numbers are titled simply as musical indications, those that are not are translated from their original French titles.

Introduction
Moderato assai — Allegro non troppo — Tempo I
Act I
No. 1 Scène: Allegro giusto
No. 2 Waltz: Tempo di valse
No. 3 Scène: Allegro moderato
No. 4 Pas de trois
I. Intrada (or Entrée): Allegro
II. Andante sostenuto
III. Allegro semplice, Presto
IV. Moderato
V. Allegro
VI. Coda: Allegro vivace
No. 5 Pas de deux for Two Merry-makers (this number was later fashioned into the Black Swan Pas de Deux)
I. Tempo di valse ma non troppo vivo, quasi moderato
II. Andante - Allegro
III. Tempo di valse
IV. Coda: Allegro molto vivace
No. 6 Pas d'action: Andantino quasi moderato – Allegro
No. 7 Sujet (Introduction to the Dance with Goblets)
No. 8 Dance with Goblets: Tempo di polacca
No. 9 Finale: Sujet, Andante
Act II
No. 10 Scène: Moderato
No. 11 Scène: Allegro moderato, Moderato, Allegro vivo
No. 12 Scène: Allegro, Moderato assai quasi andante
No. 13 Dances of the Swans
I. Tempo di valse
II. Moderato assai
III. Tempo di valse
IV. Allegro moderato (this number later became the famous Dance of the Little Swans)
V. Pas d'action: Andante, Andante non troppo, Allegro (material borrowed from Undina)
VI. Tempo di valse
VII. Coda: Allegro vivo
No. 14 Scène: Moderato

Act III
No. 15 Scène: March – Allegro giusto
No. 16 Ballabile: Dance of the Corps de Ballet and the Dwarves: Moderato assai, Allegro vivo
No. 17 Entrance of the Guests and Waltz: Allegro, Tempo di valse
No. 18 Scène: Allegro, Allegro giusto
No. 19 Grand Pas de six.
I. Intrada (or Entrée): Moderato assai
II. Variation 1: Allegro
III. Variation 2: Andante con moto
IV. Variation 3: Moderato
V. Variation 4: Allegro
VI. Variation 5: Moderato, Allegro semplice
VII. Grand Coda: Allegro molto
Appendix I
Pas de deux for Mme. Anna Sobeshchanskaya fashioned from the original music by Léon Minkus (AKA the Tchaikovsky Pas de Deux)
No. 20 Hungarian Dance: Czardas – Moderato assai, Allegro moderato, Vivace

Appendix II
No. 20a Russian Dance for Mlle. Pelageya Karpakova: Moderato, Andante semplice, Allegro vivo, Presto
No. 21 Spanish Dance: Allegro non troppo (Tempo di bolero)
No. 22 Neapolitan/Venetian Dance: Allegro moderato, Andantino quasi moderato, Presto
No. 23 Mazurka: Tempo di mazurka
No. 24 Scène: Allegro, Tempo di valse, Allegro vivo

Act IV
No. 25 Entr'acte: Moderato
No. 26 Scène: Allegro non troppo
No. 27 Dance of the Little Swans: Moderato
No. 28 Scène: Allegro agitato, Molto meno mosso, Allegro vivace
No. 29 Scène finale: Andante, Allegro, Alla breve, Moderato e maestoso, Moderato

Notes

References

Other websites 
 

Compositions by Pyotr Ilyich Tchaikovsky
Ballets by Marius Petipa
Ballets by Lev Ivanov
Ballets
A knock-knock joke is a joke where you pretend to knock on a door and then say a silly line. It always starts with the phrase "Knock, knock!" followed by the question "Who's there?" and ends with a punch line which usually has a pun or some other kind of word play.

The basic format is as follows:

Joke-Teller: "Knock Knock!"

Joke-Hearer: "Who's There?"

Teller: "[name or word]"

Hearer: "[name or word] Who?"

Teller: "[answer]"

Knock-knock jokes come from "do you know?" jokes in the 1900s and became very popular in the 1930s.

Example
An example of a knock-knock joke is:

Barbie: "Knock Knock!"

Ken: "Who's There?"

Barbie: "Banana!"

Ken: "Banana Who?"

Barbie: "Banana split, ice screamed and sundae went nuts!"
Popular culture 
"Knock knock" was the catchphrase of music hall performer Wee Georgie Wood, who was recorded in 1936 saying it in a radio play, but he simply used the words as a reference to his surname and did not use it as part of the well-known joke formula. The format was well known in the UK and US in the 1950s and 1960s before falling out of favor.

References

Humor
Landsberg am Lech is a rural district in Upper Bavaria in the south of Bavaria, Germany. Neighbor districts are: Aichach-Friedberg, Fürstenfeldbruck Rural District, Starnberg Rural District, Weilheim-Schongau, Ostallgäu and Augsburg (district); Landsberg am Lech is the capital of Landsberg (district).

Towns and municipalities

References

Other websites 

  European Holocaust Memorial - a monument ensemble against racism and totalitarianism at the place of the crime - under the executive management of the Citizens´ Association European Holocaust Memorial Foundation
  
Kaufering.com an online memorial to the victims of the Kaufering death camps and their liberators.
 The Holocaust in the Landsberg area - Citizens´ Association "Landsberg in the 20th Century" (English)

 
Districts of Bavaria
Adriaen Coorte (about 1665 – 1707) was a Dutch painter. He mainly painted 'still life'. He signed works between 1683 and 1707. Most of his paintings are small. His style is typical of Dutch 17th century still life painting. Other Dutch painters who lived at the same time had a different style of painting. Coorte was "one of the last practitioners of this intimate category".

Biography
Very little is known about his life. He was probably born in Middelburg and also died there. He became a pupil of Melchior d'Hondecoeter around 1680 in Amsterdam. From 1683 he seems to have returned to Middelburg, where he set up a workshop and signed his small, carefully balanced minimalist still lifes. He often painted on paper that was glued to a wooden panel. About 80 signed works by him have been catalogued, and nearly all of them follow the same pattern; small arrangements of fruits, vegetables, or shells on a stone slab, lit from above, with the dark background typical of still lifes earlier in the century.  Instead of the Chinese or silver vessels favoured by his contemporaries, his tableware is very basic pottery. "Objects and light are studied intensely, and are painted with a wondrous tenderness". Neither his birth nor death date is certain, and archival evidence only exists in Middelburg for his membership in the Guild of St
. Luke there from 1695 onwards, when he was fined for selling a painting without being a member of the guild. His works appear frequently in contemporary Middelburg taxation inventories
Legacy
Coorte was probably not well known to the people who lived at the same time, outside the city of Middelburg. Much like Vermeer, he was almost entirely forgotten. In the 1950s, the Dutch art historian Laurens J. Bol revived his reputation, beginning with an article in 1952, and finally publishing the first monograph and catalogue raissone on Coorte in 1977 (Adriaen Coorte, Amsterdam).  Bol arranged an exhibition of 35 examples of Coorte's work in 1958 at the Dordrechts Museum. This became a sensation in the Netherlands; the poets Hans Faverey and Ed Leeflang were both inspired by the paintings.  In 2003 there was an exhibition at the National Gallery of Art, Washington.  In 2008 a new travelling exhibition was set up; Ode to Coorte, that was nearly as successful, making Coorte the most celebrated "rediscovered" Dutch Baroque painter of recent decades.

His paintings have been compared to Spanish Bodegones, but he may also have been influenced by older painters:

Notes
Notes

References
Seymour Slive, Dutch Painting, 1600-1800, Yale UP, 1995, 
Dordt's museum on Ode to Coorte

Other websites
 Adriaen Coorte op Artcyclopedia
 Adriaen Coorte, four still lifes in the Rijksmuseum Amsterdam 

1660s births
1707 deaths
Dutch painters
People from Zeeland
Weilheim in Oberbayern (English: 'Weilheim in Upper Bavaria') is a town in Germany, the capital of Weilheim-Schongau in the south of Bavaria.

Twin towns and cities
Weilheim in Oberbayern is twinned with:
 Narbonne, France
Yelabuga, Tatarstan, Russian Federation

References

Weilheim-Schongau
A still life is a work of art, most often a painting. In a still life, objects like flowers, fruit, or glasses are arranged in a certain way, and then painted. Most still lifes are of inanimate objects manmade or natural.Still life painting has been popular since the 17th century, when Dutch painters like Adriaen Coorte raised it to a fine art. However, the idea is old: examples can be found in antiquity. With a still life, the artist can focus more on composition and arrangement than with other forms of painting, such as landscape painting or portraiture.

Art
A computing platform is a well defined set of hardware or software that allows application programs to run. Typical platforms include the hardware architecture, the operating system, as well as runtime libraries. The programming language Java is an example of Software Platform. An example for a hardware platform is SPARC.

Related pages
Cross-platform

Computers
Operating systems
The Iller-Lech Plateau () or Upper Swabian Plateau (Oberschwäbische Hochebene), is one of the natural regions of Germany.

Neighboring Natural Regions 
In the northwest: the Swabian Jura (D60 on the map); The river Danube is roughly the border between the two natural regions.

In the extreme northeast: the Franconian Jura (D61 on the map); The river Danube is roughly the border between the two natural regions.

In the east: the Lower Bavarian Uplands and the Isar-Inn Gravel Plateaus (D65 on the map); The river Lech is roughly the border between the two natural regions in parts.

In the south: the Southern Alpine Foreland (D66 on the map); The terminal moraines of the Würm glaciation are roughly the border between the two natural regions.

Sub-divisions of the Iller-Lech Plateau
1: Danube-Ablach Plateaus: Old Drift landscape (in Baden-Württemberg)
2: Danube Valley between Mengen and Ulm, Lower Riß Valley: valleys (in Baden-Württemberg)
3: Federsee Ried: (in Baden-Württemberg)
4: Western Plain of the Lower Riß: Tertiary hills and ice age gravel deposits (in Baden-Württemberg)
5: Eastern Plain of the Lower Riß: Tertiary hills and Old Drift ice age gravel deposits (in Baden-Württemberg)
6: Holzstöcke: Tertiary hills (in Baden-Württemberg)
7 and 8: Western and Eastern Riß-Aitrach Plateaus: Old Drift landscape (in Baden-Württemberg)
9 and 10: Higher Plains of the Lower Iller Valley (south of Memmingen) and Lower Plains of the Lower Iller Valley (north of Memmingen): large valley, filled by gravel during and after the ice ages (in Baden-Württemberg and Bavaria)
11 and 12: Upper and Lower Iller-Lech Gravel Plateaus: Tertiary hills with valleys formed by river systems flowing from south to north (in Bavaria)
13: Donauried: Large fen plain by the Danube; Würm Ice Age formed (in Baden-Württemberg and Bavaria)
14 / 15: Zusam Plateau and Stauffenberg Region / Stauden Plateau (Stauden) (together: Augsburg-Westliche Wälder Nature Park): Tertiary hills with valleys formed by river systems flowing from south to north (in Bavaria)
16: Lech Valley: large valley, filled by gravel during and after the ice ages (in Bavaria)
17: Aindlingen Terrace: Tertiary hills and High gravel plateau (in Bavaria)
18 and 20: Lower and Upper Lech-Wertach Plain: Divided into lower terrace landscape by the Wertach and Gennach rivers (in Bavaria)
19: Landsberg Plateau: High gravel plateau rising from north to south (in Bavaria)
21: Sachsenried and Denklingen Rotwald: pure forest landscape; in the north: high terrace gravels of the Lech; in the south: Old Drift landscape (in Bavaria)
References 

 Bayernviewer at the Bavarian Measurement Office: http://www.geodaten.bayern.de/BayernViewer/index.cgi  
 Map of the BfN's Landscapes in Germany: http://www.bfn.de/geoinfo/landscapes/  and the information pages of the individual sub-divisions of the Iller-Lech Plateau

Geography of Bavaria
Swabia (Bavaria)
Regions

Northeast German Plain
D01 Mecklenburg Coastal Lowland (71)
D02 Northeast Mecklenburg Lowland (including the Szczecin Lagoon) (72-73)
Northeast Mecklenburg Lowland (72, northwest and centre)
Szczecin Lagoon  (73 east) 
D03 Mecklenburg Lake Plateau Hinterland (74)
D04 Mecklenburg Lake Plateau (75)
D05  Mecklenburg-Brandenburg Plateau and Upland (76-78)
Southwest Foreland of the Mecklenburg Lake Plateau (76, northwest)
North Brandenburg Plateau and Upland (77, centre)
Luchland (78, southeast)
D06 East Brandenburg Plateau (79)
D07 Oder Valley (80)
D08 Lusatian  Basin and Spreewald (83-84)
Spreewald (83, northeast)
Lusatian Basin and Lower Lusatian Heath (84, centre, west and south)
D09 Middle Elbe Plain (87)
D10 Elbe-Mulde Plain (88)
D11 Fläming Heath (85)
D12 Brandenburg Heath and Lake District (81-82)
Central Brandenburg Plateaux and Lowland (81, west)
East Brandenburg Heath and Lake District (82, east)
D13 Upper Lusatian Plateau (89)
Saxon Lowland* (new overarching region/division)
D19 Saxon Upland and Ore Mountain Foreland  (45-46)
Ore Mountain Foreland (45, south)
Saxon Upland (including Leipziger Land) (46, west, north and east)
D14 Upper Lusatia   (44) - excluding the Lusatian Upland (441)
D20 Eastern Harz Foreland and Börde (50)
D29 Wendland and Altmark (86)
Northwest German Plain 

D21 Schleswig-Holstein Marsch (68)
D22 Schleswig-Holstein Geest (69)
D23 Schleswig-Holstein Uplands (70)
D24 Lower Elbe Marsch (67)
D25 Ems and Weser Marsch (61)
D26 East Frisian Geest (60)
D27 Stade Geest (63)
D28 Lüneburg Heath (64)
D30 Dümmer and Ems-Hunte Geest (58-59)
Dümmer Geest Lowland (58, south)
Ems-Hunte Geest (59, north)
D31 Weser-Aller Plain (62)
D32 Lower Saxony Börde  (52)
D33 North Harz Foreland  (51)
D34 Westphalian Lowland or Basin (Münster Lowland) (54)
D35 Lower Rhine Plain and Cologne Lowland   (55, 57)
Cologne Lowland  (55, south)
Lower Rhine Plain (57, north)

Western Central Uplands
D36 Lower Saxon Hills  (including the Weser and Leine Uplands) (36-37, 53)
Lower Weser Uplands (53, northwest)
Upper Weser Uplands (36, centre)
Leine Uplands (37, east)
D37 Harz (38)
D38 Sauerland (Süderbergland)  (33)
D39 Westerwald  (32) 
D40 Gießen-Koblenz Lahn Valley (31)
D41 Taunus (30)
D42 Hunsrück (24)
D43 Moselle Valley (25)
D44 Middle Rhine (including Siebengebirge) (29)
D45 Eifel  (including Venn Foreland) (27-28, 56)
East Eifel (27, east and centre)
West Eifel (28, west)
Venn Foreland (56, extreme northwest)
D46 West Hesse Highlands (34)
D47 East Hesse Highlands (35)
D49 Bitburg Land (Gutland) (26)
D50 Palatine-Saar Muschelkalk Region (18)
D51 Palatinate Forest (the Haardt) (17)
D52 Saar-Nahe Hills or Upland (19)
Eastern Central Uplands 
Saxon Highlands and Uplands* (new supra-region)
D14 Upper Lusatia (44) - 
only 441 Upper Lusatian Plateau 
D15 Saxon-Bohemian Chalk Sandstone Region (43)
D16 Ore Mountains  (Erzgebirge) (42)
D17 Vogtland (41)
D18 Thuringian Basin including outer plateaus (47-48)
Southern plateau of the Thuringian Basin (47, south)
Thuringian Basin  (48; north, west and centre)
D48 Thuringian-Franconian Upland (39)
D63 Upper Palatine-Bavarian Forest (40)

South German Scarplands
D53 Upper Rhine Plain (20-23)
Southern Upper Rhine Plain (20, extreme south)
Middle Upper Rhine Plain (21, south of centre)
Northern Upper Rhine Plain (22, centre and north)
Rhine-Main Lowland (23, northeast)
D54 Black Forest (15)
D55 Odenwald, Spessart and South Rhön (14)
D56 Mainfranken Plateau (13)
D57 Gäu Plateaus (12)
D58 Swabian Keuper-Lias Plains (10)
D59 Franconian Keuper-Lias Plains (11)
D60 Swabian Jura (09)
D61 Franconian Jura (08)
D62 Upper Palatinate-Upper Main Hills (07)
D69 Dinkelberg and Upper Rhine Valley (16)

Alpine Foreland and Alps 

D64 Iller-Lech Plateau (04)
D65 Lower Bavarian Uplands and Isar-Inn Gravel Plateau (05-06)
Isar-Inn Gravel Plateau (05, Süden)
Lower Bavarian Uplands (06, Mitte und Norden)
D66 Southern Alpine Foreland (03)
D67 Swabian-Bavarian Foreland (02)
D68 Northern Limestone Alps (01)

North and Baltic Seas
D70 German Bight (excluding the Heligoland rock outcrop) (900 - to 90)
D71 Dogger Bank and adjacent central North Sea (901 - to 90)
D72 Western Baltic (902 - to 90)
D73 Eastern Baltic (903 - to 90)

References 

Geography of Germany
Masato Saito (born 1 December 1975) is a former Japanese football player. He has played for Omiya Ardija.

Club career statistics

|-
|1998||rowspan="12"|Omiya Ardija||Football League||15||1||3||0||colspan="2"|-||18||1
|-
|1999||rowspan="6"|J. League 2||22||0||2||0||1||0||25||0
|-
|2000||24||2||3||0||2||0||29||2
|-
|2001||31||1||1||0||2||0||34||1
|-
|2002||35||3||3||0||colspan="2"|-||38||3
|-
|2003||36||2||3||0||colspan="2"|-||39||2
|-
|2004||43||2||3||0||colspan="2"|-||46||2
|-
|2005||rowspan="5"|J. League 1||21||0||4||0||3||0||28||0
|-
|2006||25||0||1||0||3||0||29||0
|-
|2007||26||1||0||0||4||0||30||1
|-
|2008||22||2||0||0||3||0||25||2
|-
|2009||4||0||0||0||3||0||7||0
304||14||23||0||21||0||348||14
304||14||23||0||21||0||348||14
|}

References

1975 births
Living people
Footballers from Saitama Prefecture
is a former Japanese football player. He played for the Japan national team.

Biography
Hato was born in Minamiawaji on May 4, 1976. After graduating from Takigawa Daini High School, he joined J1 League club Yokohama Flügels with teammate Takayuki Yoshida in 1995. He played as mainly right midfielder and his opportunities to play gradually increased from 1997. In 1998, the club won the Emperor's Cup. However the club was disbanded end of 1998 season due to financial strain, he moved to Yokohama F. Marinos. He played as mainly right side-back and also center back. The club won the champions 2001 J.League Cup and 2003 J1 League. He moved to Kashiwa Reysol in April 2004. However the club was relegated to J2 League in 2005 and he moved to Omiya Ardija in 2006. He returned to Yokohama F. Marinos in 2010. He retired end of 2011 season.
On April 25, 2001, Hato debuted for Japan national team against Spain. After debut, he played as right midfielder in most matches including Confederations Cup in 2001. However his opportunity to play decreased behind Daisuke Ichikawa in 2002 and he was not elected Japan for 2002 World Cup. He played 15 games for Japan until 2002.

Statistics
|-
|1995||rowspan="4"|Yokohama Flügels||rowspan="4"|J1 League||9||0||1||0||colspan="2"|-||colspan="2"|-||10||0
|-
|1996||0||0||0||0||0||0||colspan="2"|-||0||0
|-
|1997||9||0||1||0||4||0||colspan="2"|-||14||0
|-
|1998||16||0||5||0||3||0||colspan="2"|-||24||0
|-
|1999||rowspan="6"|Yokohama F. Marinos||rowspan="6"|J1 League||19||1||0||0||4||0||colspan="2"|-||23||1
|-
|2000||26||0||3||0||6||0||colspan="2"|-||35||0
|-
|2001||27||0||1||0||9||1||colspan="2"|-||37||1
|-
|2002||27||0||2||0||0||0||colspan="2"|-||29||0
|-
|2003||10||0||3||0||3||0||colspan="2"|-||16||0
|-
|2004||1||0||0||0||1||0||1||0||3||0
|-
|2004||rowspan="2"|Kashiwa Reysol||rowspan="2"|J1 League||20||1||0||0||2||0||colspan="2"|-||22||1
|-
|2005||30||0||2||0||6||0||colspan="2"|-||38||0
|-
|2006||rowspan="4"|Omiya Ardija||rowspan="4"|J1 League||28||0||2||0||4||0||colspan="2"|-||34||0
|-
|2007||31||0||1||0||4||0||colspan="2"|-||36||0
|-
|2008||34||0||1||0||4||0||colspan="2"|-||39||0
|-
|2009||30||0||1||0||5||0||colspan="2"|-||36||0
|-
|-
|2010||rowspan="2"|Yokohama F. Marinos||rowspan="2"|J1 League||25||0||3||0||0||0||colspan="2"|-||28||0
|-
|2011||16||0||1||0||3||0||colspan="2"|-||20||0
358||2||27||0||58||1||1||0||444||3
358||2||27||0||58||1||1||0||444||3
|}
|-
|2001||10||0
|-
|2002||5||0
|-
!Total||15||0
|}

References

Other websites

1976 births
Living people
Footballers from Hyōgo Prefecture
Japan international footballers
J1 League players
Yokohama Flügels players
Yokohama F. Marinos players
Kashiwa Reysol players
Omiya Ardija players
2001 FIFA Confederations Cup players
Takuro Nishimura (born 15 August 1977) is a Japanese football player. He plays for Crystal Palace Baltimore.

Club career statistics

|-
|1998||rowspan="3"|Kokushikan University||rowspan="3"|Football League||||||2||0||colspan="2"|-||2||0
|-
|1999||5||0||2||0||colspan="2"|-||7||0
|-
|2000||3||0||0||0||colspan="2"|-||3||0
|-
|2001||rowspan="4"|Urawa Red Diamonds||rowspan="4"|J. League 1||0||0||0||0||0||0||0||0
|-
|2002||0||0||0||0||0||0||0||0
|-
|2003||0||0||0||0||0||0||0||0
|-
|2004||0||0||0||0||0||0||0||0
|-
|2004||rowspan="5"|Omiya Ardija||J. League 2||15||0||3||0||colspan="2"|-||18||0
|-
|2005||rowspan="4"|J. League 1||31||1||4||0||8||1||43||2
|-
|2006||12||0||1||0||4||0||17||0
|-
|2007||24||0||0||0||5||0||29||0
|-
|2008||0||0||0||0||1||0||1||0

|-
|2009||Portland Timbers||USL First Division||13||0||0||0||colspan="2"|-||13||0
|-
|2010||Crystal Palace Baltimore||D2 Pro League||||||||||||||||
90||1||12||0||18||1||120||2
13||0||0||0||colspan="2"|-||13||0
103||1||12||0||18||1||133||2
|}

References
Hiroshi Morita (born 18 May 1978) is a Japanese football player.

Club career statistics

|-
|2001||rowspan="2"|Sagan Tosu||rowspan="2"|J. League 2||17||5||4||2||1||0||22||6
|-
|2002||38||14||3||1||colspan="2"|-||41||15
|-
|2003||rowspan="2"|Albirex Niigata||J. League 2||12||4||4||5||colspan="2"|-||16||9
|-
|2004||J. League 1||3||1||0||0||1||1||4||2
|-
|2004||rowspan="5"|Omiya Ardija||J. League 2||21||10||3||0||colspan="2"|-||24||10
|-
|2005||rowspan="4"|J. League 1||29||5||3||1||7||0||39||6
|-
|2006||30||3||1||0||6||3||37||6
|-
|2007||21||2||1||0||3||0||25||2
|-
|2008||16||2||0||0||5||1||21||3
|-
|2009||Ventforet Kofu||J. League 2||41||7||3||0||colspan="2"|-||44||7
228||53||22||9||23||5||273||67
228||53||22||9||23||5||273||67
|}

References

1978 births
Living people
Footballers from Kumamoto Prefecture
Daisuke Tomita (born 24 April 1977) is a Japanese football player. He plays for Vissel Kobe.

Club career statistics 

|-
|2000||rowspan="4"|Mito Hollyhock||rowspan="4"|J. League 2||33||1||3||0||2||0||38||1
|-
|2001||36||2||2||1||2||0||40||3
|-
|2002||36||2||3||0||colspan="2"|-||39||2
|-
|2003||41||4||3||1||colspan="2"|-||44||5
|-
|2004||rowspan="6"|Omiya Ardija||J. League 2||43||4||2||1||colspan="2"|-||45||5
|-
|2005||rowspan="5"|J. League 1||32||0||4||1||5||2||41||3
|-
|2006||31||2||1||0||5||0||37||2
|-
|2007||31||1||0||0||6||0||37||0
|-
|2008||32||2||1||0||5||0||38||2
|-
|2009||21||1||2||0||4||0||27||1
|-
|2010||Vissel Kobe||J. League 1||||||||||||||||
336||19||21||4||29||2||386||25
336||19||21||4||29||2||386||25

1977 births
Living people
Footballers from Yamaguchi Prefecture
Seiichiro Okuno (born 26 July 1974) is a former Japanese football player.

Club career statistics

|-
|1993||rowspan="6"|Yokohama Flügels||rowspan="6"|J. League 1||0||0||0||0||0||0||0||0
|-
|1994||0||0||0||0||0||0||0||0
|-
|1995||16||0||0||0||colspan="2"|-||16||0
|-
|1996||0||0||0||0||0||0||0||0
|-
|1997||6||0||5||1||3||0||14||1
|-
|1998||3||0||0||0||0||0||3||0
|-
|1998||rowspan="10"|Omiya Ardija||Football League||10||0||3||0||colspan="2"|-||13||0
|-
|1999||rowspan="6"|J. League 2||27||2||3||0||0||0||30||2
|-
|2000||34||1||3||0||0||0||37||1
|-
|2001||39||1||1||0||0||0||40||1
|-
|2002||40||1||3||0||colspan="2"|-||43||1
|-
|2003||37||0||3||0||colspan="2"|-||40||0
|-
|2004||44||2||1||0||colspan="2"|-||45||2
|-
|2005||rowspan="3"|J. League 1||27||0||3||0||6||0||36||0
|-
|2006||11||0||1||0||1||0||13||0
|-
|2007||6||0||0||0||1||0||7||0
300||7||26||1||11||0||337||8
300||7||26||1||11||0||337||8
|}

1974 births
Living people
Footballers from Fukui Prefecture
Central Español F.C. is a football club which plays in Uruguay.

Football clubs in Montevideo
1905 establishments in South America
20th-century establishments in Uruguay